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AMERICANA MUSIC
L Old Joe Clark—arr. Dwight Bigler. This Appa-
lachian folk song is tremendously fun. Fantastic
and fun vocal lines are supported by a lively yet
accessible piano accompaniment. Add spoons
and clapping or stomping for a great time!
11121877 SATB. . . . . . . . . . . . . . . . . . . M 2.75
Le Shenandoah—arr. Jonathan Rodgers. This
arrangement brings a new depth and beauty to
this American classic. The respect and reverence
for the tune and history is kept, but the addition
of nontraditional harmonies, the ethereal and
rhapsodic feel of the piece, and the beautiful piano
accompaniment and interludes make this setting
absolutely stunning and yet slightly different than
the others that have come before it.
10995819 SSAA . . . . . . . . . . . . . . . . . . M 2.75
Le Shenandoah—arr. Victor C. Johnson. A plain-
tive optional oboe solo floats above an express-
ive piano accompaniment in this inspired
arrangement of the much loved American folk
song. Featuring unique harmonic twists and turns,
and a gradual broadening of the original melody
that mimics the movement of the river itself.
A refreshing reimagining of a treasured classic.
10993719 SATB. . . . . . . . . . . . . . . . . . ME 2.05
LtThe Star-Spangled Banner—Francis Scott Key
e & John Stafford Smith/arr. Connor Smith and
Desmond Clark. Here's a fresh arrangement of the
national anthem that is spot on for contemporary
a cappella singers! Combining the traditional
with some tighter contemporary harmonies and
a clever modulation to accommodate the huge
range on the melody, this unique setting is sure
to inspire and impress. Make it your standard
arrangement to perform at concerts, assemblies,
games, and events.
10993743 SATB divisi . . . . . . . . . . . . . . M 2.05
L The Star-Spangled Banner—arr. Mary McDon-
ald. This dramatic setting in 4/4 includes an
optional ending for traditional national anthem
performances and an additional verse for
an expanded, powerful ending. The hushed
beginning builds beautifully to moments of
majesty with nicely written choral harmonies. The
piano accompaniment stands on its own but can
be elevated with a stunning orchestration.
11165836 SATB. . . . . . . . . . . . . . . . . . . M 2.20
Le They All Laughed—George Gershwin & Ira
Gershwin/arr. Mark Hayes. Originally performed
by Fred Astaire and Ginger Rogers in the classic
movie "Shall We Dance," this bubbly Gershwin
tune has enjoyed a recent resurgence. Full of
charm and wit, the arrangement sparkles with
accessible jazz harmonies, reasonable ranges and
a stellar accompaniment. A perfect introduction
to vocal jazz for developing choirs with plenty
of cross-curricular opportunities for historical
context and setting.
10993747 SATB. . . . . . . . . . . . . . . . . . ME 2.10
De This Train Is Bound for Glory—arr. Rollo
Dilworth. Dilworth's take on the classic spiritual
doesn't disappoint! With a gospel piano part to
match your singers as an equal and vital character
in the song, the chugging of the tempo and the
steady building of the vocals click-clack together
in glory indeed! Cascading lines of "this train"
repeat throughout the piece, and a short a cappella
section in the middle really showcases your mixed
choir. Add a youth choir or soloist for the descant
sections to create an intergenerational impact.
11002153 SATB plus
Children's Choir . . . . . . . . . ME 2.25
Le The Water Is Wide—arr. Greg Gilpin. A creative
reharmonization of this well-known folk melody,
this piece explores major and minor progressions
with just a hint of jazz. A hushed layering of the
first four melodic notes provides the gentle
introduction and pensive closing, while ample
unison writing allows your choir to develop blend
and artistic phrasing.
10993745 SATB. . . . . . . . . . . . . . . . . . ME 2.05
t We're Marchin' to Zion—Raymond Wise.
Scored for a cappella divisi mixed chorus,
the driving ostinato found in the bass and
baritone voices along with the stratification of
textures create a most engaging composition.
Layered vocal lines make it easy to learn, and
the performance notes give flexible options
for mixed, treble, and tenor-bass adaptations
along with helpful stylistic notes. The stomping
motif makes this an excellent choice for a
processional, too. A fantastic concert piece with
high performance value!
10982035 SSATTBB or TTBB or SSAA M 2.65
t Who Killed Poor Robin? (from Five American
Songs)—arr. John Wykoff. This is a tremendously
fun and rowdy folk song. With accessible vocal
lines, this arrangement will work well for a wide
variety of choirs and will be a favorite of your
audiences. From the set of Five American Songs
by John Wykoff.
10994198 SATB. . . . . . . . . . . . . . . . . . . M 2.85
9
ADULT
COMMUNITY
CHOIR
Theme:
MEMORY &
MEMORIALS
Try to Remember—arr. Jay Althouse.
10030587 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Memory (from "Cats")—Andrew Lloyd Webber/arr.
John Leavitt.
10518207 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Days Gone By—Eric William Barnum.
10994217 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.65
Will the Circle Be Unbroken—arr. J. David Moore.
10704230 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
Remembering Decembers—Pinkzebra.
10795484 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Remember Me (from "Coco")—Kristen Anderson-
Lopez & Robert Lopez/arr. Roger Emerson.
10866984 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
We Remember Them—Susan LaBarr.
10980924 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
The Place Where Lost Things Go (from "Mary
Poppins Returns")—Marc Shaiman/arr. Mac Huff.
10981585 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
The Immortal Memory—Thomas LaVoy.
10994181 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.85
On Music—Kevin A. Memley.
10995808 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Theme:
DIVERSITY,
ACCEPTANCE &
PEACE
We Are—Bob Chilcott.
10981710 SATB Or SA or AATBB . . . . . . . . . . 5.50
We Shall Overcome—Robert T. Gibson.
10994196 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Can We Sing the Darkness to Light?—Kyle Pederson.
10994208 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
Take Down These Walls—Brian Tate.
10995821 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
Give Us Our Peace—Rollo Dilworth.
11001370 SATB divisi, with Treble Choir . . . . . 2.95
I Choose Love—Mark A. Miller.
11100143 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Sing Community, Sing Peace—Mark Hayes.
11124003 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
What is Peace?
(from "Tuvayhun: Beatitudes for a Wounded World")
— Kim André Arnesen.
11160531 SSAA opt. a Cappella . . . . . . . . . . . . . 2.85
Like a River in My Soul—arr. Tim Osiek.
11166182 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
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