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t Phind'ukhulume—arr. Mzwandile Mabuza.
This beautiful Zulu prayer speakes to themes
of gratefulness and hope. Very moving, with a
dramatic rise and fall. Acheivable by many levels.
Includes translation and pronunciation guides.
10980922 SATB. . . . . . . . . . . . . . . . . . . M 2.85
e Qi Do Lei—arr. She Qian. Drawn from the
Yunnan Hani children's folk song Qi DoLei,
the music describes the happy life of children
and parents who cut down bamboo and pick
up bamboo leaves. Combining traditional folk
tunes with modern musical styles, this is a truly
multicultural musical expression. Playful and
inventive, this piece transports us to the beautiful
countryside of China.
10995818 SSAA . . . . . . . . . . . . . . . . . . M 2.75
t Sisi Kushangilia (We Will Be Glad)—Victor C.
Johnson. Exuberant rhythmic energy abounds
in this African-style original! The Swahili text
of only four words translates: "We will dance!
We will sing! We will be glad!" The only
accompanying instruments are shaker, hand
drum and djembe, which add an authentic flavor
and texture to this celebratory and accessible
multicultural selection.
10998119 SSA. . . . . . . . . . . . . . . . . . . ME 2.10
De Soy un Coya Chiquitito—arr. R. Eben Tro-
baugh. A traditional folk tune sung by children
and families throughout Bolivia, Chile, and
Argentina, this South American piece is an ideal
multicultural selection for young treble choirs.
Plenty of unison and some simple sections of
harmony and canon make this a quick learn. The
Spanish text is supported with a pronunciation
guide and translation for your singers.
10981293 Two-Part. . . . . . . . . . . . . . . ME 2.10
Suo Gan—arr. Lynsey Callaghan. The beloved
Welsh lullaby is tastefully arranged, beginning with
a unison statement of the melody with the English
text. The second verse explores the Welsh dialect,
but sets it for a soloist or small group. The texture
expands to three-part harmony with a descant in
the third stanza, but returns to the English text to
keep the choral parts accessible for young choirs.
A tender flute obbligato complements the flowing
piano part.
10999684 SA . . . . . . . . . . . . . . . . . . . . ME 2.15
e Tecolote—arr. Judith Herrington. This folk song
is from a collection of native songs from New
Mexico. The singers envy the owl who has wings
and can visit a loved one while they cannot. The
beauty of the folk song is in its earthy melody and
youthful innocence, all enhanced by the playful
accompaniment.
10997699 Two-Part or SA. . . . . . . . . . ME 2.25
DtThree Kenyan Folk Songs for Treble Choir—
e arr. Stellah Mbugua & Richard Culpepper. Here is
authentic Kenyan folk music with insightful notes
explaining the origins and usage of the music,
extensive IPA and poetic pronunciation guides,
and suggested rhythm instrument patterns.
Ample unison and repetitive melodies aid learning
and help your treble choir present an authentic
and informed performance of this important world
music. Includes: Muti Muhande Rui-ini (Children's
Play Song); Ururururu Mwana (Kikuyu Lullaby) and
Woe Gakenge (Kikuyu Caai Ceremonial Song.)
11002154 SSA divisi . . . . . . . . . . . . . . . M 2.50
Ht Tongo—arr. Greg Gilpin. This traditional canoe
e song from Polynesia sounds very impressive
with handclaps and percussion instruments
adding to the choral texture. The echoing voice
parts suggest people communicating from canoe
to canoe as they travel between islands. The
Polynesian text is simple, and a pronunciation
guide is included. A refreshing change of pace
in the multicultural category, this popular piece is
now available for mixed choirs!
10985245 SATB. . . . . . . . . . . . . . . . . . . . E 2.20
Tres Trabalenguas (Three Tongue Twist-
ers)—Mark Burrows. Young singers will love
this short cycle of three pieces based on popular
tongue twisters from Spanish-speaking countries:
Pablito Clavo un Clavito; Tres Tristes Tigres and
Como Poco, Coco Como. As with all tongue
twisters, these trabalenguas don't make much
sense, but they are fun to say and sing! And of
course, part of the fun is seeing how fast you can
say or sing them without faltering. Pronunciation
guides and translations are included for the
Spanish text. Great for diction!
11100059 Two-Part. . . . . . . . . . . . . . . ME 2.35
te Two Asian Folk Songs—arr. Ruth Morris
Gray. Perform this engaging pair of authentic
Asian folk songs separately or as a set. Singers
will embrace imitating percussion instruments
in the Chinese Flower Drum Song and adore
echoing the lyrical pentatonic tune of High Green
Mountain from Taiwan. Evolving ostinatos create
the sense of accompaniment within the context
of both a cappella settings. Pronunciation guides
are included, making it easy to sing in the original
language, in English, or a combination of both.
10985258 SATB. . . . . . . . . . . . . . . . . . . M 2.45
t Ubuntu—Christi Jones. Ubuntu, the essence of
being human, simply means we need each other,
are made better by each other, and cannot exist
as human beings in isolation. With traditional text
based on this African (Xhosa) philosophy, this
piece is sure to draw in any audience. While the
percussion is optional, it will add much to the
authenticity of the piece. Live with ubuntu!
10984558 TTBB. . . . . . . . . . . . . . . . . . ME 2.50
e Ujedinite Se (Stand United)—Jim Papoulis.
This work has a mission: celebrate and unite
the different cultures in our society by offering
an upbeat and powerful anthem that includes
Arabic, Bosnian, Hebrew and English. An easy-
to-read phonetic pronunciation guide is included,
removing text barriers. Hand percussion parts are
included in the octavo.
10998274 SATB or SAB . . . . . . . . . . . ME 2.50
Wau Bulan—Tracy Wong. This classic and
upbeat Malaysian folk song is about flying kites!
It is usually sung while seated on the floor and
while performing synchronized-choreographed
movements and hand claps. This pentatonic
melody can be adapted to suit choirs at all levels
and makes for a colorful opening or closing of any
concert.
10997312 SAB. . . . . . . . . . . . . . . . . . . ME 2.75
t Yemaya Assessu (A Hymn of Thanksgiving)—
arr. Judy A. Rose. Starting with a unison chant
by a treble trio, this arrangement of an African
piece gradually adds layers of sound, building
to a dramatic ending. The celebratory text lauds
the value of water in our world and introduces
the enchanting legend of the goddess Yemaya.
Percussion lines for shekere and djembe are
included for added excitement.
10984595 SATB divisi,
with Treble Trio. . . . . . . . . . . M 2.20
WORLD MUSIC
17
CHILDREN'S
COMMUNITY
CHOIR
Theme:
EARTH, SEA
& SKY
Storm—James DesJardins.
10990234 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
I Will Sing You the Stars—Mark Burrows.
10993670 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
October Sun—Daniel Elder.
10994194 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.85
The Night Will Never Stay—Judith Herrington.
10995824 Two-Part or SA . . . . . . . . . . . . . . . . . 2.15
Winter Reflections—Bruce W. Tippette.
10996342 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I Am the Wind—Elaine Hagenberg.
11107830 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
The Brook (Chatter, Chatter)—Paul David Thomas.
10990279 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Song to the Moon—Alan Bullard.
10993268 Unison/Two-Part . . . . . . . . . . . . . . . . 2.90
Rain Songs—Tim Winebrenner.
10990328 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Shenandoah—arr. Victor C. Johnson.
10993719 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
10993720 SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
THERE'S MORE ONLINE!
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