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e Shallow (from "A Star Is Born")—arr. Alan
Billingsley. This Lady Gaga/Bradley Cooper
award-winning duet lays at the heart of the
blockbuster movie "A Star Is Born." This tasteful
sound-alike arrangement preserves the opening
solo and duet passages before blossoming into
full choral harmony. Add the expressive cello part
to create an emotionally riveting feature for your
ensemble.
10985235 SATB. . . . . . . . . . . . . . . . . . ME 2.10
10985237 Two-Part. . . . . . . . . . . . . . . ME 2.10
De She Used to Be Mine (from "Waitress")—Sara
Bareilles/arr. Mac Huff. Here is the memorable
ballad from Sara Bareilles's Broadway musical
"Waitress", presented in a beautiful arrangement
for treble choirs. Dealing with themes of self-
worth and changing circumstances, this setting
asks your singers to dig deep inside themselves
to bring the emotions and drama of this piece to
the concert stage.
11002057 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
De Someday (from "The Hunchback of Notre
Dame")—Alan Menken/arr. Mac Huff. Originally
cut from Disney's "Hunchback of Notre Dame"
animated movie, but revived and placed as the
final song in the Broadway stage production,
this gorgeous ballad expresses Esmeralda's final
hopes and wishes for the world. Presented in a
concert arrangement with lush harmonies worthy
of any treble choir, this song will be the perfect
closer for any concert or ceremony.
10994487 SSAA . . . . . . . . . . . . . . . . . ME 2.15
De Speechless (from "Aladdin")—Alan Menken/
arr. Jacob Narverud. "I won't be silenced, you
can't keep me quiet... Let the storm in, I cannot
be broken. No, I won't live unspoken, 'cause I
know that I won't go speechless." Jasmine's
power ballad from the 2019 live-action remake
of Disney's "Aladdin" features a strong text of
empowerment from lyricists Benj Pasek and
Justin Paul ("The Greatest Showman"; "Dear Evan
Hansen"). With thick choral harmonies and a great
instrumentation, this strong choral arrangement is
a wonderful choice for mixed choirs.
11162159 SATB divisi . . . . . . . . . . . . . ME 2.15
De There's No Tune Like a Show Tune—Jerry
Herman/arr. Mark Hayes. From the musical
"Parade" comes this nostalgic show tune in a
spirited arrangement that incorporates snippets
of other songs from musicals. It begins with an
opening verse of solos in different styles and
then we hit the spirited two-beat feel and go to
Broadway! A great opening to a themed concert
or just plain fun for any time of year.
10997785 Two-Part. . . . . . . . . . . . . . . ME 2.25
10997784 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
De Trip a Little Light Fantastic (from "Mary
Poppins Returns")—Marc Shaiman/arr. Mark
Brymer. Just like the classic Step in Time 54 years
prior, this lamplighter song reigns as the no-holds-
barred large-scale production number from the
corresponding movie starring everyone's favorite
British nanny. The title takes its name from an old
phrase that means "to dance nimbly." An exciting
choice for your concert or show choir that retains
all the energy of the original!
10984854 Two-Part. . . . . . . . . . . . . . . . M 2.25
e Unruly Heart (from "The Prom")—Chad
Beguelin & Matthew Sklar/arr. Greg Gilpin.
"Nobody out there ever gets to define the life I'm
meant to lead with this unruly heart of mine." This
powerful message from the 2018 musical "The
Prom" resonates strongly with young singers.
Opening with a pop-style solo that blossoms into
tender choral harmonies, this warm ballad is both
inspirational and relevant.
10993752 SATB. . . . . . . . . . . . . . . . . . ME 2.25
10993754 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
e We Dance (from "Once on This Island")—arr.
Andy Beck. This rhythmic opening number from
Broadway's "Once On This Island" is a powerful
feature with a bright "island" groove and strong
choral singing. Perfect for choreography!
10993757 Two-Part. . . . . . . . . . . . . . . ME 2.10
e When I Grow Up (from "Matilda the
Musical")—Tim Minchin/arr. Roger Emerson. A
little bit cheeky, a little bit naughty, but completely
refreshing, multi-faceted composer Minchin gives
the 2011 West End adaptation of Roald Dahl's
1988 book "Matilda" a quick-witted and wry
look into the hopes and desires of the friendly
schoolchildren surrounding the title character.
Children have enjoyed this piece as a vocal solo,
and now your chorus can perform this well-crafted
choral adaptation with accessible ranges and
harmonies for young choirs and a dynamite track.
11002224 SATB. . . . . . . . . . . . . . . . . . ME 2.25
11002226 Two-Part. . . . . . . . . . . . . . . ME 2.25
De A Whole New World (from "Aladdin")—Alan
Menken/arr. John Leavitt. Recent revivals of this
gorgeous ballad from Disney's "Aladdin" have
proved that it is indeed an enduring classic. This
concert version features beautiful harmonies and
a full choral texture with optional parts for strings
and percussion that lend an air of sophistication
that is unsurpassed.
10994476 SSA. . . . . . . . . . . . . . . . . . . ME 2.15
e A Wonderful Day Like Today—Leslie Bricusse
& Anthony Newley/arr. Greg Gilpin. The musical
"The Roar of the Greasepaint, the Smell of the
Crowd" gave us this bright two-beat number with
a positive message. This well-written arrangement
makes a terrific opener for any concert, and you
have the option to add kazoos for even more fun!
10993042 Two-Part. . . . . . . . . . . . . . . ME 2.25
e Zazz (from "The Prom")—Chad Beguelin &
Matthew Sklar/arr. Andy Beck. From the writers
of the popular Broadway musical "Elf," this
showstopper from the musical "The Prom" will
bring the house down! Flashy lyrics poke fun and
offer several laugh lines such as "If your hands are
shaking, just turn 'em into jazz hands." Catchy
melodies and jazzy harmonies are fun to sing,
stage, and perform - with razzle-dazzle to spare!
10993770 Two-Part. . . . . . . . . . . . . . . ME 2.10
10993771 SSA. . . . . . . . . . . . . . . . . . . ME 2.10
21
SHOW TUNES & MEDLEYS
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All Prices in U.S. Dollars & Subject To Publisher Revision Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
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JUSTICE
Deer Song (from "Considering Matthew Shepard")—
Craig Hella Johnson.
10954176 SSAA with 3 treble soloists . . . . . . . 2.50
Dry Your Tears, Afrika—
John Williams/arr. Audrey Snyder.
3116688 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.15
3116704 Two-Part . . . . . . . . . . . . . . . . . . . . . . 2.15
Make Them Hear You—
Lynn Ahrens & Steven Flaherty/arr. Funk.
3141454 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Make Them Hear You—arr. Mark Hayes.
10514971 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Music Changes the World—Jim Papoulis.
10760347 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Considering Matthew Shepard (2nd edition)—
Craig Hella Johnson.
10908882 SATB Choral Score . . . . . . . . . . . . 19.95
I Feel a Change Is Coming—Jim Papoulis.
10954055 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Lift Every Voice and Sing—
J. Rosamond Johnson/arr. Rollo Dilworth.
11001656 Two-Part . . . . . . . . . . . . . . . . . . . . . . 2.10
Never One Thing—May Erlewine/arr. Corie Brown.
11001827 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
It Takes a Village—Joan Szymko.
3277274 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.15
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