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CHRISTMAS & HOLIDAY
EDITORS'
CHOICE
4
On a Silent Night Long, Long Ago
Mary Lynn Lightfoot.
Perfect for that reflective, quiet moment on your holiday concert, a haunting
original minor melody showcases Katherine Parker's well-known "winds
through the olive trees" text which seamlessly leads us into strains of the
familiar Silent Night. Shifting between major and minor, Parker's last two verses
meld perfectly with the beloved carol melody and culminate in an ending of
quiet splendor.
11202519 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10906181 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10906183 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27.95
Resmiranda
Wonderful Thing
Mitchell Covington.
There are numerous settings of
RESMIRANDA in the English choral
tradition—most well known being by Benjamin Britten. This setting
by composer Mitchell Covington combines the English carol text with a
seventeenth century text by Thomas Pestel. Scored for mixed chorus with
piano, the work would be a marvelous addition to your Lessons and Carols,
Epiphany worship, or holiday concert.
11202058 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
Riu, Riu Chiu
arr. Mark Burrows.
Tambourine and hand drum enhance the dance-like character of this Spanish
villancico that dates back to the Renaissance era. This arrangement makes
brilliant use of varied a cappella textures, from soloists over solid block chords
to vigorous rhythmic interplay between voice parts. Very fun to sing, and perfect
for madrigal dinners or holiday concerts!
11196278 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
11196279 SSAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
Rudolph on the Housetop
arr. Kirby Shaw.
Here's a jazzy mash-up of two favorite holiday songs in an arrangement that
choirs of all ages will enjoy.
Rudolph the Red-Nosed Reindeer and Up on the
Housetop are fitted with jazz harmonies and plenty of festive fun that works well
with the track or with the parts for your jazz band. A holiday home run!
11205023 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11205024 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11205025 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11205026 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.99
11205027E Instrumental Parts Jazz Band ePrint . . . . . . . . . . . . . . . . . . . . . 25.00
Secret Santa
Andy Beck.
Everyone does it - the Secret Santa gift exchange! This fun '60s-inspired
crowd-pleaser explains how it all works with spoken solos in between choral
lines that are super easy to learn for a quick holiday concert addition or encore.
Add the optional choreography and you've got your holiday highlight!
11197496 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
11197497 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29.99
See the Star!
Ruth Morris Gray.
Loosely based on the Christmas carol We Three Kings,
this carol setting is
anything but traditional! Set in the style of a spiritual, this syncopated setting
can be performed a cappella or accompanied - your choice! Both are effective,
with sparkling rhythms and interesting choral lines for each section. Accessible
and festive!
11166229 Three-Part Mixed opt. a Cappella. . . . . . . . . . . . . . . . . . . . . . . . 2.10
11205022 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22.99
O Come, All Ye Faithful
John Francis Wade/arr. Jamey Ray.
Another fresh take on a classic Christmas carol from the fabulous a cappella
group Voctave! From their album Snow, this arrangement features harmonic
twists and turns, contemporary harmonies, some extended range, and plenty
of divisi that your advanced choir will just love to learn and perform. A true
Christmas highlight!
11198938 SATB divisi, or SSAATTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
O Come, O Come Emmanuel
arr. Jamey Ray.
Voctave's arranger Jamey Ray has created a hauntingly beautiful setting of this
traditional Christmas hymn in an arrangement that is accessible to any choir.
The piano motive and chromatic accompaniment surround this well-known
melody with lush harmonies and choral lines to create an elegantly simple
selection that will speak to the hearts of all during the Christmas season.
11001264 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
11198823 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
O Holy Night
Adolphe Adam/arr. Tim Harbold.
Who would ever have thought that O Holy Night
could be set in a gospel style?
Well, this is it. Set for mixed chorus with piano, Tim Harbold develops a gospel
work that brings new life to this holiday standard. Gospel choirs would love it.
11196162 SATB Divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
O Little Town of Bethlehem
R. Daniel Holt.
This is an evocative setting of the traditional carol text, with earthy percussion and
modal tonality. Truly beautiful and highly interesting, with simple and effective
vocal writing, this will be a unique addition to Christmas programs in concert or
church. Can be performed with keyboard only or with keyboard and harp.
11195646 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
O Magnum Mysterium
from Venite Adoremus
Michael John Trotta.
A wonderfully expressive a cappella setting of the traditional Christmas text.
Carefully prepared dissonances and use of close harmonies thoughtfully
paint the text as a sense of awe and wonder permeate the setting. The work
concludes with the opening material sung on "Alleluia" with a soaring soprano
descant. May be performed in English or Latin.
11192977 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
O Nata Lux
Richard Ewer.
This lovely and sensitively crafted setting of the traditional Latin text is well-
suited for concerts and contests. Written in the perfect range for treble voices,
it employs interwoven independent vocal lines, clusters, and suspensions that
create an a cappella tapestry of stunning beauty.
11172875 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
