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the best new
CONCERT SELECTIONS
EDITORS'
CHOICE
4
Imbakwa
Jim Papoulis.
Beautifully melodic, with a great beat and a great message, this "world music"
piece has a text in Swahili which translates as, "We have a right." Imbakwa
was written for the score of a film about TunaHAKI, an organization benefiting
orphans in Tanzania. A hand-drum part is included in the choral score.
10340678 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11202976 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
In Dreams
Zebulon Highben.
This beautiful setting of a Rossetti text is a true gem for a tenor-bass choir.
Three verses in length, framed with doo-doo-doo vocables, this a cappella work
has much to offer to a mature ensemble.
11190320 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
In Flanders Fields
Greg Gilpin.
This beautifully written setting of one of the best known poems from World War
I makes good use of mixed meter, long phrases, and lovely harmonic moments
to create a poignant selection for remembrance of veterans. This is an excellent
teaching piece with cross-curricular opportunities to history. Add the optional
cello obbligato to feature one of your string players.
10866499 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10866500 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
11171324 Two-Part or SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
In Meeting We Are Blessed
Troy Robertson.
The use of a djembe imparts a traditional African feeling to this easy original
a cappella work. The Gatsnahos text, inspired by John Donne, has a theme of
friendship and unity that all can relate to. "We are met together and in meeting
we are blessed. Peace in coming and in going, peace in labor and in rest..." This
is accessible to choirs at many levels, and it makes a wonderful processional!
10589968 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
10996247 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
11169350 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
It's Gonna Be Alright
Raymond Wise.
This energetic original contemporary gospel piece has a wonderful groove and
an uplifting message of self-empowerment. Staccato and accented vocals,
expressive dynamics, and a repetition section moving up by half steps add to
the excitement. Optional drum and bass parts are available.
11202191 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11202192 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11204624E Instrumental Parts Bass, Drums ePrint . . . . . . . . . . . . . . . . . . . . 15.00
J'entends le Moulin
I Hear the Windmill
arr. Emily Crocker.
Hear the steady sound of the mill wheel in this brisk setting of the French
Canadian folk song, which uses alternate French and English text. "I hear the
windmill, tick-a tick-a tack-a..." Use the pronunciation guide on the inside cover
or the Teaching P/A CD to practice the French lyrics. This is easy and fun to
sing! Now available in SA(T)B!
11176683 SAB or SA(T)B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10030298 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
10030299 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22.99
I Will Sing
Michael Engelhardt.
"What will I do with the portion given to me? I will sing." This fantastic work,
written in a Gospel style, but with an ecumenical text that challenges each of us
to make the most of the lives we've been given, is a perfect piece for any setting
as well as a great closer!
11195665 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.65
I'm Gonna Lift My Voice and Sing!
Lon Beery.
This accessible contemporary gospel work features a secular text that celebrates
singing. A driving keyboard accompaniment, syncopated rhythms, solo
opportunities, a layered bridge, and a clap chorus give this work the style and
drive of a gospel powerhouse. What a great educational opportunity to explore a
genre that has greatly affected American music! Now available in SSA.
3295860 Three-Part Mixed or SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
11197769 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I'm Gonna Sing When the Spirit Says Sing
arr. James M. DesJardins.
This piece combines musical elements of traditional African-American spirituals
and Protestant church music. Inspirational and great fun to sing, with optional
claps and hand moves, singers will ride on the energy and excitement of the
driving bass line in the highly rhythmic piano accompaniment. Now available in
a three-part mixed voicing!
11198320 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10872487 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I'm On My Way
Anthony Trecek-King.
Rhythmic, driving, and intense, this is a rich selection for three-part treble
choruses. A lesser-known spiritual speaking to themes of home, journey, and
trial, this is an accessible and dynamic arrangement.
11170295 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
10980921 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
If My Love Is Too Great
Paul Langford.
This a cappella original uses an uplifting text to express the joy of living life to the
fullest. Using legato phrases, rubato, divisi, and jazz-influenced harmonies, the
rich choral writing is emotional and eloquent. Inspiring!
11204561 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
If You Want to Hold My Hand
Kyle Pederson.
This piece explores the simple but incredibly powerful act of holding someone's
hand - and the text and pop feel will resonate with singers and audiences alike.
It can be performed with piano, guitar, or both. Conceived as part of a suite,
it is an excellent companion piece to Hands are Knockin' (#10981924), both
thematically and harmonically.
11199829 SATB guitar and/or piano accompaniment . . . . . . . . . . . . . . . . . . 2.15
