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Jambo Bwana
Teddy Kalanda Harrison/arr. Russell Robinson.
In this happy Kenyan/Swahili folk song, "Jambo
Bwana" means "Hello, sir." A simple song of
peace, this selection features optional congas plus
a piano accompaniment to support the voices. A
pronunciation guide is included for the text, which
translates as: "How are you? Very good. Visitors are
welcome here. Our Kenya has no problems. Kenya
is a good country. It is a country of peace." Now
available in TBB.
10586961 Three-Part Mixed
opt. baritone, or SATB . . . . . . . . . . . .2.50
11198318 TBB . . . . . . . . . . . . . . . . . . . . . . . . . .2.50
Jambo Rafiki
Victor C. Johnson.
With lively percussion parts and call-and-response-
style writing, this engaging and easy-to-learn piece
will make a terrific concert opener! The a cappella
harmonies are so fun to sing and include plenty of
repetition, and the notated percussion rhythms for
gankogui, hand drum, djembe, and shaker effectively
support the texture. A pronunciation guide and
translation of the short Swahili text are included.
11195595 Three-Part Mixed with Percussion . . .2.10
11195596 Two-Part with Percussion . . . . . . . . .2.10
John Henry
Andre Thomas.
This robust treatment of a favorite folk song has a hint
of gospel in its harmonies and piano accompaniment. It
features a full choral sound with short divisi passages.
Premiered by the Virginia Music Educators Association
2019 Honors Choir, it is an impressive concert
showpiece for single ensemble or festival performance!
11195896 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.50
John Henry
arr. Victor C. Johnson.
Set in multiple voicings for choirs of all ages, this
fresh arrangement of the traditional railroad work
song tells the dramatic story of John Henry, who
died with his hammer in his hand. The syncopated
melody and harmonies have a bluesy gospel feel, and
the driving piano accompaniment keeps this work
on track to be a powerful performance your singers
will love.
11171327 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.10
11171328 SAB. . . . . . . . . . . . . . . . . . . . . . . . . .2.10
11171329 Two-Part . . . . . . . . . . . . . . . . . . . . . .2.10
Joshua Fit the Battle
arr. Greg Gilpin.
Original music pairs with the traditional spiritual melody
in an exciting partner-style choral for two-part voices.
A quick learn, and an ideal piece for teaching young
singers how to hold their harmony parts with success.
A supportive piano accompaniment completes the
package for a piece that offers great educational
opportunities as well as high performance value.
11171303 Two-Part . . . . . . . . . . . . . . . . . . . . . .2.10
A Jubilant Song
Victor C. Johnson.
An exhilarating original for developing choirs featuring
energized syncopation, strong melodic lines and
a dynamic accompaniment! Familiar Latin text is
utilized in the opening and closing sections, while an
expressive English text is featured in the middle for
a lyrical and stylistic contrast. A perfect concert or
festival selection that gives the opportunity to teach
pure vowels and tone for younger choirs in a piece
that is fun to sing and sure to impress!
11195570 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10906106 Three-Part Mixed. . . . . . . . . . . . . . . .2.25
10906107 Two-Part . . . . . . . . . . . . . . . . . . . . . .2.25
11195572 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10906108 P/A CD . . . . . . . . . . . . . . . . . . . . . .27.95
Just One Heart
Jim Papoulis.
For SA voices with divisi, this inspiring selection uses
percussion to simulate a heartbeat and from that
bringing forth a simple idea - that reaching even just
one heart can be a very powerful gesture. This music
sends a positive message to singers and audience
alike. World rhythms, a contemporary feel, great
choral writing, and positive lyrics make this a fantastic
selection for developing singers.
11202977 SAB Divisi, Piano & Percussion . . . . .2.25
10715675 SA Divisi, Piano & Percussion . . . . . .2.10
Kusimama
Stand Tall
Jim Papoulis.
Kusimama is written in a world-music style that is
accessible for choirs, both young and old, that are
just beginning to be exposed to world rhythms and
language - a sort of introduction to new languages,
syllables, body percussion and style. The text in both
Swahili and English is about standing tall on the earth,
not with anger or aggression, but with hope, strength,
acceptance, and positivity. The voices, along with
hand claps, stomps, djembe, shaker and piano, all
combine for an exciting world-music presentation.
10308964 SATB . . . . . . . . . . . . . . . . . . . . . . . . .1.95
10296741 Two-Part . . . . . . . . . . . . . . . . . . . . . .2.15
11202989 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
Kwangena Thina Bo
arr. Lhente-Mari Pitout.
Created to be sung in the original Xhosa language,
this traditional South African folk song has been
authentically arranged by the director of the Pretoria
Youth Choir. An IPA pronunciation guide along with
a poetic translation is provided, making an authentic
performance easy to realize.
11169751 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.50
11169752 TTBB . . . . . . . . . . . . . . . . . . . . . . . . .2.50
Kwaxabana Oxamu
arr. Michael Barrett & Mbuso Ndlovu.
This dazzling work is a celebration of the isiXhosa
language of South Africa. It uses the various click
sounds found in the Xhosa language to a stunning
effect. The language will be a challenge to most
choirs, but the work will be well worth it for the
end result!
11200698 SATB . . . . . . . . . . . . . . . . . . . . . . . . .2.75
11200699 TTBB . . . . . . . . . . . . . . . . . . . . . . . . .2.75
The Lake Lay Blue
Greg Gilpin.
With a text based on The Blue Bird by Mary Elizabeth
Coleridge (1861-1907), this original concert work
reflects the textures of the cold and still lake beautifully
expressed in the poem. Lush choral harmonies with
clusters, suspensions, and moving parts contrast
with sections of unison and open harmonies to reflect
the starkness of the setting. A stunning selection for
treble choirs.
11171308 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
Laudamus Te
Andrew Parr.
Here's a powerful opener - an original selection that
will help your treble choir sound their best!
The sacred Latin text offers the opportunity to align
pure vowels, creating a more mature choral sound,
and the upbeat minor key encourages energetic
singing and breath support. The contrasting middle
section uses longer lyrical phrases to allow for more
artistry and expression. Ideal for both development
and performance!
11171305 Two-Part . . . . . . . . . . . . . . . . . . . . . .2.10
Laus Trinitati
Faith Morgan.
This majestic work uses text by Saint Hildegard of
Bingen that speaks of the mystery of the Trinity and of
God's creation. Pentatonic and written with great skill
in counterpoint and voice-leading, this impressive,
earthy work will come together easily for high school,
university, and community tenor-bass choruses.
11105249 TTBB . . . . . . . . . . . . . . . . . . . . . . . . .2.75
Li'l Liza Jane
arr. Greg Gilpin.
Toe-tappin' fun, this arrangement of a beloved
American folk song features ostinato-like call-and-
response patterns for a nice interplay between voice
parts. An optional descant adds a bit of shimmer, and
the accessible piano accompaniment provides support
for the voices while allowing them to shine.
11197773 Two-Part . . . . . . . . . . . . . . . . . . . . . .1.95
Life and Love
Three Settings of Emily Dickinson
Patti Drennan.
This beautiful song cycle on three of American poet
Emily Dickinson's most treasured texts will be a lovely
choice for treble choirs. Each of the three selections
may be performed separately, or perform them
together as a group to explore the emotional styles
and setting of each poem. Included: If I Can Stop One
Heart from Breaking; Hope Is the Thing with Feathers
and Heart, We Will Forget Him!
11198844 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.00
Lift Up Your Voice
Kwa Maneno Nguvu
James DesJardins.
Opening with narration consisting of poignant quotes
about doing what is right, this piece speaks of hope,
compassion, justice, and unity. Sung in English and
Swahili, the solemn accompaniment supports the
plaintive and compelling melodic motifs which are
partnered throughout this inspiring song.
A pronunciation guide is provided.
11197760 Two-Part or Three-Part . . . . . . . . . . .1.95
