J.W. Pepper Catalogs

2020-21 Fall Choral Catalog

J.W. Pepper Music Catalog

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42020 Editors' Choice lNew HBasic Library tA Cappella LLarge Print Edition ePrint DDownload (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision 94 CONCERT MUSIC Go to cart SECULAR medium-easy O Lux Beatissima—Mark Burrows. Translated as "O blessed light, fill the hearts of all people. In work, rest; in stress, relief; in sorrow, comfort," this Latin text is featured in a gorgeous choral setting. Wonderful musical opportunities for teaching breathing, phrase shaping, pure vowel sound, and dynamic control abound in this elegantly flowing setting. A pronunciation guide is included to aid in the instruction of the Latin text. This highly recommended piece will work equally well for young treble voices or women's choirs. 10684757 Two-Part. . . . . . . . . . . . . . . . . .2.05 O Rushing Wind—Mark Patterson. This flowing original is so singable and so meaningful, it will be one of your choir's favorites. "Come and follow me as we sail the open seas and find the place where all our dreams begin..." Full of hope and optimism, with a beautiful melody and an evocative piano accompaniment, it portrays the wind and the sea as the life force that will "bring us safely home again." 10352284 Unison/Two-Part . . . . . . . . . . . .1.95 4L O Wind—Michael John Trotta. You can hear the gentle wind passing by in this charming setting of the playful Robert Louis Stevenson poem, in which a child talks with the wind. Independent melodic writing in both voice parts creates artistry and depth, and the piano accompaniment adds a breezy texture. Some cued notes give an option for three- parts in places, creating an expressive feature for treble choirs of any age. 11196392 Two-Part or SSA . . . . . . . . . . . .2.05 HD Oceans and Stars—Amy Bernon. Paralleling the voyages we make through life with those of a river flowing to the sea, this poignant original work creates a thoughtful and meaningful atmosphere using lovely harmonies with a wonderful text of togetherness and support. Suitable for any general concert, it is also a superb choice for graduation. 10509120 SATB . . . . . . . . . . . . . . . . . . . .2.50 10509121 Three-Part Mixed . . . . . . . . . . .2.50 10979402 Two-Part or SA . . . . . . . . . . . . .2.10 10680940 SSA . . . . . . . . . . . . . . . . . . . . .2.10 10979395E Instrumental Parts ePrint . . . . .25.00 10785761 Multi-Song Accompaniment CD . . . . . . . .44.99 Oh, Think of Me—Elaine Hagenberg. The simple beauty of a sunrise, a summer breeze, or evening stars can evoke memories of a loved one. Oh, Think of Me was inspired by a poem by Frances Anne Kemble to honor the life of a young man who died too young. With a beautiful, emotive piano part, soaring melodies and reflective moments, your singers and audience will find heartache and then resolution and peace in both the music and the text. Absolutely breathtaking! 10661176 SSA . . . . . . . . . . . . . . . . . . . . .2.10 L The Old Mill—Kenneth Riggs. Rigg's intriguing setting of this poignant, reflective poem by Thomas Dunn English features an accompaniment that emulates flowing water and the turning of the mill wheel. The minor mode and 6/8 pulse effectively establish the mood for this haunting piece which will provide a unique contrast for your concert or festival programming needs. This is truly a special piece of music you won't want to miss. 10906199 SATB . . . . . . . . . . . . . . . . . . . .2.35 10601729 SAB . . . . . . . . . . . . . . . . . . . . .2.10 10647355 CD . . . . . . . . . . . . . . . . . . . . .27.95 4t Omnia Vincit Amor—Michael John Trotta. This energetic original work is a testament that "Love conquers all, therefore let us surrender to love!" In Latin, with pronunciation guide and translation included, this festival work may be performed a cappella or with the optional piano accompaniment, presenting flexibility and educational opportunity for teaching blend and musicality. 11162401 Three-Part Mixed or SATB, opt. piano accompaniment . . . .2.25 10944960 SA opt. piano accompaniment. .1.65 10871930 TB opt. piano accompaniment. .2.10 4t On the Faces of the World (Song of Peace)— Mark Burrows. Beginning softly with a rainstick, a soloist or small group, and simple background harmonies, this fun-to-sing piece picks up the pace with a rhythmic, nicely harmonized section accompanied by shakers, hand drums, and djembe. A nifty layered section using the word "peace" in different languages provides contrast. Wonderful! 11198192 SATB . . . . . . . . . . . . . . . . . . . .2.25 lL One in Humanity—Bryan Sharpe. "We are one in community, we are one in humanity. Each of us living to spread love, we are one in humanity." Rhythmic and energetic music by Bryan Sharpe highlights this uplifting message about the bonds of love we share with everyone on this planet. A great choice for festivals, the idiomatically conceived parts for optional percussion provide effective support for voices and piano. 11195448 Two-Part. . . . . . . . . . . . . . . . . .2.20 11199223 Multi-Song Accompaniment CD . . . . . . . .44.95 4D One Million Voices—Brian Tate. Empowering singers to stand up and speak out against injustice, this inspirational piece grows in intensity and strength. Styled like a musical theater piece, it features declaratory melody lines over an ostinato that moves between voice parts as it gathers momentum. Important and effective. 11171172 SATB . . . . . . . . . . . . . . . . . . . .2.25 Only I—Jim Papoulis. The text, with a message that celebrates humanity and acceptance, does so using both English and Arabic as a way of celebrating cultures that make up a significant part of our community. Arabic phrases and style in the voice-leading mix with contemporary harmonies to create a piece that really celebrates all. A simple and clear pronunciation guide is included, breaking down all barriers to the language. 10971570 Two-Part . . . . . . . . . . . . . . . . . .2.50 11100516E Instrumental Parts Percussion .10.00 Out of the Dark—Jim Papoulis. Middle school can be a difficult time in the life of a student, often filled with feelings of inadequacy and self-doubt. The composer explored this topic with middle school students in a songwriting workshop, and the students discovered that they are not alone with their feelings of self-doubt; that even adults struggle with these feelings. These students also discovered that they have the ability to be strong and find inspiration from within. The music reflects these moments of discovery with rhythmic forces. There is a vulnerable honesty in this music, an honesty that will resonate with young people. 10954056 SA . . . . . . . . . . . . . . . . . . . . . .2.25 l The Passionate Shepherd to His Love—Bruce W. Tippette. Brimming with an undercurrent of energy, this beautiful text by Christopher Marlowe has been given a fun and lilting melody for choirs to sing. This song presents a great introduction to the work of Marlowe, one of Shakespeare's biggest influencers, and subsequently to Shakespeare himself. Some limited soprano divisi and a mixture of contemporary and traditional madrigal-like harmonies make this one a joy to sing and express. 11198830 SATB . . . . . . . . . . . . . . . . . . . .2.00 lD A Patch of Light—Jacob Narverud. "Come, let L us be a patch of light for the aching world, and let our song forever be a patch of light for all to see." Written in a popular song style that appeals to singers and audiences alike, this work contains an empowering message of inclusion, unity, and hope. With solo opportunities and optional full instrumentation, this powerful piece is appropriate for any ensemble and any occasion. 11201732 SATB . . . . . . . . . . . . . . . . . . . .2.50 11201733 SAB . . . . . . . . . . . . . . . . . . . . .2.50 11201734 SSA(A) . . . . . . . . . . . . . . . . . . .2.50 11204230 Two-Part. . . . . . . . . . . . . . . . . .2.50 11201735 TTBB . . . . . . . . . . . . . . . . . . . .2.50 Peace on Earth—Teresa Jennings. Written in a gospel/pop style with a rollicking triplet-based feel so that the eighth notes should swing, this piece is just fun. The verse of the song is meant to be sung by four soloists, but can be done by small groups. Whether you have one soloist or two, or a select group, there is room for some liberty to be taken and your singers' talents to shine. Perfect for school or worship. 10996647 SSA . . . . . . . . . . . . . . . . . . . . .1.95 10996648 P/A CD . . . . . . . . . . . . . . . . . .19.95 H The Poet Sings—Z. Randall Stroope. "Stay the course, light a star, change the world wherever you are..." With a compelling text, based on a poem by Richard LeGallienne, and magnificent original music, this is truly inspiring! A brief narration sets the mood, enhancing the impact of this profound work: "...Send out the best messages, for they may be shaping future generations." An excellent choice. 3129079 SSA . . . . . . . . . . . . . . . . . . . . .2.05 lL Press On—Pepper Choplin. "Press on. Let the challenge of the road make you strong...through the times when you think your strength is gone." This inspiring message of remaining positive and focusing forward in the face of life's adversities is especially appropriate for a commencement or moving-up ceremony. Gentle rhythmic accompaniment underscores the steadily flowing choral fabric, perfectly matching the encouraging lyrics. 11172877 SATB . . . . . . . . . . . . . . . . . . . .2.20 D Rain Has Fallen—Ruth Morris Gray. Using constant and flowing eighth notes in the piano accompaniment, along with overlapping echoes in the voices to mirror the sound of a steady rainfall, this is a beautiful setting of the popular James Joyce poem. Ranges are perfect for middle school mixed choirs, and the sensitive setting is based on repetitive motives that eventually open up to a full texture with a gently soaring soprano part on top. Lovely! 10980684 Three-Part Mixed . . . . . . . . . . .2.10 11001906 Teaching P/A CD. . . . . . . . . . .22.99 4 Red, Red Rose—Kara Stacy. Up-and-coming award-winning composer Kara Stacey delivers a refreshingly vibrant take on the traditional Robert Burns poem. Set for treble voices in two and then three parts with an optional solo or small group joining the texture, the lilting melody and well- crafted harmonies are supported by an energetic piano accompaniment and some extra rhythmic interest from a tapped tambourine. Delightful! 11198805 Two-Part or SSA . . . . . . . . . . . .2.25 l Reeds of Innocence—Kayle Clements. Whimsical and light, these childlike lyrics from William Blake just sing their way off the page. The flute obbligato adds to the piping sound, and the uneven meter and rhythmic play between the piano and the singers give it the sense of innocent joy suggested in the text. Delightful! 11204968 SATB . . . . . . . . . . . . . . . . . . . .2.50 4D Refuge—Audrey Snyder. American poet Sara Teasdale's text provides a mature perspective on the value of music that can be understood and appreciated even by developing choruses. This artistic setting is developed and musically satisfying with its suspensions, clusters, and stretched harmonies, but at the same time it remains accessible for young choirs. Truly a well constructed and valuable piece! 11166225 Three-Part Mixed . . . . . . . . . . .2.10 11166226 Two-Part. . . . . . . . . . . . . . . . . .2.10 11171526 Teaching P/A CD. . . . . . . . . . .22.99 4L Remember the Children—Kyle Pederson. This work expresses the concerns that all people - particularly parents - have for bringing up the younger generation in this trying world. The combination of the English lyrics with their Swahili translation reflects the universal nature of this sentiment, and the combination of a pop ballad feel and a gospel groove in this beautiful song will appeal to all. 11195673 SATB . . . . . . . . . . . . . . . . . . . .2.85 D Rest Not!—Laura Farnell. Based on a poem by Henry Wadsworth Longfellow, this powerful concert piece expresses words of encouragement for those who seek their dreams, and optimism for those who work without rest for positive change in the world. A great selection for festival or contest, now available for mixed voices. 10092732 SATB . . . . . . . . . . . . . . . . . . . .2.15 10043946 TB . . . . . . . . . . . . . . . . . . . . . .2.10 10043947 Teaching P/A CD for TB Version Only . . . . . . . . .14.95 lL Rise Up, My Love—Tom Merrill. This work was inspired by the nuptial Mass of a former student, who had arranged for her chorus to sing for the ceremony. One of the texts read at the wedding was the passage from the Song of Solomon used in this work. The approach is joyful rather than romantic, the vocal parts approachable but interesting thanks to rhythmic interplay and a variety of textures. The piano part adds to the dance-like mood. 11199774 SA . . . . . . . . . . . . . . . . . . . . . .2.35 lL Rise!—Bruce W. Tippette. Conveying a positive and uplifting message, this rhythmic original is a solid choice for young treble choirs. With opportunities to sing in unison, in simple two-part harmony, and some call-and-response moments, this selection promises to be very appealing for developing musicians and is a perfect choice for a concert closer or as a graduation or moving-on selection. 11202528 Two-Part. . . . . . . . . . . . . . . . . .2.35 11203162 P/A CD . . . . . . . . . . . . . . . . . .27.95 Craig Hella Johnson. Considering Matthew Shepard (2nd edition) 10908882 SATB Choral Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19.95 All of Us (from "Considering Matthew Shepard") 10715793 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95 l Considering Matthew Shepard: A Choral Suite 11203886 SATB Choral Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8.95 CONSIDERING Considering Matthew Shephard is one of the most important major works of our time. Written on the eve of the 20th anniversary of this tragic event, Craig Hella Johnson has written this modern fusion oratorio that profoundly resonates with singers and audiences alike. New this year is the Choral Suite, a 30-minute version that tells the complete story in an abridged form. Matthew Shepard

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