111
Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected]
CONCERT
MUSIC
Go to cart
SACRED easy / medium-easy
Sacred Concert
Easy
H All Things Bright and Beautiful—John Rutter.
The delicate melody befitting this familiar text gains
gentle momentum by a continual movement in the
keyboard. A quintessential piece for spring from
renowned composer John Rutter.
1673078 SATB . . . . . . . . . . . . . . . . . . . .3.00
10648587 SSA . . . . . . . . . . . . . . . . . . . . .3.00
1484310 Unison/Two-Part . . . . . . . . . . . .3.00
10648586 Full Score . . . . . . . . . . . . . . . .25.25
4535720 Instrumental Parts. . . . . . . . . .58.95
lL Alleluia Canon—Philip Hayes/arr. Geoffrey
Edwards. Written for young and developing
voices, this straightforward concert setting of a
classic vocal canon is full of teaching moments in
phrasing, vowel placement, breath support, and the
use of solfege. The melody is presented in unison,
breaking next into canon before closing with a short
unison coda. An easy foray into the world of vocal
harmony, it is supported by a light accompaniment
that is playable by a student.
11172837 Two-Part. . . . . . . . . . . . . . . . . .2.05
11199223 Multi-Song
Accompaniment CD . . . . . . . .44.95
D
Alleluia! Sing Alleluia—J.S. Bach/arr. John
Leavitt. Adapted from a Bach cantata, this joyful
work will allow younger ensembles the opportunity
to experience Baroque music and develop
important performance techniques for tone, style
and expression. A superb training piece, it is also an
excellent selection for festival choirs and contests.
Equally appropriate for concert or worship settings
for any combination of treble voices.
10683003 Unison/Two-Part . . . . . . . . . . . .2.10
10696070 Teaching P/A CD. . . . . . . . . . .22.99
L Antiphonal Cantate—Greg Gilpin. Whether
performed on risers, as a processional, or encircling
the audience, this celebratory fanfare is the perfect
opening number for concert or festival and is
appropriate for use throughout the school year. The
middle section is in 3/2 and provides an interesting
and fun contrast. The text is both in easy Latin and
English, and an optional English text is provided for
sacred use.
10906104 SATB . . . . . . . . . . . . . . . . . . . .2.35
10601718 Three-Part Mixed or SAB. . . . . .2.10
10601719 Two-Part. . . . . . . . . . . . . . . . . .2.10
10648371 P/A CD . . . . . . . . . . . . . . . . . .27.95
Ht Antiphonal Kyrie—Susan Thrift. Here is the
perfect way to introduce a cappella singing to your
young choir! The chant-like melody is stated in echo
style, then all voices join in harmony. The excellent
performance notes include a pronunciation guide
for the simple Kyrie text. At just over one minute in
duration, this is a little gem! Highly recommended!
10352309 Three-Part Mixed . . . . . . . . . . .1.95
10086489 Two-Part. . . . . . . . . . . . . . . . . .1.95
Ht Cantate Domino—Giuseppe Pitoni/arr. Greyson.
Performable by almost any choir, this is the perfect
choice for directors looking for quality music at an
easy level. English text included.
181800 SATB . . . . . . . . . . . . . . . . . . . .1.90
182071 SAB . . . . . . . . . . . . . . . . . . . . .2.00
181891 SSA . . . . . . . . . . . . . . . . . . . . .2.10
HD The Gift of Love—arr. Hal H. Hopson. Hal
L Hopson's pairing of the American folk tune O Waly
Waly with the text of the beloved Corinthians bible
verse is truly inspired! The text on love is appropriate
in church or school settings and welcome at any
time of year. The latest SATB edition is in G major,
a whole step down from the original key.
1475912 SATB A Major . . . . . . . . . . . . . .2.20
10906881 SATB G major . . . . . . . . . . . . . .2.20
10305832 SAB . . . . . . . . . . . . . . . . . . . . .2.20
521559 Two-Part. . . . . . . . . . . . . . . . . .2.20
3025632 SSA . . . . . . . . . . . . . . . . . . . . .2.20
10310036 P/A CD . . . . . . . . . . . . . . . . . .29.95
10906882 3-5 Octave
Handbell Accompaniment . . . . .5.25
10310038 String Quartet . . . . . . . . . . . . .17.95
Gloria—Michael John Trotta. For mixed or
treble choirs, this energetic choral work offers
an introduction to the traditional Latin text with
compound meter and accessible choral parts.
Whether chosen for its educational features, its
lyric melody or its energetic accompaniment, it
is a wonderful way to open any concert. It can
be used in combination with Trotta's other Latin
works Kyrie; Agnus Dei and Sanctus to create a
Missa Brevis.
10990313 Three-Part Mixed or SATB. . . . .2.25
10735245 SA . . . . . . . . . . . . . . . . . . . . . .2.25
11162737 Choral Score-
Missa Brevis Complete . . . . . . .6.99
t Gloria—Noah Reese. Reese's a cappella canon,
based on a descending D major scale, is fantastic
for teaching unison singing, reinforcing part
singing, and developing choral tone, all within the
framework of conservative ranges for the treble
choir. The celebratory Latin text adds an element of
excitement and maturity while helping to shape the
vowels and tone of young singers.
10990292 SSA . . . . . . . . . . . . . . . . . . . . .1.95
H
Gloria in Excelsis Deo—Antonio Vivaldi/arr.
Sherri Porterfield. This excerpt from Vivaldi's
"Gloria" is specially arranged to meet the needs
of the middle school/junior high singer. An
intelligent choice for teaching phrasing and other
stylistic features of the Baroque period, this will
display your developing choir's musicianship in a
very positive way!
1910736 Three-Part Mixed . . . . . . . . . . .2.05
3294571 TTB. . . . . . . . . . . . . . . . . . . . . .2.05
H How Can I Keep from Singing?—arr. Ginger
Littleton. This Quaker song is one of the strongest
pentatonic melodies and texts ever written. In this
beautiful unison setting, the melody is surrounded
by a flowing yet supportive accompaniment
that heightens the expressive text without
overshadowing it. An outstanding arrangement!
3251238 Unison . . . . . . . . . . . . . . . . . . .1.95
Ht If Ye Love Me—Thomas Tallis. One of the most
recognized anthems from the English renaissance,
this choral work is both intimate and expressive in
concert or worship settings.
1515675 SATB . . . . . . . . . . . . . . . . . . . .2.60
lL Let Alleluias Fill the Sky—Dave & Jean Perry.
With an uplifting text, skillfully written vocal lines
and a light and supportive accompaniment, this
is a solid opening selection for concert or contest
use. The limited-range melody based on the word
"Alleluia" is initially sung in unison by all voices,
then evolves into a two-part and then three-part
canon, while a lyrical section in English serves as
a bridge into each chorus of "Alleluia."
11202524 Three-Part Mixed . . . . . . . . . . .2.25
11203158 P/A CD . . . . . . . . . . . . . . . . . .27.95
Ht The Lord Bless You and Keep You—Peter
Lutkin. Excellent as a benediction or closing
number, this is a piece you're sure to pick up often.
May be done with or without accompaniment.
368100 SATB . . . . . . . . . . . . . . . . . . . .1.95
H Lux Aeterna—Christi Jones. This easy, lyrical
setting of the well-known Latin text, translated
"Light Eternal," is perfect for young treble voices.
Whether your students are ready to sing a cappella
or with accompaniment, the choice is yours in this
excellent introduction to singing in Latin.
10509971 Two-Part or SA . . . . . . . . . . . . .1.50
May the Road Rise to Meet You—Michael
Higgins. Michael Higgins's gentle setting of the
traditional Irish blessing has a memorable melody,
a flowing piano part, and a beautiful, soaring
soprano descant in the second verse. Written for
the National Children's Choir of Great Britain, this
piece is well suited for any treble choir.
10993260 SSAA . . . . . . . . . . . . . . . . . . . .3.00
t Three A Cappella Latin Settings—Jerry Estes.
Developing choirs will be motivated and engaged
by this unique set of three, short, original a cappella
pieces. Written in contrasting styles, the opening
Gloria In Excelsis Deo is exuberant and features a
soloist or small group. An expressive Et In Terra
Pax is followed by a vibrant and rhythmic Alleluia.
Whether performed individually or as a set, at
Christmas, or in a general concert setting or festival
at school or church, this wonderful teaching piece
has many valuable uses. A Learning Resource Page
is included.
10512811 Three-Part Mixed . . . . . . . . . . .2.25
Sacred Concert
Medium-Easy
L Adoramus Te—Andy Beck. Just two short Latin
phrases frame this excellent concert or festival
selection for developing choirs. Independent
melodies for each part are presented and then
layered to create simple polyphonic harmonies,
while a brief B section includes some homophonic
choral harmonies. A perfect piece to teach part
independence, pure vowels and lyrical singing!
10996682 Three-Part Mixed . . . . . . . . . . .2.05
10996683 Two-Part or SSA . . . . . . . . . . . .2.05
10997480 Multi-Song
Accompaniment CD . . . . . . . .44.99
l Agnus Dei (from MASS)—Rollo Dilworth. With
a slow gospel groove, this accessible concert
work sets the traditional Latin text with full, rich
harmonies in a slow 6/8. The piano accompaniment
supports the harmonic motion while adding to the
gospel flavor of this engaging selection.
11203403 SATB . . . . . . . . . . . . . . . . . . . .2.25
11203404 SSA . . . . . . . . . . . . . . . . . . . . .2.25
4L Agnus Dei—Victor C. Johnson. This flowing,
melodic setting of the traditional Latin text is
absolutely gorgeous! The marvelous part writing,
luscious harmonies, and rich accompaniment are so
gentle and graceful, the work is purely expressive.
An excellent choice for developing choirs!
10810582 Three-Part Mixed . . . . . . . . . . .2.20
10044094 Two-Part or SA . . . . . . . . . . . . .2.05
11172824 TB . . . . . . . . . . . . . . . . . . . . . .2.05
10047774 P/A CD . . . . . . . . . . . . . . . . . .26.95
10882905 Multi-Song
Accompaniment CD . . . . . . . .44.95
lt Alleluia—Kile Smith. The ebb and flow of the choral
parts create a wonderfully fluid sound, and the
lovely, flowing vocal lines intertwine and overlap as
they build toward the climax and then to a peaceful
ending. Simply beautiful, this piece will work well
for advanced high school choirs, community and
collegiate choirs, and professional groups.
11171318 SATB . . . . . . . . . . . . . . . . . . . .2.25
4D Alleluia—Michael John Trotta. Through the single
Lt word "alleluia", this a cappella piece is excellent for
groups looking to explore closer cluster harmonies,
unification of vowels, and musical phrasing.
Moderate vocal ranges and an optional descant put
this sophisticated-sounding piece within reach of
many ensembles. The second half of the piece may
be extracted for use as an introit or benediction to
open or close your service or concert.
11163880 SATB . . . . . . . . . . . . . . . . . . . .2.25
lD Always a Place for You—Philip Silvey. Powerful
lyrics by the composer tell the story of acceptance
and belonging. Melodic with contemporary
harmonies, this is perfect in a themed concert
addressing people's joys and concerns.
11175406 SATB . . . . . . . . . . . . . . . . . . . .2.25
11175407 Three-Part Mixed . . . . . . . . . . .2.25
D Antiphonal Kyrie—Cristi Cary Miller. This original
work is beautiful and lyrical, with a flowing piano
part and beautifully moving harmonic progressions.
Set in minor, this simple yet effective piece has a
brief contrasting section in major and is a wonderful
opportunity to teach lyricism. Gorgeous!
10980683 Two-Part or SA . . . . . . . . . . . . .2.10
11000901 Teaching P/A CD. . . . . . . . . . .22.99
H At the River—Aaron Copland. Powerful & rhythmic,
this number also serves as a classic example and
introduction to contemporary craftsmanship.
154088 SATB . . . . . . . . . . . . . . . . . . . .2.15
4904736 SA or two-part . . . . . . . . . . . . .2.15
3274586 Unison . . . . . . . . . . . . . . . . . . .2.15
153999 SSA . . . . . . . . . . . . . . . . . . . . .1.95
4960480 TTBB . . . . . . . . . . . . . . . . . . . .2.25
Ave Maria—Giulio Caccini/arr. Patrick Liebergen.
This haunting melody from the Italian Renaissance
has been recorded most recently by Charlotte
Church and Andrea Bocelli. Patrick Liebergen's
setting features straightforward vocal lines, a
supportive piano accompaniment, and an optional
flute part that is never overstated, but lets the
enchanting melody and harmonies speak for
themselves. Expressive and beautiful at every turn,
this is a glorious addition to sacred choral literature!
3285509 SATB . . . . . . . . . . . . . . . . . . . .2.05
3285517 SAB . . . . . . . . . . . . . . . . . . . . .2.25
10501318 SSA . . . . . . . . . . . . . . . . . . . . .2.05
3300748 TTBB . . . . . . . . . . . . . . . . . . . .2.25
l Ave Verum Corpus—Carl J. Nygard Jr. Singers
will love this, as all sections in the choir have
some melodic interest. With some close cluster
harmonies and the use of the whole-tone scale
in the middle section, this unique work is a great
teaching device too!
11190453 SATB . . . . . . . . . . . . . . . . . . . .3.15
t Be Thou My Vision—arr. Russell Robinson. Russ
Robinson's arrangement of Be Thou My Vision is
simplistic yet elegant. His addition of color chords
adds musical interest without taking away from
the original melody and harmonies. Thoughtful
and different!
10872210 SATB . . . . . . . . . . . . . . . . . . . .1.95
4L Cantate Domino—Mark Hayes. Pure energy from
start to finish, this dynamic original incorporates
both Latin and English lyrics, which are brought to
life by the toccata-like piano accompaniment. Vocal
layering is a key sectional element and facilitates
teaching. Mixed meter enhances text declamation,
and driving syncopations propel it towards a
dramatic ending.
10089736 SATB . . . . . . . . . . . . . . . . . . . .2.20
11195622 SSA . . . . . . . . . . . . . . . . . . . . .2.20
10089738 P/A CD . . . . . . . . . . . . . . . . . .26.95
HL Cantate Domino—Nancy Hill Cobb. Fresh,
singable melodic lines and a logical ABA-Coda
form make this original work by Nancy Hill
Cobb a perfect choice for any two-part choir. A
pronunciation guide for the Latin is written in
the vocal parts, and performance notes are also
included. The melodies have no difficult leaps
or accidentals, which simplifies teaching, sight-
reading and memorization. Educationally, musically
and compositionally solid. An excellent choice.
3192275 Two-Part. . . . . . . . . . . . . . . . . .2.05
BEST
SELLERS
Sacred Concert
Two-Part
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
Cantate Domino—Nancy Hill Cobb.
3192275 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
For the Beauty of the Earth—John Rutter.
1363399 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.00
Antiphonal Kyrie—Susan Thrift.
10086489 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Inscription of Hope—Z. Randall Stroope.
1910512 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
How Can I Keep from Singing?—
arr. Ginger Littleton.
3251238 Unison/opt. Two-Part . . . . . . . . . . . . . . . . 1.95
Antiphonal Kyrie—Cristi Cary Miller.
10980683 Two-Part or SA. . . . . . . . . . . . . . . . . . . . . . 2.10
Adoramus Te—Andy Beck.
10996683 Two-Part or SSA. . . . . . . . . . . . . . . . . . . . . 2.05
Gloria—Michael John Trotta.
10735245 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Pie Jesu—Victor C. Johnson.
10443060 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
All Things Bright and Beautiful—John Rutter.
1484310 Unison/Two-Part . . . . . . . . . . . . . . . . . . . . 3.00
