42020 Editors' Choice lNew HBasic Library tA Cappella LLarge Print Edition ePrint DDownload (MP3s, PDFs & more) All Prices in U.S. Dollars & Subject To Publisher Revision
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SACRED medium-easy / medium
4 Ubi Caritas—Marianne Kim. In a masterful blend
of early musical style with modern melody and
harmonies, this beautiful setting of the traditional
text shines with elegant simplicity. A rubato piano
opening leads to a unison chant-like choral opening
that gradually expands with lush harmonic language
while the melody soars. This is a piece where your
choir's musical sensitivity is on full display.
11172445 SATB . . . . . . . . . . . . . . . . . . . .2.10
DL Ubi Caritas—Michael John Trotta. The beloved
t Latin text is set in an elegantly simple four-part
texture with conservative ranges. Straightforward
rhythms and moments of release create a tapestry
of sound that surrounds the solo chant line,
which may be sung by a soloist or performed by
a C instrument. Beautiful modern harmonies and
cluster chords create an artistic setting that is
equally appropriate for service use or the concert
stage. Lovely!
10949727 SATB . . . . . . . . . . . . . . . . . . . .2.15
11192846 SAB . . . . . . . . . . . . . . . . . . . . .2.20
11192850 Three-Part Mixed . . . . . . . . . . .2.20
HL Ubi Caritas—Victor C. Johnson. A beautiful, tender
setting of the traditional Latin text that features
delicate melodic lines and a fluid accompaniment.
The contrasting middle section provides interest and
movement, and the echoed phrases, independent
vocal lines, and limited ranges allow for it to be easily
mastered for concert or festival. A pronunciation
guide and translation are included.
10846386 SATB . . . . . . . . . . . . . . . . . . . .2.25
10512921 Three-Part Mixed . . . . . . . . . . .2.25
10512922 Two-Part. . . . . . . . . . . . . . . . . .1.95
10512923 P/A CD . . . . . . . . . . . . . . . . . .27.95
lL With God's Love—Gwyneth Walker. Matthew 25
and the well-known Emma Lazarus text, The New
Colossus, are used in this effective short anthem
about caring for the less fortunate. The music
begins with various soloists. The divisi is chordal and
manageable and the piano part supports throughout.
11199611 SATB . . . . . . . . . . . . . . . . . . . .1.95
lL Zion's Walls—arr. Jay Althouse. This American
t
folk hymn is a concert standard, presented here in
a fresh a cappella concert version. A powerful and
insistent rhythmic foundation is laid by the lower
voices, while the familiar melody dances on top.
A slower middle section offers warm homophonic
harmonies before the dance returns and builds to a
dazzling finish. Exquisite!
11196166 SATB . . . . . . . . . . . . . . . . . . . .2.20
H Zion's Walls—Aaron Copland/arr. Glenn Koponen.
The memorable melody from Copland's "Promise
of Living" will be recognized by all in this revivalist
song. This arrangement takes the masterwork and
makes it attainable by any size and caliber choir.
It has very little divisi, great vocal ranges and a
supportive piano accompaniment. Impressive in
concert or festival settings. Don't miss it!
1478338 SATB . . . . . . . . . . . . . . . . . . . .2.15
3274644 Unison . . . . . . . . . . . . . . . . . . .2.25
1478346 SSAA . . . . . . . . . . . . . . . . . . . .2.15
1478353 TTBB . . . . . . . . . . . . . . . . . . . .2.50
Sacred Concert
Medium
L Agnus Dei—Mark Hayes. This selection combines
the traditional with 21st century expression and
looks to the eternal with hope and glorious musical
vision. Lovely soaring lines in each vocal part create
a beautiful choral texture. In Latin, with some
English text, this work can be performed with piano,
chamber ensemble, or full orchestra.
10954523 SATB . . . . . . . . . . . . . . . . . . . .2.15
10954526 P/A CD . . . . . . . . . . . . . . . . . .24.95
10954524 Chamber Orchestration . . . . . .40.00
10954525 Full Orchestration . . . . . . . . . .80.00
Ht Alleluia—Ralph Manuel. With the text comprising
the single word "Alleluia," this quiet, reverent a
cappella work continues to be a strong seller in
its original SATB voicing. Now available for male
voices, this is an excellent choice for both school
contest-oriented use and church services!
1629831 SATB . . . . . . . . . . . . . . . . . . . .2.55
Alleluia (from "Songs of Faith")—Paul Basler.
Alleluia is full of energy and contrast. Buoyant,
earthy, ethnic, reverent - in short, this wonderful
piece by Paul Basler truly runs the gamut of
dynamics, vocal timbres, styles and covers a
multitude of ways of praising God! The piano and
horn are equal counterparts to the choral ensemble
making this piece a true work of art.
8061800 SATB . . . . . . . . . . . . . . . . . . . .2.50
9503287 Instrumental Parts . . . . . . . . .16.50
Ht Alleluia—Randall Thompson. A true masterpiece
for a cappella chorus. The name Randall
Thompson is as much a part of choral music as is
the voice. Once you've mastered this, you'll have
truly stunning performance piece. His masterful
compositions are all standards in the repertoire.
A choral classic!
337147 SATB . . . . . . . . . . . . . . . . . . . .2.60
337238 SSAA . . . . . . . . . . . . . . . . . . . .2.60
4128682 TTBB . . . . . . . . . . . . . . . . . . . .2.60
L Amazing Grace—Marianne Forman. The well-
known text is paired with an original melody in this
lovely new setting. An elegant piano accompaniment
adds to the rhapsodic nature of the piece in this
fresh and interesting treatment. The work explores
a variety of choral textures before ending quietly on
a perfect unison. Absolutely beautiful!
10954529 SATB . . . . . . . . . . . . . . . . . . . .2.25
4t Amazing Grace (My Chains Are Gone)—
John Newton, Chris Tomlin & Louie Giglio/arr.
Keith McKay Evans. With over 50 million views
on YouTube, Brigham Young University's treble
a cappella group BYU Noteworthy has made this
arrangement of the classic hymn with the modern
twist an instant classic. Sing their exact arrangement
with the SSAA divisi version, or perform the SATB
divisi adaptation with your mixed choir.
10989931 SATB divisi . . . . . . . . . . . . . . . .2.95
10989933 SSAA divisi, original version. . . .2.95
Lt Ave Generosa—Ola Gjeilo. This setting of
Hildegard of Bingen's Ave Generosa text uses a
hauntingly joyful tonality, paying homage to the
mysterious story of Mary. A beautiful middle section
is surrounded by contrasting modal beginning and
ending sections. The juxtaposition of sustained and
moving moments holds true to the composer's style,
while the harmonic structure and vocal construction
offer very fresh textures. Highly recommended!
10842213 SATB divisi . . . . . . . . . . . . . . . .2.85
10746480 SSAA divisi . . . . . . . . . . . . . . . .2.85
10994173 TTBB . . . . . . . . . . . . . . . . . . . .2.85
l
Ave Regina Caelorum—Isabella Leonarda/
arr. Meredith Bowen. Isabella Leonarda was one
of the most prolific woman composers of 17th-
century Italy, publishing 20 volumes during her
lifetime including the first known sonatas written by
a woman. This edition seeks to restore the music
from the original published copy for an authentic
performance. The optional cello/continuo part is a
lovely addition.
11196236 SSA w/ Cello Part . . . . . . . . . . .2.25
H The Awakening—Joseph Martin. If you are
looking for a dramatic concert/festival work, be sure
to look at this one! The glory of music is treated
with great depth and musical-textual imagery in
this deeply moving selection, which offers a rare
opportunity to showcase your choir's musicianship.
"Let Music Live!" This will make a lasting impression
on your singers and audiences. Stunning!
3027786 SATB . . . . . . . . . . . . . . . . . . . .2.50
10299072 SSAA . . . . . . . . . . . . . . . . . . . .2.50
1995612 TTBB . . . . . . . . . . . . . . . . . . . .2.50
10049275 P/A CD . . . . . . . . . . . . . . . . . .26.99
3066867 Instrumental Parts. . . . . . . . . .70.00
Lt Be Thou My Vision—arr. Connor Smith. This
a cappella arrangement of the traditional Irish hymn is
absolutely stunning! Expressive tempi and dynamics,
along with ample divisi, offer an exquisite choral
sound as well as an artistic challenge. Beautiful!
10881601 SATB . . . . . . . . . . . . . . . . . . . .2.20
4t Be Thou My Vision—arr. McKay Crockett. As
performed by Brigham Young University's a cappella
group BYU Vocal Point, this Irish folk hymn sparkles
in a contemporary a cappella setting. Full harmonies
surround the solo lines, creating a texture that is at
times rhythmic and exciting, contrasted with the
lyrical opening and closing stanzas.
11204260 TTBB divisi, or TTTTBBBB . . . . .2.95
4 Be Thou My Vision—arr. Michael Engelhardt.
This is a dynamic and challenging work for
more advanced tenor-base choirs. It infuses the
arranger's unique style with the traditional hymn,
resulting in an earthy, industrial, and new sound.
Accompanied by bass and percussion, singers will
love performing this new take on the hymn, and
audiences will be thrilled!
11200608 TTBB . . . . . . . . . . . . . . . . . . . .3.10
4t Be Thou My Vision—arr. Keith McKay Evans.
A wonderfully fresh Irish lilt highlights this
arrangement of the traditional folk hymn made
popular by Brigham Young's a cappella group, BYU
Noteworthy. Optional improvised vocal percussion
and a violin obbligato add to the feel, and the divisi
contemporary vocal harmonies surround the solo
line with warmth and energy.
10989934 SATB divisi, with violin obbligato 2.95
10989935 SSAA divisi, with violin obbligato 2.95
t Cantate Domino (Kanta Jaunari Kantu Berria)
—Josu Elberdin. Featuring alternating English,
Basque, and Latin text, this thrilling setting
proclaims the joy of singing to God. Already much-
loved around the world due to performances at
the 2011 World Choral Symposium and the 2013
Tolosa International Choral Festival, it is a joyous
celebration of ethnic diversity and unity of spirit.
10482146 SATB divisi . . . . . . . . . . . . . . . .2.95
10994224 SSAA divisi . . . . . . . . . . . . . . . .2.95
10994225 TTBB divisi . . . . . . . . . . . . . . . .2.95
lL Cantate Domino—Claudio Monteverdi/arr. Jacob
t
Narverud. With the option to perform a cappella
or with basso continuo and cello, Monteverdi's
masterwork breathes new life in this edited version
for divisi mixed choirs. An exciting texture that
bridges the Renaissance and Baroque, this piece
gives a wonderful way to explore technique, vowels
and diction with high performance value. A great
choice for festivals or concerts.
11164163 SATB divisi, or SSATBB,
opt. Basso Continuo . . . . . . . . .2.00
Reproducible for two-part choirs!
A CAPPELLA!
Volume I -
Two-Part Treble
9 Selections for
Concert and Festival
Amy F. Bernon,
Victor C. Johnson &
Mary Lynn Lightfoot.
A Cappella!
is a collection featuring nine concert
and festival selections for young and
developing two-part treble choirs.
The complete director's edition is
reproducible and also includes a
Rehearsal Resource Page for each
piece. The choral edition, ideal
for use as a judge's copy or for
your singers, is not reproducible
and the rehearsal resource pages
are not included. Comprising one
spiritual arrangement, one folk song
arrangement and seven original
selections in a variety of styles
and including texts by famous
poets Robert Louis Stevenson and
Sara Teasdale, this collection is
an exceptional value and a great
resource for your music library.
Includes: Cantate! (Lightfoot); Zum
Gali Gali (Johnson); Hummingbird
and Butterfly (Bernon); Where Go the
Boats? (Johnson); Ezekiel Saw the
Wheel (Lightfoot); Norman Rockwell
Was a Painter (Bernon); Ubi Caritas
(Johnson); Buckets of Barley (Bernon)
and Peace Flows into Me (Lightfoot).
10568462 Two-Part Choral Score
choral score is
not reproducible. . . . . . 8.95
10568463 Two-Part Director's Score
Reproducible . . . . . . . 39.95
BEST
SELLERS
Sacred Concert
SATB
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
Ubi Caritas—Ola Gjeilo.
10025943 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
The Ground (Pleni sunt caeli)—Ola Gjeilo.
10276430 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Jubilate Deo—Peter Anglea.
10445795 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
I Believe—Mark Miller.
10335690 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Dies Irae—Ryan Main.
10661116 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
For the Beauty of the Earth—John Rutter.
1418599 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.35
Praise His Holy Name—Keith Hampton.
3168358 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.70
Zion's Walls—
Aaron Copland/arr. Glenn Koponen.
1478338 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
The Awakening—Joseph Martin.
3027786 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
The Music of Living—Dan Forrest.
10304256 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
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