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FOLKSONGS
l Molly Malone—arr. Karl O'Hitzemann. This Irish
folksong also known as Cockles and Mussels
is the unofficial anthem of Dublin, Ireland. This
arrangement of this old tune features two vocal
parts with the option of using a soloist in several
measures. The accompaniment track, available
separately, features piano, guitar, upright bass,
flutes, and a penny whistle.
11201636 Two-Part. . . . . . . . . . . . . . . E 1.95
11201637 P/A CD . . . . . . . . . . . . . . . E 19.95
lt Mother Ann's Song—arr. Carol McClure.
Drawn from the music of the Shaker communities
of Kentucky, this simple, effective setting is
appropriate for younger voices and is a great
teaching tool for exploring the historical context of
this music.
11166961 SS . . . . . . . . . . . . . . . . . .ME 2.75
L Nine Hundred Miles—arr. Greg Gilpin. The crisp,
rhythmic energy which mimics a train underlies the
dynamic modal groove in this American folk song
arrangement for mixed or tenor-bass voices. The
creative use of independent vocal ostinato patterns
in the lower parts gives significant vocal interest
for each part. Performance options are included to
employ a soloist at the beginning, and for singers to
clap a light eighth note pattern in certain sections to
mimic the click-clacking sound of the train. Exciting!
10846385 SAB . . . . . . . . . . . . . . . . .ME 2.25
10906157 TB . . . . . . . . . . . . . . . . . .ME 2.25
10906158 P/A CD . . . . . . . . . . . . . . . . . .27.95
HL Nine Hundred Miles—arr. Philip Silvey. The
composer catches the mood of the train theme of
the piece in a most artistic fashion.
3300727 SATB . . . . . . . . . . . . . . . .ME 2.15
3302243 SAB . . . . . . . . . . . . . . . . .ME 2.15
3296659 SA . . . . . . . . . . . . . . . . . .ME 2.05
3297566 TBB . . . . . . . . . . . . . . . . .ME 2.15
H No Time—arr. Susan Brumfield. This outstanding
setting of a traditional camp meeting song is
growing in popularity as a top choice for treble
festival choirs!
10291521 SATB . . . . . . . . . . . . . . . .ME 1.90
3225539 SSAA . . . . . . . . . . . . . . . .ME 1.95
10436447 TTBB . . . . . . . . . . . . . . . .ME 1.95
4L Old Joe Clark—arr. Dwight Bigler. This
Appalachian folk song is tremendously fun.
Fantastic and fun vocal lines are supported by a
lively yet accessible piano accompaniment. Add
spoons and clapping or stomping for a great time!
11121877 SATB . . . . . . . . . . . . . . . . .M 2.75
11167747 SSAA . . . . . . . . . . . . . . . . .M 2.75
11195649 TTBB . . . . . . . . . . . . . . . . .M 2.75
Old Joe Clark—arr. Dan Davison. Rhythmic
excitement abounds in this exciting arrangement of
the traditional folk song for mixed voices. A superb
choice for concert or festival as well as an excellent
selection for choirs seeking to move from a three-
part texture to four parts with the optional tenor line.
Lots of fun!
10735270 SATB SA(T)B. . . . . . . . . . . .M 2.50
l Old Joe Clark—arr. Rollo Dilworth. Here's a
fresh setting of this Appalachian ballad that will
really appeal! The melody and interesting harmony
parts are passed around between voices to create
a compelling texture. Featuring a fiddle solo and
full four-part harmonies, this upbeat setting is a fun
showcase for treble choirs.
11204899 SSAA . . . . . . . . . . . . . . . .ME 2.15
Ht Old Joe Clark—arr. Mary Goetze. This delightful
a cappella arrangement by Mary Goetze simply
sparkles, which helps explain its great popularity!
That "banjo" section is great fun and a real
diction challenge!
1532738 SSA . . . . . . . . . . . . . . . . . .M 2.15
L
Old Joe Clark—arr. Greg Gilpin. This dynamic
arrangement of the traditional American folk song
is a programming must. An urgent "round and
around" vocal motive serves as a rhythmic engine
throughout the entire piece as the modal melody is
playfully tossed from voice to voice with a driving
piano accompaniment. Rollicking and fun to sing!
10866275 SATB . . . . . . . . . . . . . . . . .M 2.20
10866276 SAB . . . . . . . . . . . . . . . . . .M 2.20
10881851 Multi-Song
Accompaniment CD . . . . . . . .44.99
l
Old West Medley—arr. Mark Hayes. Here's a
dynamic medley that captures the Old West with
musical finesse and humor! Fun to sing, with history
and classic Americana to teach to today's youth,
there's a whole lot wrapped up in this bundle.
Songs included are The Old Chishom Trail; Red
River Valley; Home on the Range and The Yellow
Rose of Texas. Yippy yippy yi, yippy yea!
1967298 SATB . . . . . . . . . . . . . . . .ME 2.50
11198799 SAB . . . . . . . . . . . . . . . . .ME 2.50
11198800 Two-Part. . . . . . . . . . . . . .ME 2.50
11198801 SSA . . . . . . . . . . . . . . . . .ME 2.50
11198802 TTB. . . . . . . . . . . . . . . . . .ME 2.50
11198803 P/A CD . . . . . . . . . . . . . . . . . .26.99
1967306 Instrumental Parts. . . . . . . . . .25.00
l
Orphan Girl—Gillian Welch/arr. Emily Crocker.
Often heard on radio and television shows, this
song reminiscent of Appalachian folk music was
written and made popular by Gillian Welch. The
opening solo and background parts blossom into
a full treble texture with a descant trio. The optional
fiddle and accordion parts really add to that
authentic style, while the folk/pop harmonies make
this a real treat for treble choirs.
11203480 SSA . . . . . . . . . . . . . . . . .ME 2.25
11204896 P/A CD . . . . . . . . . . . . . . . . . .26.99
11203479E Instrumental Parts. . . . . . . . . .20.00
4 Piping Tim of Galway (The Galway Piper)—
arr. Don Sowers. Here's a fun-to-sing arrangement
of the popular Irish folk song accompanied with a
sprightly piano along with an optional flute and hand
drum. Both the upper voices and lower voices are
featured with the melody, and the accompanying
harmonies in the verses reinforce the drum sound
and the angelic flute.
11174051 SATB . . . . . . . . . . . . . . . . .M 2.10
11174052 SAB . . . . . . . . . . . . . . . . . .M 2.10
lL Polly Wolly Doodle—arr. Molly Ijames. This
spirited arrangement of the traditional American
folk song was written specifically with young,
developing choirs in mind. With generous sharing
of the melody in all voice parts, this innovative
arrangement is easily learned and fun to perform.
The hoedown-style accompaniment for piano
with optional double bass, wood block, vibraslap,
whistle, and triangle will set your toes a-tapping!
11202516 Three-Part Mixed . . . . . . .ME 2.35
11203154 P/A CD . . . . . . . . . . . . . . . . . .27.95
lL Pretty Saro—Douglas E. Wagner. "I wish I were
a dove and had wings and could fly; this night to
my love's window...by the soft moonlight all night
I would wait, and think of pretty Saro 'til the rosy
dawn of day." This soulful Appalachian ballad was
made famous by a Bob Dylan recording in the '70s.
It is arranged in an easy-to-learn unison and two-
part choral texture with an idiomatic piano part that
enhances the vocal lines.
11172878 TB . . . . . . . . . . . . . . . . . . . E 2.05
l
Ring, Ring the Banjo!—Stephen C. Foster/arr.
Glenda E. Franklin. Here's a fresh arrangement
of one of Stephen Foster's finest folk songs,
accompanied with a banjo-like piano and easy
ranges for young singers. It comes complete with
a stacked section of plink-a-plink vocals creating
great rhythmic fun and interaction between the
voices. Wonderful for its educational and cross-
curricular elements, and plenty of fun to perform!
11174048 Three-Part Mixed . . . . . . .ME 2.25
11174049 Two-Part. . . . . . . . . . . . . .ME 2.10
Sally Gardens—Benjamin Britten. This unison
setting by Benjamin Britten of an Irish folk tune is
a popular contest/festival choice. Poetry by W.B.
Yeats combined with Britten's music completes the
aesthetic experience for younger choirs.
1292804 Unison . . . . . . . . . . . . . . . . . . .2.10
4t Scarborough Fair (Canticle)—arr. Randy Jordan.
Based on the classic Simon and Garfunkel version
of this folk song, this contemporary a cappella
setting really catches the beauty and feel of the
original. Layered vocables surround the plaintive
melody in a grand, lush divisi texture that will
be a beautiful concert highlight that is worthy of the
extra effort.
11171173 SSATBB divisi . . . . . . . . . .MA 2.25
l Shady Grove—arr. Tom Shelton. "I'm bound for
Shady Grove..." This sparkling arrangement of the
beloved bluegrass song offers a rich experience
for combined choirs, children's honor choirs
and community groups! It may be performed
with piano only or with the additional bluegrass
instrumentation for violin, double bass, guitar and
banjo. It's tremendous fun!
11165724 SATB divisi . . . . . . . . . . . .ME 2.95
10593284 SSAA . . . . . . . . . . . . . . . .ME 2.85
11200536 Instrumental Parts
for SATB Version. . . . . . . . . . .20.00
10593287 Instrumental Parts
for SSAA Version 20.00
4D She'll Be Comin' 'Round the Mountain—arr.
Michael John Trotta. Here's a fun, fresh take on the
beloved children's song! The simple voice leading
and easy harmonies make this a very accessible
piece for any two-part choir. Accompanied by
an energetic and syncopated piano part, this
arrangement will be a big hit. Yee-hah!
11171698 Two-Part. . . . . . . . . . . . . . . E 2.10
L Shenandoah—arr. Brad Printz. An exquisite
setting of the beloved folk song for young mixed or
treble choirs! The arrangement includes a flowing
piano accompaniment that imitates sounds of a
rolling river, while lush choral harmonies support
the well-known melody in a style that showcases
tone and musicality. A superb choice for concert or
festival use!
1873561 Three-Part Mixed . . . . . . .ME 2.20
1785443 Two-Part. . . . . . . . . . . . . .ME 2.20
10953856 SSA . . . . . . . . . . . . . . . . .ME 2.20
Ht Shenandoah—arr. James Erb. An absolutely
stunning setting of this beloved folksong. This
arrangement appears on festival lists year after year
in its original SATB voicing, and is destined to do the
same revoiced for SSAA.
1278258 SSAATTBB . . . . . . . . . . . .ME 1.95
3304326 SSAA . . . . . . . . . . . . . . . . . . . .2.25
Shenandoah—arr. Teresa Jennings. This
arrangement of the tale of a Native American
maiden and her love, captured in this beloved
folk song, begins and ends with a solo voice. A
second soloist joins in shortly after the beginning to
complete the first time through the song. Then, the
entire ensemble enters, with wonderful harmonies
abounding, divided into three parts.
10996650 Three-Part Mixed . . . . . . .ME 1.95
10996654 P/A CD . . . . . . . . . . . . . .ME 19.95
L Shenandoah—arr. Kevin A. Memley. This fresh
setting of an endearing folk song recently added
an SATB voicing to it's offerings. The vocal lines
are gorgeous and only enhanced by the well-crafted
piano accompaniment. Your choir will enjoy singing
this as much as your audiences will enjoy listening.
Super arrangement!
10597780 SSAATTBB . . . . . . . . . . . . . . . .2.35
10873680 SATB . . . . . . . . . . . . . . . . .M 2.45
10749298 SSAA . . . . . . . . . . . . . . . . .M 2.15
10310905 TTBB . . . . . . . . . . . . . . . . . . . .2.25
Great for middle school choirs!
ROUNDS PLUS
Traditional Rounds
with Ostinatos for
Changing Voices
arr. Roger Emerson.
Rounds are a wonderful way
to introduce harmony to young
singers! However, traditional
rounds often have too wide a
range for changing voices, so this
collection was created with the
male changing voice in mind. Fun
and easy-to-sing ostinatos for the
changing male voice accompany
ten familiar rounds sung by treble
voices. Additionally, each round
is presented with two key options
to accommodate the cambiata,
mid-voice and new baritone
range comfortably. Experiment
with other keys until you find your
choirs' sweet spot vocally. This
experimentation will give you a
good idea of the range and tessitura
that will be effective for your group,
which you can then apply to your
choral literature selection process.
This reproducible collection of
unaccompanied rounds may be
taught entirely by ear or duplicated
for sight-reading purposes. Titles
include: Dona Nobis Pacem; Down
by the Bay; Heigh Ho, Nobody's
Home; Jubilate Deo; London's
Burning; Music Alone Shall Live
and more.
10766520 Three-Part Mixed
Reproducible Book . . 19.99
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