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VOCAL JAZZ
HD Blue Skies—Irving Berlin/arr. Roger Emerson. Irving
Berlin's quintessential song is a classic of swing
style, and this straightforward, singable arrangement
brings Berlin's standard to vocal jazz and show choirs
of any level. The swing groove is established in the
beginning with choral voices accompanied by finger
snaps and bass guitar. Later in the arrangement,
written-out scat solos will encourage younger singers
to try this vocal jazz technique.
1477165 SATB . . . . . . . . . . . . . . . . . . . .2.15
3276862 Three-Part Mixed . . . . . . . . . . .2.15
3276870 Two-Part. . . . . . . . . . . . . . . . . .2.15
3276888 P/A CD . . . . . . . . . . . . . . . . . .26.99
4 Blue Suede Shoes—Carl Perkins/arr. Kirby Shaw.
Accessible, authentic and fun, this arrangement of
the famous Carl Perkins song that helped catapult
Elvis to stardom features solo opportunities
(including a notated scat solo) and a vocal stacking
section. Add the jazz combo or the backing track for
even more sizzle.
11203666 Three-Part Mixed . . . . . . . . . . .2.25
11203667 Two-Part. . . . . . . . . . . . . . . . . .2.25
11203668 P/A CD . . . . . . . . . . . . . . . . . .26.99
4t Celtic Dance—Kirby Shaw. A cappella vocal jazz
meets traditional Irish dance music in this innovative
piece, sung entirely with vocables. Though it
sounds complex and requires vocal agility, ostinatos
make this work approachable, and the energy and
excitement are sure to get toes tapping!
11203884 SATB . . . . . . . . . . . . . . . . . . . .2.10
t Chili con Carne—Anders Edenroth. You have
to hear this to believe it! As performed by the
sensational Swedish vocal group The Real Group,
this is a cappella vocal jazz with clever lyrics and
delightful syncopations that are much easier to
feel than they look on paper. It will be well worth
the time you put into it, as many satisfied vocal
ensembles have already found out!
10037659 SSATB . . . . . . . . . . . . . . . . . . .2.75
10027630 SSA . . . . . . . . . . . . . . . . . . . . .2.95
lL The Chorus Room Blues—David Lantz III.
Some days, you just gotta sing the blues - even
in the chorus room! This tongue-in-cheek parody
expresses the multitude of frustrations and
anxieties of the modern choral student - and it's
also a great tool for teaching jazz style. Extensive
instructions for optional scat singing (on pentatonic
and blues scales) provide a framework for vocal
improvisation. Hilarious and useful!
11197165 SATB . . . . . . . . . . . . . . . . . . . .2.20
11197166 SAB . . . . . . . . . . . . . . . . . . . . .2.20
11197167 P/A CD . . . . . . . . . . . . . . . . . .29.99
11197168 Instrumental Parts. . . . . . . . . .15.00
l Come Fly with Me—Jimmy Van Heusen/arr.
Kirby Shaw. This classic tune, made famous by
Frank Sinatra, is as fresh today as it was when it
was first released. With jazz harmonies and vocal
inflections, the easy swing style is enhanced by the
jazzy piano part complete with walking bass.
11203879 SATB . . . . . . . . . . . . . . . . . . . .2.15
11203880 SAB . . . . . . . . . . . . . . . . . . . . .2.15
11203881 SSA . . . . . . . . . . . . . . . . . . . . .2.15
11203882 P/A CD . . . . . . . . . . . . . . . . . .26.99
lt Count Your Blessings Instead of Sheep (from
"White Christmas")—Irving Berlin/arr. Kirby
Shaw. This a cappella jazz setting of the Irving
Berlin classic is just lovely! Well written, with plenty
of opportunities to shape phrases and explore rich
jazz chords, this delightful selection will create a
special moment in any concert.
11203890 SATB . . . . . . . . . . . . . . . . . . . .2.15
L
Cuppa Cappuccino—Andy Beck. Frothy fun
for caffeine lovers everywhere! From the swingin'
echoed phrases of the catchy chorus to the tasty
"with extra foam" ending, this creative chart is
equal parts education and fun. Extend the learning
by trading bars to create a solid introduction to the
jazz style and beginning scat singing for developing
mixed or treble choirs.
10983405 Three-Part Mixed . . . . . . . . . . .2.05
10984607 Two-Part. . . . . . . . . . . . . . . . . .2.05
10985254 P/A CD . . . . . . . . . . . . . . . . . .27.99
10996695 Instrumental Parts. . . . . . . . . .15.00
4 Dancin' Fool—Barry Manilow/arr. Kirby Shaw.
This sizzling-hot arrangement will appeal to jazz
and show choirs, and audiences will love it! In an
upbeat swing, this toe-tapper has a fully notated
layered choral scat section to provide contrast.
Add the instrumental parts or track and take this to
another level!
11202796 SATB . . . . . . . . . . . . . . . . . . . .2.15
11202797 SAB . . . . . . . . . . . . . . . . . . . . .2.15
11202798 SSA . . . . . . . . . . . . . . . . . . . . .2.15
11203904 P/A CD . . . . . . . . . . . . . . . . . .26.99
11201542E Instrumental Parts
Jazz Band ePrint . . . . . . . . . . .25.00
D Don't You Worry 'Bout a Thing—Stevie Wonder/
arr. Roger Emerson. This Discovery Jazz series
edition of Stevie Wonder's 1973 song packs all
the joyful Latin energy you would want into an
accessible arrangement that is super cool and
fun to sing. Great for building skills and style, the
voice-leading is well crafted for your beginning and
developing jazz/pop groups.
10567899 SAB . . . . . . . . . . . . . . . . . . . . .2.25
10567900 Two-Part. . . . . . . . . . . . . . . . . .2.15
10978012 SSA . . . . . . . . . . . . . . . . . . . . .2.25
10567901 Teaching P/A CD. . . . . . . . . . .26.99
10629325E Instrumental Parts ePrint . . . . .20.00
l
Fascinating Rhythm—George Gershwin & Ira
Gershwin/arr. Ed Lojeski. This swing-style jazz
standard has been covered countless times and
continues to appeal to modern audiences. In an
easy swing, this arrangement of the Gershwin
classic is full to the brim with stylistic elements,
enhanced by a jazzy piano accompaniment and
optional rhythm section parts.
11203981 SATB . . . . . . . . . . . . . . . . . . . .2.15
11203982 SAB . . . . . . . . . . . . . . . . . . . . .2.15
11203983 Two-Part. . . . . . . . . . . . . . . . . .2.15
11203984 P/A CD . . . . . . . . . . . . . . . . . .26.99
4 Favorites from "The Rat Pack"—arr. Ryan
O'Connell. Frank Sinatra, Dean Martin and Sammy
Davis Jr. were among the great stars that made the
"rat pack" name famous. Each has numerous hit
songs individually, but together they established a
whole new style of music. Part popular music, part
jazz, and with stellar vocal delivery, these classic
songs are perennially popular for singers and choirs
alike. The medley includes You're Nobody 'Til
Somebody Loves You; Everybody Loves Somebody
and Come Fly with Me.
11175613 SATB . . . . . . . . . . . . . . . . . . . .2.15
11175614 SAB . . . . . . . . . . . . . . . . . . . . .2.15
11175615 TTB. . . . . . . . . . . . . . . . . . . . . .2.15
11198747 P/A CD . . . . . . . . . . . . . . . . . .26.99
11194467E Instrumental Parts
Jazz Band ePrint . . . . . . . . . . .40.00
l
The Fool on the Hill—John Lennon & Paul
McCartney/arr. Kirby Shaw. This breezy
arrangement is based on the Brasil 66 cover of the
Beatles classic. A unison first verse sets the easy
Latin jazz feel before breaking into full harmonies.
Brief scat sections contribute to the mood of the
piece and terrific instrumental combo parts add to
the authenticity.
11203996 SATB . . . . . . . . . . . . . . . . . . . .2.15
11203997 SAB . . . . . . . . . . . . . . . . . . . . .2.15
11203998 SSA . . . . . . . . . . . . . . . . . . . . .2.15
11203999 P/A CD . . . . . . . . . . . . . . . . . .26.99
lL Happy Face Medley—Charles Strouse/arr. Mark
Hayes. You won't be able to stop grinning with this
duo of Put on a Happy Face from "Bye Bye Birdie"
and You're Never Fully Dressed Without a Smile
from "Annie." Both songs were written by Tony and
Emmy award-winning composer Charles Strouse.
Plenty of unison and simple two-part singing in every
voicing make this a quick learn with a lot of pizzazz!
Add the jazz band parts or track for the full effect.
11196373 SATB . . . . . . . . . . . . . . . . . . . .2.25
11196374 SAB . . . . . . . . . . . . . . . . . . . . .2.25
11196375 Two-Part. . . . . . . . . . . . . . . . . .2.25
11196376 P/A CD . . . . . . . . . . . . . . . . . .29.99
11196377 Instrumental Parts Jazz Band .60.00
lL I Got Rhythm—George Gershwin & Ira Gershwin/
arr. Mark Hayes. This Gershwin gem has been
made into an absolutely rip-roaring, no-holds-
barred choral work. You want rhythm? You'll
get it, in more ways than one! An outstanding
arrangement of one of America's standards! Now
available for treble and tenor-bass choirs!
10008333 SATB . . . . . . . . . . . . . . . . . . . .2.95
10008334 SSAB . . . . . . . . . . . . . . . . . . . .1.95
11196265 SSA . . . . . . . . . . . . . . . . . . . . .2.25
11196266 TTBB . . . . . . . . . . . . . . . . . . . .2.25
10008335 P/A CD . . . . . . . . . . . . . . . . . .22.95
10019807 Instrumental Parts. . . . . . . . . .15.00
lD In a Mellow Tone—Duke Ellington/arr. Paris
Rutherford. This accessible arrangement of the
classic Duke Ellington song makes this timeless
tune available to a new generation of singers. In
an easy swing, this piece features ensemble scat
singing, opportunities for scat solos, a fun piano
accompaniment, and optional rhythm section parts.
11175517 SATB . . . . . . . . . . . . . . . . . . . .2.25
11204615 P/A CD . . . . . . . . . . . . . . . . . .26.99
Ht In My Life—Lennon & McCartney/arr. Steve
Zegree. A superb a cappella setting of the Beatles
favorite, this will be a fine showcase for pop, jazz
and concert groups.
10010151 SATB . . . . . . . . . . . . . . . . . . . .2.15
10455768 SSAA . . . . . . . . . . . . . . . . . . . .2.15
10455769 TTBB . . . . . . . . . . . . . . . . . . . .1.95
4D It's Only a Paper Moon—Harold Arlen/arr. Paris
Rutherford. This jazz standard has been recorded
by Ella Fitzgerald, Benny Goodman and many
others. This arrangement begins with the choir
in unison for the first two verses, establishing an
easy swing style. The bridge keeps swinging with
tight harmony, followed by a dynamite choral scat
section including a couple of scat solos. Add to the
appeal with the optional rhythm parts.
11171461 SATB . . . . . . . . . . . . . . . . . . . .2.15
11171583 P/A CD . . . . . . . . . . . . . . . . . .26.99
11166223E Instrumental Parts. . . . . . . . . .20.00
BEST
SELLERS
Show Choir
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
You Will Be Found
(from "Dear Evan Hansen")—
Benj Pasek & Justin Paul/arr. Mac Huff.
10760618 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10760619 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
10760621 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Walk Through Life—Pinkzebra.
11130553 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11130554 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11130556 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11130555 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
This Is Me (from "The Greatest Showman")—
arr. Mac Huff.
10842200 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10842202 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10842203 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10950170 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Bridge Over Troubled Water—
Paul Simon/arr. Kirby Shaw.
1743939 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
1743947 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
3294418 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
3701797 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
She Used to Be Mine (from "Waitress")—
Sara Bareilles/arr. Mac Huff.
11002057 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
High Hopes—arr. Roger Emerson.
10997119 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
10997121 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
10997120 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Come Alive (from "The Greatest Showman")—
Benj Pasek & Justin Paul/arr. Mark Brymer.
10952888 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10952889 Three-Part Mixed . . . . . . . . . . . . . . . . . . . 2.25
10952890 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Have It All—arr. Roger Emerson.
11001476 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11001477 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11001478 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Waving Through a Window
(from "Dear Evan Hansen")—
Benj Pasek & Justin Paul/arr. Roger Emerson.
10760572 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10760575 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
10760576 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
I'm Still Standing—arr. Pete Schmutte.
10868769 SATB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
10868763 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
10868766 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
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