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Carnavalito
arr. Will Lopes.
Here is an awesome a cappella arrangement of a Bolivian folk song that is
rhythmic and a bit of a challenge, but well worth the rehearsal time. Vocal
percussion and body percussion as well as simple choral movements make the
piece come alive with rhythm and dynamic movement. A real showpiece for
choirs that can handle it! Now available in a TTBB voicing.
11202188 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Carnival of the Animals: Choral Set I
Camille Saint-Saens/arr. Heather Sorenson.
Introduce Saint-Saen's beloved instrumental chamber work in a highly
creative way! Playful original lyrics accompany strong two-part writing and an
enchanting accompaniment. To get the full effect, consider adding the optional
flute part for Aquarium, and/or the optional xylophone part for Fossils. May be
performed separately or as a four-minute concert set. Absolutely delightful!
11196348 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.30
Catalina la O
Johnny Ortiz/arr. Suzzette Ortiz.
This authentic-sounding salsa piece is a fun way to incorporate Spanish text
into your choral program. A contrasting middle section makes use of claves
and vocal percussion, and the song provides an opportunity to feature a soloist.
A pronunciation guide is included.
11170494 Three-Part Treble or SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Come By Here
arr. Kyle Pederson.
This sweet setting for SATB voices and piano of KUM BA YAH is so thoughtfully
different from any other arrangement that it is not to be missed! Musically
sound and creative, with occasional guided piano improvisation, it includes
a quote of the hymn tune
NICAEA (Holy, Holy, Holy). This work hits every high
mark in terms of vocal writing, skillful accompaniment, and beautiful effect.
11199621 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Connected
Brian Tate.
"I am you are me...." This innovative original uses a clever text and pop-style
music to create an environment of togetherness among members of the choir.
Community - that's what it's all about. Each vocal part gets its own statement,
and all are sequenced together into a rollicking chorus, all a cappella, all fun!
Complete with finger snaps and handclaps, this will be a hit with your singers!
10602876 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
10997680 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
10729441 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.45
11199790 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.55
Cool Moon
Richard A. Williamson.
Carefully crafted vocal lines combine in lush harmony in an easy and effective
introduction into modern a cappella singing. A beautiful text paired with an
artistic setting gives the perfect opportunity to teach musical and literary
sensitivity, along with balance and blend. Perform a cappella or with the
optional piano part in three-part mixed or SSA voicing.
10590395 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
10843329 Three-Part Mixed opt. piano accompaniment . . . . . . . . . . . . . . . 2.05
11172841 SSA opt. piano accompaniment . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
10882905 Multi-Song Accompaniment CD . . . . . . . . . . . . . . . . . . . . . . . . 44.95
Bringers of Noise
Kyle Pederson.
This is different! Using a fictional language combined with a powerful English
text, this exceptional piece effectively combines narration, rhythmic chanting
and whispers, singing, vocal percussion, stomps with drum, and a driving
piano accompaniment to create an atmosphere of drama and mystique. Mixed
choirs can adapt the SA voicing by doubling the soprano part at the octave.
Not to be missed!
11196339 SA or Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
11196340 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
Bye and Bye
arr. Rollo Dilworth.
This stylized gospel arrangement of the traditional spiritual features a terrific
layered bridge section with traditional gospel stacking. Rock-solid choral writing
and a beautifully written piano part give this moving selection an authentic
gospel sound.
11203717 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
11203718 SSAA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
11203719 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
A Call for Peace
Jerry Estes.
This timeless call for peace in the world, based on a Gregorian chant-like vibe
in minor mode, creates an ancient-modern concert work with a message that is
appropriate for any time of year. Designed to be three-part a cappella, but with
the option of piano accompaniment and additional percussion, this well-crafted
piece features reasonable ranges for young singers in an exciting imitative
texture that is easy to learn and impressive to perform.
11202514 Three-Part Mixed opt. piano accompaniment . . . . . . . . . . . . . . . 2.25
11202515 TTB opt. piano accompaniment . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Cambiar el Mundo
Jim Papoulis.
Here is a work with a Spanish flair but also in the style we have come to expect
from Jim Papoulis. Positive, with a message that speaks to young people
around the world. "We can make a difference" rings loud and clear in this
unison anthem.
11202984 Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Cantate Domino
Mark Hayes.
Pure energy from start to finish, this dynamic original incorporates both
Latin and English lyrics, which are brought to life by the toccata-like piano
accompaniment. Vocal layering is a key sectional element and facilitates
teaching. Mixed meter enhances text declamation, and driving syncopations
propel it towards a dramatic ending.
10089736 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
11195622 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
10089738 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26.95
Cantate!
Emily Crocker.
This well-written piece of festival repertoire for young choirs sets a traditional
Latin text with joyous musical phrases. A lyrical middle section provides a nice
contrast and the optional descant over the final statement of the melody adds
to the texture.
11171458 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
11171459 TB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
11203729 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22.99
