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Sanctus
Michael John Trotta.
The final installment of the Missa Brevis, this peaceful work features
opportunities for unison singing and the development of independent part
singing. With conservative ranges and opportunities to focus on pure vowels
and text accentuation, this is an elegant addition to any concert or service.
Combine with Trotta's other Latin works Kyrie, Gloria and Agnus Dei to create
the full Missa Brevis. Now available for mixed voices.
11198034 Three-Part Mixed opt. Baritone, or SATB . . . . . . . . . . . . . . . . . . 2.50
10990284 SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Sanctus! Sanctus!
Christopher T. Wolff, Jr.
This dynamic and energetic piece is written in an ABA style with comfortable
ranges in the voice parts. Making use of mixed meters and solid homophonic
harmonic writing, this selection is appropriate for concerts year-round and will
work very well as a festival opener.
11198018 TBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
Scarborough Fair
Canticle
arr. Randy Jordan.
Based on the classic Simon and Garfunkel version of this folk song, this
contemporary a cappella setting really catches the beauty and feel of the
original. Layered vocables surround the plaintive melody in a grand, lush divisi
texture that will be a beautiful concert highlight that is worthy of the extra effort.
11171173 SSATBB divisi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Seal Lullaby
Douglas E. Wagner.
Full of beautiful choral harmonies and lyrical voice leading, this piece provides
a taste of advanced choral singing within an overall accessible setting. This
emotionally-charged concert piece will tug at the heartstrings of your audience
with its images that recall the feelings of all parents for their precious children.
10684763 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
11172870 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
Seashell, Tell Me Your Tale
Shayla L. Blake.
Here's a gorgeous original song and text that will allow young choirs to develop
musical sensitivity, lyrical singing and tone. The mysterious journey of a
seashell in the ocean sets up a theme that encourages young people to wonder
and dream about life in the ocean, and the voice leading and lovely extended
phrases will help them grow as musicians. A lovely piece with great educational
components and high performance value!
11198831 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
She'll Be Comin' 'Round the Mountain
arr. Michael John Trotta.
Here's a fun, fresh take on the beloved children's song! The simple voice
leading and easy harmonies make this a very accessible piece for any two-
part choir. Accompanied by an energetic and syncopated piano part, this
arrangement will be a big hit. Yee-hah!
11171698 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.10
Remember the Children
Kyle Pederson.
This work expresses the concerns that all people - particularly parents - have
for bringing up the younger generation in this trying world. The combination of
the English lyrics with their Swahili translation reflects the universal nature of
this sentiment, and the combination of a pop ballad feel and a gospel groove in
this beautiful song will appeal to all.
11195673 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.85
The Rivers Are Running Again
Amy F. Bernon.
Celebrate spring with this delightful folk-like original. The colorful refrain brings
to life the joy and rebirth of springtime: "Oh, spring has returned with a bursting
of blossoms, with dancing and singing and days full of sun." A lovely choice for
treble choirs!
3303214 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
11195679 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
3303241 Multi-Song P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44.95
The Road Not Taken
Victor C. Johnson.
Robert Frost's much-quoted poem presents a memorable metaphor about life
choices. This setting explores subtle nuances of the text through the thoughtful
use of melodic line, harmonic color, musical expression, and word stress.
A perfect piece for exploring artistry, phrasing and musicality. A great choice
for year-end concerts and graduation ceremonies.
11196280 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
11196281 SAB. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
11196282 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
The Road Not Taken
Ruth Elaine Schram.
Robert Frost's distinguished poem comes to life in this expertly-crafted original.
Easily learned, it is predominated by unison singing, though all parts are given
equal opportunity to sing the melody. The poem is an important teaching tool
and a good choice for graduation.
10513118 Three-Part Mixed. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
11172880 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.20
11199223 Multi-Song Accompaniment CD . . . . . . . . . . . . . . . . . . . . . . . 44.95
A Round for Three
William Cranford/arr. Patrick M. Liebergen.
This tuneful a cappella canon is a valuable resource for teaching and
reinforcing part-singing. The jaunty melody is presented first in unison, followed
by a round and plenty of "fa la la" phrases. Add the optional flute and hand
drum for the classic Renaissance sound.
11197781 SSA opt. Flute and Hand Drum . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
Sanctus
from Requiem for the Living
Dan Forrest.
A number of movements from Requiem for the Living by Dan Forrest
comfortably stand alone. The Sanctus, movement IV from the work, is scored
for divisi mixed chorus with keyboard or orchestra (full or chamber). For the
advanced church, collegiate, or community ensemble, the piece could easily
open a concert. Powerful!
11202060 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.75
