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48
CHRISTMAS
&
HOLIDAY
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4D Ecce Ancilla (from Magnificat)—Michael John
Lt Trotta. A simple prayer of a servant, this a cappella
work masterfully captures Mary's response to the
angel Gabriel. "Behold, I am the servant of the Lord.
May it be done to me according to your will." A
translation allows this work to be performed in Latin
or English.
11192980 SATB A Cappella Version. . . . . .2.45
11202061 SATB Piano
Accompaniment Version . . . . . .2.85
H The First Noel—arr. Dan Forrest. Dan Forrest's
setting of this beloved carol takes a wonder-filled,
reflective gaze inside the stable. The work takes
its time to savor the beauty and meaning of the
scene, and to communicate directly to the heart of
every listener. Sweeping crescendos and tasteful
piano lines deliver the message of this carol in a
completely unforgettable way. Captivating.
10069886 SATB . . . . . . . . . . . . . . . . . . . .2.25
10281676 SSA . . . . . . . . . . . . . . . . . . . . .2.15
10281681 TTB. . . . . . . . . . . . . . . . . . . . . .2.15
10098697 Orchestration for SATB . . . . . .80.00
10281678 Orchestration for SSA . . . . . . .80.00
10281682 Orchestration for TTB . . . . . . .80.00
4 The First Noel—arr. John MacLane Schirard.
Fresh contemporary harmonies with a smooth
jazz influence surround this traditional carol in
a shimmering setting that embraces the tender
and serene feel of the season. A flowing piano
accompaniment is present for the majority, but the
a cappella verse just sparkles with close harmonies
that are exquisite. Sure to inspire a moment of quiet
wonder in your concert or service.
11198843 SATB . . . . . . . . . . . . . . . . . . . .2.00
H The First Noel/Pachelbel's Canon—arr. Michael
Clawson. This is the finest pairing of melodies we've
heard in years: The First Noel and Pachelbel's
famous Canon In D. It works! In fact, the intertwining
of these two timeless works is absolutely beautiful.
A first-rate choral masterpiece, this has rapidly
become a classic. Features a three-hand piano or
organ accompaniment. Don't miss this!
1740786 SATB . . . . . . . . . . . . . . . . . . . .2.05
1740794 SAB . . . . . . . . . . . . . . . . . . . . .2.05
1860923 Two-Part. . . . . . . . . . . . . . . . . .1.85
1740802 SSA . . . . . . . . . . . . . . . . . . . . .1.85
3298474 P/A CD . . . . . . . . . . . . . . . . . .27.99
3298475 Instrumental Parts. . . . . . . . . .30.00
H For Unto Us a Child Is Born (from "Messiah")
—G.F. Handel. The most popular and true-to-the-
original version of this familiar chorus from Handel's
"Messiah." Piano accompaniment.
934398 SATB . . . . . . . . . . . . . . . . . . . .1.95
t Fum, Fum, Fum—arr. Howard Helvey. Allow two
of your favorite pianists the joy of accompanying
this sparkling choral setting that begins quietly and
builds to a vibrant Christmas dance. There is simply
no better way to celebrate the Christmas season,
either in the sanctuary or concert hall!
10366936 SATB . . . . . . . . . . . . . . . . . . . .2.25
10366937 TTBB . . . . . . . . . . . . . . . . . . . .2.25
Ht Gaudete!—arr. Michael Engelhardt. From
Piae Cantiones, this setting of Gaudete! is in a
progressive style, yet well suited to the medieval
melody. Its energy is derived from the accented
rhythms and dance-like percussive elements, all
adding to the joyous nature of the piece. Percussion
parts for four players are available separately.
10467505 SATB . . . . . . . . . . . . . . . . . . . .2.65
10276399 SSA . . . . . . . . . . . . . . . . . . . . .2.60
10304776 TTBB . . . . . . . . . . . . . . . . . . . .2.50
10968325 Full Score and Percussion Parts
for SATB . . . . . . . . . . . . . . . . .20.00
10276400 Full Score and Percussion Parts
for SSA . . . . . . . . . . . . . . . . . .20.00
10968326 Full Score and Percussion Parts
for TTBB . . . . . . . . . . . . . . . . .20.00
t
Gloria (Angels We Have Heard on High)—arr.
Keith McKay Evans. Here is a fresh take on the
beloved French carol! In the exact arrangement
made famous by Brigham Young University's a
cappella group BYU Noteworthy, this contemporary
setting is in 6/8 for a gently lilting feel. With
improvised vocal percussion and an alto 4/bass line
that falls in the tenor range, this has a full harmonic
texture with legato choral lines that support the
soloist in waves of sound. Exceptional!
10989954 SSSSAAA . . . . . . . . . . . . . . . . .2.95
Gloria Fanfare—Jeffery L. Ames. Pull out all the
stops with this majestic Latin setting for holiday
and festival performances! It's a big, impressive
concert opener that is only five to six minutes in
duration. Optional general English text is included
to make it suitable for performances all year round.
Include two trumpets (part included) and it will
raise the roof!
10090797 SSAATTBB . . . . . . . . . . . . . . . .2.65
10276420 TTBB . . . . . . . . . . . . . . . . . . . .2.35
10276421 Instrumental Parts
Brass & Percussion . . . . . . . . .40.00
HL Gloria in Excelsis—Antonio Vivaldi/arr. Martens.
The opening movement from Vivaldi's "Gloria" is a
choral standard that is a recognized masterwork
of the Italian Baroque period. It's a solid choice for
holiday concerts or festival appearances!
662585 SATB . . . . . . . . . . . . . . . . . . . .2.55
L God Rest Ye Merry, Gentlemen—arr. Molly
Ijames. It would be difficult to find a more spirited
arrangement of this much-loved carol! This setting
for SATB voices and piano requires an above-
average accompanist and an energetic choir ready
to work with the promise that the end result will
be artistic and worth the effort. This is an excellent
choice for concert choirs, church, or school.
11101002 SATB . . . . . . . . . . . . . . . . . . . .2.15
H
Hallelujah Chorus (from "Messiah")—George
Frideric Handel. This is the G. Schirmer edition that
has become part of every musician's experience with
Handel's masterwork. A "must" for every library.
401042 SATB . . . . . . . . . . . . . . . . . . . .1.95
H Hallelujah Chorus (from "Messiah")—G.F.
Handel/arr. Clair W. Johnson. Handel's triumphant
chorus from the "Messiah" becomes a concert high-
light when combined with the band accompaniment.
Perfect for that final number on your Christmas
program. Key of C.
723064 SATB . . . . . . . . . . . . . . . . . . . .2.15
721449 Band Set & Score . . . . . . . . . .60.00
His Light in Us—Kim Andre Arnesen. Commissioned
by the St. Olaf Choir for the 2016 St. Olaf
Christmas Festival, this work is a thanksgiving, a
song about the gift of a tiny child that suggests
that only the nature of love is changeless. It sings
about our renewed hope and how light now shines
because Christmas is a new and refreshing gift;
our hearts are renewed, and our hope is renewed.
This joyful reflection was written for Christmas, but
can be sung at any time of year as a song of hope.
10773131 SATB . . . . . . . . . . . . . . . . . . . .2.10
4L I Wonder as I Wander—John Jacob Niles/arr.
Jennaya Robison. Already a haunting melody, this
setting is even more captivating with the addition
of the oboe obbligato. If possible, the use of harp
instead of piano furthers the mystic sonorities. This
is a stunning Christmas concert selection that will
be enjoyed by singers and listeners alike.
11196203 SSAA . . . . . . . . . . . . . . . . . . . .2.55
I Wonder as I Wander—arr. Ruth Elaine Schram.
This Appalachian carol has one of the most beautiful
and expressive melodies. Set here for treble or
mixed choirs, this lush arrangement features
beautiful harmonies, a flowing accompaniment
and an optional flute obbligato that really enriches
the arrangement. A tender and expressive piece
that will bring a quiet moment of reflection to your
Christmas concert or service.
10031040 SATB . . . . . . . . . . . . . . . . . . . .2.25
10984557 SSAA . . . . . . . . . . . . . . . . . . . .2.25
HL In Dulci Jubilo—arr. Matthew Culloton. A cappella
t
choirs will enjoy this ethereal arrangement of the
traditional Christmas carol. The melody is easily
identifiable throughout, and a quiet energy makes
it an exciting setting. Available for mixed, women's
and men's voices.
10310929 SATB . . . . . . . . . . . . . . . . . . . .2.50
10606190 SSA . . . . . . . . . . . . . . . . . . . . .2.50
10606183 TTBB . . . . . . . . . . . . . . . . . . . .2.50
L In the Bleak Midwinter—arr. Mark Hayes. The
well-loved Christina Rossetti poem and Gustav Holst
tune come to life in this stunning arrangement that
rises and falls in complexity from the beginning solo
soprano voice to its return at the end. Scored for
SATB voices, solo, piano, and optional orchestra.
Hauntingly beautiful!
10907656 SATB . . . . . . . . . . . . . . . . . . . .2.25
10907657 String Quartet & Percussion . .25.00
10907658 Orchestration . . . . . . . . . . . . .80.00
t
Joy to the World (with For Unto Us a Child Is
Born)—G.F. Handel/arr. Jamey Ray. Voctave's
sparkling arrangement of two Handel favorites
is available for mixed divisi a cappella groups
as it appeared on their Christmas album, Snow.
Extended ranges for your sopranos and basses as
well as plenty of divisi harmonies for the inner voices
make this a challenging but rewarding selection to
wow your audience at your holiday concert.
11001344 SATB divisi . . . . . . . . . . . . . . . .2.50
l Joy to the World—arr. Patrick Hawes. This
arrangement of Joy to the World is a magnificent
new option. Scored for choir, organ, brass, and
percussion, this is a great fit for any Christmas
program or service.
11200628 SATB . . . . . . . . . . . . . . . . . . . .2.55
t
Mary, Did You Know?—Mark Lowry & Buddy
Greene/arr. Jamey Ray. Straight off their Christmas
album The Spirit of the Season, here is Voctave's
exact arrangement of the hit Christmas song that
has been recorded and covered by countless artists
over the past 25 years. Extended ranges and divisi
create the thick a cappella texture that Voctave
is famous for, and the harmonies really bring
emphasis to this tender text and melody that has
inspired so many.
11001278 SATB divisi . . . . . . . . . . . . . . . .2.50
4
Masters in This Hall—arr. Mark Hayes. Mark's
interpretation of the wonderful French carol is
even more exciting than the original! Unexpected
harmonies, call-and-response chorals, and the
fabulous accompaniment build this setting to new
heights. Challenging and so gloriously festive, this
is a tour-de-force for larger groups, community glee
clubs, and adult church choirs.
3298801 SATB . . . . . . . . . . . . . . . . . . . .2.50
11199181 SSA . . . . . . . . . . . . . . . . . . . . .2.50
3298803 P/A CD . . . . . . . . . . . . . . . . . .26.99
3298802 Orchestration . . . . . . . . . . . . .69.95
10408169 Instrumental Score . . . . . . . . . .7.50
lL Noel—Naomi LaViolette. An original melody
that sways with an ancient-modern feel sets
these traditional lyrics from The First Noel. The
choral texture moves from a simple unison to
a full harmonic display with drama and flair.
Creative harmonization elements include rhythmic
"bom bom boms" that support the melody and
add interest. Dramatic and refreshing, this is a
wonderful way to welcome the Christmas holiday.
11161193 SATB divisi . . . . . . . . . . . . . . . .2.20
11161194 SSA . . . . . . . . . . . . . . . . . . . . .2.20
Brigham Young University a cappella groups have been at the
forefront of creating great a cappella arrangements. With hundreds
of millions of views on YouTube, their two groups BYU Vocal Point
and BYU Noteworthy have amassed a signicant following. e
arrangements are presented in their original a cappella versions, and
several are also available in a more accessible accompanied versions,
too. Visit our website for many more titles from BYU for Christmas.
4 Away in a Manger—William J. Kirkpatrick/arr. Jason D. Findlay.
11204283 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
t Gloria (Angels We Have Heard on High)—arr. Keith McKay Evans.
10989954 SSSSAAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
4t Infant Holy, Infant Lowly—arr. McKay Crockett.
11204262 SATB divisi, a cappella version. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.95
11105230 SATB divisi, with piano accompaniment . . . . . . . . . . . . . . . . . . . . . 3.95
10989962 TTTTBBBB original a cappella version. . . . . . . . . . . . . . . . . . . . . . . 2.95
t
O Come, O Come, Emmanuel—arr. Trevor Johnson & Keith McKay Evans.
11105233 SATB divisi, with piano accompaniment . . . . . . . . . . . . . . . . . . . . . 3.95
10989970 TTTTBBBB original a cappella version. . . . . . . . . . . . . . . . . . . . . . . 2.95
BYU
CONTEMPORARY
A CAPPELLA
CHRISTMAS
"
You are always my
rst call!"
— Molly Phillips Grogan
Music erapist-BC, Dallas, TX
