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CONTEMPORARY
L How Wonderful You Are—Patricia Mock/arr.
Larry Shackley. This sensitive updating of the
classic hymn is a beautiful outpouring of praise
to our Holy God. The ever-present theme of "Holy,
holy, holy. How wonderful You are!" stirs adoration
and awe in the audience and performers alike in
this pretty ballad.
11165779 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11165780 P/A CD . . . . . . . . . . . . . . . . . 26.95
4 I Believe in a Hill Called Mount Calvary—
arr. Cliff Duren. This exciting and modernized
version breathes fresh air into this favorite hymn.
Congregations and choirs alike will enjoy hearing
this classic song of the church in worship.
Musically well paced, with a supportive and uplifting
orchestration. Not to be missed!
11206299 SATB. . . . . . . . . . . . . . . . . . . . 1.99
11206300 P/A CD . . . . . . . . . . . . . . . . . 26.95
11206301 Orchestration . . . . . . . . . . . . . 79.99
11206302 Stem Mix . . . . . . . . . . . . . . . . 49.99
I Know You Are Mine—Benjamin David Knoedler.
This beautiful yet simple prayer proclaims that,
"I am His and He is mine and no one can take
that away." With a beautiful violin part, this piece
communicates security and it is also accessible
and teachable. A confident example of God's love
for his children.
11167170 SATB. . . . . . . . . . . . . . . . . . . . 2.00
4D I Thought By Now—Heather Sorenson. Heart-
wrenching honesty characterizes this testimony
that ministers to the wounded spirit. Soloists
eloquently deliver the story of the song's pilgrims
as they search for meaning in the journey of
faith. The choir underscores the solos before
singing "Surely You have borne our griefs and
carried ev'ry sorrow." Optional violin and cello
underscore the message.
11165962 SATB. . . . . . . . . . . . . . . . . . . . 2.25
HL I Will Rise—Chris Tomlin/arr. Craig Courtney
& Lynda Hasseler. Here is a concert-ready
arrangement of the contemporary classic, with
the flexibility to be performed with or without
piano. The string accompaniment provides
another option, either as strings alone with choir
or as solo instruments to add texture to the piano
accompaniment. The choral parts are scored so
that sections of the vocal "accompaniment" can
be omitted when using piano. The possibilities are
endless. A unique setting!
10293852 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10667330 SSAA. . . . . . . . . . . . . . . . . . . . 2.25
10667331 TTBB . . . . . . . . . . . . . . . . . . . . 2.25
I Will Sing of the Lord's Great Love—Marty
Parks. This tender ballad is an anthem of praise
and thanksgiving for the great love of God. A gentle
melody rises and falls while the simple harmonies
bring warmth and fullness to the texture. This is an
ideal selection for a quiet moment in your service.
11167716 SATB. . . . . . . . . . . . . . . . . . . . 1.99
11167717 P/A CD . . . . . . . . . . . . . . . . . 26.95
11167719 Stem Mix . . . . . . . . . . . . . . . . 49.99
11167718 Orchestration . . . . . . . . . . . . . 79.99
4D In the Name of the Lord—Gloria Gaither, Phil
L
McHugh & Sandi Patty/arr. Mary McDonald. Ideal
for Palm Sunday, this popular praise song sets the
tone as it tells the story of Jesus, the man from
Galilee, entering Jerusalem. The familiar refrain
brings it all together: "There is strength in the Name
of the Lord. Blessed is he who comes in the Name
of the Lord!" Now available in SAB, two-part mixed
and TTBB voicings.
10806738 SATB. . . . . . . . . . . . . . . . . . . . 2.35
11165095 SAB. . . . . . . . . . . . . . . . . . . . . 2.35
11165096 Two-Part Mixed . . . . . . . . . . . . 2.35
11165097 TTBB . . . . . . . . . . . . . . . . . . . . 2.35
10806739 Split Track CD . . . . . . . . . . . . 29.95
10806740 Orchestration . . . . . . . . . . . . . 69.95
l In the Shadow of His Wings—Judy Doering.
Based on scripture, this testimony in music reminds
us of God's steadfast assurance. A balance of
unison and full four-part harmonies ensures clear
and expressive text declamation. An impressive
crescendo eventually winds down to a quiet ending.
11199175 SATB. . . . . . . . . . . . . . . . . . . . 2.10
L Inasmuch—Pepper Choplin. With text inspired by
Matthew 25:37-40, this uplifting anthem focuses
on Christ's teaching to minister and serve those
around us. Beginning with an optional narration, the
piece effectively delivers its message using a gentle
rock feel. An optional rhythm accompaniment
complements the relaxed feel of this anthem.
11165783 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11165784 P/A CD . . . . . . . . . . . . . . . . . 26.95
11165785 Instrumental Parts . . . . . . . . . 19.95
lL An Instrument of Your Peace—David Haas.
The Prayer of St. Francis is given a new setting
here, with a gently syncopated refrain and lyrically
flowing verses. Set primarily for unison voices,
the refrain's contrapuntal descant flows delicately
against the melody. A beautiful choice for choir
and soloists or for your entire congregation to join
in singing.
11166807 Unison . . . . . . . . . . . . . . . . . . . 2.00
Just Another Miracle—John Chism & Phil
Mehrens/arr. Ed Hogan. Sometimes we all face
tough trials and feel alone. God's mercy, grace,
and power are so much greater than our weakness.
This songs reminds us that the promises of God are
alive and well. Uplifting and useful in many settings.
11167322 SATB. . . . . . . . . . . . . . . . . . . . 1.99
11167323 Accompaniment CD . . . . . . . . 29.99
11167324 Orchestration . . . . . . . . . . . . . 74.99
4L Let Everything That Hath Breath—Joel Raney.
With words based on Psalm 150 expressing the
joy of worshiping with music, this dynamic festival
anthem is inspiring and joyful. This is easily learned
and full of energy and excitement.
11204036 SATB. . . . . . . . . . . . . . . . . . . . 2.35
11204037 P/A CD . . . . . . . . . . . . . . . . . 29.95
11204038 Brass Parts . . . . . . . . . . . . . . 29.95
4L Let Us Build a House—Haugen & Medema/
arr. Lloyd Larson. Pairing Marty Haugen's hymn
All Are Welcome with Ken Medema's song Come
Build a Church, this choral setting is useful for
building community in the house of the Lord. The
instrumental parts add color and interest to this
powerful reminder to "build a house where love can
dwell and all can safely live, a place where saints
and children tell how hearts learn to forgive."
11204065 SATB. . . . . . . . . . . . . . . . . . . . 2.40
11204066 P/A CD . . . . . . . . . . . . . . . . . 29.95
11204067 Instrumental Parts . . . . . . . . . 29.95
l Let Us Give Thanks for Unknown Blessings—
Carol Browning. Based upon Matthew 6:25-34 and
Luke 12:22-32, this two-part mixed setting offers
a refrain that is a Quaker blessing and verses that
provide reassurance of God's care for his people.
The flowing syncopated rhythms propel the piece
forward while simultaneously giving it the feeling of
a mantra.
11200316 Two-Part Mixed . . . . . . . . . . . . 2.00
l The Light on the Hill—Rebecca Oswald. The
beautiful melody of this song has an immediate
sense of familiarity and is accessible to any
congregation. Including both a hymn version and a
concertato version complete with SATB harmonies,
this song has themes of forgiveness, longing for God,
and the love of God for us. It is suitable for use during
the Preparation of the Gifts during Ordinary Time.
11201927 SATB. . . . . . . . . . . . . . . . . . . . 2.60
4 The Lord Is My Salvation—arr. Jay Rouse. This
eloquent anthem from well-known writers Keith
and Kristyn Getty serves as a reminder that the
grace of God covers every aspect of our lives. The
musical pacing and restraint here is a powerful
tool to offer to your community. The orchestration
is stunning; there is a sense of humility and
humbleness about the entire arrangement as it
unfolds. Highly recommended!
11204137 SATB. . . . . . . . . . . . . . . . . . . . 1.99
11204138 Split Track CD . . . . . . . . . . . . 29.99
11204139 Orchestration CD-ROM. . . . . . 74.99
lt Lord Listen To Your Children—Ken Medema/
arr. Kenneth Dake. Ken Medema's well-known
song is given a tour de force a cappella treatment
by Kenneth Dake. Requiring eight-part divisi, the
choir sings abundant gospel harmonies and doo-
wop syllables accompany the high-voice soloist in
the middle of the piece. It is exciting and dynamic,
not to be missed!
11199606 SATB. . . . . . . . . . . . . . . . . . . . 2.70