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HANDBELL MUSIC
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4 He Leadeth Me—arr. Brenda Austin. This
upbeat version of a favorite hymn combines
the title tune with Blessed Assurance. Mallets,
plucks, and other techniques enhance the happy
vibe of this clever arrangement.
11166125 3-6 Octave . . . . . . . . . . . . L3 5.25
H Here I Am, Lord—Daniel Schutte/arr. D.
Wagner. Your ringers will be singing along in
their hearts when they play this graceful setting
of Dan Schutte's heartfelt Missionary song. A
soothing arrangement that is even more effective
when played on hand chimes, this features
ample harmonic doubling and the melody scored
prominently in the top voice. It begins in D major
with a half-step modulation to a resolved and
finally a quiet repose. Very well done!
10089580 2-3 Octave . . . . . . . . . . . . L2 5.50
4 His Eye is on the Sparrow—Charles H.
Gabriel/arr. Sandra Eithun. This expertly crafted
arrangement is beautifully detailed and entirely
accessible for groups in search of a rich, warm
musical setting appropriate for worship or
concert. The optional flute, available separately,
adds radiant color and enhances the melody of
this classic hymn.
11161810 3-5 Octave . . . . . . . . . . . L2+ 5.00
11161811 Instrumental Parts Flute. . . . . . .5.00
l Holy God, We Praise Your Name—arr. Kevin
McChesney. The lovely hymn tune
GROSSER GOTT
is set here in a thoughtful style, encouraging a time
of prayer or moment of reflection.
11205010 3-5 Octave . . . . . . . . . . . . L2 4.95
l Holy Manna—arr. Patricia Hurlbutt. Every
ensemble, no matter its size, occasionally needs a
well-crafted 2-3 octave piece. This arrangement
is imaginative yet easy to put together, with
imitative writing and full harmonies. This popular
tune, used with many texts, is suitable for
occasions year-round.
11203420 2-3 Octave . . . . . . . . . . . . L2 5.25
Holy Spirit, Living Breath of God—Keith Getty &
Stuart Townend/arr. Lloyd Larson. Part of the Ring
& Sing series, this anthem can stand alone as a
handbell anthem or be used to accompany any of
the vocal versions (two-part mixed, TTBB, or vocal
solo.) It is particularly appropriate for Pentecost
Sunday but may be used anytime through the
church year.
11165175 3-5 Octave . . . . . . . . . . . . L2 5.75
l Holy, Holy, Holy—arr. Julie Turner. Featuring
a variety of techniques and changes in tempo
and dynamics, this work presents a wonderful
opportunity to work on technique and musicality.
A perfect fit for worship, concert, and festivals.
11205019 3-5 Octave . . . . . . . . . . . . L3 5.50
l Hope for Reconciliation—Lee J. Afdahl. This
original work begins with a somber feeling of
tension which gives way to a mournful melody
of yearning. The middle section drives the piece
forward before the return of the opening material,
which now has a more hopeful feeling than before.
A contrasting coda brings the piece to a quiet,
reflective conclusion.
11202859 3-5 Octave . . . . . . . . . . . . L3 5.95
How Can I Keep from Singing?—arr. Karen
Lakey Buckwalter. This beautiful arrangement
of the beloved Robert Lowry tune is a grand tour
through Christian hymnody. Numerous hymn tunes
are quoted throughout, usually between verses of
the main tune, but occasionally as counterpoint and
countermelody. The addition of the optional cello
adds a glorious bass sound, but in its absence, the
cello part is notated in the score for handchimes. A
true musical delight from start to finish!
10954675 3-5 Octave optional
3-4 octaves handchimes
and optional cello . . . . . . . L3 4.50
10954676 Cello Part . . . . . . . . . . . . . . . . .4.95
How Firm a Foundation—Ron Mallory. The
American hymn tune
FOUNDATION is solidly scored
with a malleted, syncopated accompaniment
and fresh harmonies which create an energetic,
compelling arrangement. A variety of bell
techniques, one key change, and driving rhythms
make this an invigorating option for Reformation or
general use.
11100454 3-5 Octave . . . . . . . . . . . . L3 5.25
How Great Thou Art with Majesty—Stuart K.
Hine & Jack Hayford/Joel Raney. Bringing together
a beloved hymn with a praise and worship classic,
this setting for piano and Level 2 3-5 octave
handbells creates an enticing interplay between
all the elements. After introducing both selections,
the two instruments join together and pair the two
hymns in an enchanting back and forth dialogue.
10809944 3-5 Octave . . . . . . . . . . . . L2 5.75
10809945 Full Score & Keyboard . . . . . . .10.95
I Come with Joy—arr. Brian Childers. This
accessible setting of the American folk tune,
Land of Rest, offers a full-sounding arrangement
with tall chords and fun techniques added
for interest and musicality. The arrangement
features two verses with an interlude that
builds to the fortissimo final statement in big
octaves, unwinding to a peaceful, restful ending.
A dynamic piece for developing bell choirs!
10953801 3-5 Octave . . . . . . . . . . . L1+ 4.95
4 I Know the Lord's Laid His Hand on Me—arr.
Patricia Hurlbutt. This very usable arrangement of a
well-known spiritual features a variety of techniques
and an introduction to syncopated rhythms for
the beginning choir. A faster tempo will make it
attractive to higher-level ensembles as well. Fun to
ring and hear, this is a great arrangement for both
church and school.
11205003 2-3 Octave . . . . . . . . . . . . L1 4.95
I Sing the Mighty Power of God—arr. Anna
Laura Page. Anna Laura Page's arrangement of
ELLACOMBE treats the tune with the fanfare and
pomp that it requires. The exuberance of the
opening and closing is contrasted by a sweet, lyrical
middle section that ringers and listeners will enjoy.
10811527 3-5 Octave . . . . . . . . . . . L2+ 4.95
4 Impressions on Aberystwyth—arr. Matthew
Compton. Beautiful, haunting, and reflective, this
well-crafted arrangement of the Welsh hymn
tune
ABERYSTWYTH will be appropriate for Advent,
Lent, or any reflective time in community handbell
programs. Low chimes are set effectively against
twinkling upper bells, and multi-rhythmic levels
develop as the piece progresses, making this
a challenging and worthwhile addition to the
advanced choir's repertoire.
11165177 3-7 Octave w/opt.
3-7 oct. Handchimes . . . . L4 5.50
l In God's Loving Arms—William Gross. Inspired
by the death of the composer's mother, this original
composition is both imaginative and uplifting. The
lilting, singable melody has a contemporary flavor
with a syncopated line over a gentle, steady beat.
Lovely for any service of worship.
11204990 3-5 Octave . . . . . . . . . . . .L3- 4.95
In Remembrance of Me—Buryl Red & Ragan
Courtney/arr. Jason W. Krug. This uplifting
arrangement of the popular communion song
features flowing lines which highlight the simple
melody. Faithful to the choral selection from
the musical Celebrate Life, there are a few
ornamented measures to add interest. Lovely for
any communion service.
11165171 3-6 Octave w/opt.
2 oct. Handchimes . . . . . L2+ 5.75
In the Stillness—Karen Lakey Buckwalter.
This beautiful original tune, written in honor of
the composer's brother, is a perfect choice for
a moment of quiet introspection. The haunting
melody, underscored by lush harmonies, gives
a feeling of calm and depth with a subtle hint
of motion. A more chromatic, harmonically
diverse section provides a nice aural diversion
midway through before the piece returns to
the feeling of the opening. Playable by either
handbell or handchime ensembles, this is a
fantastic choice for the group looking to work on
it is musicality.
10954678 3-5 Octave
or handchimes . . . . . . . . L2+ 4.50
In Your Heritage the Nations—arr. Patricia
Hurlbutt. This quiet, reflective arrangement is ideal
for any calm, meditative moment in worship. A
simple, delicate opening underscored with haunting
chords gives way to a verse with the melody on
bass chimes topped with delicate treble chords. An
unexpected key change adds intensity and a sense
of urgency before returning to the opening key and
fading prayerfully away.
11166262 3-5 Octave with opt.
3 octaves Handchimes . . .L2- 4.50
Inception—Jason W. Krug. Jason Krug's exciting
original work is a wonderful teaching piece for
ensembles working on eighth-note and dotted-
quarter-and-eighth-note patterns. The repeating
rhythmic accompaniment, which is shared by all
ringers, helps reduce learning time. This up-tempo
piece is perfect for schools, concerts, or worship
services. The three- to five-octave arrangement and
two- to three-octave arrangement are compatible
for festival occasions.
10811561 2-3 Octave . . . . . . . . . . . . L2 5.50
10811566 3-5 Octave . . . . . . . . . . . . L2 5.50
l Jesus Loves Me—William Bradbury/arr. Jason
Krug. Opening with a tender rendition of Jesus
Loves the Little Children, this arrangement is
perfect for Children's Sunday or any worship
where children are the focal point. Krug's tender
treatment is lyrical, flowing, and supported by lush
bass chords. Optional handchimes add lovely color
to an already well-crafted piece.
11204988 3-5 Octave w/opt.
3-5 oct Handchimes . . . . L2+ 4.95
Jesus Loves Me—arr. Joel Raney. The most
profound statement of faith might actually be the
first line of this beloved hymn: "Jesus loves me,
this I know, for the Bible tells me so!" This enticing
setting pairs Level 2 handbells and piano with
optional handchimes. Traditional and fresh.
10956642 3-5 Octave with opt. 3/5 Octave
Handchimes and Piano . . . L2 5.25
10978128 Keyboard/Full Score . . . . . . . .10.95
l Jesus on the Mount of Olives (An Appalachian
Autumn)—Brian Childers. This original composition
features a beautiful melody, soaring counter-
melodies and a quiet poignant ending. It is
appropriate for worship throughout the year.
11204963 3-6 Octave w/opt.
3-4 oct. Handchimes . . . L2+ 5.50
4 Jesus, Lover of My Soul—arr. Philip L. Roberts.
The tune
ABERYSTWYTH is often paired with this
Charles Wesley hymn text. It is a hymn of hope and
provides comfort in turbulent times. Echoes and
suspended mallets offer a delicate and ethereal
tone. Appropriate for worship, memorial services or
concert, this setting is dedicated to the vast number
of souls lost due to the COVID-19 pandemic.
11204996 3-5 Octave . . . . . . . . . . . .L3- 4.95
4D Joy in the Morning—Natalie Sleeth. Far and away
L
the best-selling anthem in the Hope catalog with
over one million copies sold, this is a true classic,
now available in a new setting for women's voices.
1231174 SATB . . . . . . . . . . . . . . . .ME 2.35
3112745 3-5 Octave . . . . . . . . . . . . L3 5.50
8056714 SAB . . . . . . . . . . . . . . . . .ME 2.35
11165102 SSA . . . . . . . . . . . . . . . . .ME 2.35
8056715 P/A CD . . . . . . . . . . . . . . . . . .29.95
5318449 Brass Quartet . . . . . . . . . . . . .29.95
8056716 Orchestration . . . . . . . . . . . . .69.95
Joyance—Ron Mallory. Joyance is the winner of
the Handbell Musicians of America Area 2 Festival
Conference Composition Contest. For 3-5 octave
handbells and optional 3 octave handchimes, this
catchy and rhythmic original piece is a festive
prelude for any church service. Exciting!
10683170 3-5 Octave with opt.
3 Octave Handchimes . . . . L3 4.95
Joyful, Joyful—Ludwig van Beethoven/arr.
Cynthia Dobrinski. In this jubilant setting of
HYMN
TO JOY, Cynthia Dobrinski incorporates a variety of
handbell techniques to make the tune come to life.
With straight ringing, along with mallets, martellato,
and effective shakes, the ringers and listeners alike
are given a satisfying musical experience. At the
3- level, this is a setting that many church choirs
can successfully accomplish.
10554456 3-5 Octave . . . . . . . . . . . . L3 5.25
Joyfully Rejoice—arr. Terry Osman. Lift the spirits
of your congregation with this dynamic medley of
three beloved hymn tunes,
HYMN TO JOY; MARION
and DARWALL'S 148TH. Whether the piece is played
on handbells or handchimes, it will establish a joyful
worship experience that everyone can appreciate.
10756867 3 Octave . . . . . . . . . . . . . . L2 4.95
Joyous Jubilee—Brian J. Heinlein. An original
piece from a gifted composer that contrasts major
against minor. Echoes, mallet work, and bell peals
are used effectively in this very accessible and fun
Level 2 piece. Great for the Easter season or for any
festival time, this piece can be used in worship or
for a concert.
10810970 3-5 Octave . . . . . . . . . . . . L2 4.95
"
It was a pleasure
and a blessing in
our lives to read
through such a
wealth of wonderful
music - music that
would enhance
anyone's worship!"
— Diane O'Dell Petrolia, ON, Canada
