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HANDBELL MUSIC
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Two Hymns of Praise—arr. Michael Helman.
With no subdivision of the beat and only one bell
change, these arrangements keep within Level 1
parameters. For added flexibility, each piece has an
optional ending for a shorter version; the extended
versions also include stopped techniques for more
of a challenge. These are perfect for beginning
ringers of all ages!
10906716 2-3 Octave . . . . . . . . . . . . L1 5.50
l Upbeat! (Lift Your Voice in Praise)—arr.
Kathleen Wissinger. Upbeat! is lively piece that
features... upbeats! This jaunty piece is easy to
ring yet sounds big and complex, so even more
established groups will enjoy it. The two settings are
not compatible, but allow for great flexibility. Unison
exercises to practice the eighth-note patterns
and introduce the upbeat concept are included.
Appropriate for classroom, concert, workshop, or
festival, this piece is part of the Class Ring series.
11205211 2 Octave . . . . . . . . . . . . . . L2 4.00
4 Very Soon I'll Fly Away—arr. Benjamin A.
Tucker. The classic Andre Crouch gospel song
Soon and Very Soon is combined with the familiar
gospel hymn I'll Fly Away to create a stunning
arrangement that captures the spirit of both songs.
Use it for worship or festival any time of year.
11166131 3-5 Octave w/opt.
3-5 Oct. Handchimes . . . . L3 5.50
Walk in the Light—George D. Elderkin/arr. Anna
Laura Page. This arrangement is a spirited, gospel-
like setting that joins the tune We'll Walk in the Light
with Light of Mine, a traditional spiritual. Alternating
between sections of swung and even eighth notes,
this exuberant arrangement will be a favorite choice
for church, school and festival settings throughout
the year.
10907895 3-5 Octave . . . . . . . . . . . . L3 4.95
l The Water Is Wide—arr. Sandra Winter. This
arrangement of this beloved folk tune is sure to
become a favorite of your ringers and congregation.
Delicate scoring, carefully executed techniques,
and the selective use of handchimes provide variety
and interest. A final powerful verse closes the piece
on a triumphant note.
11202852 3-7 Octave w/opt.
3-7 oct. Handchimes . . . . L3 4.95
l We Praise You, O God, Our Redeemer (We
Gather Together)—arr. Dennis Robert. This
arrangement features the tune KREMSER, which is
also used as the Thanksgiving hymn We Gather
Together. An optional flute part (or C instrument)
is included in the score. The text is included for a
ringing and singing option.
11205013 3-5 Octave . . . . . . . . . . . . L2 4.95
What a Friend We Have in Jesus—arr. Terry
Osman. This lovely arrangement will be a prayerful
addition to any worship service. A good teaching
piece as well, Terry Osman gives directors the
opportunity to instruct their intermediate-level
ensembles about table damping and preparing for
bell changes. Educational and a great ministry tool.
10906718 2-3 Octave . . . . . . . . . . . L2+ 4.95
4 When in Our Music God is Glorified—Charles
V. Stanford/arr. Larry Visser. This aspiring and
dynamic setting of the hymn tune ENGELBERG utilizes
both organ and handbells and is primarily suited for
special occasions and services, such as Music
Appreciation Sunday or Special Music Sunday.
11162227 3-5 Octave . . . . . . . . . . . L2+ 5.50
11162228 Instrumental Parts. . . . . . . . . . .3.50
11162229 Keyboard/Full Score . . . . . . . . .6.25
Where Waters Flow—Ron Mallory. "Lyrical" and
"flowing" are two words that aptly describe this
original work which vividly depicts water flowing in a
stream. A Level 1 piece, yet very musical, beginning
groups will have the opportunity to work on legato
ringing and to increase their understanding of LV
patterns. For handbells or handchimes, this selection
will enhance any worship service or concert.
11101879 2-3 Octave . . . . . . . . . . . . L1 4.95
Whispering Hope—arr. Michael Glasgow.
An ethereal, peaceful introduction leads to a
gentle, flowing treatment of this nostalgic hymn,
with a meditative interweaving of His Eye Is on
the Sparrow. This prayerful setting, perfect for
Sunday morning worship, festivals, and funerals
or memorials, offers abundant opportunities for
musical expression and nuance while remaining
very accessible.
11102358 3-5 Octave . . . . . . . . . . . L2+ 4.95
Who'll Be a Witness—Sondra K. Tucker. Jazz
riffs and interesting chords give this spiritual
arrangement a lot of character and life! EF and BC
ringers will be challenged with lots of bell changes,
but everyone will enjoy working on this toe-tapping
crowd pleaser.
11100467 3-6 Octave . . . . . . . . . . . . L3 5.25
The Wise and Foolish Builders—arr. Mark S.
Arnold. You can hear the hammers pound as the
wise man and the foolish man build their houses,
then feel the battering storm and experience the
crash as the house on the sand meets its inevitable
fall! This fun-to-play arrangement of the beloved
children's song illustrates the story using wild
mallet clicks and a stormy 3/4 section; the optional
percussion parts for tambourine and wood block
just add to the excitement. Dazzling!
10953798 3-5 Octave optional wood block
and tambourine. . . . . . . . L2+ 5.50
4 Zip, Zing, Ring (Praise!)—Brenda E. Austin.
Here is a fun, original composition tailored for the
developing choir. Ringers will enjoy learning the
varied stopped techniques, and audiences and
congregations will be humming the tune long after
the performance. Editions are compatible, making
this a good festival selection.
11204333 2-3 Octave w/opt. B3 . . . L1+ 5.25
11204334 3-5 Octave . . . . . . . . . . . L1+ 5.25
Concert Handbell Music
H Acclamation in G Minor—Karen Thompson.
This original piece, with its catchy, syncopated
rhythms, is your festival solution! With compatible
arrangements for choirs containing two to six
octaves of bells without bell changes, your ringers
can play this fun and dynamic piece incorporating
TD, RT and shakes, without tables or from memory
for greater impact in your next concert or service.
10490113 2-3 Octave . . . . . . . . . . . L2+ 4.95
10490122 4-6 Octave . . . . . . . . . . . L2+ 4.95
America the Beautiful—Samuel A. Ward/arr.
Joel Raney. Handbells and piano pair with optional
handchimes in this beautiful arrangement of the
patriotic favorite. Lush harmonies and various
techniques and timbres depict "spacious skies and
amber waves of grain" and embody the melting pot
of diversity that defines our country. This will be a
truly breathtaking concert favorite.
11165180 3-5 Octave & Piano w/opt.
3-5 oct. Handchimes . . . . L2 5.25
11165181 Full Score & Organ/Keyboard. .10.95
l Ascension in Glory (Gates of Splendor)—
Brian Childers. This original composition brims with
exuberance and forward motion from beginning to
end. A challenging Level 3+, this exciting work is
appropriate for both worship and concert.
11204962 3-7 Octave . . . . . . . . . . . L3+ 4.95
Cantilene Nocturne—Matthew Compton. Lush
harmonies underscore this beautiful, prayerful
melody. The triplet accompaniment figure gives
way to a more delicately scored melody which
becomes progressively more agitated before the
return of the opening figure. A lovely addition to
your concert or worship service.
11166251 5-7 Octave w/opt.
5 oct. Handchimes . . . . . L3+ 5.50
4 Celebration Praise—Sandra Winter. This jubilant
original piece is as much a delight to ring as it is
to hear. A bold, joyous opening gives way to a
memorable melody filled with both rising and falling
peals reminiscent of tower bells in a belfry. A brief
middle verse gives the melody to the lower treble
bells, allowing them their moment in the sun before
the entire ensemble resounds once more in effusive
celebration. A wonderful addition to any worship,
concert, or festival setting.
11166253 3-5 Octave . . . . . . . . . . . .L3- 4.50
4 Colors of Joy—Brenda E. Austin. As with
joy, handbells can take on many colors. This
arrangement brings out those different colors
through the variety of techniques used to express all
the sounds of the instrument. Easily learned, ringers
and listeners are sure to enjoy the many "colors of
joy" heard throughout the piece.
11166925 2-3 Octave . . . . . . . . . . . L1+ 4.95
11166926 3-6 Octave . . . . . . . . . . . L1+ 4.95
Dawn of a New Day (Embellish Series)—
Jason Krug. This engaging original work captures
the spirit and expectation of a new day. The piece
opens with vigorous mart lifts introducing a strong,
chorale-like melody. A contrasting second melody
on chimes leads back to a fuller rendition of the
opening material. Originally written in celebration
of the 500th anniversary of the Reformation, it is
appropriate for concert as well as worship.
11164642 3-5 Octave w/opt.
3-5 oct. Handchimes . . . L2+ 4.95
Dona Nobis Pacem—arr. Brenda E. Austin. This
is a gentle and effective arrangement of the familiar
round. Extremely versatile, it includes options
to add chimes, flute, or three-part voices in any
combination. A plea for peace, this is the perfect
closer to a combined concert or as a poignant
moment in worship during the Christmas season
or any time of year.
10998641 3-5 Octave . . . . . . . . . . . . L2 5.25
10998642 Full Score, Flute
& Three-Part Choir . . . . . . . . .10.95
4 Elation—Kevin McChesney. This reproducible
collection contains five joyous and energetic
originals that will keep ringers happily busy.
Excitement is enhanced through the use of a
variety of handbell techniques, including one played
entirely with mallets. These uplifting pieces will add
joy and festivity to worship services, concerts, and
festivals. Contents: Antiphonal Celebration; Joyful
Rhythm; Jubilance; Jubilant Fanfare; Mallet Melody
(Percussive Praise).
11166969 2-3 Octave
Reproducible. . . . . . . . . L2+ 44.95
11166970 3-5 Octave
Reproducible. . . . . . . . . L2+ 44.95
l Elegy—Sondra Tucker. Somber, poignant; the
longings of humanity are set to music in this beautiful
original composition. It is suitable for Lent or any
solemn occasion, or as a profound concert piece.
11204969 3-6 Octave . . . . . . . . . . . .L4- 5.00
Expressions—Ron Mallory. The third part of a
musical trilogy, "Expressions" is a uniquely written
piece which includes chord symbols for optional
guitar or piano accompaniment, as well as options
for adding percussion and melodic instruments
such as flute or cello.
11161804 2-5 Octave . . . . . . . . . . . L2+ 4.95
Exultation—Matthew Compton. Exultation is a
spirited original piece with a catchy and memorable
theme. Mart lifts and mallet work make this piece
dance along. Yet contrast is provided with beautiful
lyric interludes. Suitable for any occasion!
10810969 3-5 Octave . . . . . . . . . . . L2+ 5.50
Fanfare and Carillon (Embellish Series)—
Karen Thompson. Following a solemn introduction a
determined and driving eighth-note pattern supports
a beautiful, uplifting melody. This original composition
is well-suited for both worship and concerts.
11162226 3-5 Octave . . . . . . . . . . . .L3- 4.95
Glad Hearts, Rejoice!—Michael Mazzatenta. This
wonderful original piece is great for concert, festival
or worship. With lively syncopated rhythms, the A
section rocks in F major. For contrast, the B section
is in D minor with handchimes highlighting the
melody while bells provide choral accompaniments.
The A material returns with lively rhythms and an
exciting ending.
10959701 3-5 Octave opt.
3 oct. handchimes . . . . . L2+ 4.95
Grand Chorus—Joel Raney. This well-crafted
original composition is ideal for a festival, concert,
or worship setting looking for a grand and
regal statement. Good for the developing choir,
techniques make it full of interest, accessible, and
fun to ring.
10998630 3-5 Octave . . . . . . . . . . . . L2 5.25
4 Gratitude—Alex Guebert. It is rare to find an
achingly beautiful piece filled with sophistication
and musical nuance that is technically very
straightforward and mastered quickly. This is that
piece. For worship or concert, this is an excellent
choice for both less and more experienced groups
to show their musicality.
11167872 3-5 Octave . . . . . . . . . . . .L2- 4.95
4 Grazioso—Karen Lakey Buckwalter. This lyrical
original piece sets a prayerful mood with flowing
melodic lines and intriguing harmonies. An angst-
filled middle section gives way to the gentle feeling
of the opening before fading away on a serene final
chord. The optional C instrument with contrasting
timbre enhances the overall effect.
11202858 4-6 Octave w/opt. C Instr. . L3 5.95
l Highland Fanfare (Highland Praise)—Kathleen
Wissinger. This lively original piece evokes a brisk
walk in the Celtic highlands. Triplets are featured
in the melody, with table damping used effectively
as a rhythmic element. The middle section calms
down a bit with a wistful penny-whistle-type melody
and rhythmic mallets in the bass. Useful for concert,
festival or worship.
11205215 5 Octave . . . . . . . . . . . . . . L3 5.00
