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LITURGICAL CHRISTMAS ANTHEMS
O Come, Emmanuel—Elaine Hagenberg.
"Colorful" is the best word to describe this original
setting of the traditional Advent text, scored for
choir, piano and cello. Marked "mysterioso" in
triple meter, it is such a creative interpretation
- the effect in performance is truly extraordinary!
Highly recommended!
10607049 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10647583 Cello Part. . . . . . . . . . . . . . . . . 2.95
lt O Come, O Come Emmanuel—arr. Patricia
Hurlbutt. A familiar Advent hymn paired with two
unexpected tunes: a German chorale,
ERSCHIENEN
IST DER HERRLICH TAG,
and an English folk tune, DEO
GRACIAS.
The musical paring gives the words new
life and depth in this rhythmic anthem. Perfect for
the start of Advent.
11202287 SATB. . . . . . . . . . . . . . . . . . . . 1.75
O Come, O Come, Emmanuel—arr. Trevor Manor.
This arrangement is stunning! Scored for SATB
chorus, optional children's choir and congregation,
with piano or optional flute, organ and brass quintet,
it transforms the simple chant-like carol into a
magnificent opening for the Advent season. Each
verse, including one for a cappella voices, builds
toward a climactic ending. This is good enough to
become an annual tradition in your church.
10503486 SATB. . . . . . . . . . . . . . . . . . . . 3.55
10503487 Instrumental Parts . . . . . . . . . 65.00
lL O Jesus so Sweet, O Jesus so Mild!—Mark
Shepperd. This work revolves around a setting of
a text by Valentin Thilo as translated by Geoffrey W.
Daisley. Verse one deals with Christ's incarnation;
the second verse speaks of his reconciling us to
God; verse three is a prayer of commitment. The
music reaches its climax in the final verse on the
lyrics, "Joy fills the world." Appropriate for both
Christmas and general use.
11199613 SATB. . . . . . . . . . . . . . . . . . . . 2.05
t O Magnum Mysterium—Evan Ramos. Easy
and absolutely beautiful for a cappella voices,
this setting of the beloved Latin Christmas text
is a succinct and lyrical selection that will create
a moment of wonder in your concert or worship
service. Simple, elegant, and haunting, this piece
is a wonderful choice for developing choirs.
10990309 SAB. . . . . . . . . . . . . . . . . . . . . 1.95
10871862 SSA. . . . . . . . . . . . . . . . . . . . . 1.95
10586916 TTB . . . . . . . . . . . . . . . . . . . . . 1.95
l O Savior of Our Fallen Race—arr. Jeffrey
Blersch. Celebrate the birth of Christ with this moving
concertato for SATB, congregation, organ, and flute
by Jeffrey Blersch. Using his tune
CONSTANT STAR,
this setting features a full accompaniment sound,
attractive choral writing, and a flute part that adds
color and interest. The setting finishes with quiet
choral alleluias, allowing the congregation to reflect
on the mystery of the incarnation.
11204558 SATB. . . . . . . . . . . . . . . . . . . . 2.30
4
On Christmas Night—M.D. Ridge/arr. Steven
Ottomanyi. Set in a flowing 3/2, this elegant
hymnlike song will enhance any Christmas liturgy.
Modal coloration in the verse melody foreshadows
a third verse set in the parallel minor. Two
presentations of the song are included: a concertato
arrangement for SATB choir, organ, and violin, with
an optional string quartet accompaniment available
as a separate download, and a simpler unison
version without introduction or interludes.
11201924 SATB. . . . . . . . . . . . . . . . . . . . 2.60
t Patapan—arr. David Conte. This charming a
cappella setting of the familiar carol has a bright,
rhythmic ostinato pattern that moves between the
sections of the choir. The Christmas story is told
from the perspective of shepherds playing simple
instruments - flutes and drums - the onomatopoetic
sound of which gives the carol its name. "Pat-a-
pan" is meant to mimic the sound of the drum, and
an accompanying lyric, "tu-re-lu-re-lu," the flute.
10514620 SATB. . . . . . . . . . . . . . . . . . . . 2.80
10514622 SSAA. . . . . . . . . . . . . . . . . . . . 2.35
10514623 TTBB . . . . . . . . . . . . . . . . . . . . 2.60
Lt Silent Night—Michael John Trotta. This beautiful
setting of Silent Night employs the original text with
new music scored for SATB a cappella voices and
optional descant. Color reigns supreme as the text
is almost treated in a secondary manner. Mostly
homophonic with a brief aleatoric moment that
captures the ear. A very distinctive and memorable
arrangement for any choir.
10881434 SATB. . . . . . . . . . . . . . . . . . . . 1.95
Silent Night—arr. Sandra Peter. A tender
accompaniment, sparkling harmonies, and rich
divisi vocal textures give this work its special quality.
With choices of piano, organ, or string quintet to
accompany the choir, the work can easily fit into
any Christmas program. Reproducible string parts
include two violins, viola, cello, and double bass.
10606255 SATB with
Piano Accompaniment . . . . . . . 1.95
10628193 SATB with
Organ Accompaniment . . . . . . 1.95
10606258 Instrumental Score. . . . . . . . . 15.00
10606257 Instrumental Parts . . . . . . . . . 25.00
t
Softly—Will Todd. Will Todd's Softly is a
tranquil carol that captures the peace and spirit
of Christmas. Featuring subtle suspensions,
modulations and time signature changes, it will
appeal to a wide range of choirs.
10540618 SATB. . . . . . . . . . . . . . . . . . . . 2.60
t Spotless Rose—Ola Gjeilo. An extremely joyful
and uplifting setting of this well-loved Christmas text.
Gjeilo has crafted a beautiful melody that seems as
if it was always meant to exist with these lyrics.
Vocally accessible, this will be a good choice for both
schools and churches, along with more advanced
choirs. Can be sung in English or Norwegian.
10746479 SATB. . . . . . . . . . . . . . . . . . . . 2.85
There is No Rose—Philip Stopford. A sublime
a cappella setting of the well-known anonymous
15th-century text. There is no divisi of the choral
parts, and the vocal ranges are very reasonable.
A truly magnificent addition to the Christmas
repertoire. Certain to become a favorite of choirs
and audiences alike.
10671536 SATB. . . . . . . . . . . . . . . . . . . . 2.50
l Two Spanish Carols—arr. Paul Trepte. A
charming work that incorporates settings of Cold
December's Winds Were Chilled with What Shall
We Give The Child In The Manger. They may be
performed as a set or separately.
11104036 SATB English Version . . . . . . . . 3.50
11104037 SATB Spanish Version . . . . . . . 3.50
4t Veni, Veni Emmanuel (I Will Come)—Michael
John Trotta. A rhythmic ostinato on "Veni, veni"
and optional percussion (triangle, tambourine
and drum) infuse the traditional Advent carol
with such unrelenting energy, the effect on the
listener is mesmerizing! Detailed performance
notes give fascinating historical perspective to the
work. Includes an English translation of the text,
which is Latin throughout. This is a unique take
on the ancient carol that will be an exhilarating a
cappella highlight of your holiday concert! Now
available in SA!
10509932 SATB. . . . . . . . . . . . . . . . . . . . 2.95
10871946 Three-Part Mixed
opt. baritone
and percussion . . . . . . . . . . . . 2.75
11198194 SA opt. piano accompaniment
and percussion . . . . . . . . . . . . 2.75
10584797 SSAA. . . . . . . . . . . . . . . . . . . . 2.75
10944942 TTBB . . . . . . . . . . . . . . . . . . . . 2.90
L
Watchman Tell Us of the Night—arr. Matthew
Culloton. Inspired by John Bowring's classic 19th-
century text, Matthew Culloton has created new
music, scored for SATB voice and piano, that is
both lovely and approachable. The shifts between
G minor and G major recall the original tune and
support the Advent journey.
10881442 SATB. . . . . . . . . . . . . . . . . . . . 2.25
4
What Star Is This—arr. Andrew P. Wright.
Andrew Wright's concertato arrangement of the
Christmastime hymn tune
PUER NOBIS is scored
for SATB choir with descant, organ, and two
options for instrumental duos (flute/cello and
trumpet/trombone). Its fluid harmonic conception
and varying vocal textures are often striking and
novel yet still support assembly participation.
This will be a worthy addition to your choir's
Christmas programming.
11201930 SATB. . . . . . . . . . . . . . . . . . . . 2.60
4
When Christ Was Born of Mary Free—Daniel
Burton. Supported by a joyful organ accompaniment,
this Christmas anthem is based upon a 15th century
English carol text. The choral texture is mostly
homophonic with points of call-and-response and is
decorated by sparkling organ counterpoint. The text
is both English and Latin and provides a final angelic
acclamation: "In excelsis gloria!"
11201348 SATB. . . . . . . . . . . . . . . . . . . . 2.10
BEST
SELLERS
Liturgical
Christmas Anthems
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
My Lord Has Come—Will Todd.
10443202 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
10561402 SSAA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
O Come, Emmanuel—Elaine Hagenberg.
10607049 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
O Come, O Come, Emmanuel—
arr. Trevor Manor.
10503486 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.55
Gaudete—Michael Burkhardt.
10514442 SATB/Unison. . . . . . . . . . . . . . . . . . . . . . . . 1.95
Comfort, Comfort Ye My People—
arr. Howard Helvey.
10513794 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Softly—Will Todd.
10540618 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Watchman Tell Us of the Night—
arr. Matthew Culloton.
10881442 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Silent Night—arr. Sandra Peter.
10606255 SATB with Piano Accompaniment . . . . . 1.95
10628193 SATB with Organ Accompaniment. . . . . 1.95
Silent Night—Michael John Trotta.
10881434 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1.95
The Holly and the Ivy—Matthew Culloton.
10881435 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.50
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