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HYMN ARRANGEMENTS
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H Hark, I Hear the Harps Eternal—arr. Mark
Hayes. Mark Hayes delivers a masterpiece with
his arrangement of this nineteenth-century
American shape-note standard! The brilliant four-
hand (optional two-hand) piano accompaniment
and inventive choral treatment accentuate the
celebratory text. Accessible and energetic, this
highly effective selection is sure to become a
favorite of choir and congregation!
10307596 SATB with opt. 4-Hand Piano . . 2.50
10307597 SAB with opt. 4-Hand Piano . . . 2.50
10307598 SSA with opt. 4-Hand Piano . . . 2.50
10307599 P/A CD . . . . . . . . . . . . . . . . . 26.95
He Will Hold Me Fast (When I Fear My Faith
Will Fail)—Matt Merker/arr. James Koerts. This
sacred song begins with an optional solo and
continues with beautiful yet easy-to-sing choral
writing. The substantial text amplifies the promises
of God and reminds listeners that we are never
alone. For a special touch, add the lovely cello
obbligato (included in the octavo).
10804113 SATB. . . . . . . . . . . . . . . . . . . . 2.25
H
His Eye Is on the Sparrow—arr. Mark Hayes.
"...And I know He watches me." Now available
in an SAB voicing, Mark Hayes' elegantly styled
arrangement is so tastefully done that a new
generation of churchgoers will appreciate the
simple, penetrating lyric in this gospel hymn.
Accessible vocal lines and rich harmonies
never compete with the song's character, but
only enhance the message and encourage the
assembled to "sing because I'm free." Superb!
10187029 SATB. . . . . . . . . . . . . . . . . . . . 2.40
10554043 SAB. . . . . . . . . . . . . . . . . . . . . 2.40
4 His Mercy is More—Matt Boswell & Matt Papa/
arr. Molly Ijames. This new hymn by Matt Boswell
and Matt Papa portrays a poignant message that
we all have sinned mightily, but God's mercy is
greater! Molly Ijames' arrangement expresses that
"good news" beautifully. The violin and cello parts
provide a folk-like feel and the interesting choral
writing makes this anthem a spirited expression
of God's mercy and grace. Use this arrangement
to introduce a modern hymn to your congregation!
Violin and Cello parts included.
11161497 SATB. . . . . . . . . . . . . . . . . . . . 2.35
4D His Voice, as the Sound—Milburn Price.
Delicately nuanced, this arrangement of
SAMANTHRA from Kentucky Harmony is a treasure
among early American sacred songs. A restrained
piano part moves the work forward, and the vocal
writing is varied and skillfully crafted to enhance
choirs of any size.
11165956 SATB. . . . . . . . . . . . . . . . . . . . 2.10
L Holy, Holy, Holy—John B. Dykes/arr. Dan Forrest.
Dan Forrest offers a setting of this well-known
hymn celebrating the Trinity. Opening with a quiet
and reflective mood, this artful setting continues to
build to a full finish with beautiful harmonies and an
inspiring optional brass accompaniment. Festive!
10420848 SATB. . . . . . . . . . . . . . . . . . . . 2.30
10882156 SSAA. . . . . . . . . . . . . . . . . . . . 2.30
10420849 P/A CD . . . . . . . . . . . . . . . . . 26.95
10420850 Instrumental Parts
Brass & Timpani . . . . . . . . . . 29.95
4D Holy Spirit, Living Breath of God—Keith Getty
L
& Stuart Townend/arr. Lloyd Larson. Useful anytime
of the year, and especially for Pentecost Sunday,
this masterful setting features an elegant piano
accompaniment and optional cello part. Set in three
verses, the first is a prayer for personal renewal, the
second is a prayer for the gifts of the Spirit "to show
Christ in all I do," and the third is for the universal
church to "hunger for your ways." Now available are
settings for two-part mixed, TTBB, and a vocal solo
plus a new 3-5 octave handbell setting that can serve
as the accompaniment for all the vocal versions.
10554521 SATB with opt. Cello. . . . . . . . . 2.35
10672956 SAB with opt. Cello . . . . . . . . . 2.35
11165082 Two-Part Mixed
with opt. Cello . . . . . . . . . . . . . 2.35
11165083 TTBB with opt. Cello. . . . . . . . . 2.35
10554522 P/A CD . . . . . . . . . . . . . . . . . 29.95
4L Holy! Holy! Holy! Lord God Almighty!—arr. Molly
Ijames. In this majestic arrangement, Molly Ijames
enhances the powerful words and melody of one
of the most beloved hymns of all time. The organ,
piano, and resounding brass and timpani truly make
this anthem something special. "Holy, holy, holy! Lord
God Almighty! All Thy works shall praise Thy name, in
earth, and sky, and sea." Powerful!
11200691 SATB. . . . . . . . . . . . . . . . . . . . 2.20
11200692 P/A CD . . . . . . . . . . . . . . . . . 29.95
11200693 Instrumental Parts . . . . . . . . . 34.95
t
How Can I Keep from Singing?—Robert Lowry/
arr. Sarah Quartel. Available in editions for SSAA
and for SATBB a cappella voices, Sarah Quartel's
setting of How Can I Keep From Singing? is a lively
reimagining of the 19th-century hymn. Opening
with a solo verse, the piece proceeds with a
soaring soprano melody supported by the rhythmic
vocal accompaniment of the ATBB voices, with
occasional alternation between 4/4 and 7/8 meter.
Together, these elements capture both the gentle
hope and the profound joy of the text.
10879525 SATB. . . . . . . . . . . . . . . . . . . . 3.35
10817931 SSAA. . . . . . . . . . . . . . . . . . . . 3.35
lL How Firm a Foundation—arr. Dan Forrest. The
strength and majesty of this traditional hymn are
brought forth in this worthy arrangement. Voices
and piano unite triumphantly in a great foundational
hymn of the faith. A wonderful choice for general
services as well as celebratory services throughout
the church year.
10065923 SATB. . . . . . . . . . . . . . . . . . . . 2.45
11196161 SSAA. . . . . . . . . . . . . . . . . . . . 2.75
10444089 TTBB . . . . . . . . . . . . . . . . . . . . 2.65
10065958 Orchestration SATB Version . . 75.00
11202077 Orchestration SSAA Version . . 75.00
H How Great Thou Art—arr. Dan Forrest. A
compelling arrangement for choir and piano brings
new life to this beloved hymn with the power to
bring your congregation to its feet in spontaneous
praise. A strong opening declaration settles into
a calm but decisive movement through the verses
and modulations, building to the final verse and
ending with an explosion of joy. Don't miss this
opportunity to declare "How Great Thou Art!"
10094707 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10458767 SSAA. . . . . . . . . . . . . . . . . . . . 2.25
10458768 TTBB . . . . . . . . . . . . . . . . . . . . 2.25
How Great Thou Art—arr. Eric Nelson. A new
setting of the cherished hymn by Stuart K. Hine,
the choral textures are varied throughout and lie in
the warm middle range of the choir until a series
of rising modulations bring the work to a climactic
close. The setting features an interesting and active
organ accompaniment, with optional brass quintet
and timpani to add even more vibrancy behind the
choir. Stirring and unique!
10953564 SATB. . . . . . . . . . . . . . . . . . . . 3.20
10953566 Full Score . . . . . . . . . . . . . . . 20.00
10953565 Instrumental Parts . . . . . . . . . 35.00
lL How Sweet the Name of Jesus Sounds—R.
Christopher Teichler. Chris Teichler gives one of John
Newton's most beautiful hymn texts an atmospheric,
tender musical setting. Usable throughout the year,
this lovely anthem brings out the heart of the words:
"How sweet the name of Jesus sounds in a believer's
ear! It soothes our sorrows, heals our wounds, and
drives away our fear." Memorable, thoughtful, and a
great ministry tool.
11200743 SATB. . . . . . . . . . . . . . . . . . . . 2.10
DL Hymn of Grateful Praise—Joel Raney. This
dynamic anthem is a musical montage of favorite
hymns, woven together with original melodic
material and the refrain "Lord of all, to thee
we raise, this, our grateful hymn of praise."
Incorporates All Things Bright and Beautiful;
Doxology; For the Beauty of the Earth and Holy,
Holy, Holy. Easily learned, and ideal for services of
thanksgiving at any time of year.
10806365 SATB. . . . . . . . . . . . . . . . . . . . 2.35
10806366 Split Track CD . . . . . . . . . . . . 29.95
10806367 Instrumental Parts . . . . . . . . . 17.95
4D Hymn of Promise—arr. Mary McDonald. In
L Mary McDonald's superb setting, Natalie Sleeth's
"resurrection" text is paired with the lovely tune
SALLEY GARDENS. Natalie wrote the text, filled with
rich imagery, as her husband was dying of cancer.
The powerful culmination comes in stanza three:
"In our end is our beginning; in our time, infinity; in
death, a resurrection." Sensitively scored for voices
and piano, it is useful for memorial services and any
theme of resurrection and life eternal.
11165084 SATB. . . . . . . . . . . . . . . . . . . . 2.35
11165085 P/A CD . . . . . . . . . . . . . . . . . 29.95
4L I Know He Watches Me—arr. Joel Raney. Joel
Raney combines three gospel favorites in this
uplifting medley: What a Friend; His Eye Is on the
Sparrow and God Leads Us Along. The affirming
message that God watches over His children and
leads them along creates a useful anthem for any
time of the year. The optional flute part adds a
series of playful accents and echoes.
11204054 SATB w/Opt. Flute Included . . . 2.35
11204055 P/A CD . . . . . . . . . . . . . . . . . 29.95
4L I Must Tell Jesus—arr. Mark Hayes. Set in
an irresistible slow gospel groove, Mark Hayes'
version of this classic will give your choir a chance
to put some joy into their singing. The piano part
is well crafted, and the optional rhythm and brass
ensemble parts add to the overall offering.
10882161 SATB. . . . . . . . . . . . . . . . . . . . 2.20
11200700 SAB. . . . . . . . . . . . . . . . . . . . . 2.20
10882162 P/A CD & Split Track . . . . . . . 26.95
10882163 Instrumental Parts . . . . . . . . . 29.95
4L I Need Thee Every Hour—arr. Gary W.
Matthews. This hymn setting offers a new take
on an old classic with close harmonies and a
new meter. Shifting this hymn into 4/4 creates a
pleasing and meditative feel. The setting builds to
a powerful final stanza and a return to the hymn's
original 3/4 meter, closing with the quiet, prayerful
plea, "I need, I need, I need thee every hour!"
11204047 SATB. . . . . . . . . . . . . . . . . . . . 2.20
11204048 P/A CD . . . . . . . . . . . . . . . . . 29.95
DL I Want to Walk as a Child of the Light—
Kathleen Tomerson/arr. Mark Hayes. This 20th-
century hymn is useful for so many occasions
during the church year including Epiphany,
Transfiguration, discipleship, and Advent. It is rich
with scriptural references and set for SATB voices,
piano, and solo trumpet in a straightforward and
effective manner. Mark Hayes' creativity shines
forth as he paints the text in unique and meaningful
ways. Inspiring!
10750801 SATB. . . . . . . . . . . . . . . . . . . . 2.35
10750803 P/A CD . . . . . . . . . . . . . . . . . 29.95
L
I Want to Walk as a Child of the Light—Kathleen
Thomerson/arr. Tom Trenney. A remarkable, radiant
setting of Kathleen Thomerson's beloved hymn
tune
HOUSTON. Trenney's superb craftsmanship
shines through and sets this arrangement above
the norm. An excellent anthem of general praise,
its universal message has enabled it to serve
also as a benediction or concert closer. Challenging
and exciting!
10875653 SATB. . . . . . . . . . . . . . . . . . . . 2.45
10997688 SSAA. . . . . . . . . . . . . . . . . . . . 2.45
10738493 TTBB . . . . . . . . . . . . . . . . . . . . 2.15
L I Will Be a Child of Peace—Elaine Hagenberg.
"For well I know Thy hand will bless the seeker after
righteousness." This sensitive, worshipful prayer
is arranged from a Shaker hymn and superbly
expresses the deepest longing of the redeemed
soul. Breathtaking with luscious piano writing.
10366953 SATB. . . . . . . . . . . . . . . . . . . . 2.10
10805750 SSAA. . . . . . . . . . . . . . . . . . . . 2.10
10805751 TTBB . . . . . . . . . . . . . . . . . . . . 2.10
4
I Will Wait for You—Keith Getty, Kristyn
Getty, Nathan Nockles & Jonas Myrin/arr. David
Angerman. A quick quote from Alas! And Did My
Savior Bleed (MARTYRDOM)
opens this meaningful
prayer of contrition and surrender. Based upon
Psalm 130, the Word becomes song. Close four-
part and divisi vocals carefully declaim the text, and
a spoken choral prayer closes the piece.
11165966 SATB. . . . . . . . . . . . . . . . . . . . 2.15
11165967 P/A CD . . . . . . . . . . . . . . . . . 26.99
I'd Rather Have Jesus—arr. Joseph M. Martin.
Here is a thoughtful arrangement of one of the
most enduring sacred songs of all time. Choirs
of every size and ability can sing and rejoice!
Coupled with the spiritual Give Me Jesus, this very
special offering is perfect for the journey of Lent or
Stewardship Sunday. Now with a TTBB voicing!
10058665 SATB. . . . . . . . . . . . . . . . . . . . 2.50
10756118 TTBB . . . . . . . . . . . . . . . . . . . . 2.50
10058666 P/A CD . . . . . . . . . . . . . . . . . 29.99
L I'll Fly Away—arr. Craig Courtney. This
wonderful arrangement of the old gospel favorite
by Albert E. Bramley will both please and delight
your congregation. A challenging, exciting, yet
accessible four-hand accompaniment will be a
treat for your more accomplished musicians and
will provide life and lift to the singers. It is scored
for SATB choir and piano four-hands, but is also
available for SSAA and TTBB.
10667323 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10667324 SSAA. . . . . . . . . . . . . . . . . . . . 2.25
10667325 TTBB . . . . . . . . . . . . . . . . . . . . 2.25
4t In Christ Alone—Keith Getty & Stuart Townend/
arr. McKay Crockett. This Getty and Townend
modern hymn has become an instant classic that
is sung the world over in worship and concert
settings. With deep, meaningful lyrics, a singable
melody and traditional harmonies, it is a joy to
sing. This arrangement was created for and made
famous by Brigham Young University's a cappella
group BYU Vocal Point for divisi tenor-bass choirs
but can very easily be adapted for mixed choirs by
reassigning the higher parts.
10989961 TTTBBB . . . . . . . . . . . . . . . . . . 2.95
In Christ Alone—Keith Getty & Stuart Townend/
arr. Mark Edwards. This arrangement by Mark
Edwards is accessibly scored for SA(T)B choir with
optional flute (included), effectively serving both as
an anthem and a congregational hymn. The melody
remains intact at the heart of this arrangement,
but the choir or vocal team provides color with
new, interesting choral lines. The keyboard
accompaniment varies from stanza to stanza,
matching the mood of the text.
11103012 SATB SA(T)B . . . . . . . . . . . . . . 2.30
In Christ Alone—Keith Getty & Stuart Townend/
arr. Mark Hayes. Quickly emerging as a
contemporary classic, now with an SAB revoicing,
this contemporary praise anthem has already found
its way into many churches. Its soaring melody is
reminiscent of a Celtic folk song. This setting starts
simply and builds with each verse, culminating in a
glorious affirmation of the resurrection.
10041037 SATB with Brass Quintet . . . . . 2.40
10041038 P/A CD . . . . . . . . . . . . . . . . . 29.95
10041039 Instrumental Parts . . . . . . . . . 39.95
DL In Christ Alone (with "Cornerstone")—arr.
Joel Raney. This inspired medley pairs the popular
Keith Getty In Christ Alone with When I Survey the
Wondrous Cross and the praise chorus Cornerstone.
After opening with an optional vocal solo, the choral
texture is sensitively developed with subtle shifts of
linear and chordal writing. Masterful accompaniment
options include piano alone or orchestration.
10998432 SATB. . . . . . . . . . . . . . . . . . . . 2.35
10998433 P/A CD . . . . . . . . . . . . . . . . . 29.95
10998434 Rehearsal CD SA/TB Voice
Dominant, Reproducible . . . . . . . . . . . . . . . 17.95
10998435 Instrumental Parts . . . . . . . . . 29.95
lL In My Heart There Rings a Melody—arr. Larry
Shackley. Larry Shackley provides a rousing, joyful
version of this old hymn-song favorite. The four-
hand accompaniment is lively and fun, and a two-
hand version is also available. "In my heart there
rings a melody, there rings a melody with heaven's
harmony. In my heart there rings a melody, there
rings a melody of love." Fun and memorable.
11200751 SAB. . . . . . . . . . . . . . . . . . . . . 2.30
11200752 P/A CD . . . . . . . . . . . . . . . . . 29.95
In the Garden—arr. Lloyd Larson. Sweet and
gentle, this setting of a 19th-century gospel gem
is full of delightful harmonic surprises. The first
and second verses open with women's and men's
voices, respectively, swelling into fulfilling three-
part textures on each refrain. A key change leads to
a highly expressive, reflective close.
10665530 SAB. . . . . . . . . . . . . . . . . . . . . 2.15
It Is Not Death to Die—Bob Kauflin/arr. Dan
Wells. Piano and cello combine to provide a rich,
comforting accompaniment to this confident
statement of victory over death and assurance of
life everlasting. "Those who trust in You will in Your
mercy find that it is not death to die." Accessible for
most choirs and suitable for any memorial service.
10757410 SATB. . . . . . . . . . . . . . . . . . . . 2.25
L It Is Well—arr. Benjamin David Knoedler. Hear
the time-honored text in a fresh new way in this
arrangement. A gorgeous new melody hearkens
back to the traditional in this sure statement of
confidence. A creative piano accompaniment works
with the voices to create moments of soaring beauty
before the piece ends on a quiet note. Stunning!
10954537 SATB. . . . . . . . . . . . . . . . . . . . 2.10
BASIC LIBRARY
Time-honored, proven repertoire.