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68
FULL
ORCHESTRA
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CLASSICAL very easy & easy
Classical Selections
Very Easy & Easy
The Abduction from the Seraglio—W.A. Mozart/
arr. Richard Meyer. Enjoy this bright, cheery opera
music and introduce the orchestra to Mozart.
10520863 Full Orchestra . . . . . . . . . . E 59.00
10520864 Additional Score . . . . . . . . . . . .9.00
Aragonaise from "Carmen"—Georges Bizet/
arr. Richard Meyer. Your students will love the
Spanish sounds of this exciting and passionate
dance, which introduces Act IV of this operatic
masterpiece. The expressive opening melody
will help develop your woodwinds' lyrical playing,
while the intriguing Spanish rhythms and
hemiolas will keep everyone on their toes! Careful
doublings make this arrangement playable by any
group, even those with limited instrumentation!
Includes parts for violin 3, alto saxophone, bass
clarinet and piano.
10310613 Full Orchestra . . . . . . . . . . E 58.00
10310615 Additional Score . . . . . . . . . . . .9.00
The Barber of Seville Overture—Gioacchino
Rossini/arr. Richard Meyer. Leave it to Richard
Meyer to bring this beloved favorite down to the
easy level while still retaining all the excitement
of the original! Everyone will recognize these great
themes from the world's most famous opera and
your orchestra will be able to handle all the parts.
2472816 Full Orchestra . . . . . . . . . . E 59.00
5978854 Additional Score . . . . . . . . . . . .7.00
The Blue Danube Waltz—Johann Strauss, Jr./
arr. Richard Meyer. A beautiful arrangement of Waltz
Number 1, Waltz Number 2, and the Coda from the
original, set perfectly for the first full-orchestra
experience. The Blue Danube (the common English title
of the original German, An der schonen blauen Donau),
was premiered in February of 1867. It has remained
one of the most popular classical pieces ever since.
10997703 Full Orchestra . . . . . . . . . . E 59.00
10997704 Additional Score . . . . . . . . . . .10.00
Can Can (from "Orpheus in the Underworld")
—Jacques Offenbach/arr. Richard Meyer.
Everyone knows this one! Offenbach's famous
high-kicking melody is set in a very accessible
arrangement for developing full orchestra. While
this is actually an easy level piece, it really comes
alive when played at a brisk tempo. Perfect for a
fast, flashy encore!
2297976 Full Orchestra . . . . . . . . . . E 45.00
2476158 Additional Score . . . . . . . . . . . .6.50
H Egmont Overture—Beethoven/arr. Richard
Meyer. Now, all the intensity of this powerful
minor-key overture for the young full orchestra! All
individual parts are in very practical ranges, with
string parts playable in first position (with optional
shifting for first violins), yet the drama and impact
of the original remain intact. Percussion parts have
been tastefully added. A great opener or closer for
any concert. Highly recommended!
10050412 Full Orchestra . . . . . . . . . . E 59.00
10050414 Additional Score . . . . . . . . . . . .9.00
BEST
SELLERS
Full Orchestra
Classical
Very Easy & Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
The Blue Danube Waltz—
Johann Strauss, Jr./arr. Richard Meyer.
10997703 Full Orchestra . . . . . . . . . . . . . . . . . . . E 59.00
10997704 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00
Finale from Symphony No. 5—
Ludwig van Beethoven/arr. Richard Meyer.
2288868 Full Orchestra . . . . . . . . . . . . . . . . . . . E 45.00
5813753 Additional Score . . . . . . . . . . . . . . . . . . . . . 6.50
Egmont Overture—
Beethoven/arr. Richard Meyer.
10050412 Full Orchestra . . . . . . . . . . . . . . . . . . . E 59.00
10050414 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
Overture to Die Fledermaus—
Johann Strauss/arr. Richard Meyer.
10370669 Full Orchestra . . . . . . . . . . . . . . . . . . . E 59.00
10370670 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
Ode to Joy—
Ludwig van Beethoven/arr. Richard Meyer.
2442614 String or Full Orchestra. . . . . . . . . VE 59.00
5942701 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.00
Can Can (from "Orpheus in the
Underworld")— Jacques Offenbach/
arr. Richard Meyer.
2297976 Full Orchestra . . . . . . . . . . . . . . . . . . . E 45.00
2476158 Additional Score . . . . . . . . . . . . . . . . . . . . . 6.50
The Abduction from the Seraglio—
W.A. Mozart/arr. Richard Meyer.
10520863 Full Orchestra . . . . . . . . . . . . . . . . . . . E 59.00
10520864 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
New World Symphony (Theme)—
Antonin Dvorak/arr. Brad Pfeil.
10522553 Full Orchestra . . . . . . . . . . . . . . . . . VE 50.00
10522554 Additional Score . . . . . . . . . . . . . . . . . . . . . 6.00
The Barber of Seville Overture—
Gioacchino Rossini/arr. Richard Meyer.
2472816 Full Orchestra . . . . . . . . . . . . . . . . . . . E 59.00
5978854 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.00
Aragonaise from "Carmen"—
Georges Bizet/arr. Richard Meyer.
10310613 Full Orchestra . . . . . . . . . . . . . . . . . . . E 58.00
10310615 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
FLEXIBLE
CONCERT WORKS
for STRING or
FULL ORCHESTRA
e Academic Festival Overture, Op. 80—
Johannes Brahms/arr. Louis Bergonzi.
10739913 String or Full Orchestra . . . . . . . . .MA 73.00
10739914 Additional Score. . . . . . . . . . . . . . . . . 11.00
He Ancient Aires and Dances—
Ottorino Respighi/arr. Jerry Brubaker.
10032563 String or Full Orchestra . . . . . . . . . ME 55.00
10032564 Additional Score. . . . . . . . . . . . . . . . . . 9.00
e Ancient Echoes of Time—Douglas E. Wagner.
10522573 String or Full Orchestra . . . . . . . . . ME 55.00
10522574 Additional Score. . . . . . . . . . . . . . . . . . 9.00
e Ashokan Farewell—Jay Ungar/arr. Bob Cerulli.
2416840 String or Full Orchestra . . . . . . . . . ME 58.00
2460509 Additional Score. . . . . . . . . . . . . . . . . 10.00
e Best of Bach—J S Bach/arr. Jerry Brubaker.
2440733 String or Full Orchestra . . . . . . . . . ME 58.00
He The Commencement Suite—Various/arr. Jack Bullock.
2416709 String or Full Orchestra . . . . . . . . . ME 63.00
5973279 Additional Score. . . . . . . . . . . . . . . . . . 8.00
e Dark Adventure—Ralph Ford.
2466837 String or Full Orchestra . . . . . . . . . ME 59.00
5972599 Additional Score. . . . . . . . . . . . . . . . . . 8.00
e Downton Abbey - The Suite—
John Lunn/arr. Douglas E. Wagner.
10436314 String or Full Orchestra . . . . . . . . . . M 65.00
10436315 Additional Score. . . . . . . . . . . . . . . . . . 9.00
e Engines of Resistance—Larry Clark.
2416675 String or Full Orchestra . . . . . . . . . . E 59.00
5800651 Additional Score. . . . . . . . . . . . . . . . . . 8.00
e Freedom Finale—Michael Story.
10310321 String or Full Orchestra . . . . . . . . . . E 51.00
10310322 Additional Score. . . . . . . . . . . . . . . . . . 8.00
Hatikvah (from "Munich")—John Williams.
10016087 String or Full Orchestra Opt. Winds;
Opt Harp. . . . . . . . . . . . . . . . . . . . . ME 40.00
10028903 Additional Score. . . . . . . . . . . . . . . . . . 5.00
e Leroy Anderson's Irish Suite, Part 1—
Leroy Anderson/arr. Wagner.
10305953 String or Full Orchestra . . . . . . . . . ME 65.00
10305954 Additional Score. . . . . . . . . . . . . . . . . . 9.00
le Lost Tomb of the Incas—Michael Story.
11200177 String or Full Orchestra . . . . . . . . . ME 60.00
11200178 Additional Score. . . . . . . . . . . . . . . . . . 9.00
4e March Slav (Themes)—
P.I. Tchaikovsky/arr. Chris M. Bernotas.
11200160 String or Full Orchestra . . . . . . . . . . M 70.00
11200161 Additional Score. . . . . . . . . . . . . . . . . . 9.00
He Ode to Joy—
Ludwig van Beethoven/arr. Richard Meyer.
2442614 String or Full Orchestra . . . . . . . . . VE 59.00
5942701 Additional Score. . . . . . . . . . . . . . . . . . 7.00
e An Ode to Joy Festival (Multi-Level)—
Ludwig van Beethoven/arr. Todd Parrish.
10981234 String or Full Orchestra
Multi-Level . . . . . . . . . . . . . . . . . . B-M 80.00
10981235 Additional Score. . . . . . . . . . . . . . . . . 12.00
e Patriotic Bits and Pieces—arr. Mike Story.
2471762 String or Full Orchestra . . . . . . . . . . E 63.00
2701222 Additional Score. . . . . . . . . . . . . . . . . . 8.00
He Pomp and Circumstance (Military March Op. 39,
No. 1)—Edward Elgar/arr. John Whitney.
10092290 String or Full Orchestra . . . . . . . . . . M 59.00
10092291 Additional Score. . . . . . . . . . . . . . . . . . 7.00
He Rites of Tamburo—Robert W. Smith.
2440741 String or Full Orchestra . . . . . . . . . . M 65.00
5957618 Additional Score. . . . . . . . . . . . . . . . . 10.00
Second Storm—Robert W. Smith.
2481119 String or Full Orchestra . . . . . . . . . ME 65.00
10005397 Additional Score. . . . . . . . . . . . . . . . . . 9.00
e Sleepers Wake—J.S. Bach/arr. Jerry Brubaker.
2478060 String or Full Orchestra . . . . . . . . . ME 65.00
2478061 Additional Score. . . . . . . . . . . . . . . . . . 9.00
The Sorcerer's Apprentice—
Paul Dukas/arr. Andrew Balent.
2472121 String or Full Orchestra . . . . . . . . . ME 65.00
2472122 Additional Score. . . . . . . . . . . . . . . . . 10.00
He Take Five—arr. Bob Cerulli.
2246163 String or Full Orchestra . . . . . . . . . ME 55.00
2335487 Additional Score. . . . . . . . . . . . . . . . . . 8.00
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