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72
FULL
ORCHESTRA
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CLASSICAL medium-advanced & advanced /
ORIGINAL CONCERT WORKS easy & medium-easy
Overture from "The Barber of Seville"—
Giacomo Rossini/arr. Merle J. Isaac. One of
the most recognizable overtures ever written!
Rossini's 1816 comic opera is known for its
cheery melodies, simple plot, and humorous
characters - all captured in this spirited
arrangement for high school full orchestra. The
delightful theme frequently used in cartoons,
film, and commercials is sure to bring a smile to
players and audiences alike!
2139368 Full Orchestra . . . . . . . . .MA 82.00
8059048 Additional Score . . . . . . . . . . .12.00
H Rhapsody in Blue—George Gershwin/arr. Jerry
Brubaker. Finally, this classic work is now available
for full orchestra, with or without piano! All solo
piano parts are covered within the orchestra but
can also be played with a soloist. One of the most
popular concert works ever, this transcription for full
orchestra will be a new favorite. It's seven minutes
long and includes all the major themes - for the
advanced or community orchestra!
10032785 Full Orchestra
Piano optional . . . . . . . . .MA 75.00
10032786 Additional Score . . . . . . . . . . . .9.00
Romeo and Juliet Overture—P.I. Tchaikovsky/
arr. Jerry Brubaker. A lovely transcription with
tasteful reductions that allow the advanced
orchestra or community orchestra to experience
Tchaikovsky's masterpiece in about half the
duration of the original. A must for any library!
10370686 Full Orchestra . . . . . . . . .MA 73.00
10370689 Additional Score . . . . . . . . . . . .8.00
H Symphony No. 5 Finale—Dimitri Shostakovich/
arr. Stephen Bulla. One of the most notable
movements from Dimitri Shostakovich is
transformed into this superb new edition that is
well within the reach of most orchestras. Stephen
Bulla's arrangement is appropriately truncated and
carefully altered with key, range and technique,
with orchestration considerations for today's school,
festival and regional orchestras.
10042883 Full Orchestra . . . . . . . . .MA 95.00
10054684 Additional Score . . . . . . . . . . .10.00
Toccata—Girlamo Frescobaldi/arr. Hans Kindler.
Girolamo Frescobaldi composed this now-famous
melody in the 1600s. For over 300 years, the
Frescobaldi Toccata has been performed and
loved by generations! This transcription presents
a bold rendition that uses broad harmonic support
for the melody.
134015 Full Orchestra . . . . . . . . .MA 69.00
2365484 Additional Score . . . . . . . . . . . .9.00
Original Concert Works
Easy & Medium-Easy
Ancient Echoes of Time—Douglas E. Wagner.
Expansive harmonies and soaring tunes combine
to present an imaginative musical landscape that
explores the tonal facets of the orchestra. This
dynamic and colorfully scored original is playable
by strings alone or full orchestra.
10522573 String or Full Orchestra . .ME 55.00
10522574 Additional Score . . . . . . . . . . . .9.00
Appalachian Morning—Robert Sheldon.
Acknowledge the Scottish and Irish pioneers of
Appalachia with a musical walk through the woods
and mountains of the Cumberland Gap. This lovely
composition allows for a moment of reflection and
lyrical expression on any concert program.
10522599 Full Orchestra . . . . . . . . .ME 65.00
10522600 Additional Score . . . . . . . . . . .10.00
Cumberland Cross—Carl Strommen. Sure to
delight, the central portion of this original piece
brings the unrestrained exuberance of bluegrass
fiddling to the orchestra. In a lovely contrast, the
piece opens and closes with a slow chorale, bringing
to mind sunset and sunrise over the mountains.
10522571 Full Orchestra . . . . . . . . .ME 59.00
10522572 Additional Score . . . . . . . . . . . .9.00
Dark Adventure—Ralph Ford. It's ghostly! It's
creepy! Your orchestra will love it! From the driving
opening motives to the quirky gypsy-sounding
theme, this is haunted-house music at its best! You
can play this with either full or string orchestra, but
the percussion section is really vital and should be
used in both cases. This is recommended and will
thrill and delight your audience! A winner!
2466837 String or Full Orchestra . .ME 59.00
5972599 Additional Score . . . . . . . . . . . .8.00
Engines of Resistance—Larry Clark. You will
want to program this thrilling music often! As the
title implies, there is dramatic tension between
opposing forces in the orchestra: a light ostinato
pattern opposes a heavy, aggressive melody; bursts
of percussion ring out against quieter moments in
the orchestra, and all these conflicting elements
come together for an incredible finish! Can be
performed as strings and percussion, or as a full
orchestra. A contest winner!
2416675 String or Full Orchestra . . . E 59.00
5800651 Additional Score . . . . . . . . . . . .8.00
l
Lost Tomb of the Incas—Michael Story. This
exciting piece will transport your intermediate
orchestra to the ancient civilization of the Incas.
Featuring full-sounding melodies, interesting
rhythmic accompaniments, and exciting percussion
parts, this piece can be performed by string
orchestra alone or with as many added winds and
percussion as possible, up to a full orchestra.
11200177 String or Full Orchestra . .ME 60.00
11200178 Additional Score . . . . . . . . . . . .9.00
Millennium—Richard Meyer. This contemporary-
sounding overture is extremely powerful and full of
emotion from beginning to end. Richard Meyer's
colorful and imaginative scoring features every
section of the symphony orchestra, resulting in a
wonderfully mature-sounding, yet playable, tour de
force for the student orchestra.
2397792 Full Orchestra . . . . . . . . .ME 73.00
5730296 Additional Score . . . . . . . . . . . .9.00
Second Storm—Robert W. Smith. Inspired by the
devastating hurricane season during the summer
of 2004, this begins with a melodic "calm before
the storm" introduction; and as the fury of Mother
Nature is unleashed, the work develops using
strong unison impacts with driving rhythmic figures
to capture the intensity of the event in sound. Your
intermediate orchestra will sound big and bold.
2481119 String or
Full Orchestra . . . . . . . . .ME 65.00
10005397 Additional Score . . . . . . . . . . . .9.00
Slingshot—Michael Story. This flexible original
work will provide the opportunity for an entire
instrumental program to perform together. Also
perfect for a first full orchestra experience with
plenty of doubling, it can be performed by string
orchestra alone or with almost any combination of
winds or percussion. Includes optional piano.
11000120 Full Orchestra . . . . . . . . . . E 51.00
11000122 Additional Score . . . . . . . . . . . .9.00
BEST
SELLERS
Full Orchestra
Classical
Medium to Advanced
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Symphony No. 5 Finale—
Dimitri Shostakovich/arr. Stephen Bulla.
10042883 Full Orchestra . . . . . . . . . . . . . . . . . MA 95.00
10054684 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00
Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac.
2143592 Full Orchestra . . . . . . . . . . . . . . . . . . M 69.00
2335644 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00
Jupiter - Bringer of Jollity (from "The Planets")
—Gustav Holst/arr. Vernon Leidig.
2155315 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 73.00
4957247 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
An American in Paris Suite—
George Gershwin/arr. John Whitney.
2440956 Full Orchestra . . . . . . . . . . . . . . . . . MA 80.00
5912597 Additional Score . . . . . . . . . . . . . . . . . . . . 11.00
Berceuse and Finale
(from "The Firebird Suite")—
Igor Stravinsky/arr. Merle Isaac.
129064 Full Orchestra . . . . . . . . . . . . . . . . . MA 69.00
4981973 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00
Hoe Down (from "Rodeo")—Aaron Copland.
973776 Full Orchestra . . . . . . . . . . . . . . . . . . . A 80.00
2428340 Additional Score . . . . . . . . . . . . . . . . . . . . 13.95
Overture from "The Barber of Seville"—
Giacomo Rossini/arr. Merle J. Isaac.
2139368 Full Orchestra . . . . . . . . . . . . . . . . . MA 82.00
8059048 Additional Score . . . . . . . . . . . . . . . . . . . . 12.00
Amadeus (from Symphony No. 25)—
W.A. Mozart/arr. Jamin Hoffman.
10062533 Full Orchestra . . . . . . . . . . . . . . . . . . M 65.00
10084749 Additional Score . . . . . . . . . . . . . . . . . . . . . 5.00
Slavonic Dance No. 1—
Antonin Dvorak/arr. Merle J. Isaac.
2123867 Full Orchestra . . . . . . . . . . . . . . . . . . M 64.00
2427417 Additional Score . . . . . . . . . . . . . . . . . . . . . 8.25
Romeo and Juliet Overture—
P.I. Tchaikovsky/arr. Jerry Brubaker.
10370686 Full Orchestra . . . . . . . . . . . . . . . . . MA 73.00
10370689 Additional Score . . . . . . . . . . . . . . . . . . . . . 8.00
EDITORS' CHOICE
Full Orchestra • Original Concert Works
Each year Pepper's Editors review hundreds of new releases and choose the cream of
the crop to bear the name, Editor's Choice. Buy with condence!
Alpha and Omega—Soon Hee Newbold.
is dramatic work for symphony orchestra is a perfect opener or closer. From mysterious
and dark melodies to driving rhythmic lines, the music provides an opportunity to showcase
the power of your ensemble, the beauty of your soloists, and the talent of your percussion
section. Many cues are provided for groups without full instrumentation, making this acces-
sible to many. Riveting!
11203090 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 120.00
11203091
Additional Score . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9.00
"
Could all
companies deal
directly with
customers the way
you do, please?"
— Phil Sims, performing musician
Bualo, NY
