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CLASSICAL medium
Carmen Suite—Georges Bizet/arr. Todd Parrish.
This three-movement suite of Bizet's masterpiece
"Carmen" is carefully arranged to work well with
your high school string orchestra. Each movement
is musically interesting and preserves the passion
of the original score. Use the optional percussion
part for added intensity. Includes Aragonaise,
Habanera, and Les Toreadors.
10568179 String Orchestra,
Percussion Optional . . . . . . . .55.00
10568180 Additional Score . . . . . . . . . . . .8.00
Claire De Lune—Claude Debussy/arr. Bob
Lipton & J. Cameron Law. Your string students
can finally experience performing Debussy's
masterpiece. This arrangement still contains all of
the impressionistic beauty with only the pianistic
arpeggios removed. With its very intuitive change
of tempos and dynamics, you will be astounded at
how sensitively your students can play.
10460669 String Orchestra . . . . . . . . . . .50.00
10460670 Additional Score . . . . . . . . . . . .8.00
Concerto for Two Violins in D Major—
Antonio Vivaldi/arr. Brendan McBrien. Adapted
from Vivaldi's Lute Concerto in D Major, this
arrangement for two solo violins and orchestra
creates an opportunity to feature your top violinists
in the opening movement of this classic work. Your
musicians and audience will be charmed by this
Italian masterpiece which includes passages for
solo cello and optional keyboard accompaniment.
10738936 String Orchestra . . . . . . . . . . .46.00
10738968 Additional Score . . . . . . . . . . . .9.00
Concerto Grosso in D Major (for Soloists and
String Orchestra)—G.P. Telemann/arr. Robert
D. McCashin. Showcase your strong players in this
arrangement that features solo quartet passages
throughout. The music is exciting and engaging
without overtaxing the rest of the ensemble, yet
everyone remains involved. This is pure Telemann,
sure to delight your audience.
10877033 String Orchestra . . . . . . . . . . .55.00
10877034 Additional Score . . . . . . . . . . . .5.00
Concerto Grosso Op. 6, No. 8 (Christmas
Concerto)—Arcangelo Corelli/arr. Todd Parrish.
Subtitled Fatto per la notte di Natale, or "made for
the night of Christmas," Corelli's Christmas Concerto
stands as one of the finest concerti grossi of the
Baroque era. All solo parts have been incorporated
into a string orchestra version that retains the original
key signatures. This collection contains three of the
movements in fast, slow, fast format.
10594937 String Orchestra . . . . . . . . . . .56.00
10594938 Additional Score . . . . . . . . . . . .9.00
H Concerto in B Minor (Four Solo Violins
with String Orchestra Accompaniment)—
Antonio Vivaldi/arr. Ralph Matesky. Vivaldi's
multi-movement masterpiece will serve as a
real inspiration for the mature string orchestra.
Beautifully scored, Ralph Matesky's arrangement
will be perfect for four outstanding soloists with
your string orchestra.
2202851 String Orchestra
4 Violins and Orch. . . . . . . . . .62.00
10312570 Additional Score
4 Violins and orch . . . . . . . . . .11.00
Coriolan Overture, Op. 62—Ludwig van
Beethoven/arr. Jeremy Woolstenhulme. When a
full orchestra is not a possibility, this phenomenal
arrangement provides string players an open door to
the rich music of Beethoven. The original Beethoven
key is in C minor, this arrangement is in D minor.
10523449 String Orchestra . . . . . . . . . . .52.00
10523450 Additional Score . . . . . . . . . . . .7.00
Danse Macabre—Camille Saint-Saens/arr. Carrie
Lane Gruselle. The clock strikes midnight, a ghostly
fiddler plays eerie tones, and skeletons dance until
the rooster crows at dawn. Perfect for Halloween or
as a change of pace for any time of year!
10512560 String Orchestra . . . . . . . . . . .60.00
10512561 Additional Score . . . . . . . . . . . .5.00
l
Danza Ritual del Fuego (Ritual Fire Dance)—
Manuel de Falla/arr. Douglas E. Wagner. The
arrangement from Manuel de Falla's brilliant
ballet "El amor brujo" reflects all of the tonal
color and Spanish flair of the composer's original.
Characteristic rhythms and harmonic progressions
combine with a variety of string techniques,
providing players with the makings of a surefire
concert or contest success. Includes a required
piano part.
11202654 String Orchestra
Piano Required . . . . . . . . . . . .65.00
11202655 Additional Score . . . . . . . . . . .10.00
English Folk Song Suite—Ralph Vaughan
Williams/arr. Stephen Bulla. One of Vaughan
Williams' most revered works for band and
orchestra has been tastefully adapted for strings.
This edition includes appropriate key and length
adjustments to make this charming suite ideal
for today's string orchestras. I. Seventeen, Come
Sunday II. My Bonny Boy III. Folk Song from
Somerset (Boosey & Hawkes edition).
2481831 String Orchestra,
Percussion Required . . . . . . . .50.00
10004230 Additional Score . . . . . . . . . . . .7.50
Enigma Variations—Edward Elgar/arr. Todd
Parrish. String orchestras can now get a faithful
arrangement of this lush English masterpiece
by Sir Edward Elgar. The theme is followed by
three variations, in their original keys, displaying
both the emotion and power of the original and
concluding with the unsurpassed beauty of
Nimrod. Optional timpani provides an even more
exciting, authentic sound.
10594941 String Orchestra . . . . . . . . . . .49.00
10594942 Additional Score . . . . . . . . . . . .9.00
Fantasia on a Theme by Thomas Tallis—
Ralph Vaughan Williams/arr. Jamin Hoffman. This
string masterpiece rose in popularity after it was
used in the film "Master and Commander: The
Far Side of the World." The simple, elegant theme
from Elizabethan church composer Thomas Tallis
was later expanded and modernized by Vaughan
Williams. This lush arrangement adapts and
simplifies the original version into a work that is ideal
for developing string students. Doubled octaves and
divisi writing make this ideal for large orchestras.
10016075 String Orchestra . . . . . . . . . . .45.00
10028389 Additional Score . . . . . . . . . . . .5.00
H Fantasia on Greensleeves (What Child Is
This?)—Ralph Vaughan Williams/arr. Deborah
Baker Monday. Scored for strings, harp (keyboard)
and two violin soloists, this ethereal setting retains
the form and texture of the original while bringing
it to a student-friendly level. Melodic material is
passed effortlessly from one section to another,
and only the first violin solo requires third position
work. A rich setting of a classic masterwork.
10092446 String Orchestra . . . . . . . . . . .49.00
10092518 Additional Score . . . . . . . . . . . .7.00
H Farandole (from "L'Arlesienne Suite No. 2)—
Georges Bizet /arr. Merle J. Isaac. This spirited,
well-loved work by Georges Bizet is an absolutely
delightful work for both rehearsal and performance!
Recorded by Michigan State University Orchestra on
the CD, Teaching Music Through Performance in
Orchestra Volume 1 - Pepper #5973728.
2038313 String Orchestra . . . . . . . . . . .62.00
4956298 Additional Score . . . . . . . . . . . .9.00
Finale from Symphony No. 5—Ludwig van
Beethoven/arr. Deborah Baker Monday. This
masterpiece should be played by every string
player, and now they can with this arrangement.
Students will love experiencing the energy and
power of one of the greatest musical geniuses of
all time, Beethoven!
10608534 String Orchestra . . . . . . . . . . .56.00
10608546 Additional Score . . . . . . . . . . . .6.00
H For Unto Us—G.F. Handel/arr. Robert S. Frost. An
excellent medium-easy arrangement of the beloved
chorus from Handel's "Messiah." Some shifting is
required in first violin, celli, and bass parts, with
divisi in upper string parts as well.
10059457 String Orchestra . . . . . . . . . . .56.00
10084937 Additional Score . . . . . . . . . . . .6.00
Hoe Down (from "Rodeo")—Aaron Copland/arr.
Stephen Bulla. Everyone knows this one! Hoedown
has become a classic American symphonic work,
and its unique sound has become a trademark
of composer Aaron Copland. This fine edition
has been carefully crafted for string orchestra,
allowing developing groups to experience the joy
of performing one of the most popular works of the
20th century.
2481832 String Orchestra . . . . . . . . . . .50.00
10008732 Additional Score . . . . . . . . . . . .5.00
H
Hungarian Dance No. 5—Johannes Brahms/
arr. Merle J. Isaac. Great fun and a whole lot
more! This exciting, familiar work will give new
life to your rehearsals and will be a standout at
any concert. Enjoy!
2115814 String Orchestra . . . . . . . . . . .62.00
4957015 Additional Score . . . . . . . . . . . .9.00
Hungarian Dance No. 1—Johannes Brahms/
arr. Carrie Lane Gruselle. Brahms captures the
fire and passion of Romanian culture in these folk
songs set to dance styles. Intensity and drama is
created with dynamic exaggeration, abrupt tempo
changes, and contrasting bow styles. An excellent
way to encourage students to listen and watch the
conductor as they engage with all the wonderfully
rich sections of the piece.
10877043 String Orchestra . . . . . . . . . . .55.00
10877044 Additional Score . . . . . . . . . . . .5.00
Infernal Galop (from "Orpheus in the Under-
world", Act 2)—Jacques Offenbach/arr. Steven
Frackenpohl. From "Orpheus in the Underworld,"
Act II by Jacques Offenbach, this Grade 3.5
arrangement keeps the brilliance and excitement
of the original. And of course, the instantly
recognizable can-can section is featured as well.
Duration 2:15
10997842 String Orchestra . . . . . . . . . . .56.00
10997860 Additional Score . . . . . . . . . . . .6.00
Jupiter (from "The Planets")—Gustav Holst/
arr. John Caponegro. This arrangement of Jupiter
is a challenging piece for medium and medium-
advanced groups. While not quite contemporary
in style, the piece is modern enough in concept to
allow students the chance to experience alternate
treatments of themes and motifs. A perfect concert
piece for any performance venue.
10063892 String Orchestra . . . . . . . . . . .56.00
10088098 Additional Score . . . . . . . . . . . .6.00
4 La Forza Del Destino Overture—Giuseppe Verdi/
arr. Michael Hopkins. The overture to "La Forza Del
Destino" was composed when Italian composer,
Giuseppe Verdi, revised his opera for a performance
at La Scala in 1869. This arrangement captures
the full range of thematic contrasts and emotion
present in the original and will be challenging and
rewarding for developing orchestras. Verdi intended
the opening agitated theme to represent fate, and
this melodic them unifies many different thematic
ideas in the overture. A musical metaphor for the
force of destiny - chaotic on the surface, yet logical
and coherent in the depth of its design.
11171008 String Orchestra . . . . . . . . . . .56.00
11171009 Full Score . . . . . . . . . . . . . . . . .6.00
La Rejouissance, Sarabande, and Gigue
(from Suite TWV 55: D8)—G.P. Telemann/arr.
Robert D. McCashin. These three movements: La
Rejouissance, Sarabande, and Gigue, are taken
from Telemann's seven movement Suite in D,
originally composed for trumpet and orchestra. An
excellent introduction to late Baroque style playing
for intermediate students, featuring contrasting
tempos, dotted rhythms, and compound time
signatures in playable first position. Includes violin
3 (viola in treble clef) and alternate viola (violin 2 in
alto clef) parts.
10846062 String Orchestra . . . . . . . . . . .47.00
10846063 Additional Score . . . . . . . . . . . .6.00
Lake in the Moonlight (from "Swan Lake")—
P.I. Tchaikovsky/arr. Robert Longfield. This well-
known theme from Tchaikovsky's ballet "Swan
Lake" is beautiful, mysterious, and filled with
emotion. Arranged for string orchestra with a solo
violin, this classic symphonic melody provides
opportunities for playing cantabile and espressivo.
11204586 String Orchestra
with required piano . . . . . . . . .45.00
11204587 Additional Score . . . . . . . . . . . .7.00
11204588 Full Score Oversized,
Spiral Bound . . . . . . . . . . . . . .25.00
l
Larghetto and Allegro (from "Sonata No. 4")
—George Frideric Handel/arr. Robert D. McCashin.
This outstanding pair of contrasting movements
shifts from a plaintive Larghetto to a joyful Allegro.
An exceptional opportunity to work on the music of
Handel while providing a wealth of opportunities for
musical development.
11203110 String Orchestra . . . . . . . . . . .65.00
11203111 Additional Score . . . . . . . . . . . .6.00
l Maelstrom—Katie O'Hara LaBrie. A treacherous
storm motif acts as the undercurrent to quotes
from famous water-themed compositions, including
Smetana's Die Moldau, the haunting Aquarium
from Saint-Sans' "Carnival of the Animals", and a
traditional Irish sea chantey as melodies overlap in
this musical storm. Developing players will refine
articulation skills while navigating some shifting,
chromatic lines, and a variety of rhythms in 6/8 time.
11202201 String Orchestra . . . . . . . . . . .55.00
11202202 Additional Score . . . . . . . . . . . .9.00
4 March Slav (Themes)—P.I. Tchaikovsky/arr.
Chris M. Bernotas. Your symphony orchestra will
love this iconic march. Scored for full orchestra
or strings only, this arrangement features great
themes and a big symphonic sound. With a
reduced number of wind parts, this accessible
piece is truly a wonderful choice for a departmental
collaboration or festival.
11200160 String or Full Orchestra . . . . . .70.00
11200161 Additional Score . . . . . . . . . . . .9.00
H
Marche Slav—P.I. Tchaikovsky/arr. Carrie Lane
Gruselle. Tchaikovsky's most famous march
exemplifies the spirit of 19th century nationalism
as it was growing in Europe. This exceptional
arrangement set in A minor (a more comfortable
key than the original Bb minor) has all the elements
of the original and lets your orchestra shine without
the need of winds and percussion. A dramatic and
memorable addition to any concert!
10047947 String Orchestra . . . . . . . . . . .55.00
10047948 Additional Score . . . . . . . . . . . .5.00
H Mock Morris—Percy Grainger/arr. Sandra Dackow.
"Always merry and bright" is how Grainger
described this cheerful tune! Composed in the
style of the traditional English Morris Dance, this
completely original work has all the energy and
spirit of a Brandenburg Concerto. Delightful!
2353696 String Orchestra . . . . . . . . . . .60.00
5813845 Additional Score . . . . . . . . . . .12.50
Music from "Carmina Burana"—Carl Orff/
arr. Stephen Bulla. One of the most recognizable
movements of this century, Carl Orff's grand
work for chorus and orchestra has been brilliantly
adapted with this first-ever edition for string
orchestra. Let your students enjoy the the power
and grace of this symphonic masterwork!
10021818 String Orchestra,
Percussion Required . . . . . . . .59.00
10045075 Additional Score . . . . . . . . . . . .7.00
Nabucco Overture—Giuseppe Verdi/arr. Deborah
Baker Monday. Includes all the original themes,
especially the popular Va pensiero. All parts have
interest, and the various tempos make for an
exciting, dramatic performance.
10752505 String Orchestra . . . . . . . . . . .56.00
10752506 Additional Score . . . . . . . . . . . .6.00
Nessun Dorma—Giacomo Puccini/arr. Ted
Ricketts. This famous aria has been done up in a
grand operatic style! All the stops are pulled out
as the strings use solos, bowed tremolo close to
the bridge, pizzicato, divisi, and more to create
all the excitement of Puccini's most famous aria.
First violins have a brief but lyrical moment up in
the fifth position. Timpani and percussion parts
are included.
2475742 String Orchestra . . . . . . . . . . .45.00
5986045 Additional Score . . . . . . . . . . . .5.00
