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70
FULL
ORCHESTRA
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CLASSICAL medium-easy / medium
March to the Scaffold—Hector Berlioz/arr.
Richard Meyer. From Berlioz' famous Symphonie
Fantastique, this well-known movement offers a
variety of colors, from the solemn opening through
the grand processional to the bombastic finish.
Richard Meyer's careful arrangement brings this
classic within the range of developing orchestras
with all the excitement of the original work.
2403350 Full Orchestra . . . . . . . . . . . . .52.00
2427300 Additional Score . . . . . . . . . . . .7.50
The Moldau—Bedrich Smetana/arr. Richard
Meyer. Here is a programmatic masterpiece
arranged at an intermediate level for your orchestra.
Smetana's own program notes depict how a warm
stream and a cold stream combine into the Moldau.
The music depicts the river's journey, past a forest
hunt, a peasant wedding, and more.
2482133 Full Orchestra . . . . . . . . . . . . .59.00
10003550 Additional Score . . . . . . . . . . . .7.00
Nocturne (from "A Midsummer Night's Dream")
—Felix Mendelssohn/arr. Richard Meyer.
Mendelssohn's famous Nocturne is one of the
cornerstones of the orchestral repertoire. Scored
here for developing orchestra, it features the
timeless melody with winds and uses legato hooked
bowings in the strings. Recalling the magic slumbers
of Shakespeare's main characters in the forest, this
lovely transcription will provide a chance to develop
a beautiful, legato playing style while displaying your
orchestra's sensitivity and musicality!
10280409 Full Orchestra . . . . . . . . . . . . .55.00
10280410 Additional Score . . . . . . . . . . . .7.00
H Peer Gynt Suite (Selections)—Edvard Grieg/
arr. Richard Meyer. This authentic-sounding
arrangement includes 6/8 time, legato, staccato
and marcato styles, frequent doublings, a wide
variety of dynamic markings, and one the most
famous accelerandos ever written!
10453661 Full Orchestra . . . . . . . . . . . . .59.00
10453710 Additional Score . . . . . . . . . . . .7.00
Romeo and Juliet Overture—P.I. Tchaikovsky/
arr. Richard Meyer. Enjoy this beautiful arrangement
of the beloved and classic overture perfectly set for
early full orchestra. Includes all the familiar themes
from the original masterpiece.
10594961 Full Orchestra . . . . . . . . . . . . .59.00
10594962 Additional Score . . . . . . . . . . . .9.00
Rosamunde Overture—Franz Schubert/arr.
Richard Meyer. Schubert composed his incidental
music to the Romantic drama "Rosamunde,
Princess of Cypress" in less than three weeks,
finishing just two days before the play's premiere
in December of 1823. Not much time was left to
rehearse the music, and no time at all to compose
an overture. In fact, Schubert never did compose
an overture to Rosamunde, but instead used an
overture already composed for the drama "The
Magic Harp." While Rosamunde survived for only
two performances, Schubert's charming music
lives on. Festive and lyrical themes abound in this
very playable arrangement that has been carefully
crafted to preserve the sound of the original. A great
way to introduce your students to one of the early
Romantic period's great masters!
10015172 Full Orchestra . . . . . . . . . . . . .59.00
10015174 Additional Score . . . . . . . . . . . .7.00
Russian Sailor's Dance (from "The Red Poppy")
—Gliere/arr. Bilisario Errante. A very playable
arrangement of this Russian folk dance. Starting
at a medium tempo, the excitement is heightened
by four further tempo changes, the final one
accelerating to a feverish presto. Fun to play and
listen to!
2054302 Full Orchestra . . . . . . . . . . . . .67.00
6049944 Additional Score . . . . . . . . . . . .7.00
Sleepers Wake—J.S. Bach/arr. Jerry Brubaker.
The familiar Johann Sebastian Bach melody will be
loved by one and all. Solidly scored for your string
or full orchestra, the delicate melody will reinforce
the musicianship of the entire ensemble.
2478060 String or Full Orchestra . . . . . .65.00
2478061 Additional Score . . . . . . . . . . . .9.00
The Sorcerer's Apprentice—Paul Dukas/arr.
Andrew Balent. This orchestral classic was the
only selection to be featured in the original Fantasia
film and sixty years later in Fantasia 2000! Now it
is arranged in a version your students can play.
Playable by string orchestra or full orchestra, this
arrangement avoids much of the introductory
material to get right into the most familiar parts.
2472121 String or Full Orchestra . . . . . .65.00
2472122 Additional Score . . . . . . . . . . .10.00
Symphony No. 2 (Finale)—Peter Ilyich
Tchaikovsky/arr. Sandra Dackow. Tchaikovsky's
Finale from the famous "Little Russian
Symphony" can be a dramatic showcase for a
developing orchestra.
2201689 Full Orchestra . . . . . . . . . . . . .70.00
6048037 Additional Score . . . . . . . . . . .12.00
Symphony No. 36, the "Linz"—W.A. Mozart/arr.
Richard Meyer. The "Linz" symphony is included
among Mozart's best. The first movement is
cheerful and buoyant in mood yet retains an air of
dignity and poise reflective of a true master of the
genre. Richard Meyer's arrangement of this classic
symphony is carefully arranged to work well with
your full orchestra.
10594971 Full Orchestra . . . . . . . . . . . . .59.00
10594972 Additional Score . . . . . . . . . . . .9.00
Symphony No. 5 (Third Movement)—Ludwig
van Beethoven/arr. Richard Meyer. Haunting,
ominous, and playful, this Scherzo movement from
Beethoven's famous Symphony No. 5 has it all.
Students will love the stirring harmonies and driving
rhythms while the colorful orchestration - faithful to
the original - keeps brass, woodwinds, strings, and
percussion involved throughout. An opportunity for
your orchestra to experience a glorious moment in
symphonic history!
10872149 Full Orchestra . . . . . . . . . . . . .59.00
10872150 Additional Score . . . . . . . . . . .10.00
Symphony No. 5 Finale—Peter Ilyich Tchaikovsky/
arr. Richard Meyer. One of the grandest works
in all of symphonic literature, this finale from
Tchaikovsky's "Fifth Symphony" is positively
electrifying! All of the colors and moods of the
original are retained in this exciting arrangement that
is sure to challenge every section of your orchestra.
This is a great way to introduce your student
musicians to a 19th century masterwork, and the
quintessential closer to any concert!
10280411 Full Orchestra . . . . . . . . . . . . .59.00
10280412 Additional Score . . . . . . . . . . . .9.00
H Themes from "Scheherazade"—Nikolai Rimsky-
Korsakov/arr. Richard Meyer. Rimsky-Korsakov's
famous symphonic suite "Scheherazade" has
been a staple of the symphonic literature since
it was written in 1888. Now your younger
students can enjoy the Russian master's colorful
orchestrations and imaginative themes in this
"true-to-the-original" arrangement that takes just
five minutes to perform. Included are The Sultan's
Theme, Scheherazade's Theme (for solo violin),
and the themes from "The Story of the Kalendar
Prince" and "The Young Prince and the
Young Princess."
10092534 Full Orchestra . . . . . . . . . . . . .59.00
10092540 Additional Score . . . . . . . . . . . .9.00
Classical Selections
Medium
1812 Overture—P.I. Tchaikovsky/arr. Jerry
Brubaker. Maintaining all of the excitement and
pageantry of the original, this work has been paired
down to six and half minutes. Best known for its
climactic volley of cannon fire, ringing chimes and
brass fanfare, this piece is perfect for a bicentennial
celebration in 2012. You'll have to hear it to believe it!
10310481 Full Orchestra . . . . . . . . . . . . .73.00
10310482 Additional Score . . . . . . . . . . . .8.00
H
Amadeus (from Symphony No. 25)—W.A.
Mozart/arr. Jamin Hoffman. Symphony No. 25
begins with one of Mozart's most recognized
themes, as heard in the classic Oscar-winning film
"Amadeus." Hoffman has placed the first movement
in an accessible, practical format that can be
performed by school orchestras with confidence.
10062533 Full Orchestra . . . . . . . . . . . . .65.00
10084749 Additional Score . . . . . . . . . . . .5.00
H Bacchanale (from "Samson and Delilah")—
Camille Saint-Saens/arr. Merle Isaac. This
haunting Saint-Saens theme is a favorite of
audiences everywhere and is a great change of
pace on any program.
2143592 Full Orchestra . . . . . . . . . . . . .69.00
2335644 Additional Score . . . . . . . . . . .10.00
Dance of the Hours—Amilcare Ponchielli/arr.
Richard Meyer. Your orchestra will love the chance
to play these ever-popular tunes from Ponchielli's
opera "La Gioconda." Instantly recognizable to any
audience, this arrangement retains the sound of the
original and gives students a chance to develop the
variety of techniques needed to perform two very
different styles of dance music. The key has been
changed from E major to G major and the time
signature simplified from 4/8 to 4/4, but none of
the fun is missing!
10738946 Full Orchestra . . . . . . . . . . . . .59.00
10738978 Additional Score . . . . . . . . . . .10.00
Espana Cani—Pascual Marquina Narro/arr. Albert
Wang. The stirring Spanish style is immediately
recognizable, particularly in this famous paso doble.
Some simplification of keys makes it accessible to
orchestras of all levels of experience.
10459542 Full Orchestra . . . . . . . . . . . . .65.00
10459543 Additional Score . . . . . . . . . . .10.00
Farandole (from "L'Arlesienne Suite No. 2")—
Georges Bizet/arr. Merle J. Isaac. This spirited,
well-loved work by Georges Bizet is an absolutely
delightful work for both rehearsal and performance!
2156024 Full Orchestra . . . . . . . . . . . . .73.00
4956280 Additional Score . . . . . . . . . . . .7.00
Farandole—Georges Bizet/arr. Ernest Guiraud &
Clark McAlister. This is just what you would expect,
but carefully edited and adapted for modern
orchestras. It is a timeless classic filled with joy
and excitement.
10617956 Full Orchestra . . . . . . . . . . . . .95.00
10617957 Additional Score . . . . . . . . . . .25.00
H
Finlandia—Jean Sibelius/arr. Owen Goldsmith.
There's a cold mystique about this work from
Finland's most famous composer, but at its heart is
a warmth that overflows with beauty. Well known to
many listeners, Finlandia displays a strong sense of
nationalistic strength in its mighty brass and soaring
strings. Owen Goldsmith's adaptation eliminates
a few of the technical difficulties and includes
generous cross-cuings. The brass double tonguing
is still there, but so is all the power!
2376036 Full Orchestra . . . . . . . . . . . . .80.00
5627229 Additional Score . . . . . . . . . . . .9.00
The Firebird—Igor Stravinsky/arr. Jack Bullock.
This thrilling selection provides a great introduction
for younger players to Stravinsky! This transcription
provides access at the perfect level.
10453875 Full Orchestra . . . . . . . . . . . . .55.00
10453917 Additional Score . . . . . . . . . . . .7.00
BEST
SELLERS
Full Orchestra
Classical
Medium-Easy
Buy with confidence! These works, listed in
order of their popularity, are chosen most
often by directors.
Dance of the Tumblers
(from "Snow Maiden")—
Nicolai Rimsky-Korsakoff/arr. Sandra Dackow.
2252443 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 75.00
5037171 Additional Score . . . . . . . . . . . . . . . . . . . . 14.00
Sleepers Wake—J.S. Bach/arr. Jerry Brubaker.
2478060 String or Full Orchestra. . . . . . . . . . . . . . 65.00
2478061 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
The Sorcerer's Apprentice—
Paul Dukas/arr. Andrew Balent.
2472121 String or Full Orchestra. . . . . . . . . . . . . . 65.00
2472122 Additional Score . . . . . . . . . . . . . . . . . . . . 10.00
March to the Scaffold—
Hector Berlioz/arr. Richard Meyer.
2403350 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 52.00
2427300 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.50
Themes from "Scheherazade"—
Nikolai Rimsky-Korsakov/arr. Richard Meyer.
10092534 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 59.00
10092540 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
Capriccio Espagnol—
Rimsky-Korsakov/arr. Richard Meyer.
10015175 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 59.00
10015177 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.00
Ancient Aires and Dances—
Ottorino Respighi/arr. Jerry Brubaker.
10032563 String or Full Orchestra. . . . . . . . . . . . . . 55.00
10032564 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
Romeo and Juliet Overture—
P.I. Tchaikovsky/arr. Richard Meyer.
10594961 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 59.00
10594962 Additional Score . . . . . . . . . . . . . . . . . . . . . 9.00
Peer Gynt Suite (Selections)—
Edvard Grieg/arr. Richard Meyer.
10453661 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 59.00
10453710 Additional Score . . . . . . . . . . . . . . . . . . . . . 7.00
Hungarian Dance No. 5—
Johannes Brahms/arr. Roy Phillippe.
2466316 Full Orchestra . . . . . . . . . . . . . . . . . . . . . . 80.00
2466324 Additional Score . . . . . . . . . . . . . . . . . . . . 12.00
