w: jwpepper.com / e: [email protected] / f: 1-800-260-1482
Order Toll Free! 1-800-345-6296
Go to cart
P
e
p
p
e
r
h
a
s
a
n
i
n
v
e
n
t
o
r
y
t
h
i
s
b
i
g
!
Choral Performance Music
S
SONG
COLLECTIONS
CROSS-
CULTURAL
4L Banuwa Yo—arr. Mark Weston. Based upon a popular Liberian folk
song, this easy-to-learn arrangement depicts a caring relative or
friend consoling a young child who misses her family. The vocal
parts are equal in range and sing in unison the first time, then
in canon, and then in harmony, with a brief echo section. An
explanation of the song, a pronunciation guide, and parts for drum,
claves, shaker, and triangle are included.
11196495 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.05
Dt Bhombela—arr. Will Skaff/ed. Melissa Keylock. This traditional
South African song is used to accompany a children's stick
passing game. This lively arrangement, which includes
entertaining choreography using rhythm sticks, will make an
exciting multicultural addition to any concert. Fun!
10971340 Two-Part or SSA . . . . . . . . . . . . . . . . . . . . ME 2.10
4 Cambiar el Mundo—Jim Papoulis. Here is a work with a Spanish
flair but also in the style we have come to expect from Jim Papoulis.
Positive, with a message that speaks to young people around the
world. "We can make a difference" rings loud and clear in this
unison anthem.
11202984 Unison . . . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.10
4L El Vito—arr. Greg Gilpin. This energetic arrangement of the traditional
Spanish folk song is infused with the characteristic dance rhythms
of Andalusia. Easy-to-learn phrases in the original language
alternate with some English text. Plenty of unison and a fun-to-
sing countermelody in the chorus make the harmonies easy to
teach. Add the optional choreography to complete the picture of
this vibrant dance.
11196351 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
4L Funga Alafia—arr. Erik Whitehill. This traditional Nigerian song
of welcome effectively uses repetition and engaging rhythms to
make this a quick learn and an entertaining concert selection.
The octavo includes suggestions for stage movement and guides
for the translation and pronunciation of Yoruba lyrics. A perfect
concert opener for developing choirs!
11195439 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
lL Holdiridia—arr. Sonja Poorman & Andy Beck. Love yodeling? Your
students just might start to! This charming Swiss folk song evokes
the sound of hiking the Alps. The arrangement generously passes
the melody between all the voice parts before building to a layered
yodeling section in the middle that helps build part-singing skills
while having tons of fun. Unique!
11197150 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.05
4D I Will Dream of You, Doraji—arr. Mary Donnelly & George L.O. Strid.
This gentle, flowing piece combines thematic elements of two
popular Korean folk songs, Doraji and Arirang. The selection
is performed in English and Korean, with the Korean written
phonetically in the choral parts. The elegant piano part and optional
included flute part contribute to the beautiful and pensive effect.
11171385 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.10
4D J'entends le Moulin (I Hear the Windmill)—arr. Emily Crocker. Hear
the steady sound of the mill wheel in this brisk setting of the French
Canadian folk song, which uses alternate French and English text.
"I hear the windmill, tick-a tick-a tack-a..." Use the pronunciation
guide on the inside cover or the Teaching P/A CD to practice the
French lyrics. This is easy and fun to sing! Now available in SA(T)B!
10030298 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.10
4L Jambo Rafiki—Victor C. Johnson. With lively percussion parts and
t
call-and-response-style writing, this engaging and easy-to-learn
piece will make a terrific concert opener! The a cappella harmonies
are so fun to sing and include plenty of repetition, and the notated
percussion rhythms for gankogui, hand drum, djembe, and shaker
effectively support the texture. A pronunciation guide and translation
of the short Swahili text are included.
11195596 Two-Part with Percussion . . . . . . . . . . . . . ME 2.10
4 Kusimama (Stand Tall)—Jim Papoulis. Kusimama is written in
a world-music style that is accessible for choirs, both young and
old, that are just beginning to be exposed to world rhythms and
language - a sort of introduction to new languages, syllables, body
percussion and style. The text in both Swahili and English is about
standing tall on the earth, not with anger or aggression, but with
hope, strength, acceptance, and positivity. The voices, along with
hand claps, stomps, djembe, shaker and piano, all combine for an
exciting world-music presentation.
10296741 Two-Part. . . . . . . . . . . . . . . . . . . . . . . . . . ME 2.15
Lt Kye Kye Kule—arr. Greg Gilpin. With lively percussion parts,
handclaps, and a straightforward call-and-response style, this
authentic West African folk song arrangement pulls together in a
snap. A cappella, with solo or duet opportunities, this spirited song of
welcome would make a terrific concert opener for developing treble
or tenor-bass choirs.
10873063 Two-Part or SA . . . . . . . . . . . . . . . . . . . . . . . E 2.05
4 Lift Up Your Voice (Kwa Maneno Nguvu)—James DesJardins.
Opening with narration consisting of poignant quotes about doing
what is right, this piece speaks of hope, compassion, justice, and
unity. Sung in English and Swahili, the solemn accompaniment
supports the plaintive and compelling melodic motifs which are
partnered throughout this inspiring song. A pronunciation guide
is provided.
11197760 Two-Part or Three-Part . . . . . . . . . . . . . . . ME 1.95
42
CHORALS
FOR ALL
OCCASIONS
The Never Ending Story—arr. Alan Billingsley.
11163699 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.10
11163700 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29.99
Tongo—arr. Greg Gilpin.
10515746 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.05
Why We Sing—Greg Gilpin.
3303244 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E-ME 2.50
3303280 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26.99
Calico Cat—Andy Beck.
10996689 Two-Part or SSA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.05
When I Close My Eyes—Jim Papoulis.
3299169 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.15
10086103 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 26.99
The Moon—Andy Beck.
10047188 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.05
Seize the Day (from "Newsies")—
Alan Menken/arr. Mac Huff.
10971572 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.15
11002013 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26.99
Blue Moon—
Lorenz Hart & Richard Rodgers/arr. Roger Emerson.
10689147 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.15
10758271 Teaching P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26.99
Cantar!—Jay Althouse.
3251618 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.05
3251626 P/A CD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27.99
Cornstalk Fiddle and a Shoestring Bow—
arr. Mark Burrows.
10979650 Two-Part . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . E 2.25
B
EST
SELLING!
T H E
