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38
JAZZ
ENSEMBLE
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VOCAL SOLO WITH JAZZ ENSEMBLE
H Christmas Time Is Here—Vince Guaraldi/arr.
Roger Holmes. Vince Guaraldi's touching ballad from
"A Charlie Brown Christmas" will feel as familiar
as an old friend. This feature for vocal soloist makes
a simply wonderful addition to your holiday concert!
Vocal in C.
2470804 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
H
Come Fly with Me—Jimmy Van Heusen/arr.
Quincy Jones/ed. Tomaro. The swingin' Quincy
Jones arrangement of this standard was a Frank
Sinatra signature tune. Here's the authentic version
edited and adapted for today's bands by Mike
Tomaro. Vocal Key: B-Flat.
10072767 Jazz Ensemble
& Vocalist . . . . . . . . . . . .MA 60.00
Crazy Little Thing Called Love (from
"Bohemian Rhapsody")—Freddie Mercury/arr.
Roger Holmes. Recorded by Queen in 1979, this
iconic hit adapts beautifully for vocal soloist with
jazz ensemble with its rollicking shuffle style and
infectious simplicity and charm. This is definitely a
"feel good" tune that will be an instant audience
favorite! If you don't have a vocalist to feature,
there's an optional tenor sax solo part included.
Vocal Key: G
10960658 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
H Cry Me a River—Arthur Hamilton/arr. Victor Lopez.
Featuring a vocalist with big band, this gorgeous
ballad is played around 74 bpm. The vocal
range is G below middle C to third space C, and
the lead trumpet range is to F-sharp top line.
Included are optional solo parts for B-flat, E-flat,
and Bass Clef instruments to be used in place
of the vocal feature. It's an accessible chart for
the band and a great way to feature a vocalist
or instrumentalist!
10452150 Jazz Ensemble & Vocalist
(or Any Instrument) . . . . .ME 54.00
H Don't Know Why—Jesse Harris/arr. Paul Murtha.
Award-winning pop singer Norah Jones made this
tune climb the charts, and it's easy to see why so
many people like it. The haunting, beautiful melody
and smooth harmonies make it an incredibly
appealing chart to use with either vocal, trumpet or
tenor sax soloist. Vocal in Bb.
2473701 Jazz Ensemble & Vocalist
(or Tenor Sax
or Flugelhorn) . . . . . . . . .ME 50.00
Embraceable You—George Gershwin/arr. Dave
Wolpe. Dave Wolpe has done a masterful job with
Gershwin's romantic favorite, setting it in two keys
for both male and female vocal solo, including a
lyrical trombone feature, even building it up to a
big band shout before the lovely closing. This will
be a highlight in any performance! Male vocal in F,
female vocal in C.
2468031 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
H Everybody's Waitin' for the Man with the Bag
—arr. Rick Stitzel. Composed in the '50s, this
entertaining holiday tune has been recorded
notably by Kay Starr, and more recently by the Brian
Setzer Orchestra. For vocalist and big band, this is
a dynamic and swingin' addition to any holiday
performance! Vocal in A-flat.
10283028 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
Everything—Buble, Chang & Foster/arr. Scott
Ragsdale. Michael Buble sang this hit song
and now it's time for your vocal soloist and jazz
ensemble. Arranger Scott Ragsdale captured the
essence of the Buble arrangement with his terrific
adaptation at an easier level of this great tune. The
vocal range is from F below middle C up to third
space C, treble clef, and the vocal part has some
easy scat lines with vocal syllables. Lead trumpet
range is to written A above the staff. A wonderful
chart on a neat tune!
10071937 Jazz Ensemble
& Vocalist . . . . . . . . . . . .ME 54.00
H Feeling Good—Bricusse & Newley/arr. Roger
Holmes. From the Broadway musical "The Roar
of the Greasepaint - The Smell of the Crowd," this
fabulous standard is popular again with a stunning
rendition by Michael Buble. Capturing the bluesy
flavor of this version, here is a vocal solo feature
sure to bring down the house. It can also be used
as an alto sax feature. Highly recommended! Vocal
in C minor.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . .M 50.00
H Fever—Cooley & Blackwell/arr. Roger Holmes.
Peggy Lee made this sizzler famous. Make sure
you have enough fire extinguishers on hand just in
case. Vocal in A minor/C minor.
2212082 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
H Fly Me to the Moon—Bart Howard/arr. Sammy
Nestico. Written with comfortable ranges and at a
moderate tempo, this vocal feature will be at home
on any concert. Vocal in Ab.
2249415 Jazz Ensemble & Vocalist . . .M 50.00
H Fly Me to the Moon—arr. Quincy Jones. For
the first time, here is Quincy Jones' arrangement
originally written for the 1964 Sinatra/Basie studio
collaboration It Might As Well Be Swing. This
chart was also used a few times during the 1965
Sinatra/Basie summer tour and then at the famous
1966 "Live at the Sands" concert. This publication
comes from the original parts. Alto 1 and Tenor
1 double on flute. As was customary for these
recordings, Harry "Sweets" Edison would play fills
throughout the arrangement and typically didn't
have a part. The fill spots are in the trumpet 4 part,
although they are not written out. Vocal Key: C.
Highly recommended!
10493006 Jazz Ensemble
& Vocalist . . . . . . . . . . . .MA 65.00
The Frim Fram Sauce—arr. Rick Stitzel. This
clever and catchy jazz standard has been notably
recorded by Diana Krall, but also in the past by
Nat King Cole and Louis Armstrong. Arranged in
a comfortable swing style, this is a terrific feature
for a vocalist or tenor saxophone soloist. Highly
recommended! Vocal Key: F
10667338 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
The Girl from Ipanema—Antonio Carlos Jobim/
arr. Roger Holmes. Made famous by Astrud Gilberto
and Stan Getz, this laid back Latin favorite features
a great groove and tasty ensemble writing to back
your singer, either male or female.
2314219 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
God Bless the USA—Lee Greenwood/arr. Mark
Taylor. A patriotic anthem for the ages, this
contemporary ballad has already established itself
as a standard! Beautifully scored for vocal soloist
and jazz ensemble, this arrangement makes a
powerful statement for singer and band alike. It's
the ultimate patriotic chart! Vocal in Bb.
2481657 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
Hallelujah I Love Her So—Ray Charles/arr. Victor
Lopez. Ray Charles' good-time, happy, swingin' and
infectious tune is immortalized here by Victor Lopez
as a vocal solo feature chart with lyrics provided to
accommodate female or male vocalists. The tempo
is around 142 bpm with a few stop-time sections,
and there are no horn solos, just a swingin' vocal
part and ensemble all the way. Optional parts are
provided as vocal substitutes for any C, B-flat, or
E-flat instruments, and trombone. The vocal range
is from B-flat below middle C to third space B-flat.
We're proud to say this one is highly recommended!
10753965 Jazz Ensemble & Vocalist
(or Any Instrument) . . . . .ME 54.00
Have Yourself a Merry Little Christmas—arr.
Dave Wolpe. This sentimental Christmas favorite
will never go out of style, and Dave Wolpe's
satisfying arrangement is a great way to feature
your vocalist during the holidays. Vocal in G.
2188910 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 48.00
Haven't Met You Yet—Buble, Chang & Foster/arr.
Scott Ragsdale. Michael Buble sang this hit song and
now it's time for your vocal soloist and jazz ensemble!
Arranger Scott Ragsdale captured the essence of the
Buble arrangement with his terrific adaptation of this
familiar tune. The vocal range is from F below middle
C up to third line B, and the lead trumpet range is to
written A above the staff. A wonderful chart on a cool
tune! Highly recommended!
10277798 Jazz Ensemble & Vocalist .M 54.00
Hello—Adele Adkins & Greg Kurstin/arr. Paul
Murtha. Adele's chart-topping song of the year is
skillfully arranged here by Paul Murtha as a power
ballad for jazz ensemble and vocalist. This superb
setting can also be used as a feature for an alto
saxophone soloist rather than a vocalist. Beautifully
paced, it begins with only a piano accompaniment
then gradually builds in intensity as the full band
layers in. This artful and outstanding solo feature is
highly recommended and not to be missed! Vocal
key: F minor
10606773 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . .ME 50.00
How High the Moon—Morgan Lewis/arr. Dave
Wolpe. All jazz students should know this great
tune! Dave's straight-ahead, swingin' vocal solo
feature is written in two keys to accommodate both
female and male voices. There are also brief solos
for trombone and trumpet. The version in C has
an optional shout chorus with the ensemble. Low
vocals in C, high vocals in F.
2701962 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
I Can't Believe That You're in Love with Me—
Jimmy McHugh/arr. Darmon Meader. Feature
your vocal quartet or SATB vocal ensemble with
your jazz ensemble! Plus, this chart also includes
an additional part for vocal soloist if you prefer. A
medium-swing arrangement by Darmon Meader,
the musical director and chief arranger of the
sensational jazz vocal group, The New York Voices,
this was arranged for them with jazz ensemble. The
solo vocal range is from G below middle C up to F
top line, treble clef. The lead trumpet range is to
high D above the staff. Jazz vocal quartets/groups
are happening!
10069098 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . . . . .MA 62.00
10067398 Octavo-I Can't Believe That You're
In Love With Me . . . . . . . . . . . .2.95
I've Got You Under My Skin—Cole Porter/arr.
Dave Wolpe. Dave Wolpe delivers a classic swing
vocal feature chart in the Sinatra style. Arranged
in two keys for flexibility, this one features a full
band interlude in the middle and a trombone solo
in the shout chorus. High key is Eb (range is Bb
below middle C to top line F), low key is Bb (range
is F below middle C to third line Bb). There is an
alternate tenor saxophone solo part included that
substitutes for the vocal solo. Highly recommended!
10028161 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
BEST
SELLERS
Vocal Solo with
Jazz Band All Levels
Buy jazz charts that work! These selections,
listed in order of their popularity, are chosen
most often by directors.
Feeling Good—
Bricusse & Newley/arr. Roger Holmes.
10297513 Jazz Ensemble & Vocalist
(or Alto Sax) . . . . . . . . . . . . . . . . . . . . M 50.00
(You Make Me Feel Like) A Natural Woman—
Carole King & Gerry Goffin/arr. Paul Murtha.
10960656 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . . . . . . . . . ME 50.00
Crazy Little Thing Called Love
(from "Bohemian Rhapsody")—
Freddie Mercury/arr. Roger Holmes.
10960658 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . . . . . . . . . ME 50.00
Hallelujah I Love Her So—
Ray Charles/arr. Victor Lopez.
10753965 Jazz Ensemble & Vocalist
(or Any Instrument). . . . . . . . . . . . ME 54.00
Cry Me a River—
Arthur Hamilton/arr. Victor Lopez.
10452150 Jazz Ensemble & Vocalist
(or Any Instrument). . . . . . . . . . . . ME 54.00
