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JAZZ
ENSEMBLE
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VOCAL SOLO WITH JAZZ ENSEMBLE
It Don't Mean a Thing (If It Ain't Got That Swing)
—Duke Ellington/arr. Victor Lopez. Swingin' and
singin' with big band! This vocal feature chart with
a hard swing feel practically plays itself. The key is
F minor, the vocal range is middle C to 3rd space
C, and the lead trumpet range is to written F top
line. The solo space is for tenor, trombone, alto, and
trumpet, or optional vocal scat, all written out. It's
Ellington, it's Lopez, it's great! Highly recommended!
10310223 Jazz Ensemble
& Vocalist . . . . . . . . . . . .ME 54.00
4 It Had to Be You—Isham Jones/arr. Rick Stitzel.
Few standards have maintained the staying power
of this popular ballad, having been recorded by
such luminaries as Frank Sinatra and Bing Crosby
to more recent versions by Harry Connick Jr.,
Barbra Streisand, and Michael Buble. This silky-
smooth chart is a perfect choice for your vocal or
tenor sax soloists. Vocal key: E-flat
11172103 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 55.00
It's Only a Paper Moon—Harold Arlen/arr. Jerry
Nowak. Natalie Cole's Unforgettable album met
with incredible popularity and acclaim, and this
great old standard is hot! Jerry Nowak's solid,
medium swing chart cooks all the way, and is a
fantastic feature for your vocal soloist! Vocal in Eb.
2262590 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
Jingle Bells—arr. John Clayton. Adapted from the
chart he did for Diana Krall, and recorded with the
Clayton-Hamilton Jazz Orchestra on her Christmas
Songs CD, here is John Clayton's joyous, uptempo
swing chart on this holiday favorite. These jinglin'
bells never sounded so good! Now includes
complimentary Smack Dab in the Middle CD. Vocal
keys: B-flat, B and C.
10052515 Jazz Ensemble
& Vocalist . . . . . . . . . . . .MA 60.00
10058233 CD-Smack Dab
In The Middle . . . . . . . . . . . . .14.95
Just Friends—John Klenner/arr. Dave Wolpe.
Dave Wolpe's superb chart on this great jazz
standard is for vocalist and jazz ensemble and it
is arranged in two keys for flexibility. The low key
is C and the high key is F...just flip the page for
the preferred key! In addition, an optional part is
provided for tenor sax as an alternative to the vocal.
A terrific stop-time sax soli and a jazz solo for 2nd
trumpet are more highlights of this swinger. The
low key vocal range is Gb below middle C to second
space A. The high key range is B below middle C to
fourth line D treble clef. A great vocal feature that
swings all the way home!
10028165 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 65.00
Let It Snow! Let It Snow! Let It Snow!—Jule
Styne/arr. Roger Holmes. With the vocal part in the
key of Db and modualting to the key of Eb, this great
holiday standard works super in a swing feel and is
a perfect choice for your holiday concert!
2249704 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
l
Long Distance Runaround/The Fish (Schind-
leria Praematurus)—Jon Anderson/arr. Ryan
Fraley. From British progressive rock band Yes, this
iconic moment in pop and rock history is scored
neatly for big band with the option to feature either
a vocalist or tenor sax soloist. Just like the original,
powered by bass guitar and sprightly jazz drums,
this version captures the spirit of adventurous art
rock. Two brief open solos for any instrument cap
the long outro.
11207410 Jazz Ensemble . . . . . . . .MA 60.00
The Look of Love—Burt Bacharach/arr. Mark
Taylor. This well-known Latin classic has been
recorded by many jazz artists and lends itself to
an easy relaxed feel. Written in a very comfortable
range for vocalist, this exceptional chart by Mark
Taylor will be a joy to perform. Vocal in C minor.
2476956 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
Mack the Knife—Kurt Weill/arr. Dave Wolpe.
Look out, old Mackie is back! This fabulous vocal
chart modulates four times, up a half-step each
time and has a written tenor sax solo and a big
shout chorus. Arranged in two keys, the high key
begins in B-flat and the vocal range is from middle
C to F top line, treble clef. The low key begins in
E-flat and the range is from low F below middle C
to B-flat, second space. A "must-have" vocal chart!
Highly recommended!
10277802 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
H
My Funny Valentine—Richard Rodgers/arr.
Dave Wolpe. Here's a wonderful ballad for solo
vocalist and jazz ensemble arranged in two keys
for flexibility. Arranger Dave Wolpe, one of the
best in the business, has written this swing ballad
in G minor and C minor with reversible parts, just
flip the page! There are no individual solos, but
plenty of superb ensemble work and the usual,
excellent band chorus in the middle. The vocal
ranges are: low key, G below middle C to third
line Bb and, high key: middle C to fourth space
Eb. This just may be the ultimate jazz ballad,
done here in another great Wolpe arrangement!
Very highly recommended! Vocal in G minor
or C minor.
2480791 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
(You Make Me Feel Like) A Natural Woman—
Carole King & Gerry Goffin/arr. Paul Murtha. Written
specifically for Aretha Franklin, the "Queen of Soul"
released this as a single in 1967 and it became
one of her signature songs. This chart is a powerful
version for vocal solo and jazz ensemble that's sure
to be a concert highlight! No vocalist? No problem!
An optional tenor sax solo part is included. Highly
recommended! Vocal Key: A-flat
10960656 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
The Nearness of You—Hoagy Carmichael/arr.
Rick Stitzel. This iconic jazz standard has remained
a favorite for over 80 years, and is arranged here
for vocal or tenor saxophone soloist in a straight-
eighth ballad style. A brief trombone soli provides
nice variety and the full ensemble lends beautiful
support throughout. Vocal Key: C
10759370 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . .ME 50.00
Night and Day—Cole Porter/arr. Dave Wolpe.
Night and Day never sounded so good! Here's a
solo vocal feature with jazz ensemble arranged in
the Sinatra style with a tenor sax solo and superb
ensemble writing. It's arranged in two keys for vocal
flexibility... just flip the page for the best key for the
vocalist. Vocal solo ranges: female key (low) key of
C, G below middle C to 3rd space C; male key (high)
of Eb, Bb below middle C to top space Eb, treble
clef. An excellent chart on this timeless standard!
Highly recommended!
10049773 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 62.00
4 Night and Day—Cole Porter/arr. Scott Ragsdale.
Here's a great standard for your vocalist with a
bossa groove and tempo around 160 bpm. An
accessible vocal part, solid ensemble support, a
written tenor sax solo spot, and a featured section
for the ensemble all add up to a wonderful addition
to any program. Optional C, B-flat, E-flat, and
trombone solo parts are included as substitutions for
the vocal solo part. Cole Porter - it just doesn't get
any better! Vocal key: B-flat to D-flat; vocal range:
low F below middle C to B third line treble clef.
11198986 Jazz Ensemble & Vocalist
(Or Any Instrument) . . . . . .M 55.00
No Moon at All—arr. Scott Ragsdale. While this
arrangement is written to feature a vocalist, it
also has great instrumental appeal. The style is
Latin/mambo groove, the tempo is about 136
bpm, the ensemble accompaniment is creative
and interesting, it's accessible for both band and
vocalist, and there are no instrumental solos.
Optional solo parts for C, B-flat, E-flat Instruments
and Trombone are included as substitute parts for
the vocal solo. A great vocal and big band chart!
Vocal in C Major.
10513928 Jazz Ensemble & Vocalist
(or Any Instrument) . . . . .ME 54.00
H
On a Clear Day (You Can See Forever)—Burton
Lane/arr. Darmon Meader. Jazz vocal quartet, jazz
choir or an individual vocal soloist...any way you
like it, this is a great chart! It's arranged by Darmon
Meader, the musical director and chief arranger for
the New York Voices. This chart is for SATB choir and
jazz ensemble, but also includes a solo vocal part for
performances by a vocal soloist and jazz ensemble.
A swing chart with wonderful jazz harmonies
throughout, it has a written vocal scat solo plus a
written tenor sax solo. The lead trumpet range is to
written B above the staff. If you have the vocalists, it
doesn't get better than this! Highly recommended!
10093219 Jazz Ensemble & Vocal Group
(or Vocal Solo) . . . . . . . . .MA 62.00
10089426 Octavo-On A Clear Day . . . . . .1.95
H Orange Colored Sky—Delugg & Stein/arr. Roger
Holmes. Here's a great chart to feature your vocal
soloist! All the elements are in place here for a
powerhouse performance...a swingin' up-tempo
style, great ensemble back-ups and an excellent
vocal part! Shine that spotlight on your singer!
Vocal in G.
2481660 Jazz Ensemble & Vocalist
(or Tenor Sax) . . . . . . . . . .M 50.00
EDITORS' CHOICE
Vocal Solo with Jazz Ensemble
Each Year Pepper's Editors review hundreds of new releases and choose the cream of the
crop to bear the name, Editors' Choice. You can buy any of these titles with condence!
It Had to Be You—Isham Jones/arr. Rick Stitzel.
Few standards have maintained the staying power of this popular ballad, having been
recorded by such luminaries as Frank Sinatra and Bing Crosby to more recent versions by
Harry Connick Jr., Barbra Streisand, and Michael Buble. is silky-smooth chart is a perfect
choice for your vocal or tenor sax soloists. Vocal key: E-at
11172103 Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55.00
Night and Day—Cole Porter/arr. Scott Ragsdale.
Here's a great standard for your vocalist with a bossa groove and tempo around 160 bpm.
An accessible vocal part, solid ensemble support, a written tenor sax solo spot, and a featured
section for the ensemble all add up to a wonderful addition to any program. Optional C,
B-at, E-at, and trombone solo parts are included as substitutions for the vocal solo part.
Cole Porter - it just doesn't get any better! Vocal key: B-at to D-at; vocal range: low F
below middle C to B third line treble clef.
11198986 Jazz Ensemble & Vocalist (Or Any Instrument) . . . . . . . . . . . . . . . . . . . . . M 55.00
Sweet Home Chicago—Robert Johnson/arr. Rick Stitzel.
Made famous by the Blues Brothers, this arrangement for vocal soloist (optional tenor
sax) features a driving shue groove along with the distinctive stop-time spots and classic
background ris. Denitely a fun chart anywhere, not just Chicago!
11208476
Jazz Ensemble & Vocalist
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
M 55.00
Uptown Funk—arr. Paul Murtha.
Recorded by Mark Ronson and featuring Bruno Mars, this sassy funk tune is on its way to
becoming a modern-day pop standard. Here's a hot version for vocal solo, or optional tenor
sax, that captures all the excitement of the original. Vocal key: D minor.
11172100
Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
Witchcra—Cy Coleman/arr. Roger Holmes.
Recorded by countless jazz artists through the years, including three times by Frank Sinatra,
this song features a classic melody and an easygoing medium swing style. Nicely scored here
for big band and vocal or tenor sax soloists. Vocal key: E-at.
11172107
Jazz Ensemble & Vocalist (or Tenor Sax) . . . . . . . . . . . . . . . . . . . . . . . . . .ME 55.00
You Don't Know Me—Eddy Arnold & Cindy Walker/arr. Allen Gray.
is song was a country hit for Eddy Arnold, Jerry Vale, Ray Charles, and Elvis Presley
in the '50s and '60s and has since become a jazz standard performed by Michael Buble,
Harry Connick Jr., and Norah Jones. is swinging big band version of the tune is a feature
for your vocalist but can also be used to feature other players in your group. Along with
the vocal solo, there are alternate parts included for solo alto sax, tenor sax, trumpet or
trombone, and an improvised alto sax solo. With stirring lyrics and some exciting big blow
moments from the band, this tune will bring the house down! Vocal Key: B-at.
11202593
Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ME 65.00
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