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JAZZ
ENSEMBLE
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LATIN easy
Lucky Lockie—Lachlan Davidson. A solid bass
line groove is the foundation of this fun Latin/rock
chart for young jazz bands. All sections have the
melody at some time and other features include:
highly melodic lines, a written solo for trombone, a
written or improvised solo for alto sax, and a short
horns-only section. All this, and it's playable with
optional reduced or expanded instrumentations.
Lucky to find this one!
11100430 Jazz Ensemble . . . . . . . . . . . .50.00
Manteca—Dizzy Gillespie/arr. Michael Sweeney.
One of the classic examples of the Afro-Cuban
style in jazz, Dizzy Gillespie's Manteca endures
as a true standard. Available here in a version for
young bands, Michael Sweeney carefully simplifies
the complexities of the tune while maintaining the
rhythmic drive and energetic style of the original.
Arranged for full jazz ensemble, it's also playable
with as few as 4 saxes, 3 trumpets, 3 trombones
and 3 rhythm. Very nice, indeed!
10033703 Jazz Ensemble . . . . . . . . . . . .40.00
O Christmas Tree—arr. Haley Woodrow. This
reimagining of a classic holiday staple will be a
surefire favorite at your holiday concert! Influenced
by the sounds of Latin America, this arrangement
includes a fun montuno and a swing shout
section. While scored for traditional big band
instrumentation, it's also playable with just rhythm
section and a single trumpet, trombone, alto and
tenor saxophone, or anything in between. Limited
ranges make this accessible to a wide range of
bands. Be sure to check out this great chart!
11206970 Jazz Ensemble . . . . . . . . . . . .50.00
H Oye Como Va—Tito Puente/arr. Paul Murtha.
This arrangement of Tito Puente's Latin-rock
classic is an absolute "must" for young jazzers!
Made famous by Santana, and loaded with Latin-
American spirit, this chart is perfect for teaching
Latin style, while the simple chord structure takes
the mystery out of improvising. It's hot!
2471441 Jazz Ensemble . . . . . . . . . . . .40.00
Pollo Rojo (The Red Chicken)—Les Sabina.
We haven't heard a better original Latin tune at
this grade level than Pollo Roja! It's a cha-cha to
be performed at around 146 bpm, has easy brass
ranges, includes a written or ad lib alto sax solo, a
cool melody, section solis, and it's fun to hear and
play. This is a well-crafted chart that will guarantee
maximum interest from players and audiences!
Playable with optional reduced or expanded
instrumentations. Highly recommended!
10513873 Jazz Ensemble . . . . . . . . . . . .42.00
Quiet Nights of Quiet Stars (Corcovado)—
Antonio Carlos Jobim/arr. John Berry. Jobim's
timeless bossa nova is set here in a very fine
arrangement for young jazz players. The smooth
melodies and Latin flavor help make this appealing
to players and audiences alike. The melody is
skillfully traded from section to section and no solos
are required. Playable with optional reduced or
expanded instrumentations, this is highly effective,
accessible, and not to be missed!
10617914 Jazz Ensemble . . . . . . . . . . . .40.00
Samba de Roda—Dean Sorenson. A great
concert opener, this one hits on all cylinders right
out of the gate! It's an exciting samba played
around 160 bpm. Interesting harmonies and
authentic rhythms make this a must-have for any
ensemble. The features include moderate ranges,
notated rhythm section parts, and an open solo
section. The open solo section has solos for anyone
with the included scale sheets or the written solos
in all the parts. Flexibly scored, it will sound full
and complete with as few as nine players on up
to expanded jazz ensemble instrumentation. Samba
de Roda is exciting, fun, and highly recommended!
10910559 Jazz Ensemble . . . . . . . . . . . .48.00
Sideways Walking Dog—Zachary Smith.
Sideways Walking Dog features a Latin/rock groove
at around 180 bpm with very simple rhythms and
a great melody line. Additional features include
easy brass ranges, a written solo for tenor sax, and
written-out drum fills. Clever, plus easy to play, plus
well-written equals a quality chart! Playable with
optional reduced or expanded instrumentations.
10452072 Jazz Ensemble . . . . . . . . . . . .42.00
Some Sauce-a, for Your Bossa?—Brad
Ciechomski. This bossa nova layers pleasing
melodies and clever harmonies on top of the classic
beat from Brazil. After the melody statement,
there's a nice development section leading to
the open solo section where players can use the
suggested solo sheets in all keys or improvise over
the chord symbols. More features include moderate
ranges, notated rhythm section parts, and options
for reduced or expanded instrumentation. Sauce
with a bit of spice, but not too hot!
11000563 Jazz Ensemble . . . . . . . . . . . .48.00
Sway (Quien Sera)—Juan Pablo Ruiz/arr. Rick
Stitzel. This smooth Latin favorite has been around
for more than 50 years and recorded countless
times, including recently by Michael Buble. The easy
rhythms and infectious groove make it an excellent
choice for beginning groups. Scored for full jazz
band, it's equally effective when played with as few
as 3 saxes, 2 trumpets, 1 trombone and rhythm.
Also included are optional parts for flute, 2 clarinets,
horn in F and tuba. This will be a fun favorite!
10052551 Jazz Ensemble . . . . . . . . . . . .40.00
H Tiger of San Pedro—John LaBarbera/arr. Paul
Lavender. At last! An exciting, easy setting of
this great John LaBarbera Latin chart that's ideal
for developing bands. It is surprisingly true to the
original, but it is well within the reach of even more
limited groups.
2199115 Jazz Ensemble . . . . . . . . . . . .45.00
U D'Bossa—Rod Blumenau. Tired of sleepy bossa
nova charts? Well, sit up and take notice because
this one is different! This unique and beautifully
crafted bossa nova features very colorful harmonies
and enough syncopation to be interesting but still
playable by all. After an attention-grabbing piano
introduction, there's a horns-only section along
with piano before the rhythm section is added, and
then the whole band. The open solo section is for
anyone with the included scales sheets or written
solos in all the parts. The ranges are moderate,
the rhythm section parts are notated, and the
instrumentation is flexible. This is one of the best and
highly recommended!
10910565 Jazz Ensemble . . . . . . . . . . . .48.00
Walking the Waves—Peter Blair. The fun Latin/
rock groove makes this chart for young jazz bands
an ideal choice for working on melodic ensemble
phrasing in the brass and saxophones. The solo
section lies well for any instrument, and solo sheets
are provided in all keys along with scales to assist
students with improvisation. Additionally, it's playable
with optional reduced or expanded instrumentation
and includes a helpful guitar chord chart.
10985484 Jazz Ensemble . . . . . . . . . . . .48.00
BEST
SELLERS
Latin
Very Easy to
Medium-Easy
Buy jazz charts that work! These selections,
listed in order of their popularity, are chosen
most often by directors.
Pantalones Malos—Steve Shanley.
11002293 Jazz Ensemble . . . . . . . . . . . . . . . . . ME 50.00
Mamacita—Joe Henderson/arr. Terry White.
10997184 Jazz Ensemble . . . . . . . . . . . . . . . . . ME 42.00
Cantaloupe Island—
Herbie Hancock/arr. Mike Kamuf.
10028077 Jazz Ensemble . . . . . . . . . . . . . . . . . ME 48.00
Havana—arr. Terry White.
10909006 Jazz Ensemble . . . . . . . . . . . . . . . . . . . E 40.00
Oye Como Va—Tito Puente/arr. Paul Murtha.
2471441 Jazz Ensemble . . . . . . . . . . . . . . . . . . . E 40.00
Firewalker—Dean Sorenson.
11000559 Jazz Ensemble . . . . . . . . . . . . . . . . . . . E 48.00
The Banana Boat Song—arr. Victor Lopez.
10997182 Jazz Ensemble . . . . . . . . . . . . . . . . . VE 40.00
The Mooche—
Duke Ellington/arr. Mark Taylor.
11100162 Jazz Ensemble . . . . . . . . . . . . . . . . . ME 45.00
Little Sunflower—
Freddie Hubbard/arr. Mike Kamuf.
10093122 Jazz Ensemble . . . . . . . . . . . . . . . . . ME 48.00
The Late Night Llama—Roger Schmidli.
11100445 Jazz Ensemble . . . . . . . . . . . . . . . . . ME 55.00
GREAT JAZZ
DUET BOOKS!
Whether playing with a teacher or other
students, these jazz duet books are fun to play &
oer a myriad of instructional opportunities.
The Power of Two—Doug Beach & George Shutack. Duets are a great way
to learn the many skills necessary to become a successful musician. In jazz,
duets are especially effective when performed or practiced with a rhythm section.
These duets include a variety of styles, tempos and harmonic progressions and
can all be performed with the published rhythm section parts or downloadable
mp3 tracks. The parts are fully interchangeable and can be played with any
combination of two horns and rhythm section. Practice options include: a single
player can play either duet part while the mp3 plays the other part; two players
can play both parts along with the recorded or live rhythm section; and a single
player can work on improvisation with the mp3 tracks or live rhythm section.
Additionally, a full online performance track is available for listening purposes.
The Power of Two is an exciting way to teach jazz to developing jazz musicians!
10541079 Flute Duet with Online Audio . . . . . . . . . . . . . . . . . . . . . . . M 16.95
10541080 Clarinet Duet with Online Audio . . . . . . . . . . . . . . . . . . . . . M 16.95
10541081 Alto Sax Duet with Online Audio or Bari Sax . . . . . . . . . . . M 16.95
10541082 Tenor Sax Duet with Online Audio . . . . . . . . . . . . . . . . . . . M 16.95
10541083 Trumpet Duet with Online Audio . . . . . . . . . . . . . . . . . . . . M 16.95
10541084 Trombone Duet with Online Audio . . . . . . . . . . . . . . . . . . . M 16.95
10541085 Guitar Duet with Online Audio or Vibes . . . . . . . . . . . . . . . M 16.95
10629620 Rhythm Section Book & Online Audio Piano . . . . . . . . . . . M 16.95
10629621 Rhythm Section Book & Online Audio Bass . . . . . . . . . . . . M 8.95
10629622 Rhythm Section Book & Online Audio Drum Set . . . . . . . . . M 8.95
10629623 Rhythm Section Book Full Score . . . . . . . . . . . . . . . . . . . . M 19.95
Ten Jazz Duets—Jeff Jarvis. These well-crafted, medium-level jazz duets
utilize easy-to-hear harmonies, commonly encountered jazz rhythms, and
occasional meter changes. Interesting material is provided for both musicians,
and they're suitable for both practice and performance. By studying and
practicing these duets, students will learn many of the essentials of jazz playing!
10797572 Saxophone Duet (2 Eb or 2 Bb saxophones). . . . . . . . . . . M 13.95
10797573 Saxophone Duet (Eb Alto Sax and Bb Tenor Sax). . . . . . . M 13.95
10797575 Trumpet Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 13.99
10797576 Trombone Duet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M 13.95
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