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JAZZ
ENSEMBLE
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LATIN medium-advanced & advanced
H La Suerte de los Tontos—Johnny Richards/arr.
Victor Lopez. Victor Lopez, who knows the Latin
idiom inside and out, has given us a powerhouse
6/8 Latin chart that will make your ensemble sound
like the Kenton Band. It's majestic, powerful and
noble and includes written solo space for tenor
sax and an optional Latin percussion part. Optional
parts are included for flute, horn in F, baritone/tenor
sax and tuba. This is a "must-have" chart with pure
excitement from beginning to end!
10049728 Jazz Ensemble . . . . . . . .MA 52.00
Legend of the One-Eyed Sailor—Chuck
Mangione/arr. Dallas Burke. This epic Latin/rock
tune by Chuck Mangione is the perfect break from
swing charts in concert or contest performances.
After the opening statement, this chart features a
written trumpet or flugelhorn solo on the original
melody followed by a written or improvised trumpet
solo. There's also room for the drums to get their
fills in between some big ensemble hits before
another solo section featuring written or improvised
alto or trumpet solos. This chart builds to a fiery
close that is sure to get everyone on their feet!
10881470 Jazz Ensemble . . . . . . . .MA 65.00
Malaguena—Ernesto Lecuona/arr. Dallas Burke.
This epic treatment of the Latin classic makes a
killer chart for experienced jazzers. From the
understated opening Latin groove, this chart
quickly builds to a powerful and eloquent musical
statement. Next, there's an infectious Latin groove
in the rhythm section to set up a new tempo,
followed by a written or improvised tenor sax solo
featuring some smokin' background licks. Then
the chart cools off into another smoldering section
before speeding up all the way to the end for a
massive powerhouse finish. There's lots of room
for strong brass sections to really blow, and the
lead trumpet part's highest note is a D. Here's the
centerpiece for a concert or festival program!
11000484 Jazz Ensemble . . . . . . . .MA 65.00
Mokopuni Magic (Island Magic)—Mark Taylor.
Reminiscent of the music Mark Taylor wrote for
the Stan Kenton Orchestra, this fiery showpiece
features a churning Afro-Cuban groove alternating
with sections in swing. Small group scoring is
contrasted with full ensemble passages, and you'll
need a few additional percussionists to fill out
the Latin sound! Solo space is included for alto
saxophone and guitar.
11100131 Jazz Ensemble . . . . . . . .MA 60.00
4 Muy Caliente—Erik Sherburne. This is a
challenging samba for the more advanced jazz
ensemble. From the beginning, you will engage
your audience with the Latin groove and writing
for winds. There are solos for alto, tenor, trumpet,
and trombone for you to highlight some of your best
players. There are also some moments for your
drummer to shine. Have fun with this one!
11206082 Jazz Ensemble . . . . . . . .MA 50.00
l Na Proxima Vida (In the Next Life)—Michele
Fernandez. This original Brazilian samba captures
the authenticity of the style and brings to life the
drive and excitement of the culture from which it
originates. The title is Portuguese for "In the Next
Life." This work starts off by featuring your guitarist
and then features winds playing rhythmically
complex and ornamental lines. This is a true flavor
of South America!
11199923 Jazz Ensemble . . . . . . . .MA 70.00
H A Night in Tunisia—Gillespie & Paparelli/arr.
Michael Mossman. A great showcase for the entire
ensemble, this Latin jazz classic is now available
for your advanced jazz ensemble! Arranged for and
recorded by Mario Bauza, Michael Philip Mossman
adds his own unique flair to this Dizzy Gillespie tune
that exudes excitement from beginning to end. The
featured soloists include trumpet (of course), as well
as trombone and alto. An ideal festival chart!
2481613 Jazz Ensemble . . . . . . . .MA 60.00
4 Pah-Dah-Pah-Dah—Kris Berg. As performed by
Kris Berg & The Metroplexity Big Band from This
Time/Last Year featuring Wayne Bergeron on an
aggressive, high-energy Afro-Cuban romp! This
chart grabs your attention from the very beginning
as it weaves its way through modal sections of
heavy Latin groovin'! Solo space for tenor sax,
trombone, drums, and trumpet make this a great
chart to feature several performers. Comes in 5-5-
4-4 so you can move your lead trumpet soloist out
front. Great showstopper!
11205842 Jazz Ensemble . . . . . . . . . A 65.00
Ponteio—arr. Eric Richards. This Brazilian
favorite from the 1960s has been recorded by
a variety of artists including composer Edu Lobo,
Astrud Gilberto, Sergio Mendez, and Woody
Herman. The appealing style lends itself here
to a masterful treatment for full jazz ensemble
by Eric Richards. The flowing melody moves
seamlessly from section to section supported by
the infectious groove. The solo space is open for
any player. Suggested solos, chord/scale sheets
in all keys, and fully notated bass lines and piano
voicings are included.
10759332 Jazz Ensemble . . . . . . . .MA 55.00
H Punta Del Soul—Dave Grusin/arr. Gordon
Goodwin. Tasty and groovy with a funky Latin
groove, this tune was composed by Dave Grusin
and arranged by Gordon to feature Dave and
guitarist Lee Ritenour on the Big Phat Band CD, Act
Your Age. If you have a piano player to showcase
and a tasty guitar player, this is a wonderful chart.
Not technically difficult, but dynamics and colors
are a key aspect of this arrangement. Doubles
include an optional flute on 2nd alto and optional
bass clarinet on bari sax, but sax parts are provided.
As recorded by the Big Phat Band.
10071932 Jazz Ensemble . . . . . . . . . A 70.00
10058872 CD with Bonus DVD-
Act Your Age . . . . . . . . . . . . .15.98
Spain—Chick Corea/arr. John La Barbera. John
LaBarbera has taken his well-known version
of Chick Corea's Spain and done a great job of
adapting it for the small band format. Certainly
an exciting offering for mature players in an
arrangement for six horns and rhythm section!
Instrumentation: 3 saxes, 2 trumpets, 1 trombone
plus rhythm section. Optional additional parts
included for alto, tenor & trombone.
10098771 Jazz Ensemble
(Little Big Band). . . . . . . .MA 45.00
This Can't Be Love—Richard Rodgers/arr.
Scott Ragsdale. Scott Ragsdale puts this iconic
tune through the paces as a hot samba played
around 190-200 bpm! The trombones take over
and grab the melody right off the top and are
featured throughout with written or ad lib solos
for trombones 1 and 2. The lead trumpet range
is to written A above the staff and the usual
optional parts as well as a vibes part are included
for expanded instrumentations. A terrific section
feature for trombones!
10756396 Jazz Ensemble . . . . . . . .MA 52.00
Tonight, We Tango—Rick Hirsch. You can't
help but smile when you play and hear Tonight,
We Tango. At around 112 bpm, this tongue-in-
cheek chart is tons of fun and has a melody that
just won't go away, plus the groove is one that
people will insist on dancing to. It was arranged
to feature Grammy-nominated accordionist Alex
Meixner, but in the event you don't have an
accordionist in the band (really?), you can feature
any of your sauciest players on the optional
B-flat, E-flat and Bass Clef solo parts. The solo
parts are a combination of written passages and
improvised choruses that will demonstrate the
versatility of your ensemble. Nice!
10734981 Jazz Ensemble . . . . . . . .MA 60.00
4 Up Jumped Spring—Freddie Hubbard/arr. Jeff
Jarvis. This Freddie Hubbard jazz standard is
typically a jazz waltz, but this superb chart has
a very hip Latin partido feel in 4/4. The tempo is
half note around 77 bpm with solo opportunities
for tenor 1 and trumpet 2, with suggested written
solos provided. The lead trumpet range goes
to written A-flat, there's a great sax soli, and
optional flute and vibe parts are included. An
excellent choice!
11199008 Jazz Ensemble . . . . . . . .MA 54.00
Who Will Buy? (from "Oliver!")—Lionel Bart/
arr. Mark Taylor. One of the signature songs
from the musical "Oliver!," this tune offers a
wealth of opportunities for melodic and harmonic
development. Adapted here as a samba, Mark
Taylor's powerful arrangement opens with a duet
for trumpet and alto, followed by feature spots for
saxes and solos for alto and trumpet. The nicely
crafted full-ensemble tutti starts softly and builds
dramatically to the end.
11171974 Jazz Ensemble . . . . . . . .MA 60.00
EDITORS' CHOICE
Latin • Medium-Advanced & Advanced
Each Year Pepper's Editors review hundreds of new releases and choose the cream of the
crop to bear the name, Editors' Choice. You can buy any of these titles with condence!
Muy Caliente—Erik Sherburne.
is is a challenging samba for the more advanced jazz ensemble. From the beginning, you
will engage your audience with the Latin groove and writing for winds. ere are solos for
alto, tenor, trumpet, and trombone for you to highlight some of your best players. ere are
also some moments for your drummer to shine. Have fun with this one!
11206082 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 50.00
Pah-Dah-Pah-Dah—Kris Berg.
As performed by Kris Berg & e Metroplexity Big Band from is Time/Last Year featuring
Wayne Bergeron on an aggressive, high-energy Afro-Cuban romp! is chart grabs your
attention from the very beginning as it weaves its way through modal sections of heavy Latin
groovin'! Solo space for tenor sax, trombone, drums, and trumpet make this a great chart to
feature several performers. Comes in 5-5-4-4 so you can move your lead trumpet soloist out
front. Great showstopper!
11205842 Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A 65.00
Up Jumped Spring—Freddie Hubbard/arr. Je Jarvis.
is Freddie Hubbard jazz standard is typically a jazz waltz, but this superb chart has a very
hip Latin partido feel in 4/4. e tempo is half note around 77 bpm with solo opportunities
for tenor 1 and trumpet 2, with suggested written solos provided. e lead trumpet range
goes to written A-at, there's a great sax soli, and optional ute and vibe parts are included.
An excellent choice!
11199008
Jazz Ensemble . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MA 54.00
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