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58
JAZZ
ENSEMBLE
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JAZZ/ROCK & FUNK medium
4 In Memory of Elizabeth Reed—Dickie Betts/arr.
Dallas Burke. This classic rock hit from the Allman
Brothers makes a highly unique work that is laid-
back and funky. This chart features improvised or
written tenor sax and trumpet solos and then it goes
into a rocking guitar solo in between all the funky
goodness. The different moods of this piece make it
fun to play while offering a good musical challenge
to developed bands. This is a fresh concept!
11202583 Jazz Ensemble. . . . . . . . . . . . 65.00
H The Incredibles (Medley)—Michael Giacchino/
arr. Stephen Bulla. Mix the stylish spy music from
the 1960s with a dose of cool jazz and you have a
winning combination for jazz ensemble. From the
Pixar hit animated movie, here's a high-energy
and entertaining chart that captures the essence
of the soundtrack perfectly, with three themes
from the movie that offer a ton of variety and
entertainment! A middle section in a jazz waltz
style is framed by exciting rock styles that will
be appealing to both audiences and developing
players. Highly recommended!
2480196 Jazz Ensemble. . . . . . . . . . . . 55.00
Maiden Voyage—Herbie Hancock/arr. Erik
Morales. Here is the beautiful Herbie Hancock tune
in a stellar arrangement by Erik Morales. Creative
and sophisticated but not technically difficult. The
lead trumpet range is only to written F-sharp top
line. There are written solo spaces for tenor sax and
piano, wonderful voicings and moving lines. This is
a joyous chart from top to bottom. Optional parts
are included for flute, horn in F, baritone/tenor sax
and tuba. Play this chart, it stands above the rest!
Highly recommended!
10049710 Jazz Ensemble. . . . . . . . . . . . 52.00
Make Me Smile—James Pankow/arr. John
Wasson. One of the first tunes to put the group
Chicago on the map was this early rocker from
1970. John Wasson stays true to the original in this
outstanding version for jazz ensemble that features
solos for alto sax, guitar, and all the signature horn
licks. Suggested solos are included along with
chord/scale sheets in all keys.
10297505 Jazz Ensemble. . . . . . . . . . . . 55.00
Morocco—Russ Freeman/arr. Gordon Goodwin.
Originally recorded by jazz fusion masters, The
Rippingtons, this chart for jazz ensemble features a
great "Birdland-like" groove and Gordon Goodwin's
creativity and total command of the big band idiom.
The sax section is featured along with solo space
for alto sax. Here's a chart that will never sound old!
2262517 Jazz Ensemble. . . . . . . . . . . . 55.00
Motown Tribute—arr. Eric Richards. The music
of Motown continues to stand the test of time
with catchy melodies and well-constructed songs.
Here's a well-crafted and entertaining production
number that features I Heard It Through the
Grapevine; My Girl and Dancing in the Streets.
Included is an open solo section during Dancing
in the Streets with written samples for alto, tenor,
trumpet and trombone.
10960650 Jazz Ensemble. . . . . . . . . . . . 60.00
l Mr. Fusion—Ralph Johnson. There is a cool vibe
in this approachable yet genuine outing in straight
eighth-note fusion style. Layers are added to layers
for a calculated build-up to a gritty ensemble
punch. Every section and part gets the melody
at some point, with solo space for tenor sax. A
note-for-note transcription of the recorded solo is
provided. Top trumpet note: F-sharp 5. Detailed
rhythm section parts provide lots of voicings and
comping patterns for younger players.
11207406 Jazz Ensemble. . . . . . . . . . . . 55.00
4 Night Owls—Greg Moody. Pat Metheny meets
Dave Brubeck in this original rock composition
that recalls the fusion-tinged jazz of the 1960s.
You'll find the ranges to be very reasonable while
challenging your students rhythmically. The first
solo goes to the trumpet while the piece builds, and
then a second solo section for saxophone later on.
Give your band some great experience playing in
unusual meters!
11202341 Jazz Ensemble. . . . . . . . . . . . 75.00
4 Papa's Got a Brand New Bag—James Brown/
arr. Allen Gray. This funky soul classic from the
great James Brown, known by audiences young
and old, makes an exciting chart that will get your
band "on the good foot"! The solo section features
space for any instrument and a great learning
opportunity to solo over E-flat blues changes. The
horn parts will have your players playing tight lines
and really killing it on stage! Put this tune in your
bag of tricks!
11202586 Jazz Ensemble. . . . . . . . . . . . 65.00
Paradise by the Dashboard Light—arr. Dallas
Burke. From the exciting opening that really swings
hard, this chart moves into a powerful blow section
followed by a funk section featuring a written or
improvised alto sax solo. The second half of the
tune switches up the styles into fast rock, featuring
a nice duet between trumpet and trombone
before the rest of the band steps on it hard with a
powerful blow section. Optional parts are included
for expanded instrumentation. This iconic hit from
Meatloaf has it all!
11000486 Jazz Ensemble. . . . . . . . . . . . 65.00
H
Pick Up the Pieces—arr. Victor Lopez. It's funk/
rock... you know it, you love it! The tune is infectious,
the arrangement is right on target with no individual
solos but plenty of section and ensemble work. The
sax soli is crazy hot and the lead trumpet range is
to written A above the staff. Lots of unison lines,
some fun bari sax licks and a very hip stop-time
interlude that really cooks. This arrangement really
works for this tune! Consider this chart a winner!
Optional expanded instrumentation.
10068806 Jazz Ensemble. . . . . . . . . . . . 52.00
Red Clay—Freddie Hubbard/arr. Mark Taylor.
From jazz great Freddie Hubbard, here is one of
his most famous tunes in a solidly written chart
by Mark Taylor. With a funky rock feel and well-
known riffs, your band will enjoy performing this one
time and again! This is also a great chart for your
soloists!
10072800 Jazz Ensemble. . . . . . . . . . . . 50.00
H Red Clay—Freddie Hubbard/arr. Mike Kamuf.
A gem of a chart, here's Freddie Hubbard's
Red Clay arranged for developing jazz bands.
Characteristically, it's a straight-eighths groove
at 132 bpm with written or ad lib solos for tenor
sax and trumpet 2. A more subtle and quieter
interlude adds variety and interest, and a unique
and effective rhythm section break featuring the
bassist leads to the return of the head. The trumpet
1 range is to written G on top of the staff and a nice
shout chorus further adds to the fun. Playable with
optional expanded instrumentations. A great jazz
standard superbly arranged!
10513883 Jazz Ensemble. . . . . . . . . . . . 48.00
4 Road Song—Wes Montgomery/arr. Alan Baylock.
The groove is funky rock in this chart on the
signature Wes Montgomery tune. At about 140
bpm, the solos are suggested and written for guitar
and for any C, B-flat, E-flat, or bass clef instrument
for flexibility. The solo section can easily be opened
up to include as many soloists as desired. The
ensemble gets plenty of exposure as well, both
behind the soloists and as a featured partner.
Quality chart!
11198994 Jazz Ensemble. . . . . . . . . . . . 54.00
H September—arr. Mark Taylor. Here's the classic
funk tune from Earth, Wind & Fire in a terrific
arrangement for big band by Mark Taylor. This one
includes all your favorite signature horn riffs as well
as a solo for tenor sax.
10016127 Jazz Ensemble. . . . . . . . . . . . 50.00
Sidewinder—Lee Morgan/arr. Mark Taylor.
One of the early and soulful jazz/rock tunes, Lee
Morgan's Sidewinder features a distinctive groove
and funky, riff-like phrases. In this arrangement
for little big band, a trio of trumpet, tenor and
guitar state the head in the beginning joined later
by the rest of the ensemble. Suggested solos are
included for trumpet, tenor and drums along with
chord/scale sheets in all keys. Instrumentation:
3 Saxes; 2 Trumpets; 1 Trombone plus Rhythm
Section. For flexibility, optional parts are included
for Alto and Tenor Saxes and Trombone.
Highly recommended!
10317254 Jazz Ensemble
(Little Big Band) . . . . . . . . . . . 45.00
H
Sir Duke—Stevie Wonder/arr. Michael Mossman.
In 1977 Stevie Wonder was in his prime and Sir
Duke was on top of the charts. Michael Philip
Mossman takes this familiar hit and adds his
own unique touch. The opening features the
brass with sax section fills. The middle section
goes into a double-time swing and includes a solo
for tenor sax, a soli for the saxes, and a drum
break. All the familiar lines from the original
are there too! Suggested solos are included
along with scale/chord sheets in all keys.
Highly recommended!
10297508 Jazz Ensemble. . . . . . . . . . . . 50.00
Six of One—Paul Baker. Six of One is a
hypnotic straight-eighth jazz waltz in the style
of guitarist Pat Metheny that adds additional
colors with soprano sax and flugelhorns. Creative
counterpoint, part independence, and dynamic
contrast create an evolving texture that constantly
captures the ear. The solo space is reserved for
trumpet, guitar and drums. Written brass ranges:
trumpet to high C and trombone to G. A perfect
change-up for any program!
10999399 Jazz Ensemble. . . . . . . . . . . . 50.00
Slim Chickens—Kris Berg. Here's Kris Berg's
chicken chart for 2019! Slim Chickens is a
melodic funk chart over a nice progression and
it's accessible for developing groups with the lead
trumpet range going to written G top staff. There
are written suggested solos for tenor sax 1 and
trombone 1 with very cool backgrounds supporting
the soloists. It cooks at around 148 bpm with some
nice bari sax licks, a sax soli, and full-sounding
ensemble sections. Nothing slim here, it's a great
chart, and it's highly recommended!
10997196 Jazz Ensemble. . . . . . . . . . . . 48.00
Soul Proprietor—Ellen Rowe. A gospel rocker
with a straight-eighth feel - this chart rocks quietly
and gradually builds in intensity to the written or
improvised solo space for any saxophone, any
rhythm section player, or any brass player. Do not
miss the saxophone section soli without the rhythm
section that materializes after the solos. Then it's
back to the recap and a surprise ending. With its
varied textures, strong melody and happy attitude,
this chart is highly recommended!
10999974 Jazz Ensemble. . . . . . . . . . . . 52.00
Steampunk—Erik Morales. Heavy metal for big
band! Guitar is the featured solo instrument in
this very cool chart, so if you, the band and your
drummer dig a rock vehicle to wake everyone up,
this is it. The lead trumpet range is only to written
G on top of the staff, optional parts are included for
expanded instrumentations, and a suggested guitar
solo part is provided if needed. Steampunk is totally
exciting and a great vehicle for guitar and big band!
10593779 Jazz Ensemble. . . . . . . . . . . . 52.00
H
Superstition—Stevie Wonder/arr. Mike Tomaro.
Mike Tomaro weaves this funk classic by Stevie
Wonder through a series of new twists and turns,
but he is careful to preserve the great groove
and signature horn riffs of the original. There are
featured solos for alto and trumpet in this style
defining hit that sets the pace for the genre!
2481654 Jazz Ensemble. . . . . . . . . . . . 50.00
Tangerine—arr. John Wasson. Arranged here in
a funky New Orleans style, the full ensemble takes
the first statement after the piano introduction. The
spotlight then moves between the saxes and the
brass before a feature solo spot for trombone. A
classic and unique take on a familiar standard!
11100141 Jazz Ensemble. . . . . . . . . . . . 55.00
Tell Me Something Good—Stevie Wonder/
arr. Mike Tomaro. This classic funk tune from the
1970s was written by Stevie Wonder, but became
a huge hit for Rufus and Chaka Khan. Featuring
a slow and driving pulse with heavily syncopated
figures, this chart provides a powerful change-of-
pace for concerts, contests and festivals.
10617878 Jazz Ensemble. . . . . . . . . . . . 55.00
4 Trading My Tears—Mathew Montgomery. Take
a journey from adversity to joy with this gospel-
inspired piece. This chart develops really nicely,
and the big dramatic-sounding ensemble writing
embodies jubilation. Feature your lead alto player
with this uplifting chart!
11202970 Jazz Ensemble. . . . . . . . . . . . 60.00
Two Seconds to Midnight—Alan Baylock. This
high-energy chart is perfect for concert or festival
performance because it's intensely funky, and very
cool! The intimate, small-group sound of the solo
segments for trombone and guitar contrast effectively
with the fully voiced power of the rest of the chart,
creating a very satisfying rock-fusion groove!
2472237 Jazz Ensemble. . . . . . . . . . . . 60.00
4 Updraft—Jeff Jarvis. You're going to love this
original tune. A solid, infectious 3/4 funk groove is
coupled with a modern-sounding chord progression
to give this driving chart plenty of audience appeal.
Solos are offered for tenor sax and trumpet but can
be assigned to other instruments if desired.
11199480 Jazz Ensemble. . . . . . . . . . . . 52.00
Uptown Funk!—arr. Paul Murtha. Here's the
ultimate in contemporary funk from Mark Ronson
and Bruno Mars! Paul Murtha captures all the style
and attitude in this exciting chart for jazz ensembles.
The melody is skillfully passed around from section
to section, and suggested or improvised solo
options are provided for trumpet and tenor sax,
along with written bass lines and piano voicings.
This one is hot and highly recommended!
10500110 Jazz Ensemble. . . . . . . . . . . . 55.00
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