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JAZZ
ENSEMBLE
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POP HITS medium to advanced
Bridge Over Troubled Water—Paul Simon/
arr. Alan Baylock. Arranger Alan Baylock delivers
his distinctive, lush and in-demand ballad style
to this wonderful song in a more contemporary
setting. It's set at 92 bpm, there are no individual
solos, just delicious harmony throughout. The
trumpet section frequently carries the melody
and the lead trumpet range is to written high C.
There are optional parts included plus vibraphone
for expanded instrumentations. Sensational ballad!
Highly recommended!
10355580 Jazz Ensemble. . . . . . . . . M 52.00
Cecilia—Paul Simon/arr. Mathew Montgomery.
Take a classic Paul Simon melody, add an energetic
samba style, an opening alto sax melody solo, then
gradually layer in more voices, and you have a chart
that is well on the way to be thrilling! All players are
involved before the saxes are featured in a very cool
a cappella soli, plus an alto soloist can really stretch
out in an extended solo section. Make sure to check
out this must-have chart!
10811526 Jazz Ensemble. . . . . . . . . A 60.00
Cold Sweat—arr. Allen Gray. James Brown had
many great hits, and this one translates into a funky
jazz band chart that's sure to be a favorite. Set at
around 116 bpm, it exudes all the soul and funk
of the Godfather of Soul with authentic ensemble
and sectional passages that are so important
to this style. The solo section features room for
improvised solos from any of the saxes, trumpets
or trombones. If you've got the hardest working
band in show business, you'll dig this chart!
10605780 Jazz Ensemble. . . . . . . . . M 65.00
Don't Stop 'Til You Get Enough—Michael
Jackson/arr. Dallas Burke. This funky hit from
Michael Jackson's Off the Wall album translates into
a groovin' jazz chart everyone will enjoy. With lots of
tasty licks for the winds and very playable grooves
for the rhythm section, this chart is a winner!
10456820 Jazz Ensemble. . . . . . . . . M 65.00
H
Eleanor Rigby—Lennon & McCartney/arr. Eric
Richards. Commissioned by the U.S. Army Jazz
Ambassadors, this Eric Richards chart shines new
light on the beauty and depth of this classic Beatles
hit. An up-tempo Brazilian groove gives way to hints
of samba and songo, but always with a smooth and
laid-back feel. A piano solo is featured off the top,
followed by a trio of tenor, trombone and guitar on
the head, and later solo space for one or more of
these players. A brief nod to the classical feel of the
original Beatles track helps build to a climatic shout
for the full ensemble. Nice!
10343782 Jazz Ensemble. . . . . . . . . A 60.00
Family Guy Theme—Walter Murphy/arr. Roger
Holmes. From the brash, irreverent and wildly
popular television series Family Guy, comes this
supercharged, big band style theme that swings
hard! The tempo is medium, the style is swing and
it features an alto sax solo and hot ensemble hits!
2482160 Jazz Ensemble. . . . . . . . . M 50.00
Feeling Good—Bricusse & Newley/arr. Dallas
Burke. This Bricusse and Newley Broadway classic
has enjoyed immense popularity since the version
recorded by Michael Buble. This chart begins with
with an epic and swingin' full-ensemble section
reminiscent of the Buble version. There's a sultry
trumpet solo before the band cranks into an
uptempo Latin groove featuring room for soloists
and lots of inventive horn lines. The chart goes back
to the original swing style to bring the house down
for a big ending! Highly recommended!
10752067 Jazz Ensemble. . . . . . . .MA 65.00
Funky Stuff—arr. Allen Gray. With the rhythm
section laying down the groove, this soulful hit from
the group Kool and the Gang oozes funky goodness!
This chart stays true to the original, featuring tasty
rhythm section parts mixed in with juicy horn
licks. The solo section features space for a written
alto sax solo or improvised solos from tenor sax,
trumpet or trombone. The full band heats it up after
the solos right on to the end! Optional parts for flute,
clarinet and horn in F are included for expanded
instrumentation. This is funky stuff!
11000476 Jazz Ensemble. . . . . . . . . M 65.00
H Get It On—Bill Chase/arr. Victor Lopez. This chart
is exciting jazz-rock...pure and simple! From the
jazz-rock group Chase, it features the trumpet
section and has written solos for tenor sax, trumpet
and trombone. The lead trumpet range is to written
Bb above the staff. There's also a cool cascading
chorale section. Optional parts are included for
flute, horn in F, baritone/tenor sax and tuba. Hit it
hard and keep the energy pumping!
10049714 Jazz Ensemble. . . . . . . . . M 52.00
Higher Ground—Stevie Wonder/arr. Mike Tomaro.
From Stevie Wonder's acclaimed 1973 album
Innervisions, this infectious funk tune has been
covered by a variety of artists over the years and
found its way into several movies. With a distinctive
rock shuffle groove and memorable riffs, Mike
Tomaro has transformed this into a sizzling version
for jazz ensemble.
10188761 Jazz Ensemble. . . . . . . . . M 55.00
H I Can't Stop Loving You—arr. Quincy Jones.
Every jazz fan knows it, loves it and has wished it
was in print! And now, this quintessential big-band
arrangement is finally available! As recorded by the
Count Basie Orchestra on their album This Time
by Basie: Hits of the 50s & 60s, Quincy Jones'
arrangement of I Can't Stop Loving You will bring
your audiences to their feet. Beginning with the
Count's rubato piano tremolo, this laid-back shuffle
chart features in-your-face ensemble writing at its
finest. There is short, written-out solo space for
trombone and piano, but mostly this chart simply
swings its tail off with the entire ensemble from
beginning to end! Never has a sad song sounded
so happy! Very highly recommended!
10368505 Jazz Ensemble. . . . . . . .MA 55.00
I Got You (I Feel Good)—James Brown/arr. Allen
Gray. This iconic hit from the great James Brown
should be a staple in every jazz band's library! With
funky horn licks and a driving groove in the rhythm
section, this tune gets off to a rousing start. The
solo section features a written or ad-libbed alto sax
solo or improvised solos for tenor sax, trumpet or
trombone. Optional parts are included for expanded
instrumentation. After the solo section, it's back to
that infectious groove and a recap of the melody
before the band gets a chance to yell "Hey" to close
it out. The Godfather of Soul! Need we say more?
11000480 Jazz Ensemble. . . . . . . . . M 65.00
I Just Can't Wait to Be King—Elton John/arr.
Gordon Goodwin. From the Disney movie "The Lion
King," Gordon Goodwin has crafted a hot jazz shuffle
that goes and then goes even more! A showcase for
alto and trumpet with a unison melody line and solo
space for each player, it includes plenty of energy,
zip, attitude and a hot shout chorus section. This
chart roars! Highly recommended!
10012009 Jazz Ensemble. . . . . . . . . A 70.00
I Left My Heart in San Francisco—arr. Quincy
Jones. Quincy Jones wrote some incredible
arrangements on very popular tunes for the Count
Basie Orchestra. As recorded on This Time By
Basie, Quincy's arrangement of I Left My Heart in
San Francisco features great interplay between the
ensemble playing the melody, and the piano with
written solo fills. With a tempo around 108 bpm,
and a relaxed swing feel, there's also short solo
space for tenor saxophone, and the ranges are very
moderate. This chart is playable by a lot of bands.
It's a true classic! Highly recommended!
10368506 Jazz Ensemble. . . . . . . . . M 55.00
H I Wanna Be Like You—Sherman & Sherman/
arr. John Wasson. What happens when one of
the hottest swing bands in the land cuts loose
on a Disney classic? Cranked up excitement!
Big Bad Voodoo Daddy takes a mambo spin on
I Wan'na Be Like You from "The Jungle Book,"
and with lots of tutti writing, your band will get a
real powerhouse sound!
2433704 Jazz Ensemble. . . . . . . . . M 50.00
I Wish—Stevie Wonder/arr. Mike Tomaro. This
tune makes tons of sense for jazz ensemble! With
its invigorating style, the arrangement is true to the
classic sound of Stevie Wonder's original. The solo
section is flexible, so you can tailor it to your band's
strengths. The medium slow groove on this one is
pure magic!
2470798 Jazz Ensemble. . . . . . . . . M 55.00
H
In the Stone—arr. Paul Murtha. With no solos
required and only a driving rhythmic groove, here's
an authentic-sounding version of this Earth, Wind
& Fire classic. The trombones are featured on the
melody and all the signature riffs from the original
are beautifully captured. Guaranteed fun!
10033677 Jazz Ensemble. . . . . . . . . M 55.00
H The Incredibles (Medley)—Michael Giacchino/
arr. Stephen Bulla. Mix the stylish spy music from
the 1960s with a dose of cool jazz and you have a
winning combination for jazz ensemble. From the
Pixar hit animated movie, here's a high-energy
and entertaining chart that captures the essence
of the soundtrack perfectly, with three themes
from the movie that offer a ton of variety and
entertainment! A middle section in a jazz waltz
style is framed by exciting rock styles that will
be appealing to both audiences and developing
players. Highly recommended!
2480196 Jazz Ensemble. . . . . . . . . M 55.00
H
Isn't She Lovely?—Stevie Wonder/arr. Mike
Tomaro. Recorded by Stevie Wonder in 1976 on
his acclaimed album Songs in the Key of Life, this
beautiful song is a good example of combining
elements of jazz with pop. Keeping the same easy-
flowing shuffle groove of the original, Mike Tomaro
adapts this very nicely for the contemporary big band!
10462702 Jazz Ensemble. . . . . . . . . M 55.00
Let's Get Loud—Estefan & Santander/arr. Rich
Woolworth. As written by Gloria Estefan and Kiki
Santander, this Latin pop tune was a huge hit
for Jennifer Lopez. Here, in the hands of Rich
Woolworth, it translates into an extremely awesome
jazz band chart. With tons of Latin flair in the rhythm
section and tasty horn licks, this one will be lots of fun
to play and perform before your adoring audiences!
10752081 Jazz Ensemble. . . . . . . . . M 65.00
Live and Let Die—Paul McCartney/arr. Bob
Curnow. This is a stellar arrangement of the iconic
tune written by Paul McCartney and the title song
from the movie. It was the reason for the great
success of the Stan Kenton album "7.5 on the
Richter Scale." The melody is first stated by alto
saxophone, trumpet and trombone before the chart
roars on! If you're looking for a contemporary chart,
written for the great Kenton band, and based on
a familiar tune, this is the one! This is a newly
updated Finale version.
2289221 Jazz Ensemble. . . . . . . . . A 55.00
l Long Distance Runaround/The Fish (Schind-
leria Praematurus)—Jon Anderson/arr. Ryan
Fraley. From British progressive rock band Yes, this
iconic moment in pop and rock history is scored
neatly for big band with the option to feature either
a vocalist or tenor sax soloist. Just like the original,
powered by bass guitar and sprightly jazz drums,
this version captures the spirit of adventurous art
rock. Two brief open solos for any instrument cap
the long outro.
11207410 Jazz Ensemble. . . . . . . .MA 60.00
Make Me Smile—James Pankow/arr. John
Wasson. One of the first tunes to put the group
Chicago on the map was this early rocker from
1970. John Wasson stays true to the original in this
outstanding version for jazz ensemble that features
solos for alto sax, guitar, and all the signature horn
licks. Suggested solos are included along with
chord/scale sheets in all keys.
10297505 Jazz Ensemble. . . . . . . . . M 55.00
Mongonucleosis—James Pankow/arr. Mike
Tomaro. Of the relatively few number of instrumental
hits recorded by the group Chicago, Mongonucleosis
recorded in 1974 remains a popular standout. This
upbeat chart features a moderate rock groove, a
catchy riff-based melody, and an open solo section
featuring one or more soloists.
10931674 Jazz Ensemble. . . . . . . . . M 55.00
Motown Tribute—arr. Eric Richards. The music
of Motown continues to stand the test of time
with catchy melodies and well-constructed songs.
Here's a well-crafted and entertaining production
number that features I Heard It Through the
Grapevine; My Girl and Dancing in the Streets.
Included is an open solo section during Dancing
in the Streets with written samples for alto, tenor,
trumpet and trombone.
10960650 Jazz Ensemble. . . . . . . . . M 60.00
H Norwegian Wood—Lennon & McCartney/arr. Bill
Holman. Buddy Rich's band recorded this Beatles
tune, and it is one of Holman's best-known charts.
Treated as a jazz waltz, full of excitement and
energy, it features solos for alto sax and trombone.
Lots of raw power and blistering figures make this
the ideal concert opener or closer!
2471103 Jazz Ensemble. . . . . . . .MA 60.00
H Over the Rainbow—Harold Arlen/arr. Alan Baylock.
Do you have two trumpet players to showcase?
Here is a ballad everybody knows, scored as a
trumpet duet feature. Everything is written, no
improvised solos, the lead trumpet range is to C
above the staff and the second part is to written A.
Lyrical and melodic, this chart is a sure-fire crowd
pleaser impeccably arranged by Alan Baylock!
Optional expanded instrumentation.
10093177 Jazz Ensemble. . . . . . . . . M 52.00
Overjoyed—Stevie Wonder/arr. Mark Taylor. This
wonderful and classic ballad recorded by Stevie
Wonder is set here as a solo feature for tenor
saxophone. Beautifully accompanied by piano only
in the beginning, a mellow accompaniment follows
with flugelhorns and trombones in bucket mutes as
a medium tempo bossa nova style settles in.
10617882 Jazz Ensemble. . . . . . . . . M 55.00
Play and study the solos of jazz
legend, Charlie Parker!
CHARLIE PARKER
OMNIBOOK
trans. Jamey Aebersold & Ken
Slone.
This is a fabulous collection
of exact transcriptions taken from
Charlie Parker's recorded solos.
Every student of jazz will benefit
from studying Bird's solos, so this
is a must-have! Available in B-flat,
E-flat, C and Bass Clef books. The
contents include 60 solos such as
Anthropology; Au Privave (Nos.
1 and 2); Billie's Bounce; Blues
for Alice; Chi Chi; Confirmation;
Constellation; Dewey Square; Donna
Lee; Ko Ko; Moose the Mooch;
Ornithology; Scrapple from the
Apple; Shaw 'Nuff; Yardbird Suite
and more. Spiral bound, with chord
symbols, metronome markings,
record information, and practice
suggestions. The three CD set
contains rhythm section play-along
tracks for all 60 songs in the books.
10293197 C Instruments. . . . . . . 19.99
10293200 Bb Instruments . . . . . 19.99
10293201 Eb Instruments. . . . . . 19.99
10293202 Bass Clef
Instruments . . . . . . . . 19.99
