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JAZZ
ENSEMBLE
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POP HITS easy / medium-easy
Play That Funky Music—Robert Parissi/arr. Mike
Story. Yes, your young band can get funky- but only
arranger Mike Story can take a pop tune like Play
That Funky Music and make it come alive for the
young jazz ensemble. Simple rhythms, effective
and colorful harmonies, and easy written solos for
trumpet and trombone are only a few highlights.
Easy to assemble and great fun! Optional reduced
or expanded instrumentation.
10071748 Jazz Ensemble. . . . . . . . . . . . 42.00
Rock You Like a Hurricane—arr. Paul Murtha.
Recorded in 1984 by the German rock group
Scorpions, this classic hard rock hit remains
popular in today's culture thanks to sporting
events, video games, TV and film. The features
include a "shredding" introduction leading to a full
ensemble statement and short written solos for
alto sax, trombone and trumpet. This version for
jazz band is easy to learn, yet remains true to the
original and will sound great with young players.
It's also playable with optional reduced or expanded
instrumentations. A rock anthem!
10490305 Jazz Ensemble. . . . . . . . . . . . 40.00
Sanford and Son Theme—Quincy Jones/
arr. John Berry. John Berry has solidly arranged
this very hip Quincy Jones TV theme for younger
groups! Featuring solid scoring, funky riffs and a
catchy melody, it's playable by full jazz band or
will sound full and complete with only 4 saxes, 3
trumpets, 3 trombones and rhythm section. You
can also add the optional parts for flute, 2 clarinets,
horn in F and tuba for even more flavor! This is one
of the most recognizable TV themes ever written!
Highly recommended!
10052547 Jazz Ensemble. . . . . . . . . . . . 40.00
See You Again—arr. John Berry. Recorded
by Wiz Khalifa and Charlie Puth for the hit movie
"Furious 7," this rock ballad features memorable
lines and dramatic builds, all beautifully captured in
this easy arrangement. The alto sax feature spots
can be performed by a soloist or the entire sax
section. Otherwise, no solos are required - just a
nice blend of textures and pacing throughout.
11208482 Jazz Ensemble. . . . . . . . . . . . 45.00
Seven Nation Army—Jack White/arr. Paul
Murtha. Featuring one of the most powerful riffs of
the rock era, this hit recorded by The White Stripes
in 2003 is arranged here in a hard-hitting version
for younger players. No solos are required and the
melody is skillfully passed around from section to
section. Fully-notated bass lines and piano voicings
are included, and it's playable with optional reduced
or augmented instrumentations. Lots of fun and
highly recommended!
10775172 Jazz Ensemble. . . . . . . . . . . . 40.00
Shallow (from "A Star Is Born")—arr. Paul
Murtha. Here's the stunning hit single from the
movie "A Star Is Born" recorded by Lady Gaga
and Bradley Cooper. This chart for younger players
features a rock ballad style, solid scoring for the
entire ensemble, and a short written alto sax solo on
the melody -and it's playable with optional reduced
or expanded instrumentations. Simply beautiful and
highly recommended!
10963310 Jazz Ensemble. . . . . . . . . . . . 40.00
Shut Up and Dance—arr. John Berry. Recorded
by the American alternative rock band Walk the
Moon, this contemporary rock hit features a
driving pulse and catchy melodic lines. With the
melody traded between the saxes and trumpets,
this accessible chart also features plenty of solid,
full-ensemble scoring. No solos are required, and
a full band statement rounds out this infectious and
instantly recognizable song. Playable with optional
expanded or reduced instrumentations, this one will
make a big splash with audiences and students!
Highly recommended!
10556784 Jazz Ensemble. . . . . . . . . . . . 40.00
Skyfall—Adkins & Epworth/arr. John Berry.
Perfectly capturing the mood and style of earlier
James Bond themes, Adele has worked her
magic with the hit Skyfall. John Berry's easy
version features a brief written alto sax solo, then
solid scoring for the entire ensemble with the
melody traded between the saxes and trumpets.
Playable with optional reduced or expanded
instrumentations, this is sure to be an audience
favorite! Highly recommended!
10374178 Jazz Ensemble. . . . . . . . . . . . 40.00
Soul Bossa Nova—Quincy Jones/arr. Rick Stitzel.
This infectious and immediately recognizable
Quincy Jones standard was popular long before
Austin Powers introduced it to a brand-new
generation of fans. Easy to learn and fun to play,
this will quickly become a favorite of your young
players and their audiences! Arranged for full jazz
ensemble, it's also playable with as few as 4 saxes,
3 trumpets, 3 trombones, piano, bass and drums.
Groovy baby!
10033706 Jazz Ensemble. . . . . . . . . . . . 40.00
4 Sucker—arr. Paul Murtha. The Jonas Brothers
are back on the charts, and here's a terrific easy
chart on their recent hit featuring a driving up-
tempo rock feel and catchy riffs. The flexible solo
section features easy changes along with sample
written solos and scales. Perfect for beginning
improvisers, it's also playable with optional
expanded or reduced instrumentations.
11172133 Jazz Ensemble. . . . . . . . . . . . 40.00
H Superstition—Stevie Wonder/arr. Paul Murtha.
Stevie Wonder helped bring funk to mainstream
pop music in the '70s, and this is one of his
most recognizable hits. This arrangement is easy
to learn yet maintains the authentic groove of
the original. Playable by standard jazz ensemble
instrumentation, it will also sound full and complete
with 4 saxes, 3 trumpets, 3 trombones and rhythm.
Optional parts included for flute, 2 clarinets, horn in
F and tuba. Highly recommended!
10041752 Jazz Ensemble. . . . . . . . . . . . 40.00
H Sweet Caroline—Neil Diamond/arr. Rick Stitzel.
Even before the TV series Glee, this Neil Diamond
classic, first recorded in 1969, had proven its
popularity and staying power. Here is a solid, yet easy
treatment for jazz ensemble that requires no solos.
Sure to be a favorite with students and parents alike!
Optional reduced or expanded instrumentations.
10098793 Jazz Ensemble. . . . . . . . . . . . 40.00
H
Uptown Funk!—arr. Michael Sweeney. From
Mark Ronson and Bruno Mars, this monster hit is
the perfect throwback to a funky R&B style! This
arrangement for younger players features modest
ranges and repetitive yet authentic-sounding
rhythms. This outstanding chart is playable with
optional reduced or expanded instrumentations,
and the bass lines and piano voicings are written.
No solos are required, just a little attitude! Our
highest recommendation!
10522944 Jazz Ensemble. . . . . . . . . . . . 40.00
We Are Family—arr. Paul Murtha. In the height of
the disco era, this tune recorded by Sister Sledge
caught fire on the R&B pop charts in 1979. Here
is a great-sounding and funky version for younger
players. There are no solos, all horn sections
get their chance with the melody, and there's a
unique and effective rhythm-section-only interlude.
Playable with optional reduced or expanded
instrumentations. Written-out bass lines and piano
voicings are included. Every audience will know this
familiar tune!
10681401 Jazz Ensemble. . . . . . . . . . . . 40.00
Welcome to the Jungle—arr. Rick Stitzel.
Recorded by Guns N' Roses in the 1980s, this
rocker has become a classic and is often heard
in TV and film. Set here for younger players, it
still retains the relentless drive and energy of the
original. There's a short written solo for alto or
tenor sax while the brass carry the signature riffs.
Also playable with optional reduced or expanded
instrumentations, this one will be great fun for
younger players!
10842291 Jazz Ensemble. . . . . . . . . . . . 40.00
Yesterday—Lennon & McCartney/arr. Rick Stitzel.
One of the all-time great songs from the
Beatles, Yesterday truly has become a modern
day standard! This well scored arrangement for
young jazz ensembles features a brief tenor solo,
beautiful counterlines, and an overall rich sound
that will be impressive in concert or as a change
of pace chart for festivals. Suggested solo and
scale/chord sheet provided. Optional reduced
or expanded instrumentations. Includes CD.
Highly recommended!
10188524 Jazz Ensemble. . . . . . . . . . . . 40.00
You Can't Stop the Beat (from "Hairspray")—
arr. John Berry. From the hit musical "Hairspray,"
here is the show-stopping production number in
a dynamic arrangement for younger ensembles.
Featuring a fast-paced rock groove and hard-
hitting brass figures, this is sure to sound
impressive with almost any jazz band. It's a bright
rocker filled with fun, excitement and attitude.
There are no solos and the bass line is pure fun
to hear and play. Playable with optional reduced
or expanded instrumentations, this chart is
highly recommended!
10667348 Jazz Ensemble. . . . . . . . . . . . 40.00
Pop Hits
Medium-Easy
H Africa—Paich & Porcaro/arr. Ralph Ford. Here's
a wonderful take on the group Toto's classic rock
tune from the '80s. It's solidly scored throughout
and sounds amazingly like the original while
remaining accessible for developing jazz bands.
With nice dynamic contrasts, an uncomplicated
melodic line, and a medium rock groove, this chart
is one that younger players can really dig into, yet
it will sound mature when performed by a more
advanced group. More features include: half-note
tempo of 90 bpm; written or ad lib solos for alto sax
1 and trombone 1; trumpet 1 range to written G on
top of the staff; and optional parts for flute, clarinet
and vibes. Great tune, fine chart!
10513875 Jazz Ensemble. . . . . . . . . . . . 48.00
Ain't No Sunshine—Bill Withers/arr. Rick Stitzel.
Originally recorded in the 1970s, Bill Withers'
distinctive slow rocker has become a classic. The
minor mode adds to the flavor, and this version for
younger players skillfully passes the melody from
section to section. Also included is a solo for tenor
sax. A suggested solo is included along with chord/
scale sheets in all keys. Soulful groove!
10283144 Jazz Ensemble. . . . . . . . . . . . 45.00
SUPPLEMENTARY
JAZZ
METHODS
Here are but a few jazz materials that will
inspire jazz players at a variety of skill levels.
Browse more at jwpepper.com.
H Gordon Goodwin's Big Phat Jazz Duets for Saxophone
(Featuring Gordon Goodwin and Eric Marienthal)—Gordon Goodwin.
Composed and arranged by Gordon Goodwin, these ten saxophone duets are
completely interchangeable for any combination of E-flat or B-flat saxophones.
They can be played with a duet partner, or the CD can be used to play duets
with either of these two great saxophonists. On the included CD, duet part 1 and
duet part 2 are each controlled by dialing in or out the left or right channels of
the stereo system. Gordon Goodwin plays tenor sax on duet part 1 and 2, Eric
Marienthal plays alto sax on duet part 1 and 2, and Gordon and Eric play together
on parts 1 and 2. There are opportunities to improvise too! Titles include: Act
Your Age; Count Bubba's Revenge; El Macho Muchacho; Gumbo Street; Hunting
Wabbits; The Jazz Police; La Pequena Almeja; Maynard & Waynard; Swingin' for
the Fences and There's the Rub.
10073876 Saxophone Duet Book & CD . . . . . . . . . . . . . . . . . . . . . . . . . . 19.95
The Jazz Commandments (Guidelines for Jazz Articulation and
Style)—Jerry Tolson. The Jazz Commandments addresses articulation and
style situations that are commonly found in jazz music by introducing a set of
guidelines that can be used to guide decisions regarding the treatment of notes
and rhythms in swing style. Exercises and catchy tunes that can be used to
sound more stylistically accurate and authentic make this a valuable resource for
jazz educators, individual students, small groups, and big bands. Users of this
book will see immediate improvement in jazz articulation and style performance.
Free mp3 downloads of the songs and exercises are available from the
publisher's website.
10756122 C Instruments Book & Online Audio . . . . . . . . . . . . . . . . . . . . 19.95
10756123 Bb Instruments Book & Online Audio . . . . . . . . . . . . . . . . . . . 19.95
10756124 Eb Instruments Book & Online Audio. . . . . . . . . . . . . . . . . . . . 19.95
10756125 Bass Clef Book & Online Audio . . . . . . . . . . . . . . . . . . . . . . . . 19.95
