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CONCERT & CONTEST
NEW!
BAND
RELEASES
Agincourt—Dennis Eveland.
This excitng work for young bands musically depicts the great battle of
Agincourt. Students will enjoy this work with mixed articulations, exciting
moments of suspense and plenty of percussion to give your students
quality playing time. Let the battle begin!
11315252 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . .VE 45.00
Amazing Grace—arr. Charles J. Torian, Jr.
In this arrangement of a classic hymn, the introductory sixteen measures
are melody-only. Most parts show cue notes, allowing the conductor
to choose any single instrument, or combination of instruments, to
introduce the familiar tune. Four variants follow in contrasting styles.
This arrangement is very playable and your group will be able to put this
one together in no time at all.
11316873 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . M 55.00
America (My Country, 'tis of Thee)—arr. Charles J. Torian, Jr.
Perfect for Memorial Day or any patriotic occasion, the national ballad
America is given new life in this dramatic setting. Featuring solemn
percussion throughout, majestic trumpet flourishes are added toward
the end, bringing the work to a powerful and moving close.
11316875 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . M 35.00
Beachscape—Greg Fhiaras.
This piece takes you to the scene of an oceanic panorama as you
gaze upon a wonderful sunset. Flowing melodies give way to swelling
dynamics and build to an exciting conclusion as the sun lowers slowly
below the horizon. This is an excellent work to engage your young band
with lyrical playing.
11315178 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 70.00
Heaven's Morning Breaks—Brooke Pierson.
This selection is well suited for an ensemble that is learning the intrica-
cies of lyrical playing. This work is based on the hymn tune Abide with
Me, which comes in full force in the second half of the piece in a bold
and majestic fashion. The use of space, color, and harmonic flavor give
this piece depth.
11217472 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . ME 90.00
My Lagan Love—Bill Locklear.
This Irish folk tune evokes an almost magical beauty. Its melodic
simplicity lends itself to great freedom in choosing from a lush harmonic
pallet. In this setting, the sparse opening harmonies and the solo
presentation of the melody in alto saxophone (cued in oboe) precede a
gradual thickening of the harmonic textures. The full ensemble presents
the melody again with fresh and new harmonic treatment, which leads
to a highly dramatic musical moment, and ends with quiet intensity, like
the beginning.
11315249 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Mystic Journey—Greg Fhiaras.
Beginning with a mysterious opening, this exciting piece drives
forward with accents in the brass and percussion and utilizes various
techniques to build to an exciting conclusion! The ending will keep you
on the edge of your seat while you take your band on this mysterious
musical journey!
11315179 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 76.00
New Waters, Old Waves—Clif Walker.
This work was written so that the percussion section would have a
constant presence throughout while being achievable in a short amount
of time. The colors of the percussion section give this a unique sound
and an equal voice with the other instruments, all while not turning the
piece into a percussion feature. The forward-moving energy is fueled by
the juxtaposition of syncopation and melody, adding complexity. Each
set comes with a printed and bound score and includes individual parts
in PDF format for printing or for tablet viewing.
11316461 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . ME 62.00
Only in Sleep—Eriks Esenvalds/arr. Phillip Littlemore.
A vision of childhood experienced through dreams, this is a work of
subtly powerful expressiveness. The oboe soloist sets the tone for this
moving and powerful work and it is sure to be every bit as popular as
the choral original.
11316789 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . M 125.00
A Prayer for Courage—Ward Miller.
Audiences and performers alike will be genuinely moved and
encouraged by this heartfelt work that invokes a prayer for courage in
the face of the COVID-19 pandemic. A Prayer for Courage thoroughly
explores an original hymn tune that is present throughout the ensemble.
Attention to voice doublings paired with intelligent voicing will help your
band sound as beautiful as the sentiment expressed in this hopeful
composition.
11315176 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . ME 100.00
4e Precious Lord, Take My Hand—Randall D. Standridge.
This setting of the classic hymn tune is sure to bring out the best in
your players and audience. Written to be effectively played by a small
(as few as thirteen) or a large ensemble, this work provides musical
opportunities, orchestral color, and a beautiful melody that is sure to
be a hit at your next concert. This publication comes with reproducible
parts and digital permissions.
11220742 Band Set & Score. . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
Prelude in B-Flat—August Wilhelm Bach/arr. Charles J. Torian,
Jr. This work is well suited for smaller instrumentations and will give
your students a great insight into organ preludes. It could be used as
a performance piece or an excellent work to warm your students up at
contest. Its constant motion and use of essential musical processes will
add a new degree of musicianship to your students' toolkit.
11316885 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . ME 35.00
A Scotland Adventure—Dennis Eveland.
In this three-movement composition, the composer uses original
melodies to help create a musical vision of Scotland. With bright
dancelike melodies, a flowing french horn solo, and jaunty full band
sections, you will enjoy making this work happen with your students!
11315254 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . M 80.00
Scottish Dance—Keith Christopher.
This work is based on the tune, Ye Banks and Braes O Bonnie Doon.
The buoyant ebb and flow of the melody is crafted from the pentatonic
scale. This setting makes for a lively and engaging experience, complete
with stomps, slaps, and claps that seem to conjure up images of a
Scottish barn dance.
11315250 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
The Lighthouse Keeps Watch—Brooke Pierson.
Beginning lyrically, this piece reaches a majestic summit before it picks
up in tempo, then carries on in with that same striking tone throughout
the piece. An excellent musical opportunity for your young students to
play in a variety of styles and tempos. With an endearing melody, your
audience will definitely connect with this composition.
11197359 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . .E 80.00
Till Earth and Heaven Sing (Lift Every Voice and Sing)—
arr. Ayatey Shabazz. This accessible lyrical work will bring a touching
moment to any patriotic and historical concert performance and is fitting
for contest or festival. This work is set to the poem Lift Every Voice and
Sing, which was first performed by 500 school children to celebrate
President Abraham Lincoln's birthday of February 12, 1900. This is a
must-have piece to reinforce emotional and expressive playing.
11315177 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . ME 70.00
When Jesus Wept—William Billings/arr. Charles J. Torian, Jr.
This work is built on one of the composer's most known canons and is
a flowing, musical representation of this classic. Soloists, muted brass
sections, and effective counterpoint attempt to capture the text by
making the musical paint the words with a palette of sound.
11316891 Band Set & Score . . . . . . . . . . . . . . . . . . . . . . . . . . . M 65.00
