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ORIGINAL CONCERT WORKS
a l l l e v e l s
e American Landscape—Soon Hee Newbold.
Inspired by train rides through the countryside, this
full orchestra work depicts our diverse landscape
- from vast plains to majestic mountains; from
forests and streams to towns and cities. Rich in
history and diverse cultures, the land tells many
stories as varied as the backdrop. The style
and spirit of the piece has influences from film
and other contemporary American composers.
Enjoy the soaring melodies and many colors of a
cross-country train ride through the multifaceted
scenes of America.
10752884 Full Orchestra . . . . . . . . . . . M 80.00
10752885 Additional Score. . . . . . . . . . . . 5.00
e American Salute—Morton Gould. Performed by
orchestras across the country, this magnificent
piece is a patriotic tour de force. Based on
When Johnny Comes Marching Home, Gould's
composition is an outstanding showpiece for
mature orchestras.
963348 Full Orchestra . . . . . . . . . . . A 85.00
2365492 Additional Score. . . . . . . . . . . . 9.00
e Ancient Echoes of Time—Douglas E. Wagner.
Expansive harmonies and soaring tunes combine
to present an imaginative musical landscape that
explores the tonal facets of the orchestra. This
dynamic and colorfully scored original is playable
by strings alone or full orchestra.
10522573 String or Full Orchestra . . ME 55.00
10522574 Additional Score. . . . . . . . . . . . 9.00
e Appalachian Morning—Robert Sheldon.
Acknowledge the Scottish and Irish pioneers
of Appalachia with a musical walk through
the woods and mountains of the Cumberland
Gap. This lovely composition allows for a
moment of reflection and lyrical expression on
any concert program.
10522599 Full Orchestra . . . . . . . . . . ME 65.00
10522600 Additional Score. . . . . . . . . . . 10.00
e Cumberland Cross—Carl Strommen. Sure to
delight, the central portion of this original piece
brings the unrestrained exuberance of bluegrass
fiddling to the orchestra. In a lovely contrast,
the piece opens and closes with a slow chorale,
bringing to mind sunset and sunrise over
the mountains.
10522571 Full Orchestra . . . . . . . . . . ME 59.00
10522572 Additional Score. . . . . . . . . . . . 9.00
e Danzas Cubanas—Robert Sheldon. Celebrate
the joy and energy of Afro-Cuban music! Feel the
beat, beginning with the opening conga, followed
by a gentle and alluring son-salsa and closing
with a fast-paced mambo. An intense experience
for players and audiences, featuring solos for
piano, trombone, flute and trumpet!
10092338 Full Orchestra . . . . . . . . . . MA 73.00
10092344 Additional Score. . . . . . . . . . . . 8.00
e Dark Adventure—Ralph Ford. It's ghostly!
It's creepy! Your orchestra will love it! From the
driving opening motives to the quirky gypsy-
sounding theme, this is haunted-house music
at its best! You can play this with either full or
string orchestra, but the percussion section is
really vital and should be used in both cases. This
is recommended and will thrill and delight your
audience! A winner!
2466837 String or Full Orchestra . . ME 59.00
5972599 Additional Score. . . . . . . . . . . . 8.00
e Dream Machine—Brian Balmages. This haunt-
ing, powerful, and aggressive work draws inspi-
ration from a type of strobe light that can put
an observer into a state of "threshold con-
sciousness," or being half asleep. The music
portrays sensations including the eerie feeling of
the transitional sleep state and the intense
experience of being surrounded by swirling
shapes and colors, and then ventures into the
world of lucid dreamers. The result is a piece
that is mystical, unsettling, driving, powerful,
and heroic.
10995983 Full Orchestra . . . . . . . . .MA 120.00
10995984 Additional Score. . . . . . . . . . . 14.00
e Engines of Resistance—Larry Clark. You will
want to program this thrilling music often! As the
title implies, there is dramatic tension between
opposing forces in the orchestra: a light ostin-
ato pattern opposes a heavy, aggressive melody;
bursts of percussion ring out against quieter
moments in the orchestra, and all these conflicting
elements come together for an incredible finish!
Can be performed as strings and percussion, or
as a full orchestra. A contest winner!
2416675 String or Full Orchestra . . . E 59.00
5800651 Additional Score. . . . . . . . . . . . 8.00
e A Matador's Tale—Mark Lortz. With traditional
Spanish flair, this programmatic work depicts
a bullfight, beginning with the matador's fan-
fare entrance. After the various stages of the
fight, the music comes to a rousing end. The many
doublings in this intermediate work allow
orchestras to play it with missing instrumentation.
10696520 Full Orchestra . . . . . . . . . . . M 65.00
10696521 Additional Score. . . . . . . . . . . . 9.00
e Millennium—Richard Meyer. This contemporary-
sounding overture is extremely powerful and full
of emotion from beginning to end. Colorful and
imaginative scoring features every section of the
symphony orchestra, resulting in a wonderfully
mature-sounding, yet playable, tour de force for
the student orchestra.
2397792 Full Orchestra . . . . . . . . . . ME 73.00
5730296 Additional Score. . . . . . . . . . . . 9.00
l On a Hymnsong of Philip Bliss—David Hol-
singer. David Holsinger has taken his classic
arrangement On a Hymnsong of Philip Bliss and
masterfully transcribed and expanded it for full
orchestra. A lush re-orchestration, it features
gentle woodwind lines, accessible brass, and
dramatic sweeps that are reinforced well in the
strings. This beautiful edition of this timeless
work is the perfect choice for concert or contest.
11315256 Full Orchestra . . . . . . . . . . . M 60.00
e On Top of the World—Brian Balmages. This
invigorating overture is a celebration of
achievement and seeks to portray the feeling
of standing on top of the world. Featuring
memorable themes and vibrant fanfares, this is a
powerful way to begin your concert and really get
your winds and percussion involved.
10752898 Full Orchestra . . . . . . . . .MA 120.00
10752899 Additional Score. . . . . . . . . . . 14.00
He Rites of Tamburo—Robert W. Smith. Entrancing
instrumental colors burst into splashes of energy
from the brass and rhythm sections, biting
dissonances abound, and a constant surge of
excitement flows through the piece. There's even
a measure where the brass are invited to "pick-a-
note" as they crescendo into a resolving chord...
a really neat effect!
2440741 String or Full Orchestra . . . M 65.00
5957618 Additional Score. . . . . . . . . . . 10.00
e Slingshot—Michael Story. This flexible original
work will provide the opportunity for an entire
instrumental program to perform together. Also
perfect for a first full orchestra experience with
plenty of doubling, it can be performed by string
orchestra alone or with almost any combination
of winds or percussion. Includes optional piano.
11000120 Full Orchestra . . . . . . . . . . . E 51.00
11000122 Additional Score. . . . . . . . . . . . 9.00
e Summer Dances—Brian Balmages. Dramatic,
heroic and stately, this incredible work originally
for concert band is now available for full orch-
estra. A proven winner that takes advantage of
the fantastic textures uniquely available to the
combination of winds, percussion and strings.
Impressive!
10366880 Full Orchestra . . . . . . . . .MA 100.00
10366881 Additional Score. . . . . . . . . . . 12.00
He Warrior Legacy—Soon Hee Newbold. Explore
the heroes and warriors of myth and legend in an
epic work for full orchestra. Additional wind parts
are included with the set, making it suitable for
combined strings and full band. The cinematic-
type score features various solos throughout,
finishing with a riveting 12/8 section. Intense!
10366890 Full Orchestra with opt.
Concert Band parts . . . . ME 100.00
10366891 Additional Score. . . . . . . . . . . . 9.00
15
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