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CLASSICAL
4e Primavera (Scenes from Vivaldi's "Spring")
—Antonio Vivaldi/arr. Todd Parrish. The sequel
to the ever-popular Inverno! This unique reima-
gining of Vivaldi's Spring from "The Four
Seasons" weaves solo melodies from the
second and third movements into one spirited
work. Every section has energetic moving
lines and interesting parts. Perfect for a spring
concert finale!
11175172 String Orchestra . . . . . . . . . . . . 57.00
11175174 Additional Score. . . . . . . . . . . . 10.00
4 Sinfonia in D Major—Johann Christian Bach/
arr. Jim Palmer. This exciting arrangement
from the classical era features a wide range of
dynamics and articulations. Detailed fingerings
and bowings will help students achieve that
distinct classical sound and style of the period.
11202694 String Orchestra . . . . . . . . . . . . 50.00
11202695 Additional Score. . . . . . . . . . . . . 9.00
l Waltz from "Masquerade Suite"—Aram
Khachaturian/arr. Lynne Latham. This whim-
sical theme is perfect for teaching intervals
and chromatic fingerings. Violas use half
position, and first violins will shift to third
position. Cellos and violas are featured in the
second theme, and this abridged arrangement
omits the middle section. A great Halloween
concert selection for a capable high school or
community orchestra.
11206038 String Orchestra . . . . . . . . . . . . 75.00
He Waltz No. 2—Dimitri Shostakovich/arr. Paul
Lavender. Shostakovich's waltz has become an
international icon, made popular by artists like
Andre Rieu and heard prominently in Stanley
Kubrick's final film, "Eyes Wide Shut." Taken from
Shostakovich's "Suite for Variety Orchestra,"
Paul Lavender's skillful adaptation is ideally
suited for both serious and light programming.
10081471 String Orchestra . . . . . . . . . . . . 55.00
10095995 Additional Score. . . . . . . . . . . . . 5.00
m e d i u m - a d v a n c e d &
a d v a n c e d
e Academic Festival Overture—J. Brahms/arr.
Robert D. McCashin. This arrangement offers
exciting opportunities for more mature players.
A combination of juxtaposed and interlocking
double-stops are used to maintain the sonorous
depth of Brahms' original work. Several
edits have been made to bring this to a more
appropriate length for concert and festival
performances. Although this is ideal for large
string orchestras, also consider using it for a
chamber group of your finest musicians!
2480768 String Orchestra . . . . . . . . MA 65.00
2482047 Additional Score. . . . . . . . . . . . 6.00
4 Allegro in D Major—Michael Haydn/arr. Robert
D. McCashin. Though overshadowed by his
famous brother, Michael Haydn is a composer
worth introducing to your orchestra. This piece is
an arrangement of the first movement of his Flute
Quartet in D Major.
11204516 String Orchestra . . . . . . . . MA 54.00
11204536 Additional Score. . . . . . . . . . . 13.00
e Allegro Moderato (from "Symphony No. 3")
—Camille Saint-Saens/arr. Deborah Baker
Monday. This movement of the famous "Organ
Symphony" includes two of the most memorable
themes ever penned by Saint-Saens. This
arrangement includes the highly energetic string
theme and the beautiful fugue based on his four-
note theme which cycles throughout the entire
symphony. The two contrasting sections of this
arrangement offer two extremes of bowing style:
one requiring heavy strokes at the frog and the
other using legato, expressive, full bowing.
10752882 String Orchestra . . . . . . . . MA 65.00
10752883 Additional Score. . . . . . . . . . . . 5.00
le Anvil Chorus (from "Il Trovatore")—Giuseppe
Verdi/arr. Deborah Baker Monday. This iconic
piece by Giuseppe Verdi is presented here in
B minor and G major. This allows the violins to
really shine while all parts have melodic interest.
True to the original, the optional percussion parts
add a true symphonic flair and the anvil parts are
easy enough to be played by a parent or guest.
11202316 String Orchestra . . . . . . . . MA 56.00
11202317 Additional Score. . . . . . . . . . . . 7.00
H Capriol Suite—Peter Warlock. This staple of the
string orchestra repertoire, composed in 1927,
is based on a suite of six Renaissance dances.
Each dance offers a different mood and rhythm,
and together they form an excellent concert
work. Original edition.
427864 String Orchestra . . . . . . . . . A 50.00
7180581 Additional Score. . . . . . . . . . . . 7.50
Fantasia on Greensleeves—Ralph Vaughan
Williams/arr. Ralph Greaves. Here is the original
and beloved fantasia that calls for string
orchestra, harp, and two soloists-usually flutes
but often substituted with violins. This lush
arrangement of the English folksong is a classic
in the string repertoire and a wonderful example
of the Vaughan Williams sound. A must-have for
every orchestra library!
5051438 String Orchestra Set
4/4/3/4/2. . . . . . . . . . . . . . MA 31.25
8059068 Violin 1 Part . . . . . . . . . . . . MA 1.75
8059069 Violin 2 Part . . . . . . . . . . . . MA 1.75
8059067 Viola Part . . . . . . . . . . . . . . MA 1.75
8059064 Cello Part . . . . . . . . . . . . . . MA 1.75
8059063 Bass Part . . . . . . . . . . . . . . MA 1.75
8059065 Flute 1 and 2 Part. . . . . . . . MA 1.75
8059066 Harp Part . . . . . . . . . . . . . . MA 1.75
625509 Additional Score. . . . . . . . . . . . 7.25
4e Fidelio Overture—Ludwig van Beethoven/arr.
Todd Parrish. The Fidelio Overture was written
in 1814 to open Beethoven's only opera by the
same name. This string orchestra arrangement
is transposed from the original E major to the
more approachable key of D major. It retains
the original opening which alternates between
powerful majestic bursts and lyrical harmonic
progressions, finishing with the energetic
presto to the end. Optional timpani gives this
arrangement a symphonic quality that closely
resembles the original.
11202215 String Orchestra . . . . . . . . MA 60.00
11202216 Additional Score. . . . . . . . . . . . 9.00
A Valuable Collection!
MORE
MASTERWORKS
for STRINGS
arr. Ben Clinesmith. This collection
of masterworks for intermediate string
players includes familiar melodies ranging
from the Baroque to Romantic periods
and beyond. These ten pieces have been
carefully arranged to support develop-
ing playing technique while introducing
students to the form, style, and distinct
sound of many great composers, including
Vivaldi, Brahms, Beethoven, Dvorak, and
more. Each piece is suitable for small or
large string ensembles in a festival, recital,
or traditional concert setting. A valuable
addition to your orchestra library!
10981254 Conductor . . . . . . . . . 19.95
10981255 Violin 1. . . . . . . . . . . . . 7.95
10981256 Violin 2. . . . . . . . . . . . . 7.95
10981257 Violin 3 Viola T.C. . . . . 7.95
10981258 Viola. . . . . . . . . . . . . . . 7.95
10981259 Cello . . . . . . . . . . . . . . 7.95
10981260 String Bass . . . . . . . . . 7.95
