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L A Hoopla (from The Settling Years)—Libby
Larsen. From a three-part collection based on
poetry by American pioneers, this third piece
depicts a barn dance as vocalists circle 'round
the instruments, stomp, clap, and perform with
general abandon and boisterous vigor.
11197396 SATB. . . . . . . . . . . . . . . . . . . M 2.80
D Agnus Dei (from MASS)—Rollo Dilworth. With
a slow gospel groove, this accessible concert
work sets the traditional Latin text with full, rich
harmonies in a slow 6/8. The piano accompaniment
supports the harmonic motion while adding to the
gospel flavor of this engaging selection.
11203403 SATB. . . . . . . . . . . . . . . . . . ME 2.25
11203404 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
t All Shall Be Well—Mark Burrows. This a cappella
setting of words of assurance from the English
mystic Julian of Norwich is as relevant today as
ever. Sustained, independent vocal lines create
lovely harmonies, and the powerful lyrics make this
an optimistic song of hope appropriate throughout
the year.
11195038 SSAATTBB . . . . . . . . . . . . . . M 2.25
e All will be well—Will Todd. With a text by the
composer, this is a beautiful piece about optimism,
companionship, and the belief that 'all will be
well'. Todd's gentle melodies are supported by a
delicate, pulsing piano accompaniment, and an
optional percussion part (snare drum, bass drum,
and cymbal) that adds extra sparkle to the music.
11315638 SAB (opt. Bass) ME 3.25
11315639E SA ePrint. . . . . . . . . . . . . . . ME 3.25
t Alleluia—Elaine Hagenberg. This joyous and
rhythmic a cappella setting of St. Augustine's text
in a buoyant 7/8 meter is brimming with vitality
and energy. The contrasting middle section
offers expansive lines and lush harmonies which
propel the music into exciting key changes and a
climactic ending. A wonderful opening selection
for more advanced mixed choirs!
11196226 SATB divisi . . . . . . . . . . . . . MA 2.50
t Alleluia—Kile Smith. The ebb and flow of the
choral parts create a wonderfully fluid sound,
and the lovely, flowing vocal lines intertwine and
overlap as they build toward the climax and then
to a peaceful ending. Simply beautiful.
11171318 SATB. . . . . . . . . . . . . . . . . . ME 2.25
D Always a Place for You—Philip Silvey. Powerful
lyrics by the composer tell the story of acceptance
and belonging. Melodic with contemporary
harmonies, this is perfect in a themed concert
addressing people's joys and concerns.
11175406 SATB. . . . . . . . . . . . . . . . . . ME 2.25
And So I Sing—Christi Jones. This poignant
setting of a powerful text by James Weldon
Johnson, African-American poet and national
organizer for the NAACP, reflects on the reasons
we sing. Opening with an optional violin solo
and enhanced by a flowing piano part, the piece
begins as a slow, pulsing ballad in minor which
transitions to a major key, upbeat ending.
11197775 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
te As the rain hides the stars—Ian Assersohn.
This setting of a traditional Gaelic prayer is
poignant and heartfelt, with sustained lines and
a full, rich choral sound. Gentle shifts in harmony
between various combinations of voices and the
use of unexpected chromatic chords imitate the
slow movement of the clouds, rain, and mist, and
reveal something once hidden.
11315640 SATB. . . . . . . . . . . . . . . . . . . M 3.00
Lt As the Tree Stands Tall—Daniel Schreiner.
With a theme of unity and standing together, this
exceptional work will have special appeal to treble
ensembles as well as multigenerational choirs.
11190446 SSAA with djembe . . . . . . . . M 2.15
Astronomy (Movement V from "To Shiver the
Sky")—Christopher Tin. To Shiver the Sky is an
oratorio about the history of flight and mankind's
quest to conquer the heavens. Told through
the words of 11 of our greatest astronomers,
inventors, visionaries, and pilots, it charts our
relentless need to explore the universe, defy our
earthly bonds, reach for the face of God, and
ultimately claim our place among the stars. This is
the fifth movement from the larger work, with lyrics
in Polish.
11314281 SSATBB . . . . . . . . . . . . . . . . M 2.75
Ave Regina Caelorum—Isabella Leonarda/arr.
Meredith Bowen. Isabella Leonarda was one of the
most prolific woman composers of 17th-century
Italy, publishing 20 volumes during her lifetime
including the first known sonatas written by a
woman. This edition seeks to restore the music
from the original published copy for an authentic
performance. The optional cello/continuo part is a
lovely addition.
11196236 SSA w/ Cello Part. . . . . . . . . M 2.25
t Beethoven's a Cappella 5th—Ludwig van Beet-
hoven/arr. Jay Rouse. Here's a novelty piece that
will steal the show! Beethoven's Fifth Symphony
is set for a cappella voices with some creative
vocables, style, and a touch of humor. The TTTBB
arrangement is the actual arrangement of the
Veritas a cappella quintet, and the mixed version is
a faithful adaptation. A perfect change of pace that
is moderately challenging and rewarding!
11175610 SSATB . . . . . . . . . . . . . . . . . M 2.25
11175611 TTBB divisi (TTTBB) . . . . . . . M 2.25
t The Bird's Lullaby—Sarah Quartel. Inspired
by the text of poet E. Pauline Johnson, Sarah
Quartel has created an energetic and fun piece
for a cappella voices. Melodic elements and
counter melodies are shared between the voices
in a conversational style while the background
vocables create the texture.
11315655 SATB. . . . . . . . . . . . . . . . . . . M 3.35
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A D U L T C O M M U N I T Y C H O I R
Sacred & Secular . . . . . . . . . . . . . . . . . . . . . . . . 1
World Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Pops & Show . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Americana Music . . . . . . . . . . . . . . . . . . . . . . . . 9
Holiday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
C H I L D R E N ' S C O M M U N I T Y C H O I R
Sacred & Secular . . . . . . . . . . . . . . . . . . . . . . . 13
World Music . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Pops & Show . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Spirituals & Folk. . . . . . . . . . . . . . . . . . . . . . . . . 18
Holiday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
C O L L E G I A T E C H O I R
Sacred & Secular . . . . . . . . . . . . . . . . . . . . . . . 20
World Music . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Holiday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Pops & Show . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Americana . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
