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De Adonai Roi—Nina Faia Mutlu & Daniel Mutlu/
arr. David Chase. Psalm 23 remains one of the
most comforting texts to those who are afflicted
with pain, loss, and grief. This original piece
sets Hebrew and English texts with a soaring
melody, beautiful harmonies, and short a cappella
sections. A translation and pronunciation guide
are included.
11171531 SATB. . . . . . . . . . . . . . . . . . ME 2.25
Lt Akekho Ofana No Jesu—arr. Daniel Jackson.
A dynamic a cappella world music selection
featuring a call and response solo, optional
improvised percussion and movement, and a
divided choir option. The song is a traditional
South African celebratory anthem, and this stellar
arrangement captures all the excitement of the
style. A helpful IPA pronunciation guide and
translation are provided, along with performance
notes. Each part has syncopation and rhythmic
repetition that layer together to create an exciting
texture that is easy to learn and thrilling to perform.
An exemplary concert opener or closer!
11200569 SSAA . . . . . . . . . . . . . . . . . . M 2.65
11200571 TTBB. . . . . . . . . . . . . . . . . . . M 2.65
Lt Alegrate en Extremo—Mark Burrows. A
poem from Mexico's pre-Columbian era and
translated into Spanish is presented here in a
highly interesting and rhythmic original setting
that retains its cultural feel. With percussion and
opportunities for soloists, this unique work will
excite choirs and audiences alike.
11195651 SATB with percussion . . . . . M 2.85
Lt Bawo—arr. Michael Barrett & Ralph Schmitt.
This beautiful Xhosa prayer from South Africa has
been set with care, retaining the authentic feel
in a mid-tempo ballad. The flowing vocal lines
are achievable by a variety of levels, while the
addition of the two soloists adds great forward
momentum. This work is equally usable in concert
or worship settings.
11195661 SATB divisi . . . . . . . . . . . . . . M 2.85
t Bonk' abaphandle—arr. Michael Barrett &
Mbuso Ndlovu. A tremendously fun arrangement
by South African musicians Michael Barrett and
Mbuso Ndlovu. This celebratory isiZulu song is a
quick learn that will pay dividends for audiences
and choirs! Add percussion, clapping, and
ululations to make the most of this work.
11200702 SSAA . . . . . . . . . . . . . . . . . . M 2.75
11200703 TTBB. . . . . . . . . . . . . . . . . . . M 2.75
DtBut Let Justice Roll (V'yigal Kamayim)—
e Philip Lasser/ed. Judith Clurman. Setting the
powerful Hebrew text by the prophet Amos, this
piece is lively and full of optimism. Contemporary
harmonies, optional handclaps, and a rhythmic
ostinato set the joyous tone of the work. "But
let it roll like the water, justice and righteousness
like a mighty stream." A pronunciation guide and
translation are included.
11201952 SATB. . . . . . . . . . . . . . . . . . . M 2.25
t Dulaman—arr. Desmond Earley. Dulaman is a
traditional working song from the north of Ireland,
made famous in the 1970s by the legendary Irish
group Clannad. The word "dulaman" means
seaweed, and the song references two different
types - one for dyeing and one that is edible;
each represents different characters in the song.
Featuring a tenor soloist, the arrangement also
uses the bodhran, an Irish single-headed frame
drum. A lively choral refrain repeats after each
verse, making it easier to learn.
11332034 SATB divisi . . . . . . . . . . . . . . M 2.75
L Hands Are Knockin'—Kyle Pederson. A
fascinating mix of English and Arabic text
reinforces the universal message to open our
minds, hearts, and hands to each other. The
lively piano accompaniment, notated djembe
percussion part, and syncopated vocal lines
that highlight the text come together to create a
meaningful piece that will be long remembered.
Exceptional!
11196420 SSAA or SA divisi . . . . . . . . . M 2.25
Lt Kingli—Stacey V. Gibbs. Stacey Gibbs hits a
e home run with this African folk song. The piece is
full of joy and expectation and useful as a concert
opener or as a processional. Rhythmic energy,
strong vocal writing and energy are all hallmarks
of this composition.
11197252 SATB. . . . . . . . . . . . . . . . . . . M 2.25
Dt Kwangena Thina Bo—arr. Lhente-Mari Pitout.
e Created to be sung in the original Xhosa language,
this traditional South African folk song has been
authentically arranged by the director of the
Pretoria Youth Choir. An IPA pronunciation guide
along with a poetic translation is provided, making
an authentic performance easy to realize.
11169751 SATB. . . . . . . . . . . . . . . . . . . M 2.50
11169752 TTBB. . . . . . . . . . . . . . . . . . . M 2.50
t Kwaxabana Oxamu—arr. Michael Barrett &
Mbuso Ndlovu. This dazzling work is a celebration
of the isiXhosa language of South Africa. It uses
the various click sounds found in the Xhosa
language to a stunning effect. The language will
be a challenge to most choirs, but the work will be
well worth it for the end result!
11200698 SATB. . . . . . . . . . . . . . . . . . . M 2.75
t Malaika—Fadhilli William Mdawida/arr. Russell
Robinson. This popular Kenyan love song with
a lively melody has been arranged for SATB
choir and percussion, with a solo opportunity
for any voice. When performing this delightful a
cappella work, make sure your choir sings with
joy on their faces!
11198327 SATB. . . . . . . . . . . . . . . . . . ME 2.50
t Modimo—arr. Michael Barrett. Modimo is a
song of praise and celebration from South Africa.
Improvised percussion and a traditional Sesotho
melody make for a grounded and deep sound
your singers will immediately connect with. A
quick learn with a huge impact.
11200553 TTBB. . . . . . . . . . . . . . . . . . ME 2.75
Lt Ndangero—arr. Eslon Hindundu. Eslon Hindundu
of Namibia has beautifully arranged this song from
his country for choir and soloists. Sounding both
otherworldly and peaceful, this interesting work
has great appeal for a wide variety of audiences.
The repetitive nature of both the music and the text
will make this work easy and rewarding to learn.
11173012 SATB. . . . . . . . . . . . . . . . . . . M 2.60
Lt Shut de Do!—Randy Stonehill/arr. Stacey V.
Gibbs. The well-known song Shut de Do! has
been arranged in combination with an original
melody and Swahili text to create a multicultural
celebration that is simply dynamic. Powerful
harmonies and rhythmic patterns set up the
choral texture and plenty of repetition which make
it easy to learn and effective to perform.
11315863 SATB. . . . . . . . . . . . . . . . . . . M 2.20
Le Sim Shalom—Jennaya Robison. Written
around the theme Prayers for Peace, the melodic
material seems reminiscent of music that one
would hear in a Hebrew morning service, with a
melody that the singers and listeners will carry
with them throughout the entire day. The piece
can be performed in a variety of ways: as an
unaccompanied work (beginning at measure 8),
with piano, or with string quartet.
11197381 SATB opt. a cappella . . . . . ME 2.05
Lt Tipitin—Maria Grever/arr. Raul Dominguez.
Written by the United Mexican States's first well-
known female composer, this vals Mexicano
(Mexican waltz) makes a charming a cappella
work for mixed or treble choirs. The textured
setting offers well-conceived choral parts
throughout, sometimes using lower voices to
provide a dance-like underscore for the lilting
melody. A full translation and pronunciation notes
assist in the understanding and mastery of an
entirely Spanish text. Features an agile soprano
on the optional solo descant near the end.
11317166 SATB. . . . . . . . . . . . . . . . . . . M 2.05
11317167 SSAA . . . . . . . . . . . . . . . . . . M 2.05
Lt Wena Wedwa—arr. Daniel Jackson. This song
of praise from South Africa has vocal parts that
are accessible and repetitive, so learning the
initial rhythms and texts makes this a quick learn.
Adding a soloist or percussion will take this song
to a whole new level. This tremendous work will
make an excellent concert opening or closing!
11195668 SATB. . . . . . . . . . . . . . . . . . . M 2.65
WORLD MUSIC
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