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AMERICANA MUSIC
Lt Nature Boy—eden ahbez/arr. Anders Edenroth.
"The greatest thing you'll ever learn is just to
love and be loved in return." This beautiful song
was written by eden ahbez and made famous by
Nat King Cole. This dynamic arrangement was
created for The Real Group and translates well to
full choir that loves a challenge!
11195773 SSATB . . . . . . . . . . . . . . . . . M 2.85
L Old Joe Clark—arr. Dwight Bigler. This Appala-
chian folk song is tremendously fun. Fantastic
and fun vocal lines are supported by a lively yet
accessible piano accompaniment. Add spoons
and clapping or stomping for a great time!
11167747 SSAA . . . . . . . . . . . . . . . . . . M 2.75
11195649 TTBB. . . . . . . . . . . . . . . . . . . M 2.75
te One Day—arr. Richard Rodney Bennett. This
beautiful ballad, arranged for The King's Singers,
has a text that speaks of hope for a better and
sweeter world where war and division are a
distant memory. Filled with characteristically rich
and colorful jazz harmonies, the listener travels
on a sweet journey through unexpected harmonic
patterns and an uplifting text.
11204902 SATBBB . . . . . . . . . . . . . . . . M 2.50
Lt Poor Wayfaring Stranger (from "Four Ameri-
e can Folk Songs")—arr. Frank Ferko. Commiss-
ioned by the Choir of Trinity College (Melbourne)
for their U.S. concert tour in 2020. The textures of
this work vary from spare to lush, reflecting the
pathos of this mournful folk song.
11316634 SSAA . . . . . . . . . . . . . . . . . ME 2.35
te Pretty Saro (from "Appalachian Stories")—
arr. David Chase. Extracted from the larger work
Appalachian Stories, this second movement is
a beautiful English folk ballad lost in its native
land but preserved in Appalachia's oral tradition.
A bluegrass fiddle part provides connective
material throughout, but the otherwise a cappella
texture employs the open, transparent harmonies
indicative of the style.
11204933 SATB with Fiddle . . . . . . . . . M 2.25
e Scarborough Fair—arr. Michael Higgins.
Higgins' setting of this popular folk song opens
simply and then moves along with gradually
increasing contrapuntal interest. The lovely
arpeggiated piano accompaniment flows gently
alongside the vocal lines, creating suspensions
that reflect the mystery of the text.
11195472 SSA. . . . . . . . . . . . . . . . . . . ME 3.35
Lt She'll Be Comin' 'Round the Mountain (from
e "Four American Folk Songs")—arr. Frank
Ferko. Commissioned by the Choir of Trinity
College (Melbourne) for their U.S. concert tour in
2020. With swinging rhythms and laughing motif
throughout, this is the perfect conclusion to
this set of four American folk songs. Eschewing
weightier interpretations of the text, this setting
is pure fun.
11316635 SSAA . . . . . . . . . . . . . . . . . . M 2.60
Lt Skip to My Lou (from "Four American Folk
e Songs")—arr. Frank Ferko. Commissioned by
the Choir of Trinity College (Melbourne) for their
U.S. concert tour in 2020. This brisk and fun
setting contains lots of interplay with some rather
coy syncopation, at one point even inverting the
tune itself.
11316632 SSAA . . . . . . . . . . . . . . . . . . M 2.35
Lt Star-Spangled Banner—John Stafford Smith/
arr. Jacob J. Narverud. Elegant and creative,
Narverud's concert setting of the national anthem
is destined to become a classic. His masterful
harmonies for mixed divisi choirs are challenging,
but not overdone. A perfect signature anthem
arrangement!
11202490 TTBB. . . . . . . . . . . . . . . . . . . M 2.10
L There's Gonna Be a Homecomin'—Kyle Ped-
erson. An original work with a real spiritual feel,
this piece is full of joy, with a text that celebrates
the unconditional love of family and home.
11190443 SSATB . . . . . . . . . . . . . . . . ME 2.25
te This Old Hammer (from "Appalachian
Stories")—arr. David Chase. Extracted from
the larger four-movement work Appalachian
Stories comes this rousing arrangement of the
traditional American folk song. Set for mixed
chorus with a fiddle accompaniment that ties the
movements together, this otherwise a cappella
piece incorporates some simple body percussion
and an authentic presentation of the history and
character of this song.
11205223 SATB divisi . . . . . . . . . . . . . . M 2.95
Le Wayfarin' Stranger—arr. Linda Spevacek.
Intriguingly different, this jazzy, bluesy setting of
the classic spiritual really does pop with its fun,
stylized piano accompaniment. With quite a bit of
independence in the vocal lines, it is easy to teach
and fun to sing.
11172872 SSA. . . . . . . . . . . . . . . . . . . ME 2.20
t We Shall Overcome—arr. Shelton Ridge Love.
A strong, resolute setting of the familiar civil rights
"marching song" vividly calls to mind the images
which add depth of meaning and emotion to the
notes sung. From the distant beginning to the
powerful final statement, this arrangement calls
us to stand with, and for all those in the long fight
for justice. A cappella, this powerful setting may
be sung in any location.
11314193 SATB. . . . . . . . . . . . . . . . . . . M 2.15
11314194 TTBB. . . . . . . . . . . . . . . . . . . M 2.15
10
ADULT
COMMUNITY
CHOIR
Theme:
EQUALITY
Listen Here—Sally Lamb McCune.
11201971 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . 2.50
Stand Up (from "Harriet")—arr. Mac Huff.
11201985 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
11201987 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Considering Matthew Shepard: A Choral Suite—
Craig Hella Johnson.
11203886 SATB Choral Score . . . . . . . . . . . . . . . . 8.95
You Have More Friends Than You Know—
Mervyn Warren/arr. Dave Volpe.
11205701 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
11205702 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Requiem (from "The Unarmed Child")—
Adrian Dunn & Michael Bussewitz-Quarm.
11206001 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.30
My Name Is Lamiya: Don't Call Me Refugee—
Michael Bussewitz-Quarm.
11206003 SATB 2020 edition. . . . . . . . . . . . . . . . . 2.85
11206006 SSAA 2020 edition . . . . . . . . . . . . . . . . . 2.85
Say Her Name—Alysia Lee.
11313861E SATB or SSATB ePrint . . . . . . . . . . . . . 2.50
11304095E SSA ePrint. . . . . . . . . . . . . . . . . . . . . . . . 2.50
We Shall Overcome—arr. Shelton Ridge Love.
11314193 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
11314194 TTBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.15
Lift Every Voice and Sing—
John Rosamund Johnson/arr. Heather Sorenson.
11317761 SATB w/Solo. . . . . . . . . . . . . . . . . . . . . . 2.10
Lead with Love—Melanie DeMore.
11317834E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . 2.25
Theme:
CELEBRATING
PEACE &
ACCEPTANCE
No Color—Stacey V. Gibbs & Shawn Kirchner.
11173011 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . 2.95
Where the Light Begins—Susan LaBarr.
11174706 SSA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.75
Words Apart—Alisa Bair.
11195605 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Peace to the World—
Hyun Kook/arr. Alan Robert Petker.
11196222 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I Give You Peace—Dominick DiOrio.
11204449 SATB divisi . . . . . . . . . . . . . . . . . . . . . . . 2.50
Requiem (from "The Unarmed Child")—
Adrian Dunn & Michael Bussewitz-Quarm.
11206001 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3.30
My Name Is Lamiya: Don't Call Me Refugee—
Michael Bussewitz-Quarm.
11206003 SATB 2020 edition. . . . . . . . . . . . . . . . . 2.85
11206006 SSAA 2020 edition . . . . . . . . . . . . . . . . . 2.85
Sing as One—Jude B. Roldan.
11218540 Three-Part Treble or SSA . . . . . . . . . . . 2.55
Love Shall Be Our Token—Michael John Trotta.
11315439 SATB . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.65
Lead with Love—Melanie DeMore.
11317834E SATB ePrint . . . . . . . . . . . . . . . . . . . . . . 2.25
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