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SACRED & SECULAR
D Agnus Dei (from "MASS")—Rollo Dilworth.
With a slow gospel groove, this accessible
concert work sets the traditional Latin text
with full, rich harmonies in a slow 6/8. The
piano accompaniment supports the harmonic
motion while adding to the gospel flavor of this
engaging selection.
11203404 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
All for the Love of One—Bob Chilcott. This
beautiful setting of an anonymous medieval
text follows a brokenhearted lover into the
woods. Beautifully sculpted melodic lines
and engaging harmonies fluctuate between
major and minor keys. Supported by a warm
yet understated accompaniment, this piece is
nostalgic and lovely.
11198388 SA . . . . . . . . . . . . . . . . . . . . ME 3.00
All will be well—Will Todd. With a text by
the composer, this is a beautiful piece about
optimism, companionship, and the belief
that 'all will be well'. Todd's gentle melodies
are supported by a delicate, pulsing piano
accompaniment, and an optional percussion
part (snare drum, bass drum, and cymbal) that
adds extra sparkle to the music.
11315639E SA ePrint. . . . . . . . . . . . . . . ME 3.25
And I Will Be—Jim Papoulis. Celebrating the
inner strength that is unique to each of us, this
work identifies the choral music room and the
friends we make there as a safe place. We are
reminded of the power of music making and the
freedom we experience when making that music.
11171320 SATB. . . . . . . . . . . . . . . . . . ME 2.50
Ave Regina Caelorum—Isabella Leonarda/
arr. Meredith Bowen. Isabella Leonarda was
one of the most prolific woman composers of
17th-century Italy, publishing 20 volumes during
her lifetime including the first known sonatas
written by a woman. This edition seeks to restore
the music from the original published copy for
an authentic performance. The optional cello/
continuo part is a lovely addition.
11196236 SSA w/ Cello Part. . . . . . . . . M 2.25
Dt Be the Change—Laura Farnell. With a multi-
cultural flair, this energetic and rhythmic work
conveys a singular force for change. Combining
texts from Mahatma Gandhi, Dr. Martin Luther
King, Jr., and Matthew 5:15 with original lyrics, the
piece also incorporates This Little Light of Mine.
An optional divisi descant will challenge younger
choirs while remaining accessible. Optional
djembe and shaker parts are included.
11203571 SATB divisi, opt.
piano accompaniment . . . . ME 2.25
Boats Sail on the Rivers—Mark Patterson.
This choral setting of a brief and simple poem by
Christina Rossetti offers a poignant comparison
between things made by people and the things
found in the natural world. With lovely harmonies
and a flowing piano accompaniment, this piece
will appeal to treble ensembles looking for growth
in tone, text, and musical line development.
11193970 SSA. . . . . . . . . . . . . . . . . . . ME 2.25
Caminante—David L. Brunner. This highly
interesting Spanish poem conveys many ideas:
courage and determination, freedom and ease,
contemplation and solitude. The music, with
percussion, piano, and wonderful vocal lines,
moves along at a leisurely pace complementing
the text. A unique work that will enhance
any program.
11200580 SATB. . . . . . . . . . . . . . . . . . . M 2.65
Carnival of the Animals (Choral Set I)—
Camille Saint-Saens/arr. Heather Sorenson.
Introduce Saint-Saen's beloved instrumental
chamber work in a highly creative way! Playful
original lyrics accompany strong two-part writing
and an enchanting accompaniment. To get the
full effect, consider adding the optional flute part
for Aquarium, and/or the optional xylophone part
for Fossils. May be performed separately or as a
four-minute concert set. Absolutely delightful!
11196348 Two-Part. . . . . . . . . . . . . . . ME 2.30
H Come Travel With Me—Scott Farthing. Walt
Whitman's Song of the Open Road is the basis for
this expansive and melodic original composition
that is perfectly suited to the young chorus.
Limited range melodies and chordal harmonies
soar over an active piano accompaniment,
creating an expressive sound tapestry that will
captivate both singers and listeners alike. Free-
spirited and fun!
11316555 SSA. . . . . . . . . . . . . . . . . . . ME 2.75
t Connected—Brian Tate. "I am you are me...."
This innovative original uses a clever text and
pop-style music to create an environment of
togetherness among members of the choir.
Community - that's what it's all about. Each vocal
part gets its own statement, and all are sequenced
together into a rollicking chorus, all a cappella, all
fun! Complete with finger snaps and handclaps,
this will be a hit with your singers!
11199790 TTBB. . . . . . . . . . . . . . . . . . ME 2.55
t Earth Song—Frank Ticheli. A cry for peace in
a world torn by war, this poignant a cappella
setting of an original text is filled with striking
dynamic contrasts. "Sing, Be, Live, See... This
dark stormy hour, the wind, it stirs. The scorched
earth cries out in vain... But music and singing
have been my refuge, and music and singing
shall be my light..."
11196150 SSAA . . . . . . . . . . . . . . . . . . M 2.25
Encounters—Wayland Rogers. In his book I and
Thou, Martin Buber centers on the importance of
relationships, establishing connections with one
another. This work expresses that philosophy
through the text found in Kazuaki Tanahashi's
eloquent poem, Encounter. This SATB setting
features prominently in Wayland Rogers' original
song cycle "I-Thou" written for vocal quartet,
commissioned and premiered in 2018 by Fourth
Coast Ensemble in Chicago.
11199944 Two-Part. . . . . . . . . . . . . . . ME 2.40
Everyday Wonders (The Girl from Aleppo)—
Cecilia McDowall. Everyday Wonders: The Girl
from Aleppo tells the extraordinary story of
Nujeen Mustafa, a Kurdish teenager with cerebral
palsy forced by war to flee her home and embark
on an arduous journey to Europe with her sister.
Pushed in a wheelchair by her sister, Nasrine, from
Aleppo to Germany, her journey was the subject
of much publicity. Throughout many months,
Nujeen remained brave, blithe and articulate.
This 18-minute cantata traces Nujeen's journey
with a musical narrative using chorales, haunting
vocal solos, intense solo violin passages, restless
choruses, and body percussion to follow the
sisters through various countries to their ultimate
destination in Germany. It is the story of a journey
of hope and extraordinary fortitude against all
odds. The five movements are: 1. Orphans of
the World; 2. Thousands milling at the border
(The Journey); 3. I had never seen the sea before;
4. A lost tribe pushed from border to border; 5.
Everyday Wonders.
11315643 SSA Vocal Score . . . . . . . . . . 12.95
Excuse Me, I Don't Understand—Ivo
Antognini. From a set of songs commissioned
by the Swiss Association of Children's and Youth
Choirs to promote ideas of environmentalism and
peace. An extremely poignant text that exclaims,
"Excuse me, I don't understand!" regarding world
hunger, violence, and growing old. Originally in
French, this setting is in English.
11200623 SA . . . . . . . . . . . . . . . . . . . . ME 2.85
Gaudeamus Hodie—Earlene Rentz. The strong,
driving rhythms and exciting dynamic contrasts
of this Latin setting will keep your audience
and choir engaged right up to the final vigorous
"Hallelujah!" Very catchy, fun to sing and easy
to sound good on, this piece will work well as a
processional or opener.
11197748 Unison . . . . . . . . . . . . . . . . ME 1.95
D Hands—Kevin T. Padworski. This piece, which
sets the words of a beloved school administrator,
opens with an optional solo and then erupts with
joy and passion. Independent vocal lines create
lovely cascading moments, and the mixed meters
and body percussion add to the excitement while
the piano and cajon propel the rhythmic motion
forward. Powerful!
11200690 SSA. . . . . . . . . . . . . . . . . . . . M 2.50
The Human Touch—Eleanor Daley. Comm-
issioned for the Bach Children's Chorus, this
setting of inspiring poetry espouses the human
connection so essential to us all: "the touch of
the hand and the sound of the voice sing on in
the soul always." A wonderful work for treble
voices with a soaring piano accompaniment.
11202018 SSA. . . . . . . . . . . . . . . . . . . . M 2.20
I Carry Your Song in My Heart—Evan Ramos.
A beautiful, emotionally evocative tribute to
the power of music and teaching, this piece for
advanced treble ensemble with cello obbligato
features lovely harmonic motion with a modern
sensibility. Unexpected shifts between major
and minor, unresolved cadences, and a section
with layered, overlapping voices lead to a simple
unison ending. Very moving!
11195043 SSAA . . . . . . . . . . . . . . . . . . M 2.50
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