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HANDBELL MUSIC
108
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Let Us Talents and Tongues Employ—arr.
Benjamin A. Tucker. Lots of fun techniques
make this lively Jamaican song come alive!
Bongos enhance the exuberance of this popular
communion hymn. Great for church, concerts, or
festivals, with lots of teaching moments.
11203421 3-5 Octave opt. Bongos . . L3 5.25
Loch Lomond—arr. Cathy Moklebust. This
setting of the familiar Scottish melody is a joy to
listen to. A delicate opening gives way to a hopeful,
flowing scoring with undulating sixteenth notes. The
sections alternate between flowing and march-like
before fading away to a peaceful conclusion. A nice
addition for your spring concert.
11202862 3-5 Octave w/opt.
3-5 oct. Handchimes . . . .L4- 5.95
Lord, I Want to Be a Christian—arr. Mitchell
Eithun. In this beautiful, contemplative setting of the
traditional spiritual, the melody is supported by an
appealing harmony. A thoughtful rendition of I Want
Jesus to Walk with Me played on chimes provides
the center of this arrangement before returning to
the relaxed main theme.
11164632 3-5 Octave with opt.
3-5 Octave Handchimes. . L2 4.95
The Lord's My Shepherd—arr. John A. Behnke.
An original, singable melody unifies three stanzas
of the familiar hymn tune
BROTHER JAMES' AIR. In
the middle section, the melody moves to a minor
key, then the opening melodic material returns once
again to lead into the final triumphant statement.
This compelling arrangement is ideal for the Easter
season as well as general occasions.
11165157 3-5 Octave . . . . . . . . . . . L2 5.25
Love Divine—arr. John A. Behnke. A bell
motif provides the unifying element of this new
arrangement of the well-known hymn tune
HYFRYDOL. All ringers are kept busy as the piece
builds rhythmically and dynamically from start
to finish. This lovely and regal arrangement is
usable through the church year, in concert, or for
massed ringing.
11166937 3-5 Octave . . . . . . . . . . . L2 5.50
l Majestic in Holiness—Ron Mallory. This
original tune is based on Exodus 15:11 and
features energetic and rhythmic drive throughout.
The melody passes between all sections of
the ensemble, and the varied techniques will
keep ringers on their toes! A great choice for a
celebratory moment in worship or concert!
11347702 3-6 Octave w/opt.
3-5 oct. Handchimes . . . . L3 4.95
Marching to Zion—Robert Lowry/arr. Sondra K.
Tucker. This energetic hymn is complemented by
the addition of the shape-note hymn Zion's Walls.
The optional flute and snare drum add energy
and zest to this fun arrangement, appropriate for
general worship, festival, or concert use.
11203422 3-5 Octave w/
opt. 3-5 oct. Handchimes,
Flute, Snare . . . . . . . . . . . L3 5.25
O Love That Will Not Let Me Go—A. Peace/
arr. Patricia Hurlbutt. This lovely arrangement of
the hymn tune
ST. MARGARET is a joy both to play
and to hear. An opening section of rising bell
peals effectively echoes the opening ascending
scale motive of the hymn. Undulating eighth notes
accompany the flowing melody, followed by a
bass melody on handchimes accompanied by the
echo technique on bells. A key change leads to a
grand final verse which slows and eases into a final
delicate chord.
11166263 3-5 Octave . . . . . . . . . . . L2 4.50
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
O Worship the King—arr. Karen Lakey
Buckwalter. Fun and energetic are the perfect
words to describe this upbeat arrangement.
With a forceful malleted bass – set in a
3+3+2 rhythm – the beloved melody gets
cast in a new and exciting light before a slower
iteration comes in, set to interesting, intricate, and
unexpected harmonies. The rhythmic feel of the
opening returns to close out the piece in grand
fashion. Be sure to add this to your next concert or
worship service!
11314811 3-5 Octave . . . . . . . . . . L3+ 5.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Offering of Praise—Karen Lakey Buckwalter.
This beautiful pairing of
OLD 100TH with the
traditional tune
JESUS IN THE MORNING is a true joy
to experience. Lush harmonies abound throughout,
highlighting the delicate scoring of the melody.
An outstanding choice to push your ensemble's
musicality to the next level.
11347704 3-5 Octave w/opt.
3 oct. Handchimes. . . . . . L3 4.95
On Eagle's Wings—Michael Joncas/arr. Lloyd
Larson. This enticing setting of the beloved
tune pairs handbells and piano with optional
handchimes. Lovely and accessible, this chestnut
is sure to be a favorite.
11204320 3-5 Octave & Piano . . . . . L2 5.75
11204321 Full Score & Organ/Keyboard
Full Score & Piano Part. . . . . . 10.95
On Wings Above—Jason W. Krug. Written in
memory of a beloved handbell ringer, this original
composition moves from sorrow to soaring hope.
There are two separate parts for different size
ensembles. Each part may be played independently
or combined for a truly breathtaking musical
statement. Mixed and compound meters with
chromatic changes make this a challenging yet
satisfying selection perfect for church, concert, or
festival use.
11204324 2-3 Octave . . . . . . . . . . L2+ 5.25
11204325 3-7 Octave . . . . . . . . . . . L3 5.25
11204326 Full Score & Organ/Keyboard
Full Score for both settings . . . 10.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Onward, Christian Soldiers—Jason W. Krug.
Combining the well-known hymn by Arthur Sullivan
with the famous Trumpet Tune of Henry Purcell,
this setting is ideal for ensembles searching for
something a little different. After a stately chordal
iteration of the hymn, the energy ramps up with
malleted bass chords, punctuated with snippets of
the Trumpet Tune. As a final verse, the two tunes are
played simultaneously, casting each in a new light.
11347708 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L3 5.95
Open Your Ears—Patricia Hurlbutt. This lively
arrangement of a traditional Hasidic tune is a fun
addition for the ensemble looking for something
a little different. Moving from extremely delicate
single melodic lines to thick-textured and complex
multiple melodic and harmonic lines running
simultaneously (often playing different techniques),
this will be a great addition to any program.
11314812 3-5 Octave . . . . . . . . . . L2+ 4.95
Pachelbel's Canon—Johann Pachelbel/arr.
Barbara Brocker. Audiences love this familiar
Baroque piece and will enjoy it even more when
played on a series of bell trees. Transposed into
the key of C, the piece can be played on bell trees
from G4 to C6 or G7, with only one accidental.
Accompaniment (included) for synthesizer (strings
or harpsichord) or piano. The 69-measure solo is
suitable for sacred or secular settings.
10283891 3-4 Octave . . . . . . . . . . . . M 4.95
Panis Angelicus—Cesar Franck/arr. Lindsey
Horty. Originally written in 1872 for tenor, cello, and
organ, this revered piece has stood the test of time
and is arranged here for handbells and optional
handchimes. While appropriate for any service, this
piece is ideal for communion, Christmas, weddings,
and concerts.
11204984 3-5 Octave . . . . . . . . . . . L2 4.95
Peal on "Lasst uns erfreuen"—arr. Patricia
Hurlbutt. This arrangement of the well-known hymn
is both simple to ring and stunningly original. The
treble bells set up a four-note peal while the lower
treble and bass bells play the melody in octaves. A
verse with full and harmonically interesting chords
follows before a final closing peal. A wonderful
choice for any general worship service.
11166266 3-5 Octave . . . . . . . . . . . L1 3.50
Praise—Fred Gramann. Composed with massed
ringing in mind, this original work lends itself
equally well to being rung by a single handbell choir.
It is in mixolydian mode and will work well to open
a concert or worship service.
11166942 3-5 Octave . . . . . . . . . . L2+ 4.95
Praise, My Soul, the King of Heaven—arr.
Cathy Moklebust. The hymn tune
LAUDA ANIMA is
the source of this majestic arrangement which is
appropriate throughout the church year. Beginning
with a fanfare introduction, the first stanza is
presented in a powerful, straightforward style. Two
softer, more flowing stanzas are next, featuring LV
accompaniments, a treble countermelody, the tune
in the middle range, and an eighth-note obbligato.
A crescendo leads into a reprise of the introduction
and a brilliant, shimmering conclusion.
11166944 2-3 Octave . . . . . . . . . . . L2 4.95
11166945 3-6 Octave . . . . . . . . . . . L2 4.95
Praise to the Lord, the Almighty—arr. Patricia
Hurlbutt. This setting of
LOBE DEN HERREN is peppy
and upbeat, almost Celtic in feel. While scored for
Level 2+/3- ensembles, it is an excellent choice
for groups looking for more challenge. This
arrangement is appropriate for worship year round
and ideal for concerts.
11204989 3-5 Octave . . . . . . . . . . .L3- 4.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Prayer for Healing—Michael Helman. This
stirring composition is dedicated to all who
have suffered losses as part of the Coronavirus
pandemic. The simple, haunting melody speaks
of pain and loss, but also of hope and healing.
Handchimes are used throughout for beautiful
musical effect. This is a poignant musical statement
suitable for worship, concert, or memorial use.
Optional 3-5 octaves of handchimes.
11314813 3-6 Octave . . . . . . . . . . .L3- 5.95
Prelude for a Celebration—John A. Behnke.
This festive, original handbell prelude for 7-11
ringers (2-3 octaves) is musically challenging and
engaging for ringers and audience. Rhythmically
interesting and with a memorable melody, it builds
from start to finish and can truly set the tone for
worship or open a concert.
11204647 2-3 Octave . . . . . . . . . . . L2 3.95
Procession on Engelberg—arr. Anna Laura
Page. Suitable for Easter, Music Dedication Sunday,
or any general festive occasion, this stunning
arrangement of the Charles Villiers
STANFORD hymn
tune sets a grand and noble atmosphere. The
optional organ part adds depth and clarity to the
straightforward handbell part.
11166127 3-6 Octave w/opt. Organ. . L3 5.25
Processional Joy—Ludwig van Beethoven/
arr. Barbara Brocker. This processional, based on
Beethoven's Ode to Joy, has a bell tree of six bells
playing the melody. Accompaniment can be either
a 2-5 octave bell choir, a 2-5 octave chime choir,
or both. Some parts are simpler to ring, allowing
for easier parts to be given to the "processionally
challenged" ringer. Three of the four phrases are
nearly identical, so memorization is simplified. This
processional in C major can be used in any season
with a small or large choir.
10283894 2-5 Octave Bell Tree . . . L2+ 2.95
Reflection and Celebration—Hart Morris.
This two-movement work spans the full range of
emotions. Reflection is slow and thought-provoking;
Celebration is lively, fun, and full of rhythmic
complexity. Each movement could standalone or
be played back to back.
11174324 3-5 Octave . . . . . . . . . . L3+ 5.50
Reflection on "Ah, Holy Jesus"—arr. Sondra
K. Tucker. Written for two bell choirs, the Lenten
hymn
HERLIEBSTER JESU is portrayed in a sensitive
fashion. Motifs pass back and forth between the
groups, and Choir II may be played on handchimes.
11162230 5 Octave and 3 oct.
Handchime/bell choir . . . . L2 5.00
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