Editors' Choice lNew for 2021 HBasic Library L Large Print Edition ♦A Cappella Available via ePrint D Downloadable All Prices in U.S. Dollars & Subject To Publisher Revision
HANDBELL MUSIC
112
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N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Built On the Rock—arr. Jason W. Krug. A
driving rhythm, established by malleted bells and
optional bodhrán and shaker, sets up
this haunting tune. The stark harmonic opening
gradually becomes more complex before a slower,
more ethereal section on chimes sets the tune in
a drawn-out 4/4. The opening rhythm returns
to propel the piece to its explosive conclusion. A
show-stopping choice for your next service or
concert! Instrumental parts available separately.
11314799 3-6 Octave . . . . . . . . . . L2+ 5.95
11314800 Instrumental Parts
Bodhran and Shaker . . . . . . . . 5.00
Celebration Praise—Sandra Winter. This jubilant
original piece is as much a delight to ring as it is
to hear. A bold, joyous opening gives way to a
memorable melody filled with both rising and falling
peals reminiscent of tower bells in a belfry. A brief
middle verse gives the melody to the lower treble
bells, allowing them their moment in the sun before
the entire ensemble resounds once more in effusive
celebration. A wonderful addition to any worship,
concert, or festival setting.
11166253 3-5 Octave . . . . . . . . . . .L3- 4.50
Chime On—Various Composers. Written by seven
master handbell composers and arrangers, this
accessible, reproducible collection will be useful
in schools, churches and retirement centers. The
contents include a delightful variety of spirituals,
folk songs, classical melodies, and original music
which will work well on either handchimes or
handbells. Contents: Freedom March; Londonderry
Air; Ring Merrily; Sheep May Safely Graze;
Shimmering Reflections; Simple Gifts; Steal Away;
We Shall Overcome.
11166968 2-3 Octave
Reproducible . . . . . . .L1-L2 39.95
Colors of Joy—Brenda E. Austin. As with
joy, handbells can take on many colors. This
arrangement brings out those different colors
through the variety of techniques used to express all
the sounds of the instrument. Easily learned, ringers
and listeners are sure to enjoy the many "colors of
joy" heard throughout the piece.
11166925 2-3 Octave . . . . . . . . . . L1+ 4.95
11166926 3-6 Octave . . . . . . . . . . L1+ 4.95
Concertante In A Minor—Michael Helman. This
Baroque-style masterwork is a fantastic opportunity
for advanced ensembles to show off their musical
chops! Written for the Hershey Handbell Ensemble,
it features running sixteenth notes woven into
an intriguing melody over lush and complex
harmonies. Various techniques and unexpected
chords enter throughout the piece to maintain the
musical interest. Optional E2, F2, and 3-octave
handchimes (E4-F5.) A selection not to be missed!
11314801 4-6 Octave . . . . . . . . . . .L4- 5.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Discover—Ron Mallory. Using chord progressions
borrowed from the scores to vintage science fiction
films, this original composition is a tribute to the spirit
of discovery and adventure embodied by the men
and women of the space program. With its blend
of soaring ethereal melodies and flowing rhythms
combined with optional handchimes and percussion,
this piece will be an inspiration for both ringers and
audience members in any performance setting.
11348140 3-7 Octave Opt.
3-5 Oct. Handchimes,
Percussion. . . . . . . . . . . L3+ 4.95
Elation—Kevin McChesney. This reproducible
collection contains five joyous and energetic
originals that will keep ringers happily busy.
Excitement is enhanced through the use of a
variety of handbell techniques, including one played
entirely with mallets. These uplifting pieces will add
joy and festivity to worship services, concerts, and
festivals. Contents: Antiphonal Celebration; Joyful
Rhythm; Jubilance; Jubilant Fanfare; Mallet Melody
(Percussive Praise).
11166969 2-3 Octave
Reproducible . . . . . . . . L2+ 44.95
11166970 3-5 Octave
Reproducible . . . . . . . . L2+ 44.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Fanfare Intrada—John A. Behnke. This lively and
spirited original piece for handbells is filled with lots
of exciting techniques like thumb damps, plucking,
swings, mart lifts, echoes, and a shake. Besides
being a rousing prelude for worship or concert, it
also makes a wonderful teaching piece. This piece
comes in two compatible versions, one for 2-3
octaves and another for 4-6 octaves, so it's perfect
for massed ringing.
11334257 2-3 Octave . . . . . . . . . . . L2 3.95
11334258 4-5 Octave with Opt. G2 . L2 3.95
l First Arabesque—Claude Debussy/arr. Ron
Mallory. Debussy's First Arabesque is a classic
of impressionistic piano repertoire. This faithful
transcription reserves the gentle, flowing style of
the original. Chimes are optional but used very
effectively throughout. This is a great piece for
working on dynamic contrast and musicality, and
the advanced choir will enjoy the challenge of
playing three against two evenly and smoothly. A
lovely addition to classical handbell repertoire.
11348148 3-6 Octave Opt
3-5 octave Handchimes . . L3+ 4.95
Fount of Blessings—Brian Childers. Brian
Childers' masterful combination of two tunes
associated with the text "Come, Thou Fount of
Every Blessing" is a true delight! Starting with
a Baroque feel and then morphing into a more
modern treatment, a plethora of techniques,
styles, and rhythms will keep everyone attentive
and entertained! An option to add in an extra five
auxiliary bells (such as Silver Melody Bells) will lend
additional aural interest. For worship or concert,
this arrangement of the tunes
NETTLETON and
WARRENTON is enhanced by an optional 3-5 octaves
of handchimes and 3 octaves of auxiliary bells.
11314804 3-7 Octave . . . . . . . . . . . L4 5.95
Grandfather's Clock—Henry Work/arr. Patricia
Hurlbutt. Children of all ages will enjoy this simple
yet very effective arrangement of the traditional
song. The optional wood block simulates the
ticking clock, as do various percussive techniques.
Familiar or not, everyone will enjoy this creative
arrangement. A perfect choice for schools,
concerts, and beginning choirs.
11167852 2-3 Octave
Opt. Wood Block . . . . . . . L1 4.95
Gratitude—Alex Guebert. It is rare to find an
achingly beautiful piece filled with sophistication
and musical nuance that is technically very
straightforward and mastered quickly. This is that
piece. For worship or concert, this is an excellent
choice for both less and more experienced groups
to show their musicality.
11167872 3-5 Octave . . . . . . . . . . .L2- 4.95
l How Can I Keep from Singing—arr. Sondra
Tucker. This beautiful folk medley setting employs
bells and chimes and features a violin solo. The
tune
ENDLESS SONG takes the lead and combines
with two other original melodies. In the final stanza
the tunes join to create a beautiful trio effect.
Smooth transitions between chimes and bells are
essential, as is balance among the parts to allow all
three melodies to shine through.
11346961 3 Octave w/opt. Violin . . . L3 5.25
11346960 Full Score & Parts . . . . . . L3 9.95
Idumea—Matthew Compton. This stunning
arrangement combines the tunes
IDUMEA and
KEDRON into a truly magnificent work. Frantic
rising eighth notes scales open the piece,
propelling it toward a more sedate, reflective
middle section. The opening motif returns to drive
the piece to its exciting conclusion. This selection
is not to be missed!
11314808 3-6 Octave and
3-5 octaves Handchimes . . L3 5.95
Intro to Also Sprach Zarathustra—Richard
Strauss/arr. Ron Mallory. Strauss' 1896 tone
poem has become inextricably associated with
spaceflight since its use in the 1968 science-fiction
film "2001: A Space Odyssey." This arrangement
simplifies the rhythmic notation for easier learning
by beginning- and intermediate-level handbell
choirs without diminishing the musical power of the
piece. 34 measures.
11161786 3-7 Octave . . . . . . . . . . . L2 3.95
A Joyful Rondo—John A. Behnke. Two
compatible versions, one for 2-3 octaves and one
for 4-6 octaves, of an original piece which is fun,
catchy, and sounds harder than it is. Mart lifts,
mallets, swings, and shakes are all used. With
ABACA form, the lively and rhythmic A section
continues to make a joyful return. Because of the
two compatible versions, this piece is particularly
well suited for massed ringing where large and
small groups can all ring together. Check it out!
11193096 2-3 Octave . . . . . . . . . . . L2 3.95
11193097 4-6 Octave . . . . . . . . . . . L2 3.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Jubilate—Dmitry Bortniansky/arr. Julie Sitt. This
beloved chorale is set for handbells in a series of
variations that make this a wonderful piece for
school, church, and festival. The varied techniques
and terraced dynamics make it a great teaching
piece. There are no bell changes except for the key
change, and no shared bells.
11347543 3-5 Octave . . . . . . . . . . . L2 5.25
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Marusya—arr. Dan R. Edwards. A popular folk
song of Ukraine, this piece embraces the spirit and
passion of Eastern European music and the joyful,
dance-like rhythms it embodies. Ringers will enjoy
this exuberant piece in rehearsal and performance.
While optional, the tambourine and hand drum add
to the authenticity.
11346953 2 Octave w/opt. Tambourine
and Hand drum . . . . . . . .L3- 5.25
11346952 Full Score & Parts . . . . . .L3- 9.95
Meditation from Thais—Jules Massenet/
arr. Jason Krug. This transcription of Massenet's
well-known tune is perfect for the advanced choir
looking to showcase their musicality. With the
accompaniment carried entirely on handchimes
and the melody on bells, the contrast of the two
lets each part live up to its fullest potential. Complex
harmonies and intricate rhythms abound, giving
ringers a chance to work on their rhythmic accuracy.
A stunning choice for any advanced ensemble.
11314809 4-7 Octave . . . . . . . . . . . L3 5.95
Milele—Jason Krug. "Milele" means "forever"
in Swahili, and the haunting melody and African
rhythms make this original a truly stunning work.
Optional choral parts (SATB), handchimes, djembe,
and shekere add to the performance and make this
a true show stopper in any concert.
10950192 3-6 Octave . . . . . . . . . . L3+ 5.50
11176264 Octavo. . . . . . . . . . . . . . . . M 2.35
10950193 Instrumental Parts . . . . . . . . . 10.00
Murmurations—Julie Turner. The title perfectly
describes the rustle of thousands of starlings swirling
and undulating as they return to their winter roost
after feeding. The composer has faithfully captured
and conveyed this visual experience in this beautiful,
fanciful work. A graceful midsection provides a brief,
lyrical breathing space before the formational flurry
returns. This original work is ideal for concerts and
other celebrations, as well as for worship.
11204987 3-5 Octave . . . . . . . . . . . L3 5.50
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