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HANDBELL MUSIC
109
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Reflection on Beach Spring—arr. Mitchell
Eithun. This setting features flowing lines and
tender harmonies. The melody evolves for three
verses and culminates in an exciting key change.
Useful throughout the church year, it may be used
with the hymns texts Lord, Whose Love Through
Humble Service and Praise the One Who Breaks
the Darkness.
11204634 3-7 Octave . . . . . . . . . . L2+ 4.25
Reflection on For All the Saints—Ralph
Vaughan Williams/arr. Cathy Moklebust. This
gentle arrangement of the grand hymn
SINE NOMINE
features a beautiful original melody, optional
handchimes, and includes an optional part for
violin or other C treble instrument. The majority of
the arrangement is in a gentle, flowing style that
gradually grows to an exciting, moving final verse
with a triumphant conclusion.
11202958 3-6 Octave
w/opt. 3-4 oct.
Handchimes and C Instr. . L3 5.95
Rejoice, the Lord Is King!—arr. Matthew
Compton. Built on a rhythmic motif, this
arrangement gives us a fresh and joyous take
on a well-loved hymn. A contrasting middle
section provides a moment of reflection, and a
soaring countermelody carries the piece through
to a rousing conclusion. This piece will provide
a celebratory addition to Christ the King/Reign of
Christ Sunday, Easter and Eastertide, as well as
other times in the church year. It will also make an
excellent concert opener or closer.
11166960 3-7 Octave w/opt.
3-7 oct. Handchimes . . . .L4- 6.50
Rejoice, the Lord Is King—Patricia Hurlbutt.
For use on Christ the King Sunday, Easter, or
any general service, this festive arrangement of
DARWALL'S 148TH is as much fun to ring as it is
to hear! Joyous arpeggios give way to a chordal
treatment of the theme, complete with bold and
unexpected harmonies. A key change ushers
in a verse underscored by delicate martellatos
before a verse on the chimes is accompanied by
peals and arpeggios in the treble bells. A final
exuberant flourish ends the piece on a triumphant
note. With optional C4-A5 handchimes, this piece
is perfect for any celebratory moment in concert
or worship.
11314814 3-5 Octave . . . . . . . . . . . L2 4.95
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Remembering—John A. Behnke. An original
piece to remember those who have passed away
due to the COVID-19 pandemic, this reflective
piece has minimal bell changes and no sharing
of bells. The music begins with a tolling bell,
then a melody emerges which seeks to express
the significance of each life lived, including their
struggle with this virus. Use for All Saints or for a
memorial Sunday.
11332835 2 Octave . . . . . . . . . . . . . L2 3.95
11332834 3-5 Octave . . . . . . . . . . . L2 3.95
Ring His Glorious Praise—Patrick W. Meyer.
Exuberant, fresh, and joyous! Crisp, driving
rhythms, frequent syncopations, and bold, exciting
harmonies provide something new around every
bend in this original work. A freely wandering middle
section slowly builds in intensity before a return
to the opening feel and a forceful and satisfying
conclusion. This piece is a real showstopper for the
advanced church or community group!
11166267 3-5 Octave with
3-4 Octaves Handchimes . . L4 5.50
11166268 5-7 Octave with
4-6 Octaves Handchimes . L4+ 5.50
Ring We Joyfully—Cathy Moklebust. Following
a brief introduction, the theme rhythmically
illustrates the title in a lilting 7/8 meter
accompanied by a playful malleted eighth-note
bass line. Handchimes take over at a lively pace.
A return to handbells brings back the original
joyful melody, rhythms, and techniques of the
beginning, and the piece ends with a flourish of
martellatos. This piece will be a challenging yet
entertaining addition to your repertoire.
11204653 3-5 Octave w/opt.
3-5 oct. Handchimes . . . . L4 4.50
Rondo Jubilee—Brenda E. Austin. This exciting
original composition is filled with techniques,
unique harmonies, and a cheerful, rhythmic melody
that will engage ringers and audience alike. Ideal for
uplifting worship, concert, or festival.
11204316 3-6 Octave w/opt.
3 oct. Handchimes. . . . . L2+ 5.50
Sanctuary—Thompson & Scruggs/arr. Lloyd
Larson. This handbell setting of the popular
praise chorus can stand alone or serve as the
accompaniment for all the vocal settings. The
prayerful message calls for each worshiper to come
before God in devotion and thanksgiving.
11203608 3-5 Octave . . . . . . . . . . .L3- 5.75
Shall We Gather at the River—arr. Karen Lakey
Buckwalter. Lush harmonies and delicate scoring
abound in this beautiful arrangement. Flowing
accompaniment underscores the beloved melody
before a key change gives way to an equally
delicate setting of There Is a Balm in Gilead, then
returns to the feeling of the opening but with a
more chromatic and unexpected harmonization.
A beautiful choice for worship or concert.
11202913 3-6 Octave . . . . . . . . . . L2+ 4.95
Somebody's Knockin'—arr. Anna Laura Page.
An upbeat setting of the beloved African American
spiritual, this arrangement will be a favorite for
church services, special performances, and school
settings. Through the use of syncopated rhythms,
articulations, mallets and/or mallet clicks, each
verse receives a fresh treatment. Ringers will
have fun while providing an exciting and musical
experience for all.
11166964 3-5 Octave . . . . . . . . . . . L3 4.95
Song of Joy—Sandra Winter. Well-known themes
by Beethoven are combined into an effusive paean
of joy and celebration! Audiences will enjoy hearing
these familiar melodies combined in new and
creative ways, and ringers will appreciate the fun
techniques that abound throughout. A perfect choice
for any festive moment in concert or worship!
11314815 3-5 Octave . . . . . . . . . . .L3- 4.95
Spirit Dance—Brenda E. Austin. This original
composition sparkles as syncopated rhythms,
shakes, and stopped techniques make your
toes tap, and your feet want to dance. Mallets,
martelatto, thumb damp and shakes bring this song
alive making it a perfect festival or worship opener.
11165152 3-5 Octave w/opt. A2 &
opt. 2 oct. Handchimes . . L2 5.25
Spiritus Sanctus—Matthew Compton. Inspired
by Saint Hildegard of Bingen's poem of the same
name, this piece depicts the Holy Spirit bringing
all to life, washing them clean and healing their
wounds. The ideas of life and movement are
conveyed throughout. The expansive middle section
musically depicts the poem's phrases, "washing
them clean" and "healing their wounds," and the
sudden grand pause (G.P.) represents the ancient
sleep mentioned in the poem. Energetic, rhythmic,
and syncopated, the piece will be enjoyed by ringer
and audience alike.
11202961 3-7 Octave w/opt.
3 oct. Handchimes. . . . . L3+ 5.95
Stand Up for Jesus!—George Webb/arr. Mark
Arnold. Mallets - on bells, on tables, on themselves!
- predominate in this fun arrangement of a classic
hymn. The result gives an almost marching-band
feel to the performance, making it as enjoyable to
ring as it is to hear. This is a sure winner that will be
accessible to almost any choir.
11167868 3-5 Octave . . . . . . . . . . . L2 4.25
Sweet Hour of Prayer—William B. Bradbury/
arr. Mary Lou Fast. This arrangement will work
well as a prelude, an offertory, or during a time of
reflection in a worship service. The melody begins
with chimes accompanied by bells malleted in the
air and flowing bass eighths. Mart, mart-lift and
echos are used in subsequent verses. Stressing
the first in each eighth-note pair will enhance the
musicality of the performance.
11166966 3-5 Octave w/opt.
3 oct. Handchimes. . . . . . L2 4.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Take My Life—Sondra K. Tucker. This upbeat,
delightful setting combines an original melody
with the familiar hymn
HENDON. At times energetic,
at times tender, always moving forward, the
arrangement is a great choice for worship or
festival. The optional handchimes give depth to the
two tunes.
11347545 3-5 Octave . . . . . . . . . . . L3 5.30
The Cross—Linda Lamb. This tender setting of
Jesus Keep Me Near the Cross is arranged for
handbell solo or duet and piano. It is appropriate for
Lent or General use.
11305391 3 Octave opt Duet . . . . . . L2 7.95
The Solid Rock—William B. Bradbury/arr. Jason
W. Krug. Alternating gentle, lyrical passages with
triumphant, bold sections, this arrangement of the
beloved hymn is sure to enhance your worship
throughout the church year. The melody passes
back and forth between the handbells and piano,
with each part contributing to the harmony, texture,
and overall effect of the piece. A key change on the
last verse draws the piece to its final, joyous ending.
11165167 3-6 Octave with Piano . . . L2 5.25
11165168 Full Score &
Organ/Keyboard. . . . . . . . . . . 10.95
There Is a Fountain—arr. Lloyd Larson. In this
setting of an old favorite hymn, the treble bells
set the stage with their gentle ostinato against a
lower melody. The melody then moves to the treble
with the bass taking over the ostinato. All combine
for a rich and glorious final verse before ending
peacefully. The violin part, while optional, gives a
lovely Appalachian quality to the hymn tune.
11165179 3-5 Octave w/opt. Violin. L2+ 5.25
There's a Wideness in God's Mercy—
Frederick W. Faber/arr. Karen Lakey Buckwalter.
This tranquil, flowing arrangement is based on the
19th-century American tune
LORD, REVIVE US. The
opening measures consist of an original motif which
is interwoven throughout the piece. Incorporating
the themes of love and mercy, this is an excellent
option for many Sundays throughout the year.
11166967 3-5 Octave . . . . . . . . . . .L3- 4.95
This Little Light of Mine—Harry Dixon Loes/
arr. Barbara Brocker. This bell tree solo or duet
arrangement provides the new bell tree soloist
with a simple yet effective piece. A second bell
tree solo rung by a more advanced ringer or
played by a C instrument makes it a duet. The
simple accompaniment of quarter, half, and whole
notes can be played by a beginning three-octave
bell or chime choir or on a keyboard. Includeds
director's score, a bell tree 1 score, a bell tree 2
or C-instrument score, and a separate score for
handbells, handchimes or keyboard to give the
beginning ringer a score which is easily readable in
larger print. This arrangement is 51 measures and is
scored with a bluesy swing feel in C major. Options
for performance are listed in the director's score.
10283895 3-4 Octave Bell Trees . . .L2- 4.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
This Little Light of Mine—arr. Anna Laura Page.
In this enjoyable arrangement with syncopations and
articulations that are fun to ring, the collaborative
pianist is also offered an accompaniment that is fun
to play. For worship or school concert, all will enjoy
this swinging arrangement!
11346963 3-5 Octave . . . . . . . . . . L3+ 5.25
11346962 Full Score & Parts . . . . . L3+ 9.95
A Time for Peace—Paul McKlveen. This gorgeous
original composition is sincere and eloquently
crafted music for our turbulent times. Especially
perfect for a memorial service or any time that calls
for an introspective musical moment, it is suitable
for use all year in either worship or concert.
11205008 3-5 Octave . . . . . . . . . . L2+ 4.95
LARGE PRINT
EDITIONS
Traditional octavos can be difficult for
some choir members to read, so Pepper
created large-print editions to make things
easier for your singers. Printed on 9" x
12" paper, this music is significantly larger
but retains the same pagination, measure
numbers and page turns so no one gets
lost. These editions are only available
through J.W. Pepper and are a must-have
for church and community choirs!
