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CHRISTMAS ANTHEMS
DL We Sing with Choirs of Angels—Tom Trenney.
This festive work opens with the choir taking the
part of the angels, singing "Be not afraid!" The first
four notes of the piece become a recurring refrain,
soaring angelically until the audience finally joins on
the traditional melody for Hark! The Herald Angels
Sing. A highlight of the 2019 Christmas at Luther
concerts, it has optional parts for brass and organ
or full orchestra.
11199638 SATB . . . . . . . . . . . . . . . . . . . .2.25
11201156 Instrumental Parts Brass . . . . .32.00
11199639 Full Score Brass/Organ . . . . . .20.00
11201272 Full Score . . . . . . . . . . . . . . . .40.00
DL Wexford Carol—arr. Elaine Hagenberg. This
captivating arrangement of the familiar Wexford
Carol piano becomes increasingly rich and textured
with the addition of oboe, percussion, and string
quartet/quintet. The Christmas story unfolds stanza
by stanza with increasing intensity and quiet
wonder, building to a truly wondrous finish.
11101048 SATB . . . . . . . . . . . . . . . . . . . .2.10
11101049 Instrumental Parts. . . . . . . . . .30.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Wexford Carol—arr. Joey Hoelscher. This
sensitive setting of the familiar Irish tune is a
stunning choice for worship or concert. The vocal
arrangement offers wonderful opportunities for
choirs to demonstrate musicality, tenderness, and
depth, within a comfortable vocal range for singers
of all ages. The intermediate/advanced piano
accompaniment elevates the piece in a wonderful
way, highlighting the creative use of harmonic
texture by the arranger.
11347639 SATB w/opt. flute . . . . . . . . . . .2.35
L
Wexford Carol—arr. Joel Raney. From Joel
Raney's best-selling cantata Have You Heard?,
this beautiful setting represents the traditional
Irish carol in a charming Celtic character. A lovely
solo opportunity and supporting background
choral parts open the piece. Ed Hogan's optional
orchestration brings this arrangement to life,
whether performing with the recorded track or a
live orchestra.
11200893 SATB . . . . . . . . . . . . . . . . . . . .2.20
11200894 P/A CD . . . . . . . . . . . . . . . . . .29.95
11200895 Orchestration . . . . . . . . . . . . .69.95
D The Wexford Carol—arr. Howard Helvey.
With a mastery of choral forces, a superb piano
accompaniment and a complete understanding of
the text, Howard Helvey's timeless carol setting
has been given a new voice for Christmas.
Expressive and deeply felt, it offers a poignant
moment during worship or concert settings
through the December season.
10458783 SATB . . . . . . . . . . . . . . . . . . . .2.10
The Wexford Carol—arr. Mack Wilberg.
Beginning a cappella, this lovely setting of the
familiar carol stands among the best. Wilberg's
unique ability to underpin the vocal parts with an
extraordinary accompanimental support is evident
here as is the superb vocal writing in the SATB
verse. Not to be missed!
10739904 SATB . . . . . . . . . . . . . . . . . . . .3.00
L The Wexford Carol—arr. Joel Raney. This
beautiful Irish carol is given a charming treatment
for SATB voices with options for piccolo (or flute)
and synth. The story of Christ's birth is portrayed
through impressive harmonies and choral writing
reflecting the nuanced Celtic essence of this
traditional Irish carol.
11204079 SATB w/opt. Piccolo
or Flute (Included) & Synth. . . . .2.40
11204081 P/A CD & Split Track . . . . . . . .29.95
11204080 Instrumental Parts. . . . . . . . . .10.95
The Wexford Carol—arr. Victor C. Johnson.
The tender strains of a cello and an opening solo
set the tone in this exquisite arrangement of the
traditional Irish carol. Canonic interplay between
the vocal lines adds interest while the gorgeous
Celtic melody and the sonorous quality of the cello
and piano accompaniment will create a hushed
moment of reverence and awe in your Christmas
concert or services.
10996352 SATB . . . . . . . . . . . . . . . . . . . .2.35
10996353 SAB . . . . . . . . . . . . . . . . . . . . .2.35
L What Child—Benjamin Knoedler. This anthem
offers a beautiful original setting of the traditional
carol text What Child Is This? Rich in musical
sophistication, this piece gives your choir an
opportunity to present a powerfully expressive
musical moment at Christmastime. Lovely with the
addition of a cello part.
11200899 SATB . . . . . . . . . . . . . . . . . . . .2.20
11200900 CD . . . . . . . . . . . . . . . . . . . . .29.95
What Child Is This?—arr. Molly Ijames. This
humble and beautiful treatment of the traditional
carol is guaranteed to take your breath away! The
glory and the reverence of the Christmas season
and the scene at the stable are delicately brought
forth in moving chorals and a supportive piano
accompaniment. With performance options for
SATB and SSA voicings and a full orchestration, this
is a truly captivating setting worthy of your finest
moment in worship or the concert hall!
10093691 SATB . . . . . . . . . . . . . . . . . . . .2.40
10367798 SSA . . . . . . . . . . . . . . . . . . . . .2.40
10367799 P/A CD . . . . . . . . . . . . . . . . . .26.95
10367800 Instrumental Parts. . . . . . . . . .29.95
D What Child?—Ruth Morris Gray. What Child
Lt Is This? receives a hip new treatment in this
a cappella original that features optional djembe
and body percussion. This arrangement is freshly
set in 2/4 with accompanying rhythmic vocal
ostinato patterns in the lower voices, and the
original feel is preserved in the middle with a
lyrical 6/8 section that transitions back to opening
meter. Contemporary a cappella techniques meet a
traditional carol, and the effect is mesmerizing!
10906221 SATB . . . . . . . . . . . . . . . . . . . .2.10
11202518 SSAB . . . . . . . . . . . . . . . . . . . .2.35
10906222 SSAA . . . . . . . . . . . . . . . . . . . .2.35
10906223 TTBB . . . . . . . . . . . . . . . . . . . .2.10
What Do You See in the Manger—Steven
Ottomanyi. This charming piece about the
Nativity of Jesus is based on a French folk song
that uses only four notes. Varied choral voicings
(including a refrain that is singable by children's
chorus), differing keyboard textures, and the
included supplemental instrument parts keep the
music fresh and buoyant throughout. This will be
a welcome addition to your choir's repertoire of
accessible Christmas music.
11201929 SATB . . . . . . . . . . . . . . . . . . . .3.30
HD What Sweeter Music—John Rutter. "What
sweeter music can we bring than a carol for to sing
the birth of Christ, our heavenly King." This tender
setting of the traditional carol text has become
one of John Rutter's most cherished Christmas
anthems. Don't miss the accessible SSA setting!
1693936 SATB . . . . . . . . . . . . . . . . . . . .3.00
10523432 SSA . . . . . . . . . . . . . . . . . . . . .3.00
D What Sweeter Music Can We Bring?—Mary
L
Lynn Lightfoot. Robert Herrick's tender Christmas
text is beautifully set with an original melody of
flowing lines, warm harmonic colors, and an
expressive accompaniment. A contrasting middle
section provides rhythmic interest before a quote
from the chorus of The First Noel moves the piece
back to a peaceful conclusion. This is an elegant
statement for Christmas concerts or services. A
valuable Learning Resource page is included.
11202530 SAB . . . . . . . . . . . . . . . . . . . . .2.25
11202531 Two-Part. . . . . . . . . . . . . . . . . .2.25
11203164 P/A CD . . . . . . . . . . . . . . . . . .27.95
l What Voice Do We Hear?—David Schwoebel.
There is a theatrical flair to this original anthem
for Advent or Christmas. The sounds of angels are
on the wind and draw near throughout this good-
natured offering. Uncluttered vocals are filled with
rhythmic joy to match a text of Christmas hope.
A contrasting four-part section gives the choir a
chance to harmonize before the opening material
returns for a sparkling finish.
11347595 SATB . . . . . . . . . . . . . . . . . . . .2.25
L When Angels Sing—Mark Miller. The pastoral
melody and harmonies help to usher in the deep
peace of a Christmas, or any time when or where
we pause to listen. A beautiful, accessible work
that is appropriate for both church services and
winter concerts.
11173020 SATB . . . . . . . . . . . . . . . . . . . .2.40
L
When God Is a Child—Joan Collier Fogg/arr. Tim
Osiek. A heartwarming choral anthem for Advent,
Christmas, or Epiphany. Tim Osiek's arrangement
features gorgeous part writing and a warm,
sensitive accompaniment. Brian Wren's hopeful
text assures us that "None shall be afraid when God
is a child" - a sentiment sure to resonate within
us all. The poetic stanzas name the candles of the
Advent wreath: Hope, Joy, Peace, and Love.
11100199 SATB . . . . . . . . . . . . . . . . . . . .2.45
L When Stars Shone Down—Steven Aldredge/ed.
Dan Forrest. "Adoramus! Glorificamus!" English and
Latin texts intertwine as this tender lullaby recounts
the narrative of the birth of the Christ child from the
heavenly perspective. Lovely vocal lines with nice
inner movement are contrasted by the restrained
piano accompaniment that allows the text to shine.
Simple yet evocative, this is a perfect choice for
Christmas concerts or Christmas Eve worship.
11202839 SATB . . . . . . . . . . . . . . . . . . . .2.25
L
While Shepherds Watched—arr. Jay Rouse.
Jay Rouse utilizes the
COVENTRY CAROL tune with
the familiar text of While Shepherds Watched their
Flocks by Night to great success. The piano part
supports creative vocal writing as the minor-key
anthem unfolds. Haunting.
11201569 SATB . . . . . . . . . . . . . . . . . . . .2.20
11201570 P/A CD . . . . . . . . . . . . . . . . . .29.95
D While Shepherds Watched Their Flocks—Craig
Courtney. Every syllable of Nahum Tate's Christmas
text is carefully rendered in Craig Courtney's new
melody, set for divisi choral forces and piano. A
sound rhapsody through every measure, this is
absolutely glorious music for mixed, men's or
women's choir that might be the expressive high
point of your December Christmas celebration.
10366985 SATB . . . . . . . . . . . . . . . . . . . .2.25
10366986 SSAA . . . . . . . . . . . . . . . . . . . .2.25
10366987 TTBB . . . . . . . . . . . . . . . . . . . .2.15
l While Shepherds Watched Their Flocks—Dan
Forrest. A simple yet elegant setting of the tune
CHRISTMAS. While it may be sung a cappella, the
richness of organ and strings adds to the warmth
and beauty of this straightforward arrangement.
11348367 SATB Treble divisi . . . . . . . . . . .2.15
11349361 String Quartet/Quintet Parts. . .25.00
11349362 String Orchestra Parts . . . . . . .40.00
L Who Is He in Yonder Stall—Benjamin Harlan.
This charming Christmas anthem pairs an
1866 text with a fresh new tune. The restrained
piano part complements and supports the very
approachable vocal texture. Subtle yet gorgeous
key changes distinguish the changing verses. The
text is perfect for Christmas Eve, but with its cradle-
to-grave imagery, can be used more broadly.
11199582 SATB . . . . . . . . . . . . . . . . . . . .2.25
With the Rising of the Star—Victor C. Johnson.
Victor Johnson and Pamela Stewart join forces to
create this warm, thoughtful anthem. Pamela's
original text offers a unique perspective on the birth
of Jesus and the journey to see the newborn King,
bringing into focus what the manger means to us
today as we seek Jesus. "Like a beacon in the dark,
feel the hope within you rise. Can you see the rising
star? Do you hear the angels sing?"
11200913 SATB . . . . . . . . . . . . . . . . . . . .2.20
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L Wonders of His Love—arr. Mary McDonald.
Celebrate Christmas with this rich garland of carols!
From the festive opening to the thrilling conclusion,
three beloved carols are woven together with simple
narration. Optional congregational participation
adds the final touch, making this easily prepared
yet highly effective medley a real winner! Includes
Joy to the World (tune:
AZMON); What Child Is This?
and The Holly and the Ivy.
11347513 SATB . . . . . . . . . . . . . . . . . . . .2.50
11347514 P/A CD . . . . . . . . . . . . . . . . . .29.99
11347515 Orchestration . . . . . . . . . . . . .50.00
D The Work of Christmas—Dan Forrest. "When
Lt the song of the angels is stilled, when the star in the
sky is gone... the work of Christmas begins." This
setting of a poem by Howard Thurman, presented
as an ethereal benediction for a cappella choir,
is truly a captivating moment in song. Beautifully
conceived, it is impossible to overstate its impact
on those within its hearing.
10458784 SATB . . . . . . . . . . . . . . . . . . . .2.10
11202840 SSAA . . . . . . . . . . . . . . . . . . . .2.10
11202841 TTBB . . . . . . . . . . . . . . . . . . . .2.10
