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CHRISTMAS LITURGICAL ANTHEMS
Advent and Christmas
Liturgical Anthems
And Can This Newborn Mystery—Alan Bullard.
With a colorful text by Brian Wren, the mystery of
Christ's journey from cradle to cross is explored
through shifting time signatures and lovely,
intertwining vocal lines. Accompanied by keyboard
(piano or organ), this carol also offers optional string
accompaniment.
11198621 SATB . . . . . . . . . . . . . . . . . . . .2.90
Lt The Apple Tree—David Ashley White. This
wonderful text has accessible settings by David
Ashley White for either two-part or SATB choir
with an optional C instrument. Different textures
are used throughout, and many sections are a
cappella. Beautiful.
11205753 SATB . . . . . . . . . . . . . . . . . . . .1.95
11205754 Two-Part. . . . . . . . . . . . . . . . . .2.25
L As Those of Old—arr. Alfred V. Fedak. This
introspective anthem, based on the familiar German
carol Lo, How a Rose E'er Blooming (
ES IST EIN ROS),
provides varied options for flexible performance:
organ accompaniment alone, organ with handbells,
and the possible addition of either a C instrument
or a solo voice. The hushed and beautiful mood
throughout will be perfect for Christmas Eve or as a
quiet selection in a carol service.
11205750 SATB . . . . . . . . . . . . . . . . . . . .3.25
DL Ave Rose Spinis—Michael John Trotta.
t
Straightforward rhythms, dissonances, and close
harmonies depict the clear and radiant divine
essence of this a cappella meditation on the angel
Gabriel's greeting to Mary. A poetic translation is
included, allowing the work to be performed in Latin
or English.
11192979 SATB . . . . . . . . . . . . . . . . . . . .2.50
A Carol of Mary—Malcolm Archer. Set with his
own text, Malcolm Archer's new carol is dedicated
to Mary. Full choir refrains of Ave Maria are
interspersed with unison verses built on flowing
melodies that gently rock in 3/4 time. The a cappella
central section offers brief introspection in minor.
11198391 SATB . . . . . . . . . . . . . . . . . . . .3.35
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
The Child Is Born in Bethlehem—arr. Chris
de Silva. This arrangement of the chant
PUER
NATUS IN BETHLEHEM begins with a solo stating the
theme from which the piece builds in intensity and
interest. Percussion and handbell accents are added
gradually, with syncopated rhythmic interest that
propels the piece forward. A dancing flute part adds
to the medieval flavor. An intriguing and well-crafted
arrangement for your Christmas service or concert.
11300456 SATB Solo, Flute, Percussion
and Handbells. . . . . . . . . . . . . .2.25
11346882 Handbells Part. . . . . . . . . . . . . .3.00
Child of Light—Mack Wilberg. This effervescent
setting of David Warner's poetry includes both
Christmas and general texts, with either piano
four-hands or chamber orchestra accompaniment.
The choral texture is distinguished by imaginative
call-and-response and the fast tempo propels the
piece forward.
11198624 SATB . . . . . . . . . . . . . . . . . . . .3.95
Christ Our Emmanuel—John Rutter. In this
original carol by John Rutter, a lilting 3/4 meter
carries the listener gently through the familiar
Christmas story, beautifully depicted in a text by
the composer and expressed through artful word-
painting. With varied choral textures, occasional
divisi, brief a cappella sections, and accessible
vocal ranges, it may be accompanied by keyboard
(organ or piano) or by flute, oboe and harp.
11198626 SATB . . . . . . . . . . . . . . . . . . . .3.35
11199514 Instrumental Parts
Flute, Oboe, Harp . . . . . . . . . .25.95
L Christ's Nativity—Peter Hilliard. From Peter
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Hilliard comes this dynamic musical offering on
a text by 17th-century Welsh metaphysical poet
Henry Vaughan. A simple melody is embellished
throughout to underscore images from the text,
and a horn obbligato sounds a clarion call. Invest
time rehearsing this breathtaking piece with your
choir - it will be worth the effort.
11195309 SATB . . . . . . . . . . . . . . . . . . . .2.00
11204012 Horn Part . . . . . . . . . . . . . . . . .4.00
Christmas Welcome—James Whitbourn.
Based upon a familiar 15th century text, this
celebratory carol employs textural contrasts,
antiphonal vocal pairings, and occasional vocal
divisi to great effect. The colorful and soloistic
organ part adds to the celebration.
11198627 SATB . . . . . . . . . . . . . . . . . . . .3.95
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Clear the Voice—Luke D. Rosen. Set in a driving
6/8 meter, this contemporary-sounding hymn
works equally well when led by a single cantor
or a full choir. Liturgically used for Lauds during
Advent, it can also be used in nonliturgical services
to inspire the faithful as they anticipate the coming
of Christ.
11347348 SATB Solo, piano, guitar,
assembly, and C instrument. . . .3.30
lD Cold by His Cradle the Dewdrops Are Shining—
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Brandon Homayouni. There is a pristine loveliness
in this original setting of this classic Christmas/
Epiphany text. With shimmering harmonies and
well-considered part writing, this unaccompanied
gem sparkles and will make an ideal addition to
liturgical or concert programming.
11199152 SATB . . . . . . . . . . . . . . . . . . . .2.10
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L Cold December Flies Away—arr. Daniel
Schreiner. A fresh and inspiring piano
accompaniment fills this dynamic arrangement of the
traditional Catalonian carol. The verses are expressed
in upper and lower voicings, and the sections of full
harmony are expertly crafted with engaging interplay
that makes it enjoyable to sing. This is an excellent
choice for choirs looking for something modern yet
traditional for the Christmas season.
11347960 SATB . . . . . . . . . . . . . . . . . . . .2.85
Come See Emmanuel—Stephen Burtonwood.
This beautiful original carol includes a lyrical melody
and a text that calls all to celebrate the joy of Jesus'
birth and the promise He brings through His sacrifice.
Each verse receives a varied treatment, ending with a
glorious descant. Accompanied by organ.
11200921 SATB . . . . . . . . . . . . . . . . . . . .2.20
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Cradle Song—Bob Chilcott. William Blake's poem
is brought to life in this elegant a cappella Christmas
lullaby by Bob Chilcott. The gently recurring melody
is passed by verse from soprano to alto, supported
by neutral syllables in the other voices. In the final
section, the congregation (optional semi-chorus)
joins in singing Away in a Manger.
11198629 SATB . . . . . . . . . . . . . . . . . . . .3.35
L
Ding Dong! Merrily on High—arr. Daniel
Schwandt. The traditional carol text is set to lively
new music for SATB voices accompanied by a
dance-like organ accompaniment. The vocal
texture is simply scored and varied by verse, united
by delightful refrains in parallel thirds that make this
an engaging Christmas offering.
11199601 SATB . . . . . . . . . . . . . . . . . . . .2.25
11201296 Instrumental Parts
Piano Accompaniment . . . . . . .5.00
l The First Noel—Carl F. Schalk. One of the final
compositions by the late Carl F. Schalk, (1929-
2021), the soaring tune and captivating setting
of the familiar carol text was envisioned to be
used as a processional carol. The new tune and
unique combination of instrumentation will engage
listeners and set the tone for concerts and worship.
11348381 SATB . . . . . . . . . . . . . . . . . . . .3.40
11348382 Full Score Strings,
Tubular Bells, Timpani. . . . . . .60.00
lt Gaudete!—Annabel Rooney. This is an upbeat
original setting of the well-known Latin Christmas
text. Rambunctious, hearty, and in a sophisticated
modal style, it is suitable for both church and
concert performance by experienced choirs.
11342522 SATB . . . . . . . . . . . . . . . . . . . .3.00
L Hodie—arr. J. Edmund Hughes & Brian Edward
Galante. This arrangement of a familiar Christmas
classic begins with a chant-like opening. The carol
emerges in a strong statement from the treble
voices; the tenor-bass voices enter soon thereafter
to add responsive punctuation before all voices
move into a canon. The choral writing is solid, easily
learned, and sounds impressive.
11199812 SATB . . . . . . . . . . . . . . . . . . . .2.25
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I Sing of a Maiden—John Rutter. Setting a well-
loved medieval text, this effective piece paints the
story of Jesus' birth through lyrical melodies and
beautiful harmonic surprises. The vocal lines offer
both powerful intensity and skillful dialogue and are
supported by a pulsing keyboard part.
11342564 SATB . . . . . . . . . . . . . . . . . . . .3.00
11342566 SS . . . . . . . . . . . . . . . . . . . . . .3.00
L
In Dulci Jubilo—arr. Steven Van Wye. A sprightly
organ part supports the accessible choral writing in
this setting of the familiar tune. The macaronic text
features Latin and English over four verses, with the
third intended to be a cappella. The organ returns
for the final verse, building to a big close.
11199584 SATB . . . . . . . . . . . . . . . . . . . .2.25
L In the Bleak Midwinter—arr. Matthew Culloton.
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Matthew Culloton has created a gorgeous setting
of the familiar carol scored for SATB divisi voices
with soprano solo, a cappella. Beautiful textural and
harmonic touches, alternately simple and complex,
illumine and elevate the text. The thought, beauty,
and emotion in this setting are not to be missed.
11197403 SATB . . . . . . . . . . . . . . . . . . . .2.25
In the Bleak Midwinter—Gustav Holst/arr.
Robert J. Powell. The poignancy of Gustav Holst's
tune
CRANHAM and Christina Rossetti's notable
poem, In the Bleak Midwinter, is evident in this
setting by Robert Powell. The SAB vocal tapestry
varies by verse and the organ accompaniment can
be complemented by string quartet or by solo violin
and cello.
11200118 SAB . . . . . . . . . . . . . . . . . . . . .2.00
11200119 Instrumental Parts. . . . . . . . . . .7.50
Infant Holy, Infant Lowly—arr. David Lasky. The
familiar Polish carol receives a joyous treatment.
The optional solo descant in the last verse can
be performed either by a wordless singer or an
instrument. This setting is shorter and thus will make
a great second anthem for the Christmas season.
11200927 SATB . . . . . . . . . . . . . . . . . . . .2.10
Lt Jesus Christ the Apple Tree—Scott Bailey.
Scored for SATB voices a cappella, this setting of
the beloved ancient text builds by verse from unison
to homophonic SATB voices in verse four before
returning to unison for most of the final verse. The
E Dorian mode and gentle mixed meter contribute
to a timeless quality.
11199562 SATB . . . . . . . . . . . . . . . . . . . .1.85
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Joseph's Carol—John Rutter. This carol recounts
the Christmas story from the perspective of Joseph.
Two expressive verses are taken by the solo
baritone, with the chorus performing a macaronic
refrain infused with expectancy and wonder. In the
closing words of the second solo, the choir takes
on the role of the angels in a soft accompaniment.
The upper three voice parts are designed to be
approximately equal in strength, and the carol
may be accompanied by organ or small orchestra.
This carol is dedicated to the Oxford Vaccine Team
and was premiered by Sir Bryn Terfel, The Oxford
Philharmonic Orchestra, and the Choir of Merton
College in a special tribute concert.
11342517 SAATB . . . . . . . . . . . . . . . . . . .3.35
L Let All Mortal Flesh Keep Silence—Chad
Fothergill. A really beautiful introduction establishes
the tone for this glorious congregation/choir setting,
which was the highlight of the 2019 Christmas at
Duke Chapel program. Accompanied by organ and
strings, verses one and four are unison, verse two
is SATB a cappella, and verse three suggests the
congregation in canon. It closes with a brilliant,
thrilling finish.
11199722 SATB . . . . . . . . . . . . . . . . . . . .2.25
11199723 String Orchestra Parts . . . . . . .45.00
11199724 Full Score . . . . . . . . . . . . . . . .25.00
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Let All Mortal Flesh Keep Silence—Benedict
Sheehan. This beloved 4th century text is
set with new music for a cappella voices in a
mostly homophonic texture. The unmetered flow
provides a beautifully sensitive text declamation
and the compelling harmonies are sung with a
profound stillness.
11199022 SATB . . . . . . . . . . . . . . . . . . . .3.35
Let Our Gladness Know No End—arr. Jonathan
Tuuk. This delightful Bohemian carol is suitable for
two-part treble children's or adult voices. Brief and
easily prepared, it has a text that is perfect for the
Annunciation or for Christmas.
11200117 SA . . . . . . . . . . . . . . . . . . . . . .2.00
BEST
SELLERS
Liturgical Christmas
Anthems
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
My Lord Has Come—Will Todd.
10443202 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.60
10561402 SSAA . . . . . . . . . . . . . . . . . . . . . . . . 2.60
O Come, O Come, Emmanuel—
arr. Trevor Manor.
10503486 SATB . . . . . . . . . . . . . . . . . . . . . . . . 3.55
Gaudete—Michael Burkhardt.
10514442 SATB/Unison . . . . . . . . . . . . . . . . . . 1.95
Let All Mortal Flesh Keep Silence—
Chad Fothergill.
11199722 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Silent Night—Bob Chilcott.
11199025 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.60
Joseph's Carol—John Rutter.
11342517 SAATB . . . . . . . . . . . . . . . . . . . . . . . 3.35
In the Bleak Midwinter—
arr. Matthew Culloton.
11197403 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Cradle Song—Bob Chilcott.
11198629 SATB . . . . . . . . . . . . . . . . . . . . . . . . 3.35
In the Bleak Midwinter—
Gustav Holst/arr. Robert J. Powell.
11200118 SAB . . . . . . . . . . . . . . . . . . . . . . . . . 2.00
What Star Is This—arr. Andrew P. Wright.
11201930 SATB . . . . . . . . . . . . . . . . . . . . . . . . 2.85
