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HYMN ARRANGEMENTS / GENERAL ANTHEMS
This Is My Father's World—arr. Elaine
Hagenberg. What a gorgeous setting for church
or school choirs! Superb choral writing and a
marvelous piano accompaniment with violin
obbligato make this a truly exceptional arrangement
of the traditional hymn. Highly recommended!
10589958 SATB. . . . . . . . . . . . . . . . . . . . 2.65
lL Thy Little Ones—arr. Brian Edward Galante &
J. Edmund Hughes. This lovely tribute uses the
Southern Harmony
PROSPECT hymn tune as a
comfort to all those who find themselves in the
midst of trouble. Dedicated to a young girl who
lost her life to cancer, the serene setting imparts
a sense of peace with its gentle harmonies. The
soothing accompaniment brings an independent
angelic voice that hovers around the melody. A
beautiful choice as a tribute or memorial in either
concerts or services.
10593293 SATB. . . . . . . . . . . . . . . . . . . . 2.40
11347955 Unison/Two-Part . . . . . . . . . . . 2.60
10593297 SSA. . . . . . . . . . . . . . . . . . . . . 2.30
The Tie That Binds—Lowell Mason & Faye Lopez.
This familiar hymn text set to a new tune reminds
Christians of the bind we have through Jesus Christ.
Useful for choirs of all sizes, this reimagining of a
familiar text is filled with thought and care. The
vocal lines are written in such a way that the words
take center stage. Useful and uplifting!
11167272 SATB. . . . . . . . . . . . . . . . . . . . 2.00
D A Triumphant Alleluia—Joseph M. Martin.
L
This majestic compilation integrates three hymns
tunes (ODE
TO JOY, ENGLEBERG, and MADRID) into
one triumphant anthem for choir and piano,
suitable for Easter and general occasions. It boasts
exceptionally well crafted key changes with good
movement from one section to the next. With
options to add organ, brass, and congregation, it
promises to have the entire sanctuary resounding
in "alleluias."
11164979 SATB. . . . . . . . . . . . . . . . . . . . 2.35
11164980 P/A CD . . . . . . . . . . . . . . . . . 29.95
11164981 Instrumental Parts . . . . . . . . . 29.95
t We Shall Overcome—arr. Shelton Ridge Love.
A strong, resolute setting of the familiar civil rights
"marching song" vividly calls to mind the images
which add depth of meaning and emotion to the
notes sung. From the distant beginning to the
powerful final statement, this arrangement calls
us to stand with, and for all those in the long fight
for justice. A cappella, this powerful setting may be
sung in any location.
11314193 SATB. . . . . . . . . . . . . . . . . . . . 2.15
11314194 TTBB . . . . . . . . . . . . . . . . . . . . 2.15
HD We Shall Overcome—arr. Tom Trenney.
The beloved American freedom song has been
expertly and inspiringly set here by Tom Trenney.
The original song was first written for a service
celebrating the legacy of Martin Luther King Jr.
This arrangement proclaims a powerful message
of hope and faith. Scored for SATB a cappella choir
with djembe.
10607537 SATB. . . . . . . . . . . . . . . . . . . . 1.80
D
We Sing to You Creator God—Ralph Manuel.
An imaginative melody cradles a classic Isaac
Watts text in this anthem celebrating the creative
majesty of God. Restrained yet effective part writing
brings the message to the heart of the listener
and the approachable piano part adds color and
grace. An anthem replete with awe and worship,
the text is appropriate any time but especially in
moments encouraging the church to be caretakers
of creation. Splendid writing!
11199356 SATB. . . . . . . . . . . . . . . . . . . . 2.10
We Wait the Peaceful Kingdom—Michael
Burkhardt. This congregational hymn anthem
pairs Kathleen R. Moore's text with Hal Hopson's
MERLE'S TUNE. It is scored for SATB voices and
descant with optional brass quartet or quintet and
timpani. Stanzas one and four are unison with
congregation; stanzas two and three are for choir
alone with varied vocal textures. Easily prepared, it
has a strong message for troubled times.
11199650 SATB. . . . . . . . . . . . . . . . . . . . 2.75
11199651 Instrumental Parts
Brass & Timpani . . . . . . . . . . 35.00
11199652 Full Score . . . . . . . . . . . . . . . 16.00
We Worship You, God—arr. Hal H. Hopson. An
anthem that sings of God's unfolding acts through
history and our amazement at God's faithfulness.
Hal Hopson's writing is accessible and creative,
featuring optional brass, handbells, and assembly
parts. The full score and parts are also useful as
brass accompaniment whenever the tune HANOVER
is sung.
11202297 SATB. . . . . . . . . . . . . . . . . . . . 1.95
Lt What a Friend We Have in Jesus—Matthew
Weaver. A swinging, light gospel feel pervades this
setting of the well-known text with new music by
the composer. The unaccompanied choir backs up
the soloist's melody. This has a familiar feel and is
very singable, with attention given to articulation,
ensemble, and intonation.
11199615 SATB. . . . . . . . . . . . . . . . . . . . 1.95
D What Wondrous, Marvelous Love—Mary Ann
Cooper. Gorgeous original material seamlessly
mingles with treasured hymns, including What
Wondrous Love Is This; Jesus, Lover of My Soul and
I Stand Amazed in the Presence. Unison and two-
part writing predominate this SAB setting, which is
fully supported by lovely flowing accompaniment.
A great selection for Lent or Holy Week.
11166012 SAB. . . . . . . . . . . . . . . . . . . . . 2.10
D When I Survey the Wondrous Cross—arr. Dan
Forrest. Using the tune O Waly Waly, solo violin,
piano and the sound of a distant tenor drum, Dan
Forrest has recast this most familiar hymn into a
work of expressive magnificence. Recalling the
sounds of a funeral procession from an earlier
century, it brings together the elements of mourning
and a kind of walk to the tomb, but pauses to reflect
on the "love so amazing, so divine" that brought the
Savior to His crucifixion.
10188421 SATB. . . . . . . . . . . . . . . . . . . . 2.25
10188422 Orchestration . . . . . . . . . . . . . 80.00
D Wonder, Love, and Praise—Tom Fettke. Love
Divine, All Loves Excelling is a text that has been
sung by generations of Christians. Tom Fettke has
paired it with an ardent new melody that lends the
text a fresh musical expression. The lyrical writing
and elegant choral lines aptly express the joy we will
know when "in heaven we take our place."
11165100 SATB. . . . . . . . . . . . . . . . . . . . 2.30
11165101 P/A CD . . . . . . . . . . . . . . . . . 29.95
D Yes, Jesus Loves Me!—Tim Osiek. A phenomenal
L reimagination of the beloved Sunday school song,
here is a thoughtful, emotional anthem that invites
us to reflect on our faith journey from childhood to
adulthood. Does Jesus still remember me? Echoes
of the familiar tune appear throughout the anthem,
but it is Osiek's fresh setting which assures the
listener of Jesus' enduring love, no matter where
life's journey leads. With plenty of moving musical
moments throughout, this piece is memorable from
start to finish.
11202720 SATB. . . . . . . . . . . . . . . . . . . . 2.35
11203315 Accompaniment CD . . . . . . . . 27.95
General Anthems
Adult Choir
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L Agnus Dei 2020—Jay Althouse. Composed
in remembrance of lives lost during the 2020
pandemic, this sparse setting of the traditional
Latin Requiem text is built upon a melody inspired
by a bird's simple three-note song. Solemn and
poignant, this memorable piece can be effectively
sung in either concert or service use.
11343532 SATB. . . . . . . . . . . . . . . . . . . . 2.05
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L All Hail the Power of Jesus' Name—Michael
Burkhardt. This creative hymn anthem begins
with an organ and brass fanfare followed by the
congregation singing the
CORONATION tune and
alternating verses with the choir singing the DIADEM
tune. Bright and festive brass quintet and timpani
parts make this a memorable edition for Easter,
Christ the King Sunday, or any festive occasion.
11316669 SATB with brass quintet,
organ, timpani . . . . . . . . . . . . . 2.25
11316671 Instrumental Parts . . . . . . . . . 35.00
11316670 Full Score . . . . . . . . . . . . . . . 16.00
All I Ever Want to Be/Lord Be Glorified—
Cindy Stevens & Bob Kilpatrick/arr. Jonathan
Albright. This lovely anthem is a well-crafted
two-part mixed anthem on a text of commitment
and service. The simplicity lets the moving text
shine through. Excellent for Commitment Sunday
or general occasions.
11204174 Two-Part . . . . . . . . . . . . . . . . . 2.00
D
All I Know—John Purifoy. The pivotal miracle of
the blind man seeing is told from his perspective:
"All I know is Christ changed me." A soaring
melodic theme crowns the refrain, and the verses
exemplify musical storytelling at its best. Crafted as
a sermon in song, pair this anthem with the related
scripture or with sermons that speak to the love and
mercy of Christ.
11317617 SATB. . . . . . . . . . . . . . . . . . . . 2.10
D
All I Need—Cameron Pollock. "He's the treasure
of my soul. He is all I need." A testimony of faith and
assurance, this sensitive pairing of message and
music is quickly learned, yet provides expressive
potential for choirs of any size. The lovely melody
is memorable and easily taught to a congregation.
11165931 SATB. . . . . . . . . . . . . . . . . . . . 2.10
l All Shall Be Well—Russell Schulz-Widmar. A
timely anthem that speaks to God's constancy
in everchanging times, the melody of this 3-part
canon is beautifully written to reflect the reassuring
text. Scored for a cappella choir, there are also
optional parts for keyboard, flute, and cello
accompaniment. This anthem could creatively work
as a unison or 2-part anthem also.
11349051 SAB w/opt. piano, flute, cello . . 2.25
D
All the Way My Savior Leads Me—Heather
Sorenson. The journey of faith is beautifully
presented in this classic hymn text, reimagined
with expressive new music. With an almost Celtic
feel, the lovely melody will bring new meaning to
the hopeful text and is well suited for Lent or at any
time during the church year. An optional violin part
is included.
11317447 SATB with Opt. Violin . . . . . . . . 2.25
Alleluia—Giulio Caccini/arr. Mack Wilberg. Male
voices take the leading role in this mixed-voice
arrangement of the tender and well-loved solo
piece attributed to Caccini and usually sung to Ave
Maria. With long lines, a colorful orchestration and a
sense of great reverence, this piece is effective and
reverent. Useful for concert or worship settings.
11160130 SATB. . . . . . . . . . . . . . . . . . . . 3.35
Ht Alleluia—Randall Thompson. A true masterpiece
for a cappella chorus. The name Randall Thompson
is as much a part of choral music as is the voice.
His masterful compositions are all standards in the
repertoire. A choral classic!
337147 SATB. . . . . . . . . . . . . . . . . . . . 2.60
337238 SSAA. . . . . . . . . . . . . . . . . . . . 2.60
4128682 TTBB . . . . . . . . . . . . . . . . . . . . 2.60
BEST
SELLERS
General Anthems
SATB Choir
Buy with confidence! These works, listed in
order of their popularity, are chosen most often
by directors.
You Do Not Walk Alone—Elaine Hagenberg.
11166201 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
I Believe—Mark A. Miller.
10335690 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.35
Come to Me—Dan Forrest.
10954531 SATB (Cello Part Included) . . . . . . . . . 2.25
For the Beauty of the Earth—John Rutter.
1418599 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 3.35
The Word Was God—Rosephanye Powell.
3030707 SSAATTBB original a cappella version 2.55
8068120 SATB opt. accompanied version . . . . . 2.55
I Choose Love—Mark A. Miller.
10661699 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
We Are Not Alone—Pepper Choplin.
8071348 SATB A Cappella . . . . . . . . . . . . . . . . 2.50
11317770 SATB Accompanied . . . . . . . . . . . . . . 2.50
Show Us How to Love—Mark A. Miller.
11100195 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.25
Festival Sanctus—John Leavitt.
1699032 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 2.05
Draw the Circle Wide—Mark A. Miller.
10061177 SATB . . . . . . . . . . . . . . . . . . . . . . . . . 1.85
Blessings