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GENERAL ANTHEMS
44
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N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Christ Before Me—Kathleen Basi. Based on St.
Patrick's Breastplate, this setting expresses the
text with conviction and joy, sung in full four-part
harmony with flute obbligato. The briefer verses
provide harmonic contrast with a lovely, more lyrical
melody and can be sung by cantor or a section of
the choir.
11318123 SATB. . . . . . . . . . . . . . . . . . . . 2.25
L Christ Is Made the Sure Foundation—arr. Carl
Smith. The beloved tune
WESTMINSTER ABBEY receives
a festive hymn concertato setting by Carl Smith. With
optional participation for the congregation on the first
and last verses, it provides an excellent opportunity
to immerse believers in the moment.
11165859 SATB. . . . . . . . . . . . . . . . . . . . 2.20
The Church Enduring—Joseph M. Martin. This
traditionally styled offering is a sturdy anthem
celebrating the church and its foundations of faith.
A regal hymn, the theme rises like a cathedral of
sound after briefly quoting the time-honored tune
ST. ANNE. Full harmonies emphasize the unity of
the church with the statement, "We are the church,
built on the solid Rock!" Two trumpets add a layer
of sonic satisfaction and a final heroic verse with
soaring descant crowns the work. Powerful!
11199241 SATB. . . . . . . . . . . . . . . . . . . . 2.35
L Clap, Clap Your Hands!—Marty Parks. Inspired
by Psalms 47 and 57, this piece is an energetic and
upbeat anthem of celebration. Unison lines burst
in and out of four-part harmony, and syncopated
melodic figures are passed back and forth from
soprano and alto to tenor and bass. A layered
section adds contrast before the piece builds to an
exciting conclusion. The optional brass ensemble is
sure to boost this piece even more. Terrific!
11165759 SATB. . . . . . . . . . . . . . . . . . . . 2.20
11165760 P/A CD . . . . . . . . . . . . . . . . . 26.95
11165761 Instrumental Parts . . . . . . . . . 39.95
L Come By Here—arr. Kyle Pederson. This sensitive
setting for SATB and Piano is not to be missed. In
one spot the piano plays a guided improvisation
over the choir singing neutral syllables. In another
there is the option to sing unaccompanied. An
emotional high point occurs when the sections each
sing out their situations, "longing, falling, hiding,"
then answer together, "You are here." This work
hits every high mark in terms of vocal writing, a
skillful accompaniment, and a beautiful effect.
11199621 SATB. . . . . . . . . . . . . . . . . . . . 2.50
lL Come, Christians, Join to Sing—arr. John
Stoddart. Alleluia! This spirited setting of the hymn
tune
MADRID is given extra verve with instrumental
fanfares and interludes, full choral harmony, and a
majestic finale with a brilliant descant. Amen!
10936157 SATB. . . . . . . . . . . . . . . . . . . . 2.20
Come, Labor On—arr. Jeremy J. Bankson. The
tune ORA LABORA is given a grand treatment in
this new anthem setting. The congregation may
join with the choir on the fourth and final verse, in
which we hear God's voice saying, "Well done!"
The accompaniment includes organ and optional
two trumpets and timpani for a regal touch.
11199603 SATB. . . . . . . . . . . . . . . . . . . . 1.95
11199604 Instrumental Parts . . . . . . . . . 15.00
11199605 Full Score . . . . . . . . . . . . . . . 10.00
L Come to Me—Dan Forrest. A text adapted
from scripture and lovely choral moments that
bring the text to life create a wonderful piece of
consecration and dedication. Lush choral writing,
with engaging interplay between upper and lower
voices, contributes moments of true beauty. The
rich, elegant piano accompaniment is enhanced by
a part for solo cello.
10954531 SATB Cello Part
Included in Octavo . . . . . . . . . . 2.25
11166179 SSAA Cello Part
Included in Octavo . . . . . . . . . . 2.25
11166180 TTBB Cello Part
Included in Octavo . . . . . . . . . . 2.25
t
Come, My Way, My Truth, My Life—Becky
McGlade. This setting of 'The Call' by George
Herbert is simple but effective, reflecting the
directness of the original poem. The three-bar
phrases create a feeling of expectancy throughout
the verses and are beautifully intensified by
harmonic shifts in one verse and a soaring descant
in another.
11220137 SATB divisi. . . . . . . . . . . . . . . . 3.00
l
Consider the Stars—Keith Getty, Kristyn Getty
& Fionan DeBarra/arr. David Angerman. This
fragile song shimmers with assurance and the
message "Do not be afraid." Written to reassure a
child at night, the message is timeless for all. The
beautiful imagery of the stars at night, echoed by a
twinkling piano part, reminds us of God's promises.
A meaningful addition to your worship repertoire.
11347575 SATB. . . . . . . . . . . . . . . . . . . . 2.15
11347576 Instrumental Parts . . . . . . . . . 20.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
L Covenant Prayer—Karen Marrolli. "Reach out
with loving hands to accept, affirm, embrace ev'ry
child of God throughout the world" is the main theme
of this very moving anthem. A memorable melody
adds depth to the meaningful text that was generated
from 'seed thoughts' of the commissioning church's
choir. Homophonic in texture, each verse builds
in intensity supported by a celtic-sounding piano
accompaniment of medium difficulty.
11316655 SATB. . . . . . . . . . . . . . . . . . . . 2.25
l Creation Sings—Ludwig van Beethoven/arr.
Tom Trenney. Your choir will enjoy this accessible
anthem that celebrates the beauty of creation
using a classic Beethoven composition (op. 48,
no. 4). The music is joyful and bright with all the
expression that you would expect in a setting from
the Romantic period.
11346670 SATB. . . . . . . . . . . . . . . . . . . . 1.95
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Deep Peace—Elaine Hagenberg. Beautifully
capturing the essence of a traditional Gaelic
blessing, this original setting evokes the natural
tranquility of a "gentle night" where the "moon and
stars pour their healing light on you." The flowing
piano accompaniment supports the soaring legato
vocal lines to create a mature and artistic texture
while remaining accessible to choirs in school,
church, or community settings. The optional string
quartet parts add additional serenity and depth.
11341294 SATB. . . . . . . . . . . . . . . . . . . . 2.50
11341295 Instrumental Parts
String Quartet . . . . . . . . . . . . 35.00
Deep Peace of Christ to You—Ben Ponniah. This
Cambridge-trained composer offers a fresh and
moving treatment of a beloved traditional text, The
Gaelic Blessing. Scored simply for SATB and piano
(or organ) and accessible to choirs of any size, this
is a lovely addition to the sacred choral repertoire.
11318019 SATB. . . . . . . . . . . . . . . . . . . . 3.50
Do Not Be Afraid—Bernard Sexton. A flowing
choral anthem with its verses based on Psalms
27, 46, and 90 offers a message of comfort and
faith, especially poignant during difficult times. The
rich harmonies of the four-part refrain are balanced
with unison verses that can be sung by a cantor or
section. This makes a wonderful instant piece for All
Souls, memorial, or general worship services.
11200304 SATB. . . . . . . . . . . . . . . . . . . . 2.00
11200305 Instrumental Parts
C Instrument . . . . . . . . . . . . . . 3.00
L Does Not Wisdom Call?—Hank Hinnant.
As a church musician himself, Hank Hinnant's choral
music is always accessible, inspirational, melodically
beautiful, and engaging to those who hear his
musical creation. He writes particularly well for high
school and adult church choirs. This piece, based
on Proverbs 8:1-11, is set for divisi mixed chorus
with piano and optional oboe. It would work quite
well on Christian Education Sunday.
11201972 SATB divisi w/ Opt. Oboe . . . . . 2.75
H Draw the Circle Wide—Mark A. Miller. Gordon
Light's text is powerful by itself, but when added
to music composed by Mark Miller it becomes
an anthem of unity for all people, all cultures, and
all generations.
10061177 SATB. . . . . . . . . . . . . . . . . . . . 1.85
l Ebenezer—Heather Sorenson. A monument
of praise, this piece is ideal for church heritage
moments and times of affirming the mission of the
church. The Ebenezer stone was set up by Samuel to
commemorate God's help to the Israelites, making it
a symbol of God's faithfulness. As the words reflect
on that faithfulness, the music flows with passion
and power before ending quietly, acknowledging our
surrender to God's plan for our lives.
11347970 SATB. . . . . . . . . . . . . . . . . . . . 2.10
L Endless Song—Ralph Manuel. Composer Ralph
Manuel is well known to us for his beautiful
ALLELUIA. In this new work Manuel sets the well-
known text How Can I Keep From Singing by Robert
Lowry for mixed chorus with piano and optional
obbligato for two violins. The piece would work
great for Music Ministry Sunday.
11201977 SATB. . . . . . . . . . . . . . . . . . . . 2.55
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Entertain the Angels—Heather Sorenson. This
may be one of the most unique choral anthems
your choir will ever sing! A delicate ballad reminds
the listener of the importance of living humbly and
in service to the poor, the outcast, the hungry - and
by doing so, may entertain angels. Brimming with
honesty and spiritual encouragement, the text
is wrapped in a melody that feels conversational
yet with easily attainable harmonies. A thoughtful
addition to your worship.
11347971 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11347972 Instrumental Parts Violin,
cello, percussion, synth . . . . . 25.00
L Exsultate! Jubilate!—Kyle Pederson. This
unique setting pairs the iconic Latin text with a
new, original English text which responds to the
question: Why do we rejoice and shout our praises
to God? The music captures the energy, rhythm,
and exuberance inherent in the phrases "exsultate
Deo" and "jubilate Deo," but also reflects the quiet
joys found in gratitude for the daily gifts of breath
and light. The piano accompaniment is rhythmic
and lively.
11197399 SATB. . . . . . . . . . . . . . . . . . . . 2.60
11208080 SSAA. . . . . . . . . . . . . . . . . . . . 2.60
D Fanfare and Concertato on I Love Thy
Kingdom, Lord—Brad Nix & Jon Paige. Beginning
with a flourish of voices and brass, this noble
setting of the tune
ST. THOMAS establishes a spirit
of triumph that permeates the work. The well-
crafted vocals are approachable and include an
a cappella stanza. Optional congregation, brass,
and handbells add to this celebration of the church
and her mission.
11165944 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11165945 P/A CD . . . . . . . . . . . . . . . . . 26.99
Fear Not, I Am With You—Shelly Hamilton.
Featuring a gentle, flowing melody that steadily
rises in intensity, this anthem is perfect for many
occasions - but particularly comforting during
times of uncertainty or grief. The final climactic
verse draws on the text, "the flame will not hurt
you" and uses satisfying suspension and resolution
harmonies as it concludes. The rich piano part is for
an intermediate-level pianist.
11338082 SATB treble divisi . . . . . . . . . . . 2.25
H
Festival Sanctus—John Leavitt. A long-time
favorite on the festival circuit, this dynamic,
exciting, joyous selection surpasses the ordinary!
Syncopated rhythms and changing meters,
combined with a sizzling piano part, make this a
uniquely rewarding work. Very accessible for school
and church choirs, it is a first-rate choice for any
performance situation!
1699032 SATB. . . . . . . . . . . . . . . . . . . . 2.05
10047611 SAB. . . . . . . . . . . . . . . . . . . . . 2.05
1959857 Two-Part . . . . . . . . . . . . . . . . . 2.05
10047612 SSA. . . . . . . . . . . . . . . . . . . . . 1.85
10047613 TTB . . . . . . . . . . . . . . . . . . . . . 2.25
10047615 P/A CD . . . . . . . . . . . . . . . . . 27.99
10047616 Full Orchestration. . . . . . . . . . 40.00
D The First Psalm—Pepper Choplin. Using text
from Psalm 1, Psalm 31:23 and Romans 8:28, this
ballad is a strong musical setting for the blessings
promised to those who listen to and obey God's
word. The piano accompaniment complements
the voices nicely as they build through expressive
phrases to a powerful climax and then a quiet
ending. Lovely!
11166502 SATB. . . . . . . . . . . . . . . . . . . . 2.10
PLAN FASTER!
C R E A T E , S A V E A N D S H A R E Y O U R
O W N P L A Y L I S T S ! J W P E P P E R . C O M / M Y L I B R A R Y
