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GENERAL ANTHEMS
48
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L I Lift My Lamp—Gwyneth Walker. Matthew 25
and the well-known Emma Lazarus text, The New
Colossus, are used in this effective short piece about
caring for the less fortunate. The music begins with
various soloists. The divisi is chordal and manageable
and the piano part supports throughout.
11199611 SATB. . . . . . . . . . . . . . . . . . . . 1.95
D I Thought By Now—Heather Sorenson. Heart-
wrenching honesty characterizes this testimony that
ministers to the wounded spirit. Soloists eloquently
deliver the story of the song's pilgrims as they
search for meaning in the journey of faith. The
choir underscores the solos before singing "Surely
You have borne our griefs and carried ev'ry sorrow."
Optional violin and cello underscore the message.
11165962 SATB. . . . . . . . . . . . . . . . . . . . 2.25
D
I Walk with the King—Patricia Mock & Charles
McCartha. A pleasant, lilting tune is paired with
a text that contrasts a life without Christ to the
abundance of spiritual contentment that faith
provides. The vocals are charming for choirs
of every size and ability, and the piano bubbles
over with sweet harmonies and sparkling figures.
Optional flute, cello, and hand percussion
complement the work.
11165964 SATB. . . . . . . . . . . . . . . . . . . . 2.10
I Will Trust in the Lord—Lloyd Larson. This
versatile and accessible anthem underscores
themes of confidence and trust. Based on Proverbs
3:5-6, it blends an appealing original melody with
the African American spirituals I Will Trust in the
Lord and 'Tis So Sweet to Trust in Jesus. Equally
effective for SATB or SAB ensembles, the choral
writing allows the text to shine. Very nicely done!
10998985 SATB. . . . . . . . . . . . . . . . . . . . 2.20
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
If I Can Help Somebody—Alma Bazel Androzzo/
arr. Andre Thomas. This gospel-infused, blues-
influenced arrangement of the famous work by
Alma Bazel Androzzo was written in honor of Dr.
Anton Armstrong. A solo voice drives the work
throughout, with the choir playing a significant role
as well. The words speak of reaching out - helping
each other, caring for each other, loving each other.
11317120 SATB. . . . . . . . . . . . . . . . . . . . 2.50
In Faith I Follow—Josh Sparkman/arr. Richard
A. Nichols. This song was written as a prayerful
expression of desire for biblical resolve and trust
in the midst of uncertainty. Themes of faith, rest,
trust, and hope will encourage the listener to fix
their eyes and follow their loving Shepherd in the
face of difficulty. Solid writing with a wonderful
orchestration.
11167267 SATB w/ Solo. . . . . . . . . . . . . . 2.00
L In Honor to Your Name—Ryan Mascilak. The
melody of this anthem feels like a folk song, and
sounds like one you should already know. The
words are tender and lift a soul-felt offering of
praise to God. Easy to medium in difficulty.
11200562 SATB. . . . . . . . . . . . . . . . . . . . 2.25
L
In the Light of Hope—Mark Patterson. At once
timeless and topical, this rhythmic piece combines
choir, djembe, and piano to bring a message
of hope. Written for the 50th anniversary of the
Presbyterian Association of Musicians, it aptly looks
at past, present, and future, presenting a message
of encouragement.
11316652 SATB. . . . . . . . . . . . . . . . . . . . 2.70
11316653 Instrumental Parts Djembe . . . . 5.00
D
Jesus Changes Everything—Heather Sorenson.
"People can be free, sinners can be clean." The
beautiful tune and gently syncopated rhythms add
a conversational quality, culminating in a quiet
reflection upon the truth that sustains us in our
faith. Optional violin, cello, synthesizer, and light
percussion are welcome additions.
11165971 SATB. . . . . . . . . . . . . . . . . . . . 2.10
D
Jesus Is Calling—Joseph M. Martin. Set in
minor, this new melody creatively explores the
depth of emotion in Will Thompson's beloved 19th-
century text. Eventually leading to a surprising turn
to major mode, it concludes with the reassurance
of salvation.
11199187 SATB. . . . . . . . . . . . . . . . . . . . 2.10
D Jesus, Lover of My Soul—Heather Sorenson.
One of the most passionate sacred texts is
combined with bittersweet music in this poignant
offering featuring the renowned hymn tunes
ABERYSTYWTH and MARTYN. This beloved message
of faith is set with expressive and rich choral
writing ending on a perfect unison. The piano
accompaniment adds elegant beauty and the
optional violin and cello parts are used to great
effect. Gorgeous!
11166484 SSAATTBB divisi . . . . . . . . . . . 2.25
11166486E Instrumental Parts ePrint . . . . 15.00
D
Jesus! What a Friend—Vicki Bedford/arr.
Cindy Berry. Inspired by the traditional text,
Jesus! What a Friend for Sinners!, this anthem is
sensitively scored with a message of divine love.
Arching skyward at the refrain, the music delivers
the triumphant lines, "Hallelujah, what a savior,
what a friend!" The powerful ending is crowned
by a descant.
11199189 SATB. . . . . . . . . . . . . . . . . . . . 2.10
L
Jesus, Savior, Pilot Me—arr. Jonathan Kohrs.
Using Edward Hopper's 19th-century text, Jonathan
Kohrs has written new, gospel-inspired music
propelled by a big piano accompaniment. The vocal
texture varies by verse, with the contrasting fourth
verse slow and a cappella. The piano and opening
tempo resume for a rewarding final verse.
11199628 SATB. . . . . . . . . . . . . . . . . . . . 2.25
Jesus, Shepherd of the Flock—Russell Floyd.
Written with shimmering beauty, this song is
a gentle pastorale delivering the message of
Christ, the Good Shepherd. A winsome solo floats
effortlessly above an impressionistic harp or piano
accompaniment, while the flute obbligato calls to
mind the shepherd on the hill.
11317476 SATB with Flute/Harp . . . . . . . . 2.15
H Joy in the Morning—Natalie Sleeth. With over
DL one million copies sold, this is a true classic,
available SSA and many other voicings.
1231174 SATB. . . . . . . . . . . . . . . . . . . . 2.35
8056714 SAB. . . . . . . . . . . . . . . . . . . . . 2.35
11165102 SSA. . . . . . . . . . . . . . . . . . . . . 2.35
8056715 P/A CD . . . . . . . . . . . . . . . . . 29.95
5318449 Instrumental Parts
Brass Quartet. . . . . . . . . . . . . 29.95
8056716 Orchestration . . . . . . . . . . . . . 69.95
Joyful, Joyful—Ludwig van Beethoven/arr. Steve
Milloy. This is a funky arrangement of Beethoven's
Ode to Joy with an English text by Henry van Dyke.
The well-known melody is arranged in 12/8 time
with syncopation, giving it a jazzy, gospel feel, while
supported by an upbeat piano accompaniment and
optional bass part (included).
11315623 SAB. . . . . . . . . . . . . . . . . . . . . 3.25
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Jubilate, Sing Praise!—Diane Hannibal/arr.
Stewart Harris. This jubilant anthem provides
tremendous impact with only SAB vocal forces. A
lilting and supportive piano part provides a wonderful
rhythmic energy for the attractive 6/8 theme. As the
choir alternates phrases of "joyful, joyful" with the
melody, the words exhort the listener to worship
the Lord with praise and thanksgiving. Perfect as
an introit or anthem, this approachable piece adds
a positive and uplifting note to your worship service.
11347974 SAB. . . . . . . . . . . . . . . . . . . . . 2.10
Just As I Am—arr. Howard Helvey. A time-
honored favorite comes to life in a brand new
way in this rich new arrangement of the well-
known and beloved hymn by Charlotte Elliott. It
brims with earnest dedication as it moves from
the gentle presentation of the first verse through
skillful modulations to the powerful statement
of commitment in the final verse. The full piano
accompaniment enhances both text and tonality.
11314184 SATB. . . . . . . . . . . . . . . . . . . . 2.15
D
Just As I Am—Joseph M. Martin. A new edition
of this early Martin hymn resetting! In this version,
the key has been lowered and the rhythms adjusted
to reflect a more traditional approach to the text,
refining the anthem for reverence and worship.
The contours of the melody convey longing and
repentance while the B section weaves gentle
counterpoint into a sonic tapestry of beauty. An
approachable yet effective option for Holy Week or
services of contemplation. Superb!
11165973 SATB. . . . . . . . . . . . . . . . . . . . 2.50
11165974 P/A CD . . . . . . . . . . . . . . . . . 29.99
H
The Last Words of David—Randall Thompson.
What library would be complete without this
exquisite piece by Randall Thompson? A dramatic
work on the text of II Samuel 23:3,4 that runs the
spectrum of dynamics and demands vocal control.
341016 SATB. . . . . . . . . . . . . . . . . . . . 2.35
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
D Lead Me Out of the Wilderness—Brad Nix.
Reminding us that repentance is at the center of the
journey of faith, this anthem asks God to forgive,
comfort, and welcome us home. With solid choral
writing and an independent yet supportive piano
accompaniment, this piece is a prayer of deep
yearning for restored intimacy with God and offers
comfort in the midst of the wilderness of life.
11317642 SATB. . . . . . . . . . . . . . . . . . . . 2.10
Lead On, O King Eternal—arr. John Ferguson.
What kind of king is Jesus? Ferguson's setting of
this well-known hymn explores how God's reign
might be filled with peace and gentleness rather
than military conquest.
11202260 SATB. . . . . . . . . . . . . . . . . . . . 2.40
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
t Lead, Kindly Light—John Rutter. With a text
by John Henry Newman, this short, moving piece
is perfectly suited to our current times. Steplike
movement in the melody reflects the speaker
seeking light in the darkness, slow but steady in
their way out of the "encircling gloom."
11315625 SATB. . . . . . . . . . . . . . . . . . . . 2.60
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
D Let Our Praises Rise (An Introit for All Seasons)
—Philip Hayden. A multi-use text will make this
anthem a valuable addition to your choral library.
A grand fanfare-like introduction with optional
handbells and snare drum establishes a festive
spirit. The brief contrasting middle section brings a
moment of hope for peace on earth before returning
to the opening processional material. Useful for
Christmas, Easter, or any festive occasion.
11317451 SATB with
opt. Snare Drum, Handbells . . . 2.10
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Let the Trumpet Sound—Natalie Sleeth/arr.
John Leavitt. Natalie Sleeth's classic anthem gets
a makeover into a full SATB choir arrangement
with optional trumpet and handbells. Both voicings
can be used together, allowing combined children
and adult participation. Accessible and perfect for
Easter or any festival service, you'll turn to this piece
time and time again.
11317643 SATB. . . . . . . . . . . . . . . . . . . . 2.25
11318097 Two-Part . . . . . . . . . . . . . . . . . 2.25
11318098 Trumpet, String Bass,
Handbells . . . . . . . . . . . . . . . 35.00
