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GENERAL ANTHEMS
51
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Make Us a Channel of Your Peace—Bob
Chilcott. Peace and unity are the themes in this
expressive setting of the Prayer of Saint Francis.
A semi-chorus, which may be taken from within
the choir or by an upper-voice or children's choir,
weaves Beethoven's Ode to Joy melody into the
texture to create a powerful presentation of the
unifying power of song.
11214222 SATB. . . . . . . . . . . . . . . . . . . . 3.35
L May the Words of My Mouth—Joshua Fishbein.
This work uses the text of Psalm 19 in both Hebrew
and English. The music blossoms organically from
the opening cantorial solo to the final triumphant
"Amen" using complex counterpoint along the
way to propel the text, which is sometimes sung
simultaneously in both languages. The music has
religious intensity and a modern sensibility.
10956152 SATB. . . . . . . . . . . . . . . . . . . . 2.35
L May Your Wonders Never Cease—Bryan
Sharpe. This prayerful anthem reflects upon the
wonders of God's creation and majesty, and the
love and grace found within it. An expressive
melody is enhanced by the accessible yet rich
choral parts and a delicate piano accompaniment.
11165814 SATB. . . . . . . . . . . . . . . . . . . . 2.10
Mercy—Craig Courtney. Mercy is a tender plea
to our Lord for compassion and forgiveness.
Lyricist Susan Bentall Boersma incorporates the
Greek "Kyrie eleison" (Lord, have mercy) into
her original text, while composer Craig Courtney
merges reflective music to create a loving petition
for absolution and grace. You'll not want to miss
sharing this gorgeous setting with your singers and
worshipers. Suitable for use during Lent or general
reflection anytime of the year.
10554825 SATB. . . . . . . . . . . . . . . . . . . . 2.10
Mercy on Me—Sarah Hart. A singable chorus,
simple and memorable, with a moving lyric makes
this anthem similar to a Taize refrain where people
can pray the words rather than having to rely
heavily on the printed word. Useful for a service
of reconciliation or penitence, the three-part
voicing sits in a comfortable range for traditional or
contemporary ensembles.
11316918 Three-Part Treble. . . . . . . . . . . 2.65
D Morning Has Broken—arr. John Leavitt. This
celebrated text to the tune of BUNESSAN has
invited the world to celebrate Spring for years.
Made famous on the pop charts, this song is now
a treasured part of many hymnals and a regular
feature in congregational worship moments. This
choral version is a classic setting of refined grace,
creating a seamless fabric of expressive tonal
beauty. The piano accompaniment is a pleasure to
play and adds a subtle watercolor nuance to the
impact of the piece.
11165979 SATB. . . . . . . . . . . . . . . . . . . . 2.50
11165980 SAB. . . . . . . . . . . . . . . . . . . . . 2.50
11165981 SSA. . . . . . . . . . . . . . . . . . . . . 2.50
11165982 P/A CD . . . . . . . . . . . . . . . . . 29.99
D Music in Morning—Joseph M. Martin. The
spirit of early American hymnody abounds as the
vigorous music dances with the promises of heaven
and everlasting life. The mostly pentatonic melody
toggles between major and minor modes. The
optional orchestration enhances the recognizable
"Americana" timbres and textures.
11194348 SATB. . . . . . . . . . . . . . . . . . . . 2.10
11194349 P/A CD . . . . . . . . . . . . . . . . . 29.99
11194350E Instrumental Parts ePrint . . . . 69.95
DL Lord, I Stretch My Hands to You—Jay Althouse.
An anthem of true beauty - this one of the most
melodic and singable anthems you will find, with a
harmonic structure to match. The strong text is a prayer
acknowledging the Lord's hand in our lives and asking for
his continued help. This is one you will reach for on many
occasions. Now available for treble voices and optional
orchestration by Ed Hogan.
10906842 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.20
10906843 P/A CD . . . . . . . . . . . . . . . . . . . . . . .29.95
10906844 Orchestration . . . . . . . . . . . . . . . . . .69.95
May the Road Rise to Meet You—Michael Higgins.
Michael Higgins's gentle setting of the traditional Irish
blessing has a memorable melody, a flowing piano part,
and a beautiful, soaring soprano descant in the second
verse. Written for the National Children's Choir of Great
Britain, this piece is well suited for any treble choir.
10993260 SSAA . . . . . . . . . . . . . . . . . . . . . . . . .3.00
Ht Nothin' Gonna Stumble My Feet—Greg Gilpin &
John Parker. If you buy only one new spiritual setting this
year for your a cappella choir, this is the one you want!
Brimming with dynamic contrasts, rhythmic nuances and
textual percussiveness, it is an absolute thrill to sing and
hear. "When I go to walk that golden street, nothin' gonna
stumble, stumble my feet!"
10274237 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.50
HL O Love—Elaine Hagenberg. This beautiful setting of
George Matheson's familiar hymn text functions perfectly
in both sacred or secular settings. Here, O Love is given
a fresh new melody with equally refreshing and gorgeous
harmonies. You will not want to miss this for use as a
sacred meditation in a worship service or in a concert
setting as a tribute to the glory of love itself. Now available
in treble and tenor-bass voicings. Simply stunning!
10954544 SSAA . . . . . . . . . . . . . . . . . . . . . . . . .2.25
10954547 Cello part for all voicings. . . . . . . . . .4.95
HD Order My Steps (In Your Word)—Glenn Burleigh/
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arr. Jack Schrader. Nominated for Song of the Year for
the 1995 Dove Awards and recorded by the Brooklyn
Tabernacle Choir, Glenn Burleigh's Order My Steps
celebrates 15 years of inspirational performances. This
choral setting by Jack Schrader will give your choir the
opportunity to sing an authentic gospel piece in an easy-
to-learn setting with tight harmonies. This is a passionate
prayer for guidance and a captivating, hypnotic statement
your choir will want to sing again and again!
10603889 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.35
8020349 P/A CD . . . . . . . . . . . . . . . . . . . . . . .29.95
8020356 Instrumental Parts . . . . . . . . . . . . . .29.95
Panis Angelicus—Karl Jenkins. This attractive and
accessible setting of the much-loved sacred text was
composed for the New London Children's Choir to
celebrate its 25th anniversary. Suitable for intermediate
standard school and church choirs.
11171729 SS. . . . . . . . . . . . . . . . . . . . . . . . . . . .3.50
Sanctus—Michael John Trotta. The final installment of
the Missa Brevis, this peaceful work features opportunities
for unison singing and the development of independent
part singing. With conservative ranges and opportunities
to focus on pure vowels and text accentuation, this is an
elegant addition to any concert or service. Combine with
Trotta's other Latin works Kyrie, Gloria and Agnus Dei to
create the full Missa Brevis.
10990284 SA. . . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
Shalom—Dan Forrest. This tender and comforting
work 'passes the peace' as its simple yet elegant melody
washes over the listener, gently unfolding its text with
increasing texture: "Peace I leave with you, my peace I
give to you, not as the world gives; do not be afraid." The
Hebrew word "shalom" forms the refrains, and whispers of
the word "peace" further paint the spirit and promise of the
text. With piano and optional violin, this piece is equally at
home in worship or concert settings.
11314188 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.25
t
Shut de Do—Randy Stonehill/arr. Greg Gilpin.
This familiar song sounds and feels as if it has always been
a part of the folk song or spiritual genre. In this a cappella
setting, optional percussion can be utilized to enliven the
texture. Equally appropriate in concert or worship settings,
this wonderful arrangement offers solo opportunities and
creative new melodic material before the final refrain.
A perennial favorite.
10689669 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.15
H Singabahambayo—arr. Victor C. Johnson. Fun to sing
Lt and surprisingly rehearsal-friendly, this South African
musical celebration of freedom and hope is sure to have
instant appeal. Lending itself to simple stage choreography
and with an exciting, driving beat throughout, it will enthrall
choirs and audiences alike.
11348337 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.20
11199207 P/A CD . . . . . . . . . . . . . . . . . . . . . . .29.95
HD Then Sings My Soul (How Great Thou Art)—
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Stuart K. Hine/arr. Mary McDonald. With altered melody
and lush harmonies, Mary McDonald's fresh treatment
awakens a new breadth and splendor into this timeless
hymn, giving rise to the greatness that it invokes in
worshiping God, our Creator. The gorgeous orchestration
by Michael Lawrence is a true complement to Mary's
splendid choral writing. Now available in an SSA setting.
10750789 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.35
10235828 P/A CD . . . . . . . . . . . . . . . . . . . . . . .29.95
10750849 3/5 Octave Handbells . . . . . . . . . . . .5.75
L
This Little Light of Mine—arr. Mark Hayes.
Mark Hayes' incomparable arranging style is evident in
every measure of this extraordinary gospel-rock setting!
With a good mix of unison, two-part and fully voiced
chorals, easy-to-feel syncopations, and a supportive piano
accompaniment, it will be an exciting showcase for your
choir! Add live brass and rhythm or the hot accompaniment
track for an unforgettable spiritual experience!
10068302 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.20
3303231 P/A CD . . . . . . . . . . . . . . . . . . . . . . .26.95
lL Thy Little Ones—arr. Brian Edward Galante &
J. Edmund Hughes. This lovely tribute uses the Southern
Harmony
PROSPECT hymn tune as a comfort to all those
who find themselves in the midst of trouble. Dedicated to
a young girl who lost her life to cancer, the serene setting
imparts a sense of peace with its gentle harmonies. The
soothing accompaniment brings an independent angelic
voice that hovers around the melody. A beautiful choice as
a tribute or memorial in either concerts or services.
10593297 SSA . . . . . . . . . . . . . . . . . . . . . . . . . .2.30
Ubi Caritas—Michel Guimont. The Latin plainchant
is maintained in augmented note values in the organ
throughout the piece. The choral texture is SSA and
masterfully decorates the plainchant.
11194327 SAA . . . . . . . . . . . . . . . . . . . . . . . . . .2.10
H
Witness—Jack Halloran/arr. Dick Bolks. Dick Bolks has
taken this Jack Halloran classic and made it accessible
for accompanied or a cappella choirs while retaining the
enthusiasm of the original. This is guaranteed to be the
highlight of your music year!
10366147 SSAA . . . . . . . . . . . . . . . . . . . . . . . . .2.55
Ht The Word Was God—Rosephanye Powell. What an
impact this august anthem will have on both choir and
listeners! Its rhythmic structure develops from the superb
interplay between the voices, and the layering of sound
upon sound creates a musical tapestry. Written in an
almost spiritual style, but definitely not a spiritual, this will
make a stunning choice for larger church choirs!
10055030 SSAA . . . . . . . . . . . . . . . . . . . . . . . . .2.35
