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CONCERT
MUSIC
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SECULAR CONCERT
Secular Concert
D Ad Astra—Jacob Narverud. Highly rhythmic in
both accompaniment and voices with independent
vocal lines, this work simply radiates energy with a
message of hope and empowerment: "To the stars
through difficulties, look upward, move forward,
leave all cares behind." Impressive and accessible!
11162004 SATB . . . . . . . . . . . . . . . . .M 2.50
10846403 Three-Part Mixed . . . . . . . .M 2.50
10990329 SSA . . . . . . . . . . . . . . . . . .M 2.50
HD Adiemus—Karl Jenkins. Although this is an
original work, the words, which simulate a tribal
language, give it a world-music feeling. In fact, the
chant-like character of the piece almost makes you
feel as though you are taking part in a tribal ritual.
A compelling work that has become popular in
festivals and regional choral activities.
3165875 SATB . . . . . . . . . . . . . . . . .M 2.50
10609878 SA . . . . . . . . . . . . . . . . . . .M 1.95
3118460 SSAA . . . . . . . . . . . . . . . . .M 2.50
HD Afternoon on a Hill—Eric Barnum. A musical
soundscape on a poem by Edna St. Vincent Millay,
this picturesque setting includes wind-blowing
sounds for the sopranos and tenors while the rest
of the choir sings, "I watch the wind bow down the
grass..." There are many wonderful effects for the
more accomplished choir.
10044185 SSAATTBB . . . . . . . . . . . .MA 2.55
L Alegrate en Extremo—Mark Burrows. A poem
t from Mexico's pre-Columbian era and translated into
Spanish is presented here in a highly interesting and
rhythmic original setting that retains its cultural feel.
With percussion and opportunities for soloists, this
unique work will excite choirs and audiences alike.
11195651 SATB with percussion . . . . .M 2.85
All for the Love of One—Bob Chilcott. This
beautiful setting of an anonymous medieval text
follows a brokenhearted lover into the woods.
Beautifully sculpted melodic lines and engaging
harmonies fluctuate between major and minor
keys. Supported by a warm yet understated
accompaniment, this piece is nostalgic and lovely.
11198388 SA . . . . . . . . . . . . . . . . . .ME 3.00
All of Us—Craig Hella Johnson. Described as
"brilliant" and "heartfelt," this is the final movement
of Craig Hella Johnson's epic work "Considering
Matthew Shepard," a tribute to the young gay
man who has become an American icon and a
symbol for hope and redemption. With elements
of hymnody, American folk, and gospel music,
this single movement will allow mixed choruses
everywhere to come to understand and be lifted up
by this powerful music.
10715793 SATB . . . . . . . . . . . . . . . .ME 2.95
10759575E Instrumental Parts ePrint . . . . .60.00
t All Shall Be Well—Mark Burrows. This a cappella
setting of words of assurance from the English
mystic Julian of Norwich is as relevant today as
ever. Sustained, independent vocal lines create
lovely harmonies, and the powerful lyrics make this
an optimistic song of hope appropriate throughout
the year.
11195038 SSAATTBB . . . . . . . . . . . . .M 2.25
L
All That I Am—Michael Ryan. "All that I am, and
all that I will ever be, is in my hands today." A light
rhythmic style conveys this affirmative message of
self-empowerment, focusing on what really matters
in life and connecting with the world around us. A
nice developmental piece for young four-part mixed
choirs, it is a good choice for moving-up ceremonies.
11195678 SATB . . . . . . . . . . . . . . . .ME 2.20
D All the Way Home—Sarah Quartel. This work
was inspired by the Radcliffe Ladies' Choir and
their motto, "Friendship through singing." The
lilting vocal lines are underpinned by a delicate
piano part, and the opening performance direction
"contentedly rocking" describes the overall nature
of the piece: peaceful, content, and easygoing.
11317502 SATB . . . . . . . . . . . . . . . .ME 3.00
10952508 SSA . . . . . . . . . . . . . . . . .ME 3.00
All Will Be Well—Will Todd. With a text by the
composer, this is a beautiful piece about optimism,
companionship, and the belief that "all will be
well." Todd's gentle melodies are supported by
a delicate, pulsing piano accompaniment and an
optional percussion part (snare drum, bass drum,
and cymbal) that adds extra sparkle to the music.
Originally published in The Oxford Book of Flexible
Choral Songs.
11315638 SAB (opt. Bass) . . . . . . . . .ME 3.35
11315639 SA . . . . . . . . . . . . . . . . . .ME 3.25
D
Alway Something Sings—Dan Forrest. The
grandeur of Ralph Waldo Emerson's "skyborn
music" text creates a canvas for Dan Forrest's
magnificent sonorities in this superb selection for
choir and soloist with piano or optional strings.
Breathtaking in its beauty and imagery!
10557305 SATB . . . . . . . . . . . . . . . . .M 2.25
10557307 SSA . . . . . . . . . . . . . . . . . .M 2.25
10907460 TTBB . . . . . . . . . . . . . . . . .M 2.25
10557322E Instrumental Parts ePrint . . . . .25.00
D
Always a Place for You—Philip Silvey. Powerful
lyrics by the composer tell the story of acceptance
and belonging. Melodic with contemporary
harmonies, this is perfect in a themed concert
addressing people's joys and concerns.
11175406 SATB . . . . . . . . . . . . . . . .ME 2.25
11175407 Three-Part Mixed . . . . . . .ME 2.25
l
Always My Angel—Jim Papoulis. Written to honor
the loss of the children in the Sandy Hook school
shooting tragedy, this piece offers comfort through
lyrics that express how our lost loved ones will
always be with us, like angels. A gentle pop groove
and youthful melody bring connection to these
meaningful lyrics in a way that is really special.
11333574 SAB . . . . . . . . . . . . . . . . .ME 2.50
L
Always Sing Your Song—Victor C. Johnson.
"Keep a melody in your heart your whole life
long, and always, always sing your song." The
life-giving power of music is beautifully expressed
in this original piece for young treble or mixed
voices. This work has the depth of musicality and
expression to create a beautiful statement at your
next concert. Inspiring!
10953826 Three-Part Mixed . . . . . . . . E 2.20
10684733 Two-Part. . . . . . . . . . . . . . . E 2.20
D
Amazing—Pinkzebra. An upbeat inspirational
song about living life to the fullest, enjoying life's
adventures, and seizing the day. The pop-style
vocal harmonies and singable melodies pair with
the positive lyrics for a song that your choirs will
not soon forget. Perfect for graduation ceremonies
and concert programs! Perform with the
accompaniment MP3 or instrumental parts for a
live band, and help your students rehearse with the
part-dominant MP3 practice tracks - available in a
multi-user bundle to share with your whole choir.
10843713 SATB . . . . . . . . . . . . . . . .ME 2.25
10843714 SAB or three-part mixed . .ME 2.25
10843716 Two-Part. . . . . . . . . . . . . .ME 2.25
10843715 SSA . . . . . . . . . . . . . . . . .ME 2.25
10939938 Instrumental Parts. . . . . . . . . .30.00
11316720F Virtual Kit-Amazing SATB . . . .57.99
11316721F Virtual Kit-Amazing SAB . . . . .57.99
11316723F Virtual Kit-Amazing Two-Part. .57.99
11316722F Virtual Kit-Amazing SSA . . . . .57.99
HD Amor de Mi Alma—Z. Randall Stroope. This
t profound work is set to a stunning 16th century
love poem, which translates "You are the Love of
my Soul." A deeply emotive composition, the work
contains a rich harmonic language and lucid vocal
passages that are both expressive and masterfully
written.. Perform this in Spanish as a splendid a
cappella choral rendering, or use the tasteful piano
accompaniment for a concert feature of rare and
distinct beauty.
3281664 SATB . . . . . . . . . . . . . . . .MA 2.55
10027627 TTBB . . . . . . . . . . . . . . . .MA 2.75
L An die Musik—Franz Schubert/arr. Geoffrey
Edwards. This authentically constructed
arrangement of the Schubert masterwork features
reasonable ranges and accessible reading for
developing singers. Both German and English lyrics
are included in the score of this foreign language
concert or festival selection!
10953829 Three-Part Mixed . . . . . . .ME 2.05
11196489 SSA . . . . . . . . . . . . . . . . .ME 2.05
And I Will Be—Jim Papoulis. Celebrating the inner
strength that is unique to each of us, this work
identifies the choral music room and the friends we
make there as a safe place. We are reminded of
the power of music making and the freedom we
experience when making that music.
11171320 SATB . . . . . . . . . . . . . . . .ME 2.25
L And Miles to Go Before I Sleep—Michael Ryan.
This setting of one of Robert Frost's most well-
known poems has great educational value, teaching
lyricism, musicality, and the poetic connection. In
a strophic form, it begins in unison, easing into
clever canonic imitation, then alternating between
sections. An emotional half-step modulation signals
the final verse, which echoes the iconic words:
"And miles to go before I sleep."
11196491 Three-Part Mixed . . . . . . .ME 2.05
11194858 Multi-Song
Accompaniment CD . . . . . . . .44.95
And So I Sing—Christi Jones. This poignant
setting of a powerful text by James Weldon
Johnson, African-American poet and national
organizer for the NAACP, reflects on the reasons
we sing. Opening with an optional violin solo and
enhanced by a flowing piano part, the piece begins
as a slow, pulsing ballad in minor which transitions
to a major key, upbeat ending.
11197775 SSA . . . . . . . . . . . . . . . . .ME 2.25
HD And So It Goes—Billy Joel/arr. Bob Chilcott. One
t of The King's Singers' most frequently requested
arrangements is this lush a cappella setting of
Billy Joel's hit ballad. A first-rate choice for any
concert program!
1911023 SATB . . . . . . . . . . . . . . . .ME 2.15
HD And This Shall Be for Music—Mary Lynn
Lightfoot. "And this shall be for music, when no one
else is near, such a fine song for singing, the rare
song to hear!" And such a fine song this is, through
the marriage of memorable music to Robert Louis
Stevenson's artful text. Extremely expressive,
complemented by luscious harmonies and a rich
accompaniment, this lovely work will showcase
choirs of all ages!
10590330 SATB . . . . . . . . . . . . . . . .ME 2.20
10085574 Three-Part Mixed . . . . . . .ME 2.20
10047300 Two-Part. . . . . . . . . . . . . .ME 2.20
10093225 SSA . . . . . . . . . . . . . . . . .ME 2.20
10047789 P/A CD . . . . . . . . . . . . . . . . . .26.95
D
Animal Crackers—Eric Whitacre. Here are three
whimsical settings of Ogden Nash poems that are
sure to appeal to Eric Whitacre fans: The Panther;
The Cow and The Firefly. For mixed choirs, this is a
novelty selection with sophistication and class!
10025930 SATB . . . . . . . . . . . . . . . . .M 3.25
D
Animal Crackers—Eric Whitacre. Here are three
whimsical settings of Ogden Nash poems that are
perfect for a lighter portion of your program or as an
encore. The long-awaited sequel to Whitacre's first
Animal Crackers, this is a musical treat. Includes:
The Canary; The Eel and The Kangaroo.
10086978 SATB . . . . . . . . . . . . . . . . .M 3.25
L Are You Proud of Me?—Mark Burrows. "And
though I've lost more than I've won, still I try, still
I dare, still I run. Are you proud of me?" Exploring
themes of risk-taking, perseverance, and seeking
validation from important people in our lives, this
beautiful ballad will touch the hearts of all who sing
and hear it. Lyrical lines, uncomplicated harmonies
and a flowing piano part come together with the
poignant text in a standout choral selection for
young singers.
11195163 Two-Part. . . . . . . . . . . . . .ME 2.05
11312378 Multi-Song
Accompaniment CD . . . . . . . .44.99
BEST
SELLERS
SATB and divisi
Concert Selections
These bestsellers are chosen most often by
directors! Look online for the most current
information on recordings, instrumental parts,
large print and digital edition availability.
O Love—Elaine Hagenberg.
10667410 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.25
Sisi Ni Moja—Jacob Narverud.
10593109 SATB . . . . . . . . . . . . . . . . . . . . . ME 2.25
You Do Not Walk Alone—Elaine Hagenberg.
11166201 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.25
Like a River in My Soul—arr. Tim Osiek.
10907660 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.25
The Road Home—Stephen Paulus.
8069226 SATB . . . . . . . . . . . . . . . . . . . . . . M 1.99
Ad Astra—Jacob Narverud.
11162004 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.50
Sing Gently—Eric Whitacre.
11219607 SATB . . . . . . . . . . . . . . . . . . . . . ME 2.75
I Sing Because I'm Happy—
arr. Kenneth Padden/adapt. Rollo Dilworth.
10451977 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.25
Earth Song—Frank Ticheli.
10027720 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.15
Will the Circle Be Unbroken—
arr. J. David Moore.
10704230 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.95
Ubi Caritas—Ola Gjeilo.
10025943 SATB . . . . . . . . . . . . . . . . . . . . . . M 2.60
In Meeting We Are Blessed—Troy Robertson.
10589968 SATB . . . . . . . . . . . . . . . . . . . . . ME 2.55
I Believe—Mark A. Miller.
10335690 SATB . . . . . . . . . . . . . . . . . . . . . ME 2.35
No Time—arr. Susan Brumfield.
10291521 SATB . . . . . . . . . . . . . . . . . . . . . . M 1.90
The Storm Is Passing Over—
Charles Albert Tindley/arr. Barbara W. Baker.
3093036 SATB . . . . . . . . . . . . . . . . . . . . . ME 2.15
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