J.W. Pepper Catalogs

2021 22 Band Jazz Catalog DIGITAL

J.W. Pepper Music Catalog

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163 Order Toll Free! Call 1.800.345.6296 / w: jwpepper.com / e: [email protected] PERCUSSION Go to cart LARGE PERCUSSION ENSEMBLES medium The Bells of Moscow—Sergei Rachmaninoff/ arr. Stephen Primatic. Rachmaninoff's Prelude in C-sharp minor left a lasting impression on audiences when it was first premiered. It became so popular that it garnered many pseudonyms throughout the world such as The Burning of Moscow, The Day of Judgment, and The Moscow Waltz, though it's often known as The Bells of Moscow due to the way its introduction mimics the Kremlin's stately carillon chimes. Originally written for piano and characterized by dense harmonies and bombastic accents, this piece is perfectly suited for a richly colored orchestration for the world of percussion. 11174061 Percussion Ensemble with CD-ROM . . . . . . . . . . . . .35.00 Circus Circus!—Chris Crockarell. Children of all ages! Here is a regular three-ring circus for ten to twelve players that uses everything but the kitchen sink! Just try not to have fun with this one! 2290369 Percussion Ensemble 10 - 12 Players. . . . . . . . . . . .45.00 l Dance Suite—Chris Carmean. Dance Suite is a set of six short pieces inspired by ballroom dance styles. The movements present a variety of musical styles and opportunity for exposure to the music, movement, and culture behind each dance style. Students will be excited to perform any movement of the Dance Suite, and audience members will have trouble sitting still! 11319102 Keyboard Percussion Ensemble . . . . . . . . . . . . . . . .32.00 Danse Macabre—Camille Saint-Saens/arr. Brian Slawson. The xylophone part from Camille Saint- Saens' orchestral work Danse Macabre is one of the most famous excerpts for the instrument. The violin and clarinet parts, among others, also feature memorable themes, many of which have been arranged here for percussion ensemble. The xylophone takes the prominent melodic voice while the rest of the ensemble adds color around it, creating a mysterious mood befitting a dance of skeletons on Halloween night. 10435060 Percussion Ensemble 8 Players with CD-ROM. . . . . .40.00 Die Fleder-Rag—Johann Strauss II/arr. Stephen Primatic. The overture to Johann Strauss II's comic operetta "Die Fledermaus" is a favorite of audiences everywhere and a staple in the modern orchestral repertoire. Here it is set as a jaunty and rousing rag for percussion ensemble. Despite Strauss being dubbed the "Waltz King," there are no waltzes in this rendition. Written for six mallet keyboard instruments and three percussion parts, this entertaining piece for intermediate percussion ensemble sounds as if it could have been originally conceived this way. 11175624 Percussion Ensemble w/ Online Media . . . . . . . . . . .40.00 Dueling Comedians—Dmitri Kabalevsky/arr. Stephen Primatic. The Kabalevsky classic featuring two xylophone players on the same instrument. The scoring is done purposely so the players are constantly in each other's way. The program notes instruct the musicians to nudge and "hip check" each other in an attempt to gain control of the instrument. Highly entertaining! Your audience will love it! 11169768 Percussion Ensemble . . . . . . .35.00 Equinox—Rick Dior. An intermediate-level ensemble with a featured theremin soloist. The title Equinox is taken from the biannual crossing of the sun over the equator which results in night and day being of equal length on two days of the year. Shifting, crossing melodic motifs serve as countermelodies to the lead theremin melody; at times there are as many as four countermelodies crossing each other. The crossing of these percussion voices rhythmically and harmonically mimic the equinox event while the theremin floats on top of these crossing motifs. 11175644 Percussion Ensemble with Theremin and Online Media . . . . . . . . . .40.00 Five on Five—Stephen Primatic. Stephen Primatic's Five on Five is an aggressive mallet ensemble piece for 5 players on one 5-octave marimba. Because of the number of players, each performer must be aware of their space and move quickly so as not to disrupt the other performers. This makes for an artful, amusing, and unique spectacle. The opening section is propelled forward by constant 16th notes that are passed around the ensemble. The middle section is comprised of slower, more reflective musical material with an ostinato split between the bottom two players and lyrical, melodic material in the other players. The third and final section is a return to the unrelenting 16th note material of the opening. 10839981 Marimba Quintet 10 hands on one marimba . . . . . . . . . . .35.00 l Haut Metall Holz—Michael Huestis. Haut Metall Holz (haút me'tal holts) is an intermediate- level quintet for percussion. The title comes from the German words describing the three types of instruments used by each of the five performers: skin, metal, and wood. It is a high-energy piece that includes extreme dynamic contrasts, intricate grooves, and featured moments for each of the performers. Musical motifs passed between performers and interlocking rhythms throughout the composition make this quintet a fun challenge for performers. 11340766 Percussion Quintet . . . . . . . . .32.00 HeliX—Eric Rath. HeliX was written with the intent of focusing on the first few learned techniques of four-mallet keyboard playing. To that end, a fair amount of four-mallet playing occurs throughout the piece, but always in service to the music rather than sounding like a glorified etude. It is exciting, groove- oriented, and geared toward advanced middle school or intermediate high school ensembles. 11316524 Percussion Ensemble . . . . . . .40.00 Hidden Dreams—Matthew Curley. Hidden Dreams is a marvelously arranged piece for high school percussion ensemble. It starts with the mallet instruments creating a reverberation effect by passing around snippets of 16th notes. The body of the piece is a funky groove interspersed with cadence-style breaks in the battery. The intro motif sneaks in here and there and fully reappears at the end. Very cool! 10811599 Percussion Ensemble 13-15 players. . . . . . . . . . . . .40.00 N E W F O R 2 0 2 1 E D I T O R S ' C H O I C E In the Sky—Patrick Speranza. The title of this piece is taken from the famous lyric, "like a diamond in the sky" from the children's song Twinkle, Twinkle Little Star. The use of metallic instruments throughout conjures the image of bright, shining stars. The parts are written at varying skill levels to involve players of differing experience and requires simple setups. If desired, the vibraphone and marimba parts can be doubled to accommodate larger ensembles. 11316530 Percussion Ensemble . . . . . . .38.00 H Intermediate Percussion Ensemble Collection —Anthony Cirone. This large collection of nine creative selections provides the young developing percussion ensemble with various opportunities to refine their talents. Using six performers for each composition, many of the major percussion instruments found in most schools are used throughout each section. 10043137 Percussion Ensemble Collection . . . . . . . . . . . . . . . .39.99 H Lids—Ed Argenziano. A fantastic novelty piece scored for literally as many metal and rubber trash cans as you can find! 5983637 Percussion Ensemble . . . . . . .30.00 l Lift Off—Jeremy Kane. Here is a piece loaded with optimism. The combination of a driving rhythm, layered melodies, and upward modulations create the atmosphere of an opening ceremony or theater premier! If you're looking for a piece that lights up the stage, look no further! 11315827 Percussion Ensemble . . . . . . .40.00 Look Who Showed Up—Porter Eidam. This high- energy work is intended to show off five members of your percussion program. Along with syncopated motifs and explosive 16th-note passages, each part features a four-bar "as written or ad lib" solo so all players get a chance to step into the spotlight. Have some attention hogs in your ensemble? This is the perfect piece for you! 10316954 Percussion Quintet . . . . . . . . .14.95 l Loud Up de Soca—Brandon Dittgen. Loud Up de Soca means it's time to fire up the band. Written in a soca style, "(so)ul of (ca)lypso," this original and lively chart for steel pan ensemble will delight performers and audiences alike. All pan parts may be doubled as desired. The parts may also be performed on keyboard instruments or electric bass as labeled. 11318652 Steel Drum Ensemble . . . . . . .32.00 Luminescence—Nathan Daughtrey. The aurora borealis and aurora australis, ethereal displays of colored lights shimmering across the night sky, are the result of electrons colliding with the upper reaches of Earth's atmosphere. Luminescence is Nathan Daughtrey's musical interpretation of this beautiful natural phenomenon. This one shines! 10933128 Percussion Ensemble 10-12 players - Score and Parts . . . . . . . . . .40.00 More Contest Ensembles for Intermediate Percussionists—Murray Houllif. This valuable collection makes it easy to teach a wide variety of styles! You'll find eight original ensembles for four to seven players using a wide variety of instrumentation. Great for contest and festival use! 10037341 Percussion Ensemble Collection . . . . . . . . . . . . . . . .35.95 Orchestrations of the Underground—Kirk J. Gay. Kirk Gay brings the soundtrack of Undertale, a hugely popular role-playing video game by Toby Fox, to the world of percussion ensemble with the medley Orchestrations of the Underground. Three themes from the Undertale soundtrack appear including, His Theme, Spear of Justice, and Meglovania. He cleverly weaves these three themes together in one tight-knit, energetic package. 10835955 Percussion Ensemble 9-11 players - folio plus parts on CD-ROM . . .40.00 l Our Calypso—Brandon Dittgen. An original composition written for steel pan ensemble in celebration of the community of pan players around the world. Easily adaptable for any style pan, this work is an excellent choice for two or more ensembles to combine and perform together. All pan parts may be doubled as desired. The tenor- bass part may also be performed on electric bass. 11318653 Percussion Ensemble . . . . . . .32.00 Passing Lane—Carmen Gassi. Your students will love a trip on the percussion highway using the Passing Lane. Abundant colors and catchy rhythmic grooves await your students in this challenging but accessible duet for two snare drummers. 11207841 Percussion Ensemble . . . . . . .12.00 l Pentaphonics—Nicholaus Meyers. Written for five graduated sounds, this work can be performed on any five graduated items or instruments such as woodblocks, claves, cowbells, pots and pans, bottles, or anything really, as long as there are five distinct pitches. It is an exciting, rhythmic work that is fun for both players and audience! 11319137 Percussion Quintet . . . . . . . . .32.00 Popcorn—Gershon Kingsley/arr. David Steinquest. Gershon Kingsley's catchy '70s pop classic is set here perfectly for an ensemble of boomwhackers and shakers. Whether at the beginning, middle, or end of your concert, your audience won't soon forget this one! 10674523 Percussion Ensemble 8-10 players . . . . . . . . . . . . . .30.00 Poppedsicles!—arr. Chris Crockarell, Chris Brooks, John R. Hearnes & David Steinquest. Spice up your next concert with one or all of these legendary pop tunes! The crowd will love it! Includes: Eye of the Tiger; Venus; Wipe Out; The Pink Panther; My Sharona; Mission: Impossible; All I Want For Christmas Is You; Bang the Drum All Day. 11166106 Percussion Ensemble Collection w/ score and eight player books. .95.00 N E W F O R 2 0 2 1 E D I T O R S ' C H O I C E l Rhyme or Reason—Nathan Daughtrey. Based around a simple, syncopated four-bar rhythm which is offset and layered on itself over and over, this piece attempts to make five percussionists sound like ten. Each player is responsible for at least one keyboard and one battery instrument without much rest. 11319105 Percussion Quintet . . . . . . . . .40.00 Rocketship! Brass Ensemble with Percussion Ensemble—Kevin Day. Here is an energetic and melodic brass and percussion work that features a marching snare drum. There is driving percussion that gives way to fanfare-like trumpets. This piece explores the colors of the ensembles and how they interact with each other. A great addition to your chamber library! 11207456 Brass Ensemble with Percussion Ensemble . . . . . . .70.00 Rogue Agent—Matt Moore. Part action-packed spy thriller, part bluesy groove, Rogue Agent is an approachable percussion ensemble piece for six or more players. Four-mallet technique is limited to comfortable chords, and difficulty is skillfully balanced between parts. 11130098 Percussion Sextet . . . . . . . . . .32.00 Spiraling Light—Nathan Daughtrey. 10638414 Percussion Ensemble 8 players. . . . . . . . . . . . . . . . .40.00 Stool of Rock—Chris Crockarell. Here is a highly visual and entertaining piece for six percussionists each with a stool, drum head, and a single drum stick. Techniques include playing the stools with the sticks, the head with the sticks, the rims of the heads with the sticks, and the stools with the rims of the heads. Sprinkle on some clever choreography and you've got a hip treat for your audience that they'll be talking about all the way home! 10674516 Percussion Sextet for Stools . .30.00 TRiBE—Chad Heiny. Each movement depicts a different mood, musical style, or aspect of a tribal ceremony, all cohering into one continuous ritual. The first movement, Premonition, scored entirely for non-pitched percussion instruments, is an exciting, upbeat, and aggressive opening statement. The second movement, Meditation, offsets the first as a slow, dark, and introspective work. The third movement, Rite of Passage, suggests a long and steady procession. In the final movement, Sacrifice, the music is highly focused and martial, creating an exciting finish to a varied experience. 10954415 Percussion Ensemble parts on CD-Rom, 10 players . . . . . . . .40.00 l Vector—Matt Moore. Vector is written for keyboard percussion and electronics. The keyboard percussion parts are of easy to intermediate difficulty, with most of the challenge coming from ensemble timing and listening. Vector can serve as a front ensemble warm-up or stand on its own on a percussion ensemble concert. The keyboard parts are fully playable with two mallets, though players may choose to use four. 11319162 Percussion Ensemble . . . . . . .32.00 EDITORS' CHOICE Editors' Choice makes it easy to find new music for your ensemble. Each year we review thousands of new titles from hundreds of publishers. We check ranges, difficulty, playability and more, and select only the very best. With Editors' Choice, you have access to the widest selection of new music available. My "go to" music store!! – Theresa A.

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