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186
JAZZ
ENSEMBLE
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BLUES & SWING medium
H Moten Swing—Buster & Benny Moten/arr. Ernie
Wilkins. There have been a lot of published charts
on this great Ernie Wilkins arrangement, but this
is the original version as played and recorded by
the Count Basie Orchestra. Moten Swing is possibly
the most played piece of music by the Basie band
and has been recorded countless times, making it
a must-have for any band's library as it exemplifies
wonderful roaring ensemble passages with soft,
soft sections which will make your band sparkle.
This new Finale edition includes a transcribed
piano solo throughout, detailed rhythm section
parts which are written except during the solos, and
clearer, cleaner, more complete parts. Additionally,
there is solo space for tenor saxophone, trumpet
and piano.
2387306 Jazz Ensemble . . . . . . . . . . . .60.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l My Man Sam—Gordon Goodwin. A tribute to the
late, great, brilliant arranger and composer Sammy
Nestico! This medium swing chart has written
or improvised solos for trumpet, alto, tenor, and
trombone. Superb writing provides sweet sax solis,
great dynamic contrasts, and a wonderful shout
chorus. Optional parts include flute, vibes, and
more. Sammy would love this chart!
11355036 Jazz Ensemble . . . . . . . . . . . .52.00
Naima—John Coltrane/arr. Craig Skeffington. One
of Coltrane's favorites and played by jazz musicians
everywhere, this sweet bossa chart is magical.
It opens with alto 1 on the written melody, then
the sax section, followed by the brass taking the
bridge. Features include a very nice, written tenor
solo and lead trumpet range to written B-flat above
the staff. Perfect for any jazz performance, you'll
be delighted with Naima! Highly recommended!
Optional expanded instrumentation.
10093179 Jazz Ensemble . . . . . . . . . . . .52.00
A Night at the Golden Nugget—Gene Roland/
arr. Bob Curnow. This is one of the highly original
swinging charts featured on Stan Kenton's
Adventure in Blues album. This edited version is
written for standard big band instrumentation. This
edition eases some of the challenges of the original
along with changing the instrumentation. Alto sax
and trumpet are soloists on this medium blues
swinger. It is a lot of fun to play!
11202786 Jazz Ensemble . . . . . . . . . . . .55.00
Non-Stop Hustle—Mike Tomaro. This jazz samba
will provide any program with some interesting
variety. The strong melody is orchestrated
beautifully, and the chart also provides solo space
for your featured soloists (written or ad lib). Perfect
for concert or festival programming.
11199506 Jazz Ensemble . . . . . . . . . . . .55.00
Oh, Lady Be Good—George Gershwin/arr. Matt
Morey. A high-energy intro sets the tone for this
hard-swinging arrangement of the classic Gershwin
song. The trombone section is featured on the
melody as the saxes provide accompaniment. Solo
opportunities for trumpet and trombone follow. A
brief trumpet section soli starts the shout chorus
before the rest of the ensemble joins in. This chart is
loud and proud from beginning to end and will show
off a strong band to its fullest. Check this one out!
11207702 Jazz Ensemble . . . . . . . . . . . .50.00
Oh, Muddy Waters—Monika Herzig. This is a
bluesy call and response between bass instruments
and the whole ensemble, with modest brass ranges,
suggested piano voicings, and solo space for tenor
sax and guitar (or piano). Solo transcriptions are
provided that match the recording note for note.
Soft, laid-back syncopations and a rich harmonic
language bring to life a composition that builds on
the initial bass riff.
11207414 Jazz Ensemble . . . . . . . . . . . .55.00
On Green Dolphin Street—Bronislau Kaper/
arr. Dave Wolpe. Only arranger Dave Wolpe can
make On Green Dolphin Street the ideal address! A
combination of swing and Latin feel, suggested solos
for alto 1 and tenor 1, a lead trumpet range to written
A above the staff, a tasty sax soli and a hot shout
chorus make this an impressive chart. Optional parts
are included for flute, horn in F, baritone horn/tenor
sax and tuba. It's a superb chart you will enjoy for
years to come. Highly recommended!
10049712 Jazz Ensemble . . . . . . . . . . . .52.00
One for Daddy-O—Nat Adderley/arr. Mike
Tomaro. This minor blues was written by Nat
Adderley for Chicago DJ, Holmes "Daddy-O" Daylie
and was first heard on Cannonball Adderley's
seminal album, "Somethin' Else." This well-
crafted arrangement swings just like the original,
and includes a flexible solo section for any soloist.
Written-out bass lines and piano voicings are
included as well as chord/scale sheets in all keys.
Highly recommended!
10775162 Jazz Ensemble . . . . . . . . . . . .55.00
One for the Maestro—Pete McGuinness. One for
the Maestro is a relaxed swinger in the style of the
great Count Basie/Sammy Nestico charts. In addition
to the great McGuinness ensemble writing, written
or improvised solo space is included for alto sax
1 and trombone 1 with a bass and drums feature
between the solos. After the solo section, there's a
highly effective full band section that begins quietly
and builds to a tasteful rubato ending. A great chart
for concert or festival programs!
10985477 Jazz Ensemble . . . . . . . . . . . .55.00
One O'Clock Jump—Count Basie/arr. Jeff Hest.
This is the original Count Basie chart, recreated by
Jeff Hest. Meticulously notated with Basie's simple
but timeless piano solo, transcribed solos for first
and second tenors, trombone, trumpet and bass,
and the mother of all Basie swinging shout choruses,
this is a classic that deserves a place in every jazz
ensemble's repertoire! Highly recommended!
2701974 Jazz Ensemble . . . . . . . . . . . .60.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
l Open Sky—Debra Stempien, Greg Turner. Here
is an up-tempo swing chart in a modal, post-bop
style employing chords with upper extensions and
polychords, reminiscent of the musical styles of the
Brecker Brothers, Pat Metheny, and Lyle Mays.
Three solo sections include both optional written
solos and chord symbols for students who are ready
to improvise.
11348686 Jazz Ensemble . . . . . . . . . . . .48.00
Out Back of the Barn—Gerry Mulligan/arr.
Mark Taylor. What better instrument to feature on
a bluesy "bump and grind" swinger like this than
baritone sax? Written in a medium slow 12/8 feel,
this chart will make your entire band sound great,
plus allow an often neglected player to really shine.
Suggested solo and scale/chord sheet provided.
10188517 Jazz Ensemble . . . . . . . . . . . .50.00
H
Out of the Doghouse—Erik Morales. Arranger/
composer Erik Morales delivers! This outstanding
shuffle chart sounds like a big old freight train
coming down the tracks, and it just builds and
builds! There's a wonderful section after the optional
solos that features a powerful sax soli without the
rhythm section, and there are great breaks for
piano and drums throughout. There are also some
independent bari sax lines and optional written
solos for alto, tenor and guitar. The lead trumpet
range is to written A above the staff and there's an
optional ending with lead trumpet notes up to C.
This is a hot chart! Our highest recommendation!
Optional expanded instrumentation.
10068803 Jazz Ensemble . . . . . . . . . . . .52.00
H Perdido—Juan Tizol/arr. Victor Lopez. Mambo!
Arranger Victor Lopez has masterfully intertwined
a mambo and a swing feel in this great Juan Tizol
jazz classic. Featuring a fully notated tenor sax solo,
lead trumpet range to written A, a brief sax soli and
lots of excitement throughout, this chart is pure
fun to hear and play! Don't be "lost", play Perdido!
Optional expanded instrumentation.
10093181 Jazz Ensemble . . . . . . . . . . . .52.00
Pick Yourself Up—Jerome Kern/arr. Sammy
Nestico. Featuring the magical Nestico touch, this
medium swing arrangement of an iconic standard
evolves from a relaxed 2-beat in the beginning,
to a jazz waltz in the middle, and finally straight-
ahead swing to the finish. No solos are required,
but feature spots are skillfully traded between all
sections of the ensemble. Highly recommended!
10960654 Jazz Ensemble . . . . . . . . . . . .50.00
The Pink Panther—Henry Mancini/arr. Mike
Tomaro. This timeless Mancini classic gets a
makeover inspired by the version recorded by
Bobby McFerrin. The groove is medium swing
with an occasional hint of rock thrown in. This is
a highly effective treatment for the little big band
instrumentation. Scored for 6 horns (3 saxes, 2
trumpets, 1 trombone) plus rhythm section with
optional parts included for alto sax, tenor sax and
trombone. Highly recommended!
10376190 Jazz Ensemble
(Little Big Band). . . . . . . . . . . .45.00
Point, Counterpoint—Ellen Rowe. More
advanced groups have come to know that Ellen
Rowe's name on a chart means that the music
is of the highest quality. Now musicians at the
medium level can explore her talents as well. This
straight-ahead swing chart with a unique melodic
and harmonic structure lets everyone get in on the
action. Features ample solo space and plenty of full
ensemble work. A must-have!
10882592 Jazz Ensemble . . . . . . . . . . . .55.00
H The Queen Bee—Sammy Nestico. Penned by
Sammy Nestico, this chart is a relaxed moderate
blues. Written for the Basie/Nestico collaboration
on the album Basie-Straight Ahead, it's perfect
for advancing groups. It is also a great chart for
your rhythm section to develop that wonderful
Basie sound and feel. A must for every jazz
ensemble library!
545673 Jazz Ensemble . . . . . . . . . . . .55.00
Rhapsody in Blue—George Gershwin/arr. Paul
Clark. Gershwin's classic is now available for jazz
bands with this brilliant arrangement! All the main
themes are here in a variety of styles, and individual
instruments (cued in other parts) are featured
throughout. The optional open solo section is based
on chord changes familiar to most players. A truly
amazing showcase for both bands and directors!
Who could ask for anything more?
11206976 Jazz Ensemble . . . . . . . . . . . .55.00
Sandu—Clifford Brown/arr. Chris Sharp. Clifford
Brown's Sandu has long been a jam-session
staple for anyone that wants to shred some E-flat
blues. Chris Sharp delivers great ensemble writing
that really swings in the chart's blow section. The
familiar melody is featured with a trumpet and tenor
sax duet at the top of the tune and returns with
the duet at the end. Sandu also includes written or
improvised solos for tenor sax and trumpet with a
great "rhythm out" interlude between the solos. As
if that isn't enough, there's an excellent sax section
soli and a roaring shout chorus before the recap!
Our highest recommendation!
10517429 Jazz Ensemble . . . . . . . . . . . .65.00
Saxomania—Rich Woolworth. As the title implies,
this swingin' chart features the saxophone section
in all of its glory! Written in a 12-bar blues style,
there is space for all your sax players to play written
or improvised solos over the B-flat blues. With a
catchy melody and some well-written big blow
sections, this tune is sure to be a favorite of your
entire band and, most importantly, the saxes!
11202587 Jazz Ensemble . . . . . . . . . . . .50.00
N E W F O R 2 0 2 1
E D I T O R S ' C H O I C E
Scarborough Fair—arr. Kris Berg. Arranged
for the wonderful saxophonist Chris Vadala,
this English folk song has been fashioned as a
contemporary-sounding chart in D minor that
moves from a loose, open swing to a straight-
ahead swing groove. Terrific development of
melodic material from the tune is paired with a
recurring triplet figure that ties the chart together.
Solo space for tenor saxophone and trumpet (with
Harmon mute) is included. Make sure your lead
trumpet has some chops as it gets up to an E!
This is a unique must-have chart for a developed
band. Highly recommended!
11346122 Jazz Ensemble . . . . . . . . . . . .50.00
Secret Love—Sammy Fain/arr. Dave Wolpe.
Featuring the trombone section, Dave Wolpe's
chart on Secret Love just cooks and cooks!
All four trombone parts have written-out solo
sections, there's plenty of section work and nice
ensembles too. The lead 'bone range is to high Bb
and lead trumpet is to written B above the staff.
This is an accessible and terrific chart to showcase
your trombones. Highly recommended! Optional
expanded instrumentation.
10071747 Jazz Ensemble . . . . . . . . . . . .52.00
H Shiny Stockings—Frank Foster/arr. Greg
Yasinitsky. Frank Foster's composition Shiny
Stockings is one of the greatest jazz tunes ever for
big band. Arranged by Greg Yasinitsky and scored at
an accessible level, this chart has all the ingredients
you expect plus a few short section solis and an
ensemble shout chorus. This arrangement stays
very close to the original, yet is more accessible for
developing groups. Other features include a written
solo for 2nd trumpet with the lead trumpet range to
written A above the staff. This Basie classic belongs
in every jazz library! Highly recommended! Optional
expanded instrumentation.
10071900 Jazz Ensemble . . . . . . . . . . . .52.00
